STAR TREK: THE MOTION PICTURE - AUGUST 31, 2025 - YOU TUBE VIDEO: MOVIE TRAILER
The Original Theatrical Trailer for Star Trek The Motion Picture 1979!

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STAR TREK: THE MOTION PICTURE - AUGUST 31, 2025 - YOU TUBE VIDEO: MOVIE TRAILER
The Original Theatrical Trailer for Star Trek The Motion Picture 1979!

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Steve in the Movies #thetoweringinferno #lemans #juniorbonner #sampeckinpah #thesandpebbles #robertwise #johnsturges #spacelord #spclrd #stevemcqueen #johnguillermin #irwinallen https://www.instagram.com/p/CmPh1Bms1kp/?igshid=NGJjMDIxMWI=
West Side Story (1961)
Romeo and Juliet is a story everybody knows, is tremendously influential, and unfortunately often misunderstood. Is it a love story? Sure, but that’s a secondary point. It’s first and foremost a tragedy about lovers caught up in a pointless rivalry between their families. I’ve seen it done wrong more times than right. That brings us to West Side Story which changes some of the details but gets it. It’s an excellent re-imagining/re-interpretation/adaptation of William Shakespeare's play. It’s also strong on its own with marvelous dance choreography and superb musical numbers.
It’s 1957, Manhattan. In the West Side’s Lincoln Square neighborhood, two gangs are vying for the same territory. The Jets, led by Riff (Russ Tamblyn), and the Puerto Rican Sharks, led by Bernardo (George Chakiris). With the police (Simon Oakland as Lieutenant Schrank and Simon Oakland as Officer Krupke) cracking down on the violence, someone's got to go. When Bernardo’s younger sister Maria (Natalie Wood) falls head over heels for Tony (Richard Beymer), the two attempt to keep the peace, but it all seems doomed.
Let's begin by addressing the two elephants in the room. Firstly, this is a musical. If that isn't your thing... you should still at least give it a shot. This movie really is that good. The second eyebrow raised concerns the casting. Actress Rita Moreno is the only true Puerto Rican in the film. Everyone else? Makeup. It wasn't ok back then or now but you can't change the past and despite this, the movie is still amazing.
Where this film truly succeeds is in its characters. Yes, Maria and Tony fall madly in love with each other after just one encounter, but there’s great chemistry between the leads so you buy it. They're charismatic. They're earnest. You like them. You want this relationship to work. The songs clench it. You feel their plight; how they’re all poor and have few prospects ahead of them despite living in "the land of opportunity". Like so many uneducated and unsupervised young men, the gang members resort to violence. Time is dedicated to the main players to help you firmly establish who is who and when things go bad, it's upsetting.
You might've heard some of the songs in compilations or elsewhere. What I'd like to highlight are the dance numbers. If I can pick only one, it'd be The Rumble - the big confrontation between the Sharks and the Jets as Tony rushes to intervene.
Just about every aspect of the filmmaking is impressive. The art direction, special effects, character development, script, performances, even the end credits are great. Most of all, this is a strong adaptation of “Romeo and Juliet”. It lures you in with the romance and then hits hard with the tragedy. The way classic figures are adapted to this setting, how they're amplified by the addition and subtraction of others cannot be praised enough. This is all based on a Broadway show so a lot of credit goes to playwrights Jerome Robbins (who co-directs), Leonard Bernstein, Stephen Sondheim, Arthur Laurents but the screenplay by Ernest Lehman puts in a lot of work too. All the choices made were the right ones.
Even if you’re iffy about the film at first because you see these thugs dancing in the street, by the intermission, you can’t wait to see where it’s going. At first, I was uncertain about West Side Story. The songs took a while to get used to and when you see something labeled with this many awards (10 Oscars), you expect to be blown away from frame one. If you aren't, you're quickly disheartened. It won me over. Boy did it ever. This is a must-see. (On Blu-ray, January 22, 2016)
#StarTrek The Motion Picture, first released in cinemas #OnThisDay in 1979⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀ #TitleScreen #OTD #RobertWise #WilliamShatner #LeonardNimoy #DeForestKelley #JamesDoohan #GeorgeTakei #MajelBarrett #WalterKoenig #NichelleNichols #PersisKhambatta #StephenCollins https://www.instagram.com/p/CXMU5yghadm/?utm_medium=tumblr
Robert Wise’s adaptation of Michael Crichton’s novel about an alien microorganism let loose on Earth is stark, chilling, claustrophobic, tense, and all too realistic. Science fiction movies featuring a biological outbreak are saddled with a unique tension. On one hand, they need to be speculative, to satisfy the science fiction component. And yet, pandemics happen. They, and the way we deal with them, are rooted in reality. They need to be believable and realistic. The line for the suspension of disbelief is almost tenuously thin for a movie to work. When they do, sci-fi plague can be almost unbearably chilling, bleak, and grim. The Andromeda Strain is utterly believable, and that’s part of what makes it so deadly effective. Despite the fact that a good portion of the action on-screen being akin to watching clinical laboratory footage, Robert Wise’s adaptation of Michael Crichton’s novel about an alien organism getting unleashed on work, is exponentially more terrifying, more dread-inducing, than the cruelest Slasher film or pitch black Gothic Horror. Plague Week continues on Forestpunk with a review of Robert Wise's adaptation of Michael Crichton's The Andromeda Strain. . #plagueweek #theandromedastrain #michaelcrichton #plague #selfquarantine #socialdistancing #coronavirus #covid19 #robertwise #sciencefiction #scifi #scifimovies #dystopian #dystopianmovies #viral #outbreak #scifihorror #70shorror #70smovies #disastermovies #aliens #extraterrestrial #horrorgram #horrormovies #horrorfilm #horrorcommunity #horrorlover #jsimpson #moviereview #forestpunk (at Nevada) https://www.instagram.com/p/B90P9SVBOYs/?igshid=9w5sbgz2wclg

