Summary: Elijah is bored and picks up a new hobby. Inadu is just bored
Written for @fluffbruary Day 28: Painting
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Elijah had found the paints during one of his rounds through the house, hidden away in Niklaus’ old room. While he was content to play the piano or read from his favorite volumes, even he liked a bit of variety and decided to pick up the hobby.
Inadu had spent her time stalking around the house, muttering to herself and doing the occasional spell (thankfully staying away from the white knight but the windows were suffering greatly) and generally leaving him alone. After their initial discussions, they’d agreed that staying far out of each other’s way would be the best way to handle things. He was not keen on making nice with the witch that killed him and attempted to use his niece to end the world and she was not keen on making nice with him either.
So, when he set up the canvas and paints in the sun room, he’d expected to be left alone. He expected that he would be left to whatever embarrassment he would make of himself. He expected to be left to simply imagine how his siblings would tear into his works, each with their own cutting variety of insults.
But, it would seem his housemate had chosen today to change her mind about their agreement. He heard her pass by the doorway multiple times in the span of a few minutes, until she eventually came to a stop. He kept up the pretense that he didn’t notice her there, gliding the brush across the canvas as he waited for what she would do next.
Eventually, she walked into the room, coming to a stop at his right. “What are you doing?”
Elijah’s brush slowed. “I am painting a picture,” he said evenly.
Inadu stared at the canvas and wrinkled her nose. “It’s not very good. I can’t even guess what it’s supposed to be.”
“It’s not supposed to be anything. It’s...abstract art.” It wasn’t; it was a mess. He’d had no illusions about being talented at it; he’d just been taking advantage of a rare unobserved moment to mess about with something.
“It looks more like a mess to me. I thought art was supposed to mean something.”
Elijah closed his eyes and huffed through his nose, dropping the brush from the canvas. “The point of this particular exercise is not in the end product. The point is in the creation. Putting what is in the mind onto the canvas, however unstructured it my be.”
Inadu hummed. “Did you find that in a self-help book?”
He finally turned his head to look at her. “Do you not have anything better to do than critique my artist endeavors?”
“No.” The girl took a seat rather petulantly in a chair on the other side of the canvas. “There’s nothing to do here. The radio doesn’t work, none of your records have good music on them, and I can’t even go outside to explore.”
Elijah hummed and resumed randomly stroking his brush across the canvas.
She crossed her arms and stared at him. “Have you really got nothing to say?”
“Would you like me to say something?”
“It would fill the silence.”
He picked a new color and continued his random strokes. “Very well. I have very little sympathy for your claims of boredom. There are plenty of activities you could partake in in this house. There are instruments you could learn to play and books to read. You could take up journaling – goodness knows we’ve got enough blank books laying about. You could take a practical approach to learning how indoor plumbing works. You could count the individual tiles on the floor. You could even collect a canvas and paints from my brother’s room and create some of your own art. I care very little for what you do, so long as you don’t attempt to break the spell keeping me here. I would also appreciate it if you stuck to our earlier agreement to leave me be.”
Inadu opened her mouth to speak, then quickly shut it again. Satisfied that he’d shut her up, he returned his full attention to the canvas.
After several lifetimes of managing his mercurial siblings, Elijah should have really known better than to expect that to be the end.
Inadu moved back to standing behind Elijah. “Your brother was a better artist.”
Elijah sighed. “My brother has had over one thousand years of practice on me. That is not shocking. If you’ve nothing helpful to offer-”
The brush suddenly jerked out of his hand and slashed a streak of paint across his white shirt. The giggle that sounded from behind him made his lips twitch into something resembling a smile.
In all the pain and taunting of their previous encounters, Elijah had nearly forgotten she was barely more than a child herself. A powerful and dangerous witch, sure, but still a child.
“A rather juvenile prank,” he muttered, feigning disinterest as he returned to the canvas. “I would imagine someone as talented as yourself would have something more...complex up her sleeve. In fact, I imagine honing your magical skills would be an excellent use-”
There was a soft popping noise, and then Elijah found himself completely covered in his own creation, clashing colors and meandering lines and all, from head to toe.
The giggle became a full laugh and soft footsteps scurried down the hallway, far away from the sun room.
Once she was far enough away, Elijah allowed himself a soft chuckle.
This would not be the end of her little pranks, he could tell. But, perhaps, that wouldn’t be the end of the world.
Thankfully, he had an entire wardrobe of suits. He was positive he could withstand whatever she had to throw at him.
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Nothing about why Hope is a powerful witch makes sense, considering the Mikaelson and Labonair bloodline.
Her paternal grandmother wasn't the great witch everyone thinks, she went to her sister for a fertility spell, was always channeling someone and out of her seven children, only two inherited her magic gene. Hayley and Klaus both descend from the seven original werewolves bloodline, but that only means Hope should have been a crazily overpowered werewolf destined to destroy them all, not the death to all witches.
I get why Klaus was her father, due to being the original hybrid, but Hayley? She was a good mother, don't get me wrong, I'm not criticizing her but the writing, and it's obvious neither of them had a strong witch bloodline. But do you know who did? Bonnie Bennett.
