why we ship darklina
an essay literally no one asked for
Nobody needs a "reason" to ship Darklina. But considering this is a villain x hero pairing, it got me thinking about why we shipped it in the first place when the narrative and author so badly wanted us to root for the more sensible alternative pairing and why it became the most popular ship of the entire trilogy.
Personally, I find it really interesting (and low-key hilarious) that a lot of the reasons shippers gravitated towards Darklina can be directly traced back to how badly Bardugo bungled Alina's character arc, Mal's entire characterization and narrative role, Nikolai's wasted potential as an alternative love interest, and the noble intentions she gives the the Darkling.
Alina's Character Arc
Alina's character arc doesn't match who she is as a character. I've written more about that in this post, but a lot of readers were introduced to a passive and insecure protagonist who we were expecting to undergo a typical YA coming-of-age character arc where Alina acquires self-acceptance, confidence, and embraces the full breadth of her powers over the course of the trilogy. Instead, Bardugo gave Alina the kind of character arc that's usually deserved for power-hungry anti-heroines or tragic heroes with a fatal flaw to punish.
The plot offers a strange binary: either Alina suppresses and hides her powers and therefore stays away from descending into villainy OR Alina attempts to find Morozova's amplifiers in order to defeat the Darkling but then becomes corrupted by power in the process. Alina's journey to self-acceptance and exploring her own powers are unfortunately entangled with her relationship with the Darkling. The only way she is allowed to move forward through the plot is to succumb to the corrupting influence of the amplifiers.
For better or for worse, the first character to really embrace her powers instead of thinking she's a fraud or that she's weak or that she's an unholy abomination is the Darkling. He's the first person to recognize her power for what it is and accurately judge its potential and implications for the rest of the world. He advocates for her in front of the royal court, in front other Grisha who think she's weak, and even against Baghra who is initially a very ill-tempered mentor with little to no faith in Alina's abilities. He even rather ironically advocates for her even when the heroic person who's supposed to be supporting her (Mal) does not.
At the start of her journey, Alina is insecure and in constant need of assurance and validation. The Darkling's role as her mentor and guide into this unfamiliar world of Grisha makes him the perfect advocate not only for her powers but also to help Alina see her place in the world. However, once he is revealed to be the villain, Alina also fails to realize that it's time for her to advocate for herself and throws the baby out with the bathwater.
Mal's Characterization & Narrative Role
When Alina loses the Darkling as an advocate in S&B, Mal steps up to take this role. Alina is still rather passive for the majority of the first book and it's Mal who originally wants her to have Morozova's stag as an amplifier if it will mean being able to stand against the Darkling. Bardugo intended for him to be a heroic love interest as a foil to the villainous love interest and I believe she mostly succeeds for the first book.
However, because this is a story about punishing Alina's "evil ambition" (despite there being very little evidence of that) Mal is supposed to serve as a voice of reason in the narrative. Once Alina considers the necessity of acquiring more amplifiers to defeat the Darkling, it is Mal's role to warn her of the potential consequences, to remind her of her inner humanity, and to ward against the corrupting influence of Morozova's amplifiers. Mal's declarations that he wants back the old girl he knew without any power is meant to drive an ideological wedge between them, yes, but he's also meant to be Correct⢠because, again, Bardugo is writing a story about a corrupted power-hungry heroine who goes too far and needs to be punished rather than the arc we were all expecting and the one that Alina's character needs: a coming-of-age story of self-acceptance and personal growth.
Some point after the backlash of Siege & Storm, Bardugo seems to have become aware of her mistake and attempts to scrub Mal's character to be more sympathetic. There is a bizarre exchange half-way through the third book when Mal finally declares:
"I wasn't afraid of you, Alina. I was afraid of losing you. The girl you were becoming didn't need me anymore, but she's who you were always meant to be."
This is an interesting line because it's a complete reversal of Mal's narrative role so far. He's supposed to be her voice of reason that opposes her at every turn but readers interpreted him as being resentful of Alina's powers and angry that she was no longer dependent on him. Bardugo is forced to retcon Mal's entire role in the narrative from being a voice of reason that opposes Alina's quest for power to a supportive friend who will fight by her side. But this was never her initial intention and I believe this change was brought on 100% by audience reaction because she failed to understand the arc her heroine needed and the kind of story her audience was anticipating for such a character.
Needless to say, having your heroine's main love interest actively resent her quest for power until half-way through the third damn book did not endear many readers to Mal. Because Bardugo failed to understand the kind of character development her heroine needed and failed to understand audience expectations, we hated Mal. He became the embodiment of every toxic chauvinist we'd ever met who can't stand the idea of his partner's success and feels entitled to be the center of her universe. He was not the voice of reason. He was an annoying gnat hellbent on dragging the heroine down and away from her destiny. We did not want to root for him. Even the villain was more sympathetic than him because he could bring her closer to achieving the self-acceptance the narrative was obsessed with denying her.
Nikolai's Wasted Potential as a Solid Love Interest
Nikolai plays several roles in Alina's journey but most importantly in our discussions for why we ended up shipping Darklina, his entire potential as a serious love interest is wasted.
