Writing, meta, and ramblings blog, because if I keep annoying my friends and family with my nonsense they might stop talking to me. Born 1999. AO3 & Dreamwidth
“I was on a strict diet during Episode VIII, and she was like, ‘Kid, get into that fridge and take some chocolate bars. I have many there.’ And I did,” he recalls. “I failed my diet because Carrie Fisher told me to. And it [felt] great.”
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I know this is a jokey post (rip OPs notes) but a fursona is typically an animal REPRESENTATION of YOURSELF, not an external animal that is strongly meaningful to you and your life/journey.
I've seen daemon and familiar proposed, but to keep in line with the cursedness of the original post, may I suggest: spiritual tamagotchi
Rules: make a poll with 10 of your favourite movies. they can be just 10 movies you loved seeing, or your top 10 movies of all time, then tag some people.
Thank you for tagging me @winterbonesthings, @neeeeeeeeeklaus, @whateverthought, and @sharkboy305!
Tagging: @lady-of-imladris, @philtatosbuck, @crimsonlyinglilly, @frogs-are-bitchs, @freakazoidr17cr-5, @mariedemedicis, @samclownchester, @elena-mikaelson, @endless-natterings, and anyone else who wants to do this!
Originally I had fourteen and managed to get it down to eleven. You will have to be satisfied with that.
thank you @ffigwit @dancerinthestorm @kylobith @eilinelsghost for tagging me! I very much appreciate the love, I have just been criminally busy lately!
Finally had some time to myself today to work on a fic about Elendil I'm hoping to have done for Númenor Week. This fic is basically me answering the question: what if someone decided to climb that blessed-cursed-depressed old man like a tree? It takes place when Elendil is having a crisis in the aftermath of Anárion's death and summons a seer to tell his future. The seer in question is from the White Mountains and so has the seedlings of Dúnedain scepticism which Duinhir will be exhibiting at full force three thousand years later. She takes one look at the mental health disaster that is the High King of the Realms in Exile and is all: Well, the racial superiority rhetoric is clearly bullshit, the only special thing about him is that he wants to die so damn bad. I need to fuck him.
She was a brown creature. Brown-haired, brown-eyed, brown-skinned. Even her clothes were brown, although more of a russet shade. A brown cloth bound back her hair, red runes patterned along it with stars about its edges. Beads of amber glowed at her wrists and gleamed about her neck, one heavy drop of it, some insects trapped within it, hung between her breasts. He was momentarily tempted to attempt to work out what species exactly muddied the golden stone, but quickly looked away. She was slight, the faintest traces of a glare between her eyes and around her mouth as she craned her neck to look up at him. He had the impression that she resented him already and he had not even opened his mouth.
"My lord," she said. "You have ordered a fortune-teller and I am here." Her Adûnaic was fluent but heavily accented. He wondered if she struggled to shed the accent of her birth or simply refused to.
"I did," said Elendil, indicating for her to sit. "And I am glad that you have come."
She did not sit. Instead she stared at him, neck still craned to look him in the eye. "You truly are monstrously large, do you know that?"
Elendil wondered if that was a fault of the tongue, before seeing the gleam in her eyes and realising that the word was purposeful. Most Middle Men were awed by Númenórean height and beauty. Some, however, mostly in Harad, saw them as unnatural, an abomination, stretched and sanded to proportions unnatural to the human form. Elendil had spent his life looking down at people, but since Númenor's fall he found himself looking ever lower, faces tilted up in awe and wonder and distrust. He tried to gauge how old she was—that was another metric that he had had to get used to recalibrating upon his arrival in Middle Earth—and suspected, judging by the wrinkles on her forehead and about her mouth that she was in her forties. Old enough to have grandparents who remembered a time before Gondor's founding.
"My ancestors would have been taller," he said, because he did not know what to say.
She raised an eyebrow, whether in doubt or surprise, and said, "I did not think, with their long sight and powerful minds, that the Men of Westernesse would have need of a humble augur from the White Mountains."
She was prodding him for weaknesses, he realised, working out exactly where she stood. "I have not my father's gift," Elendil admitted. "I see a little, but all is uncertain in this hour." He did not say that with every year the burden of Númenor's memory became heavier. The future, the minds of others, he could not reach them, blurred as they were beyond the ever-expanding darkness of his own mind. He wondered if it was death, or living death, senses blurred and mind leaden, dreams dark and twisted, half-remembered nightmares that left him uneasy and unrested in the morning. Bed was no longer a respite. Maybe you should ask her for a sleeping draught as well.
tagging @endless-natterings @ithilienns @inkedmoth @from-the-coffee-shop-in-edoras @balrogballs @sallysavestheday if you would like to share what you're working on!
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Thank you for the tags: @whoreallyevenknowsanyway, @lady-of-imladris, and @klelijahotp.
I am tagging: @theabditories, @whateverthought, @crimsonlyinglilly, @emmathefanficgal, @endless-natterings, @neeeeeeeeeklaus, and anyone else who wants to do this.