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Remembering Screenwriter Ernest Lehman on his birthday, here with Pier Angeli on the set of SOMEBODY UP THERE LIKES ME ('56)
#StarTrek The MotionPicture, first released in cinemas #OnThisDay in 1979 Art by #BobPeak & #SpirosAngelikas #CoolArt #Art #MoviePoster #MoviePosterArt #Kirk #WillliamShatner #Spock #LeonardNimoy #Ilia #PersisKhambatta #RobertWise https://www.instagram.com/p/CId59ziF2tn/?igshid=bxqkvo1cjhab
The Sound of Music (1965)
If you want to avoid how foolish I felt after watching The Sound of Music, get off your computer and just go watch it right now. This musical is a delight, a wonderful film so beloved its influence is everywhere. It's full of "oh! So that's where that came from!" moments.
In Austria, 1938, Maria (Julie Andrews, magnificent) is on her way to becoming a nun but doesn't fit in with her peers. She’s always humming a tune and constantly finds her spirit whisked away by music. To help her make her decision, she is sent to help care for the seven children of Captain von Trapp (a young Christopher Plummer). As the family bonds, everything seems blissful, until neighboring Nazi Germany begins mobilizing its troops...
My favorite thing about A Sounds of Music isn’t the songs, even though they are memorable, catchy, well written and delightful. It isn’t the actors, even though Julie Andrews is amazing in every sene. It wasn’t the love stories, even though they warmed my heart. What I like best is that even though this is a charming film that uplifts you even if you are in a sour mood, it also contains just a tiny bit of tension and a smidge of fear. Even though I felt like I didn’t have a care in the world during the musical numbers, it was never so sweet or gentle that I found it sappy. That looming shadow in the distance keeps you wondering. Will the family you've fallen in love with be alright in the end? It's a brilliant move because as the uncertainty grows, it perfectly balances the lighter moments and prevents the film from becoming saccharine or forgettable. The Sound of Music has earned a permanent spot on my list of “best musicals I’ve ever seen”.
I instantly fell in love with this film because it does feature some extraordinary songs and, as a great bonus I felt that the characters were compelling and the story strong as well.
We’ve covered Julie Andrews. Now let's shine a spotlight on the other cast members. Everyone involved in this production do an exceptional job. Even the child actors are terrific. After coming out of having just seen “The Land Before Time II” which had some amateur musical numbers performed by children and young actors that were decent at doing animated voices, but not particularly good at singing, I had almost forgotten that there exist talented kids with terrific sets of pipes. The production is first-rate, the characters compelling and story engaging. You don't feel the 174-minute running-time at all. It lifted my spirits and I find it hard to imagine anyone, except the most bitter of Ebenezer Scrooges that hates musicals on principal not thoroughly enjoying what is righteously classified as a classic.
This film has melted the ice around my heart and rekindled my appetite for musicals. It's unapologetically sweet, the kind of picture that introduces itself to you by handing you a bouquet. I knew of it but could not have guessed how much I would come to adore the film. The songs, the story, the dance numbers too. It contains a puppet show so darling it'll make your every worry and fear vanish. I can't wait to see The Sound of Music again. (On Blu-ray, March 18, 2015)