She should have been Hope's mother, it's what makes the most sense plot-wise.
I am humbling requesting for the hypothetical fic game the following: in canon the Lockwoods protect Inadu's fingerbone. If you were to do something with that factoid, what would it be?
I am in no way committing to making this into a full thing but here's a little something of what it might look like:
Tyler's house is haunted. Well he's pretty sure it's always been haunted in that metaphorical sense his English teacher had gone on and on about the other day talking about a book he'd not bothered to read (and can you blame him? He's ten, he has better, far more fun things to do than read about messy families).
But he's just recently found it's really haunted, like Casper's much less friendly cousin moved in and is now stealing chocolate milk she can't drink out (which defeats the purpose of chocolate milk if you ask him, not that she ever does) of the fridge and changing the channel when he's trying to watch cartoons.
It's not fair that she keeps following him around slamming doors and having him take the fall for writing stuff on the walls. Sure, he had asked his parents for a little sibling, but a ghost doesn't really count and Elena's baby brother isn't nearly as annoying as this.
"You're out of the goldfish crackers I like." It's worse when she talks to him, because she only talks to him and he heard his mother asking Dr. Gilbert she thought Tyler needed professional help. "If you're going to keep me trapped here you might as well stock the pantry."
She's never told him that before, but it's something Tyler can work with. After all, ghosts leave once their unfinished business is done right? At least that's what they say in the movies. "Trapped? What if I could help you escape? You'd stop bothering me then?"
The girl smiles wider than he's ever seen.
Sneak peek of the latest chapter of 'Actions Have Consequences'
Pandora's Box II
Katherine held Elena by the heart, pushing her against the stone wall of the cell. "There it is. Your bodyguards won't let me kill you, but I can rip your throat out so I don't have to listen to you whine." Elena held on to Katherine's wrist, keeping it steady.
--
Elena's eyes glowed blue as she laughed, smiling wickedly as she applied pressure against Katherine's throat, crushing it slowly. "Oh, poor Katerina, so sad and pitiful, cries for the man who abandoned her. It's sad, not even a proper kiss goodbye." Katherine struggled against her grip; alarm bells rang in her head. "How did you know how Elijah kissed me?" Elena tsked. "Tsk, tsk, you should really work on closing off your mind, Katerina; it was really easy to take a peek."
Katherine tried to pry Elena's hands off her, but Elena just tightened her grip. "Now listen to me very carefully, Katerina, you will help me escape," Elena stated, loosening her hold ever so slightly. Katherine relaxed slightly as she scoffed. "Ha, and why would I do that?" Katherine glared. Elena shrugged. "Because I said so." "And because if you don't, I'll take away the one thing you care about most," Elena added with a sly smile.
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So, I'm just gonna come out and say it: Despite probably only being planned in S4 - the idea of the Hollow and it's very elusive presence being the mastermind behind the Originals and it's history is actually engenious!
(Keep in mind, I'm talking as if I'm inside the universe - not as a viewer looking in. Also, fair warning, I alternate between "The Hollow" and Inadu since they are the same person.)
Let's start with the fact that thanks to Inadu, we know werewolves are just cursed witches cut off from their magic with interesting loopholes (such as the Unification Ceremony) - everyone from TVD should've called it because it's ALWAYS a witch creating a new supernatural species! The even bigger factors come from: why killing triggers the werewolf curse (Inadu was murdered - by her mother), the history that combined werewolf abilities were once divided and needed a witch-like ceremony to come together, the story of how Inadu's bones were kept/used until she got her body back, and the very idea that - unlike vampires - werewolves are a bloodline curse allowed to reproduce. If I'm not being clear, the story of the Hollow correlates a lot with werewolf lore. My only headcanons are that werewolf venom became a thing as a result of vampires being created - a natural defense with a supernatural twist - and wolfsbane is a weakness because she died in a field of wolfsbane. With the fact that werewolves existed 500 years prior, that's half a millennia of history that's got lost, destroyed, or spread out in time (since you don't watch Legacies: Long story short, a Shunka Warakin - a creature Ioway Native American mythos that hunts werewolves - made an appearance. Liberties aside, that essentially says werewolves had a rival predator/there were so many werewolves that a creature like this came into existence), and that's not forgetting how much that loss was furthered by Klaus & Elijah engineering The Sune & Moon Curse to lift his own - imagine how many werewolves died listening to following that crap. So, thanks to The Hollow, we have an entire lost-to-be-rediscovered lore for werewolves. Who knows, maybe the Fated Mates in typical werewolf novels might have some truth in them as well😁.
