Jun 27
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Nouveaux Travestissemens, 1830, No. 2: Soubrette, by Paul Gavarni.
A fancy dress costume of a minor stock character in theatre who also is associated with the Carnaval de Paris.
Lillian Russell's only known recording, from 1912
"Come Down Ma Evenin' Star" from John Stromberg's Twirly Whirly (1902), performed by Lillian Russell. During the production of Twirly Whirly, John Stromberg delayed giving Lillian Russell her solo for several days, saying it wasn't ready. When he committed suicide a few days before the first rehearsal, the sheet music for Come Down Ma Evenin' Star was found in his pocket. It became Lillian Russell's signature song, and is the only one she is known to have recorded.
Lillian Russel was one of the most famous actresses and singers of the late 19th and early 20th centuries, renowned for her beauty and style as well as her voice and acting. For many years, Russell was the foremost singer of operettas in America. Her voice, stage presence and beauty were the subject of a great deal of fanfare in the news media, and she was extremely popular with audiences. Actress Marie Dressler observed "I can still recall the rush of pure awe that marked her entrance on the stage. And then the thunderous applause that swept from orchestra to gallery, to the very roof.” When Alexander Graham Bell introduced long-distance telephone service on May 8, 1890, Russell's voice was the first carried over the line. From New York City, Russell sang the saber song from La Grande-Duchesse de Gérolstein to audiences in Boston and Washington, D.C.
La Mode illustrée, no. 4, 27 janvier 1884, Paris. Soubrette (déguisement). Ville de Paris / Bibliothèque Forney
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La soubrette - Carte postale française - 1920's
SOUBRETTE is the avant-pop persona of opera singer Nelle June Anderson (music, lyrics, vocals, production). An ambitious and fantastical debut, ANY DEAD COQUETTE invents an archetype and transcribes its dreams. The collection brings "high" and "low" together at every moment: fervent pleas and nonsense poetry, lavishly-produced dance tracks and rough-cut voice memos, free-form phrasings and quantized beats, sweeping orchestral arrangements and a sound-play inspired by John Cage's "Roaratorio," conceited pride and provocative joy, regret and fate — all mysteriously in agreement under Anderson's balmy voice and massive vocal range.
soubrette
a “soubrette” is a comedy character who is vain and girlish, mischievous, lighthearted, coquettish and gossipy—often a chambermaid or confidante of the ingénue.