Regina Hall in KING Magazine July/August 2004 issue. Written by Peter Rubin. Photographed by Jill Greenberg.

by graphic artist Kelsey Brennan

Namor's cenote mural of the establishment of Talokan

by Tim Croshaw

Visitor's quarters cenote, plans and elevations.

by Tim Croshaw

Namor's cenote plan

by Peter Rubin

Namor's throne room backdrop, digital model.

"Memory as form is in essence the translation of emotions. Talokan is Namor’s memorial of the world he once knew at the end of its reign. The greatness he knew of Maya was from oral stories and written records and manuscripts such as the Codices and the Popol Vuh. Through Namor’s quest in memorializing Maya, the originality of Talokan became material. The architecture of Talokan is the physicality of memory, which lies in the gestures the structures adopted, while also managing the provocation of thought about the life and purpose of the structure itself, and care over the architectural spectacle. Spaces appear detached from both structural soundness and reality. Beyond merely shape and color, this world had to embrace the lack of a sense of direction and gravity. It encapsulated the illusion of suspension, a connection to environment, contemplation over stability and symmetry. For some, the more separated in time you are from a memory, the more subjective it becomes, and so the creative team followed this in form and structure." -- Hannah Beachler

This is all from a great article by the art director for Wakanda Forever, Hannah Beachler, for PERSPECTIVE The Journal of the Art Director's Guild.

The Jupiter 2 from the 1998 film Lost in Space.  The designers are Peter Mitchell Rubin and Norman Garwood.

Digital illustrations by Peter Rubin of the asteroid 16 Psyche, taken from a Popular Science article.