Next, New Orleans. The very idea that The Hollow is a corrupted, evil soul capable of dark and impossible feats says so much. For starters, her very presence and influence can turn good people into evil-doing followers. If I had to go back, let's start with Xavier Dumas (Jackson's grandfather and the guy who murdered Elias and Brooke Labonair - my HC names for Hayley's parents if you don't mind). It was bad enough he was already upset with Elias for trying to make peace with Marcel, once the Hollow sunk her hooks into him, she used him to get access to one of her remaining remains and when he was of no use, he was left to accept his crimes as a disgraced wolf. Next, we see Vincent and his then not-evil-wife Eva dealing with Marcel's hold on the witches. When Vincent started practicing its magic with Eva - who took it a step further, Inadu started to influence them and their bodies. But for whatever reason, Vincent stopped practicing but Eva was already in her grasp. Now fast forward. I'm sorry, but did no one ask why a twenty-something witch was able to overcome an Original's possession over her body? Not even Alaric and Tyler were able to do it when Klaus possessed them. Like, that's badass as hell, but now that we know about Inadu and her thing for sacrificing witch children, it's very likely now we witnessed the first acolyte of the Hollow's cult through Eva and we just didn't know it - and considering she'd already had killed witches for her, the juice she got for empowering Inadu came into play in the form of gaining her body back from Rebekah. (I also have a theory Finn was corrupted by Inadu's leftover essence on Vincent - explaining his different behavior as Finncent vs in his own body, but nobody's ready for that talk😝). Now, let's move to the last group, the Ancestors. The very fact she was impressed by them and how it connects to the Harvest is interesting if you wanted to say the Harvest was created to give power to the Ancestral Well and keep The Hollow imprisoned. The killing of young witches, the passing on power to super-witch that Davina went through in S1, coming back not quite right but more to the Ancestors' cause? The very fact of all that the Ancestors knew about Inadu's origin story says they knew what she was and was capable of since the beginning and when the connection was destroyed in S3, in all good intentions, Vincent let a very bad cat out of the bag for Davina.
Lastly were Inadu's abilities. Compared to many others in the TVD Universe, not only was she a master at possession, she was able to practice magic in a vampire's body - which no one has done before, bring somebody back to life after having their heart ripped out, alter her blood to be toxic to a vampire, telepathic moral corruption, create corporal illusions capable of physical attacks, crushing hearts from the inside... honestly, The Hollow was a full package of feats that shouldn't go underutilized. I even say she didn't even need to feel scared when she had her original physical body back because she already had a plan and Hope - being her blood and easily located, helped by the fact she fears her - only says she knew things would work out. My only regret is that if done right, Inadu would have followed Hope into Legacies because she'd be the Boogeyman only she can face.
Most people hate Inadu for writing reasons and some hate her for being the reason the Mikaelsons were divided. But in the case of the latter, isnt that what made her a successful villain? A villain's job is to stop the heroes or antiheroes (the Mikaelsons) from getting what they want. The Hollow was a villain so powerful, so menacing, manipulating from the background while the living were clueless in their own troubles that inadvertently added in bringing her to power so she could be an active threat. TO was all about being a family and sticking together and she gave them no choice but to separate if they didn't want Hope possessed again. So technically, in life and in death, the Hollow is a successful villain as she kept the Mikaelsons apart and got to Hope in the end. Essentially an inevitable that did what no one else could do.
I am obsessed with how thorough this is.
I'll be honest that I don't spend a lot of time thinking about Inadu/The Hollow, simply because Season 4 and 5 are not my favorite seasons. But, not because I didn't like her story or the lore, simply because the writing starts to go off the rails and becomes very rushed.
But I agree, Inadu was one of the best villains in TO. And it's completely because, as you pointed out, she did what every other villain was attempting to do. She felt not remorse for it either. Don't get me wrong, I love most of the villains in TO, but the show, for the most part, would always back pedal at the end and make them "redeemable" villains. Which is why I liked Lucien, even in his last breath he did not try to be a better person. He was a villain through and through. Inadu took it even further because they don't offer any justification for her behavior. Yes, her family killed her, but because she was power hungry and murderous. She was essentially the Kai Parker of TO. And you're exactly right, people only don't like her because she was successful. They only like the villains when the villains are bad at it. Inadu had the entire city, including the Mikaelsons, running scared.
I loved that we finally got lore into the werewolves, they were such an underutilized species throughout TVDU. I'll have to actually watch Legacies if it goes into it more. I love your headcannons of how the werewolves evolved and played out. I would also add that Inadu likely added the "werewolf rage" to make them just like her. She was punished for her murderous mentality, so she wanted her family to feel how she felt, to behave as she had.
I only wish that we could have had a full season with Inadu. There was still so much to explore and a lot unanswered. She was incredibly powerful and I love that they never really defeat her. I agree, she should have gone on to Legacies. I hated at the end, Elijah and Klaus die to "kill" Inadu, but they had tried that before. I'm forgetting who it was, but Inadu was possessing someone and they killed that person and Inadu just went back to the ancestry plane and then possessed someone else. You may remember more and maybe I'm forgetting exactly why it worked, but to me, it was too easy.
I would have also loved to see the werewolves more invovled in the Inadu plot line, since it was their ancestor. But we only ever see Hayley. The werewolves completely disappeared after season 3.
I love this breakdown so much and I'm definitely holding onto it for future stories!