Gustave Charpentier (1860-1956) - Louise: Depuis le jour ·
Montserrat Caballé ·
Orquesta SinfĂłnica de Barcelona - Conductor: Carlo Felice Cillario

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Gustave Charpentier (1860-1956) - Louise: Depuis le jour ·
Montserrat Caballé ·
Orquesta SinfĂłnica de Barcelona - Conductor: Carlo Felice Cillario

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The famous Carmen. But also... the famous Micaela, right? Letâs donât forget her. Because she is also so important and fragile, but Don JosĂ© have other plans.Â
Today on Musica in Extenso:Â
Georges Bizet
CarmenÂ
Je dis que rien ne m'Ă©pouvanteÂ
Please enjoy this beautiful aria! - Editor-in-Chief
Mozart - "Ein MĂ€dchen oder Weibchenâ from The Magic Flute (1791)
Near the end of the opera we get this charming song from Papageno talking about how he wants a woman to love. It is naive, childish, sentimental, and borderline kitsch. It is also bright, colorful, and magical. The use of the celesta makes this part of the most colorful score of the 18th century. Itâs almost proto-romantic in being a German work infatuated with magic and fairy tales. It never fails to put a smile on my face.
When your talented friend finishes an aria and you just want to give them feedback.
Antonio Cesti (1623-1669) - Alma mia from the opera LâArgia
Marianne Beate Kielland, mezzo-soprano
Oslo Circles

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Vincenzo Bellini (1801-1835) - Norma, Act I: Casta Diva ·
Renée Fleming ·
London Voices · London Philharmonic Orchestra · Sir Charles Mackerras
Carl Maria von Weber (1786-1826) - Euryanthe, J. 291: Act I, Scene 2: "Glöcklein im Thale! Rieseln im Bach"
Soprano: Jessye Norman
Orchestra: Staatskapelle Dresden, Conductor: Marek Janowski
Jean-Philippe Rameau (1683-1764) - Castor et Pollux: Acte I, scĂšne 3 - Air de TĂ©laĂŻre: Tristes apprĂȘts ·
Véronique Gens/Les Talens Lyriques/Christophe Rousset