A snippet for the Henrik ending of WRTG. Spoilers under the cut for those who are interested.
...
The dark had been so quiet.
You recall it like a bath gone tepid, the moment your ears slip under and your mouth and nose follow and you’re peering up through the water at a world gone strange and peaceful and silent, the loudness of the world turned to a low gold hum. First dark, second dark, real dark, false dark, it was all the same in the end—
And you had gone down into it and down and down, and somewhere at the very bottom, at the center of the center of everything, you had heard it—the heart of the making, the rise and the fall and the aching want of everything between, the oldest song in the world, the onerous desire of all things: I want to live.
Under every hymn and every dirge ever lowered into the ground, under the birdsong and the wolfsong and the thin reedy cry of the newborn thing slick and furious in its mother's hands—the same three notes, struck over and over since the first living speck first shuddered awake in the warm mud and did not want to stop. I want to live. I want to live. I want to live.
That was all it was—that was all it had ever been—that under the sweetness and under the sorrow, under the vast and patient beat of it, that was the only words the dark knew how to sing, the words every made thing had been singing since the first of them opened its eyes and understood that it would one day be asked to close them. The trees sang it. The birds, the fish, the rain sang it. The mouse in the wall and every star in the sky, the whole aching chorus of everything that had ever been given a heartbeat and then been told that the heartbeat was a loan.
I want to live.
It was a lovely song.
I want to live.
It was a sad song, too.
And you had thought—drifting, sinking, going soft at the edges—oh.
Oh, it is ending.
And the grief of that had risen in you, huge and childish, the way it rises in everything when faced with their ending: not yet, not yet, I have only just begun, I did not get to do all the things I wished. I am unfinished. Give me more time. Please, more time. There are so many things I could do with more time.
The oldest complaint, the first and last one, the one the song was made of. You had wanted to claw your way back up the sound toward the light. You had wanted more and now here was the ending and your hands were empty and it was not fair—
And then, quieter, from somewhere further down: Oh, it is ending.
Only that. The same words turned over in the palm, shown from their other side. And that side was not so terrible. That side was almost kind. For was everything not ending all the time for everything?
Had the trees not made their peace with it? And the stone and the stars and the mouse and every creature that had ever curled up small and let the dark come? Why should you be the exception? Why should you, of all the singing world, be the one thing spared an ending—you who had been so tired for so long?
Everything dies. It is the plainest fact there is.
It is written into the song itself, is the reason there is a song. A thing that could not end would have no reason to sing I want to live—it would simply live, dumbly, forever, and never once know what the living had been worth.
You had felt the two of them turning in you at once, the mourning and the mercy, twin dancers who never tired, who had been dancing this same slow dance in every dying thing since the beginning of the world.
It is ending, and I am not ready.
It is ending, and that is only right.
Round and round. Grief with its hand at mercy's waist. Neither one leading. Neither one letting go.
saw a comment that misspelled “kind gesture” as “kind jester” and am now imagining a beautiful world where we praise good samaritans by calling them kind jesters. good on you, you gentle fool. you’ve made the world a sweeter and sillier place.
So can non-disabled people stop doing that thing where they act like it’s morally righteous to force yourself to work while you’re sick and assume taking sick days automatically equates to laziness. Any time now. That’d be great
The leader of the scout group I help out at approached me out of hours while I was walking to work to tell me that people have been talking behind my back because I missed more sessions than I attended this term (on account of having Covid twice) and was like “We all show up when we’re sick because we take responsibility” and I felt really shitty and guilty and cried the whole workday then I got home and told my mum and she was like “So they want you to throw up on the kids? That’s dodgy. They don’t even pay you. Stop going” and a wave of serenity hit me like a bus
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divorcecore is hot but have you considered the SoF (Caranthir, Maglor, Curufin)'s wives willingly, ardently joining the Flight? Drag that woman down from the purity of the moral high ground and have her dirtied with the blood of slain kin inconveniently placed between her and - what was that their father in law had said? Farewell to bondage! And isn't Beleriand, with its lands and its people on the other side of the sea, their chance to break the bounds of the patriarchal order and rewrite a new one? and isn't drawing their swords at Alqualonde the moment to prove their valor so often called into question? And in the carnage, aren't they truly their husbands' equals, the blood of the innocent speaking to how far they'll go to become the sole masters of the Unsullied Light?
i can't do this anymore guys. dostoevsky never wrote this. please. can anyone hear me. if you do proper research the earliest version of this quote is from like a 2010 facebook quote with a magenta flower on it. it's gotten so bad that it's even credited to him on goodreads but nobody can source where he wrote it because he fucking didn't. i can't keep seeing this in your web weaves. dostoevsky the author of crime and punishment did not in fact write "you were destined for me. perhaps as a punishment". that is just simply not true. please nod and tell me you understand
"what if they fucked" WRONG. what if they ruined each other's lives irreparably. what if there was nothing left but a smoldering heap. what if everything that brought them together twisted and corroded and ripped them apart. and then they fucked.
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