Warlocks be like âI know a placeâ and then take you exactly 120 feet away



#iwtv#interview with the vampire#the vampire armand#amc tvl#assad zaman

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Warlocks be like âI know a placeâ and then take you exactly 120 feet away

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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What was your first D&D character? What was your most recent?
My first ever DnD character was an elven druid called Nehtë! She was pretty fun to play as but I ended up giving her to a friend and playing as Marcon instead. In that sense, Marcon would be my first.
Roxy is the character I created most recently but the last one I played as was a one-off randomly generated character called Yanace. She was a yuan-ti pureblood bloodhunter created for my friend's party.
What was your experience w/ MOGAI? You mentioned that with a recent ask
When I was around 15 or 16 years old, I was starting to get very active on Tumblr and was also experimenting around with my opinions. One of those opinions dealt with LGBT+ identities. Now, exploring Tumblr at a young age can be a mess at times, but add on being a confused teenager and the environment of Tumblr?
I went for a year or so thinking I was a pansexual lithroromantic and I cringe every time I remember this phase. I would go on to think I was pansexual for 5-6 years before gradually coming to terms that I was a lesbian.
I tried to research up on all these various genders and sexualities and I thought they were all 100% legit. But, they arenât. Theyâre harmful to those of us in the LGBT+ community, in some ways they are biphobic or transphobic. Many of these are sexualities for interests or genders for personality traits.
Itâs been some time, so I canât tell you how I pulled myself out of it. I think I started listening to the older LGBT+ people I knew and started to question why we needed these genders and sexualities when thatâs not how either really works.
How do you keep your world thematically consistent? Starting to have troubles implementing new ideas into my world in a way that is cohesive with the pre-existing structure I have
Tex: Whatâs your theme? If itâs set in Meiji-era Japan, to pick an example, you wouldnât have cell phones, nor the people wearing togas (unless it was someone trying to be Extraâą, especially since the Meiji-era occurred after Ancient Greece, and Europe-Japanese relations exist during this period - but I digress). Having a good handle on what your theme(s) is/are will naturally delineate boundaries for what type of ideas can even be implemented.
This is, unfortunately, where being good at research would be very helpful. Even if youâre not writing a historical whatsit novel, knowing the finer details of your source materials will guide you into ideas that are complementary to the ones youâve already incorporated.
To continue the idea of a story set in Meiji-era Japan, knowing what details composed Japanese culture in general, but what historians define as âMeijiâ (years, yes, but political events? Diplomatic ties with foreign powers? Inventions? Artistic movements?) is a strength rather than a weakness.
Meiji-era Japan saw their own Industrial Revolution, and with that came the dawn of the modern textile era. Cotton and particularly silk saw a sharp increase in production - and with automation comes more human capital available for invention. In this instance, that means a greater creativity in textile designs, especially since it was no longer restricted to locally-available quantities or time-restricted manufacturing methods.
As Japan adopted a mercantilist economic model during this era, that meant more exports - but what they were exporting werenât raw goods, it was finished products. Remember that greater opportunity for creativity? This is where that came into play. Textiles, in this example, became another vehicle for art, and thus culture (this was Japanâs main export, something you can still see in many forms today).
YĆ«zen-dyed fabrics became popular in this era (The Japan Times). If we poke around a little, we can deconstruct this. YĆ«zen mimicked upper-class silk brocades by applying dyes with a stencil of rice paste, in a workaround of sumptuary laws - and also much cheaper than brocade!. Itâs a resist-dyeing technique, too, of which there are several methods in Japan alone.
So what can we do with this information?
We have a source culture - Japan. We have a source era - late 1800s to early 1900s. We have a popular textile - silk. We have a popular method of decorating said textile - resist-dyeing with a rice paste.
All of these things are new avenues to find compatible ideas. We can progress yĆ«zen fabric forward in time to the modern age, as itâs just a technique, and do things like⊠I donât know, put Pikachu on a silk blouse. Both of these things are culturally Japanese. Thatâs one new idea.
The time period means we can look to other places during the same relative era. A Victorian hair wreath wouldnât raise too many eyebrows, since itâs from the same time period, the UK and Japan had diplomatic relations (so a characterâs knowledge of the custom could be bluffed), and Shintoism would provide a plausible reasoning for hair wreaths popped up without Victorian interaction - reinventing the wheel, so to speak. Thatâs a second new idea.
The textile medium opens up a great many things. Silk wallpaper is a thing, as are silk sutures (which would mean a jump in interior design and medical technologies, respectively). Thatâs the third and fourth new ideas.
The textile decoration method, though Iâve already discussed a particular usage of yĆ«zen. Do you know what another similar method is? Batik. You stamp through the dye-resistant medium rather than leaving gaps to float dye to dye the fabric, but you could make up some intermediary points between the techniques to bridge the gap. What if some artisan discovered they could apply the rice paste and etch in designs, and then floated the fabric in dye? Thatâs a fifth idea.
By knowing the context of my example of a source material - Meiji-era Japan - and pulling something superficial from it - yĆ«zen fabric - Iâve come up with five new ideas that are complementary to my sources:
Pikachu-decorated silk blouse
Hair wreaths
Silk wallpaper
Silk sutures
Yƫzen-etched (rather than gap-leaving) designs
These are all consistent with my theme because they come from my theme, and only branch out by maybe one or two degrees in the variables Iâve described for each.
The question I have for you is this: are the themes that youâve already picked complementary to each other? If your selection of themes have too much semantic distance between them, youâre going to struggle coming up with complementary ideas. In that case, figuring out which themes are your core ones, and which are your extraneous ones, will help you find new ideas when you set out to research the nuances of your core themes.
I have seen quite literally next to nothing about Skyward Sword since I finished it several long years ago, and MAN finding your blog out of the blue has been a wonderful experience for getting the feels again
Yeah I donât really see too much about Skyward Sword compared to other Zelda games like say Wind Waker so I try my best to post/reblog what I can! And Iâm glad! :)
@pwbi

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch âą No registration required âą HD streaming
pwbi replied to your post âmy ideal life would just be drifting from tavern to tavern sometimes...â
You can do this? You can totally drive from place to place and do freelance work or odd jobs, capitalism makes that possible lol
bold of you to assume iâm a gay that can drive lol
Build a world where everything is pretty normal, but then everything changes when the fire nation attacks.Â
Different animals can see different wavelengths of light, so imagine if different fantasy races could see/not see certain colors?
Like, the elf ranger points out âultra violet colored leavesâ and the rest of the party is like bro, what the actual fuck do you mean