When we meet Nikolai, we have hitched our wagons to the Darklina train because despite being the villain, the Darkling is the only one who will allow the heroine to accept her powers and come into her own. Her heroic love interest, Mal, is actively sabotaging her efforts and holding her back from her true potential. But then, in swoops Nikolai and we pause, wondering if there may be a better heroic alternative after all?
In a lot of ways, Nikolai and the Darkling alike: they are eager for Alina's power and see her as a solution to all their problems. They may want to use Alina to prop up their own agendas, but unlike Mal, Alina's summoning powers are a massive plus, not a burden. Nikolai is the heroic alternative to our villainous Aleksander. So we wait, wondering if Nikolai will be the one to fix this mess of a romantic subplot. His royal connections offer an easy path to upwards mobility for our heroine and we sense that an alliance between them (even if it's initially political in nature) may bring our heroine closer to obtaining more power, influence, and self-acceptance not only for herself, but also for the oppressed minority she is a part of.
But, again, Bardugo is still obsessed with that "punish the heroine for wanting power" agenda so while Nikolai exists as another mentor figure who offers Alina advice on how to rule, how to appeal to other people, how to charm, how to win people over, and Alina learns and applies much of what she learns from him, he is not treated as a real love interest.
Despite Nikolai being written as a fairy tale prince (handsome, charming, smart as a whip, brave in battle, etc) Alina never actually considers him romantically. They are friends and allies at best and the only time she considers kissing him is only when she's pissed about Mal.
Nikolai's proposal at the end of Ruin & Rising feels like one last saving grace, one last opportunity for our heroine to take control of her life and make a dramatic change to break from the past. But this too is rejected because Alina's arc will never let her access any power. She does not reject Nikolai because she wants to marry for love. She rejects him because she has been "punished" for wanting power and has internalized that she must not seek any more power for fear of angering the plot gods (and Bardugo). She must return to being nobody in order to remain a good and moral person.
(And, of course, we resent Mal even more because who in their right mind would choose him over Nikolai? Once again, he becomes a roadblock on our heroine's journey to power. We grow irritated that the heroine is failing to grasp an opportunity to elevate herself. We throw the book against the wall. Why are we even following this heroine?)
The Darkling's Motivations
Still, all of the above might still not have been enough to pull the reader to the villain's side. But the Darkling is the living embodiment of Villain Has A Pointâ˘. He is not pure unadulterated evil. He is not Lord Sauron or Voldemort or the Terminator.
He's more Magneto, Roy Batty, or Ozymandias---a man who is part of an oppressed minority who longs for justice and power but is absolutely unhinged in his methods.
Alina runs away because she does not want to be a non-consenting weapon in hands. But we always end up wondering what would have happened had Baghra not warned her. What would have happened if Alina gladly joined the Darkling's side? There's hundreds of fanfics written precisely about this situation because despite the villainy of his methods, we wonder if Ravka might not have been safer after all?
If the Darkling had used the Fold as a weapon against Fjerda and Shu Han, would any of the problems Ravka faces in the later books even exist? Would any Grisha fall victim to the khergud programs or be killed as witches? The Darkling wipes out Novokribirsk and kills hundreds of lives, but how many would he have saved with the Fold as Ravka's greatest shield and sword? đ¤ˇđ˝ââď¸
And therein lies the problem with the trilogy inconsistent moral landscape. The Darkling is an anti-villain that exists in a narrative that is very black and white, unlike the rest of the books in the Grishaverse where our protagonists are anti-heroes who kill, steal, and torture their way through the plot with nary a judgmental glance from the narrative. We long to see our heroine give in to her dark side and get her hands dirty because watching a naive, passive, scared little girl grow into a ruthless powerful Grisha would have made for a hell of a compelling story.
But that's not the story Bardugo wanted to tell.
The Greg Trilogy
Despite taking place in a fantasy Tsartist setting, the Grisha trilogy is oddly anti-Grisha. The narrative doesn't spend much time trying to examine the context or implications of an oppressed minority group fighting for power other than to say "magic powers = evil". Nikolai skates by on a throne of inherited wealth, privilege, and imperialism but it's okay because he's charming and witty and the only monstrous part of him is the Darkling's curse. Literally everything is worse for Ravka and their Grisha after the destruction of the Fold but Ravka must move forward into a new age without relying on Grisha power but putting their efforts into new muggle technologies. Alina must be stripped of her powers and returned to her "old self" in order to be purged of evil.
Basically, it's all one gigantic ⨠dumpster fire ⨠of mismatched character arcs, incompatible moral aesops, inconsistent characterizations, wasted potential, unexamined plot points but it's a a dumpster fire we lovingly and spitefully embrace in fanfic.
We don't ship Alina with the Darkling because we're stupid abuse apologists who somehow missed the giant flashing moral aesop of the books---and honestly, who could have possibly missed them when it's shoved in the reader's face every other chapter? We ship Alina with the Darkling because the entire ship is the embodiment of wasted potential (and wasted â¨aesthetics⨠tbqh đ). We ship Alina with the Darkling because we're sick and tired of stories where female power is demonized. We ship Alina with the Darkling because the plot gave us literally no other alternative to see our heroine succeed except to give in to her alleged villainy.
But most of all, people ship Darklina because Leigh Bardugo utterly failed in writing the story she intended to write because had she succeeded, Darklina would not be the most popular ship of the trilogy.
