#eigthgrade

Oh! We know the AMAZING Elsie Fisher actually likes Monster Prom! We’ve talked to her once or twice (spoiler alert: aside of being a mega-talented actress, she’s also a lovely person)! We’d be delighted of having her in the future! 

Also, mad respect for Sumer Bishil. Always loved Margo in The Magicians, but this season she has turned even better and her acting is ridiculously superb. She’d be a dream come true. As a matter of fact, Vera started being highly inspired by Chanel Oberlin, but her mean girl thing was more on the “spoiled brat” side... and Miranda already filled that spot. So we found refreshing and good to make Vera more complex by being not only a mean girl, but also a strong self-made woman. In a way, without noticing first, she went from Chanel Oberlin to High King Margo. And we love it.

(please do some fanart of Vera as Margo!

And, oh yeah: I’d die to have Shelby Rabara and anyone from either Steven Universe or BoJack Horseman casts, as both shows have AMAZING voice acting. 

Best Films of 2018

2018 was not the year for prestige pictures by a long shot.  Film this year was at its best when it came to superhero movies, and as much as I prefer those over most any other entertainment, that shouldn’t be the case, and that’s not what got me into film in the first place.  As happy as I am to see my favorite comic book characters come to life, I got into film because of daring, bold, and outspoken artists who didn’t need a franchise to speak their minds.  Too many mid-range films went to Netflix or other streaming services and they’re mostly of poor quality with a few exceptions.  I miss the days when film studios took risks, but now they only look for the largest IP with the largest net-profits.  It’s sad.  I love Marvel movies more than anyone I know but they shouldn’t be the only reason I look forward to going to the theater.  But this year also sparked a personal change for me because I moved away from the movie mecca of Hollywood to mid-Michigan, where there aren’t any arthouse theaters nearby during peak awards season so I missed more films than I would’ve liked (even though it’s been the most emotionally rewarding experience I’ve ever had) so I hope that helps explain why this list is so late.  I’ve been catching up on independent films via online rentals as soon as I can and still have many left unseen.  So maybe I missed something during 2018, but I can’t help but be letdown by the lack of inspiration I look to when I try to experience the medium I’m most passionate about.  With that being said, I was still able to conjure a list of my favorite 25 films of the year.  So, here goes:

25. Halloween

This was way better than I would’ve expected, especially coming from the guys who brought us Your Highness.  Director David Gordon Green and writer Danny (Eastbound & Down) McBride delivered the first worthy Halloween sequel that’s ever existed.  Their updated and timely subversion elevated this homage-y sequel while adding more fun than this franchise has ever seen.  John Carpenter’s contribution and the opening credits sequence hit hard with me.

24. Ready Player One

Haters be damned, I really enjoyed this movie.  Of course, I never read the book so that discredits me somewhat but what I got was a rousing Spielbergian experience that we haven’t witnessed since Minority Report.  If you hate this movie, but you loved Hook, there’s something fundamentally wrong with what you think a Spielberg movie is supposed to be about.  Ready Player One was a toybox of fun ideas and intellectual properties sewn together for a generation hung up on video games and nostalgia.  It’s definitely not his best but I love seeing a veteran director who still has the ability to dust off his old toys and make pretend.  The Shining sequence was an absolute standout of appreciation and love for another director’s craft.  

23. Sorry to Bother You

Boots Riley’s debut was strong and weird as hell.  This felt like Spike Lee meets David Cronenberg.  It’s funny, nuanced, and insightful.  Riley’s new voice was energetic and angry in the best way.  I saw this later in the year than I wanted to, but I have a feeling that repeat viewings will enhance this films relevance and my appreciation.

22. You Were Never Really Here 

Lynne Ramsay is one of the best and most unpredictable working directors today.  I always look forward to her work, but this semi-Taxi Driver remake was remarkably accessible for her and more powerful than it had any right to be.  If you haven’t seen it, seek it out.  It’s a crisp 88 minutes long and it’s riveting as well as heartbreaking.  There was a uniqueness to the short runtime, violence, and poignant urgency that she handled with deftness.  Joauquin Phoenix was remarkable, brute, and subtle all at once.

21. Ant-Man & The Wasp

Go ahead and agree that this wasn’t the strongest Marvel output in a while, but just like the previous Ant-Man, it’s a palette cleanser from a previous Avengers film.  Ant-Man & The Wasp is maybe the most child friendly film they’ve ever released and it was still enjoyable as hell.  It’s not important.  It’s simple fun.  And I love that Marvel still knows how to craft something that doesn’t want or need to reach for the fences.  Sometimes an inside the field hit is just what we need.  Ant-Man & The Wasp is a damn good bunt.

