View of soprano Leontyne Price in Puccini's opera, "Tosca." Stamped on back: "NBC photo." Handwritten on back: "Miss Price in Act II."
E. Azalia Hackley Collection of African Americans in the Performing Arts, Detroit Public Library

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View of soprano Leontyne Price in Puccini's opera, "Tosca." Stamped on back: "NBC photo." Handwritten on back: "Miss Price in Act II."
E. Azalia Hackley Collection of African Americans in the Performing Arts, Detroit Public Library

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Happy Black History Month
Black Opera Singers
Their names are presented below, in chronological order from top to bottom
Marian Anderson 1897-1993
Paul Robeson 1898-1976
Leontyne Price 1927- Still Living
William Warfield 1920-2002
Elizabeth Greenfield 1824-1876
George Shirley 1934- Still Living
Caterina Jaboro 1898-1986
Jules Bledsoe 1898-1943
MARIA CALLAS as Floria Tosca in Puccini's Tosca, 1953
The wonderful Maria Callas 🌹
She was one of the most renowned and influential opera singers of the 20th century!
It's been really funny watching people realise that just because a guy looks like a Tim Burton character and speaks French, it doesn't mean he's actually classy, articulate and enlightened. I'm talking about Timothée Chalamet saying opera and ballet is dead and beneath him. His 'poetic gentleman' routine has obviously been a strategy he was told to play along with when he needed the support of the female audience and romance girlies for his career.
That video of weird insistent hand-kissing of every female co-star when the said women were clearly not playing into it that went viral and made girlies on the internet swoon? Cringe. Performative. Unnecessary. He started getting bigger roles and rebranded instantly. Started dating Kylie Jenner. Started dressing in hoodies and shaved his romantic curls. The thing is, from a superficial standpoint, he's not even conventionally attractive enough to get away with it. He's not Brad Pitt. He's not good-looking enough to get away with being "a hot douche" who gets a pass. He's starting to look and dress like Adam Sandler.
And now he's out here saying he doesn't want to do ballet or opera because it's dead, nobody cares about it anymore, it's not where the money is, etc. And the worst thing is, I saw his speech pattern analysis by a voice actor, and it confirmed that he was initially trying to seem cool by saying it, then realised it was a hot take when he didn't get the reaction he hoped. But instead of apologising, he doubled down and made more ill-timed jokes, even going as far as to say that even if some people get upset over it, it's not going to affect his money income, bragging how he has too many fans to worry.
You don't need to be into opera and ballet to realise how much talent and training they require. He does one mediocre musical and he believes he'd be begged to star in opera and ballet? It's not an acting role you get by sucking someone off. How stupid is this guy?
Still think he's Lana Del Rey coded and is a man written by a woman?
P. S. I'm not saying the guy actually needs to be super classy and quote poetry all the time. But he's clearly not who we thought and we should stop romanticizing celebrities based on seeing them perform bare minimum like help a woman with her dress. I'm not saying it's not okay to like them. I kinda like Tom Holland, for example. Seemingly normal, down-to-earth guy, slight golden retriever vibes. Didn't play too much into Hollywood and aesthetics. Worked hard on his movies, locked down and married Zendaya. AND he actually used to do ballet! You don't see him insulting it, because he actually knows how hard it is. But the guy who knows nothing about it and nobody would want him in it anyway is acting like he's above it.
Edit: I just read that Chalamet's mother, sister and he himself used to ballet as well but he just didn't have talent for it? Not sure if it's accurate but if it is it just makes it worse.

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Timothee Chalamet: *runs his mouth*
Every single Opera and Ballet Company:
Sarah Fischer (deceased)
Gender: Female
Sexuality: Lesbian
DOB: 23 February 1896
DOD: 3 May 1975
Ethnicity: Ashkenazi Jewish, Polish
Nationality: French/Canadian
Occupation: Opera singer, music teacher, arts administrator
Note: Fischer was a prima donna of the British National Opera Company in residence at the Royal Opera House (ROH) in 1922 and 1923, performing the roles of Countess Almaviva, Eva in Die Meistersinger von Nürnberg, Marguerite in Faust, and Pamina in The Magic Flute. She notably sang the latter role for the very first radio broadcast recorded live at the ROH on 8 January 1923.