20. The Incredibles 2

Now that I hang out with a toddler on the reg, watching this movie never gets boring.  I’d know, because she’s watched it with me five times.  Incredibles 2 was long overdue and it’s maybe not quite so worthy of such a long wait considering the original was my favorite film of 2004, but its sequel was still full of exceptional animation.  That sequence with Jack Jack and the raccoon still fills me with joy.

19. A Star is Born

Bradley Cooper’s directorial debut was surprisingly strong.  Filming everything in close-ups was an intimate and innovative way to express a rising star’s personal journey to stardom.  Even though we can all agree that the first half of the film is vastly superior to the tear-turkey-jerky second half, it’s still an important film and a worthy update of a timeless classic.  The music, performances, cinematography, and sound are all exceptional.   

18. BlacKkKlansman

Spike Lee felt reborn with BlacKkKlansman.  Do The Right Thing will always be one of the all time greatest films; no question.  BlacKkKlansman might be his best since.  John David Washington just established himself as a commanding lead, and Adam Driver further cemented himself as a phenomenal actor.  The poetic-ness combined with the satirical edginess made this one significantly heartbreaking watch while being entertaining and iconic all at the same time.

17. The Death of Stalin

I saw The Death of Stalin early in 2018 and it never left me.  Writer/Director Armando Iannucci is a certifiable genius and the controversial nature of a film like this was one of the most refreshing voices of the year.  This is one of the darkest political satires I’ve ever seen but it’s so goddamn funny.  Laughing at something so atrocious and maddening is one of the only ways we, as a society, can heal from dark times in history.  I fully believe it takes the power away from the people who committed such heinous crimes.  It takes time and a brilliant voice, but it holds a mirror to the ridiculousness we’re currently subjected to, and hopefully with time, we can make fun of our situation too.

16. Leave No Trace

Debra Granik finally followed up her outstanding Winter’s Bone debut and she did not suffer from the sophomore slump that so many other filmmakers have.  Leave No Trace is the saddest love letter to veterans that I’ve ever seen even though it’s beautiful and full of hope.  Granik definitely should’ve gotten a Best Director nomination this year for her delicate and heartfelt look at a father struggling with PTSD while living with his daughter in the woods, away from society.  Ben Foster and Thomasin McKenzie are stunning.  This film stayed with me for weeks after I watched it.  It’s a small but hugely important film.

15. Annihilation

Alex Garland previously made his directorial debut with Ex Machina after an incredible script writing filmography.  He’s established himself as one of the smartest and most important voices in science fiction cinema after Annihilation.  This is a heady sci fi film that scared the shit out of me.  I felt uneasy the second the group of women walked into The Shimmer.  Garland adapted the book it’s based on after only reading the book once, but he created something so frighteningly ethereal that it’ll be talked about for years.  The score for this was off the charts good.  Going from an acoustic instrumental to something electronic was what struck me the most as a stroke of genius.

14. Shoplifters

For a film I saw so recently, very few films this year have had such an emotional impact on me.  Shoplifters is a small “family” film from Korean director Hirokazu Kore-eda, but it packs a punch that I wasn’t expecting.  All I knew was that critics loved it and it was up for a Best Foreign Language Oscar.  It’s a powerhouse of social status and what it means to be a family that defies language and cultural relevance.  

13. First Man

First Man hit me hard on a personal level.  I’d sort of written off Damien Chazelle as a director after La La Land underwhelmed me so much, but this film reinvigorated my appreciation in him because the filmmaking here was profoundly beautiful.  The acting is impeccable.  The cinematography was breathtaking.  Seeing this in IMAX (as my last film in LA) was a jaw-dropping cry-fest.  I left the theater shook.  I doubt this film will shake as many as it did me, especially if you missed it in IMAX, but this was the theater experience of the year.  At least recognize that Justin Hurwitz’s musical score was the most overlooked snub at this years Academy Awards.

12. Suspiria

This was another film I’d sorely missed in theaters, but when I finally got a chance to witness it I was blown away.  Luca Guadaninio’s follow-up to my favorite film of last year, Call Me By Your Name, was a worthy successor.  This was less a horror film, and more of an art-house homage to Dario Argento’s original 70s classic.  It’s still a haunting film, but in a beautifully macabre way.  Thom Yorke’s score is absolutely outstanding, as well as the subversively drab look, completely deviating from the originals color saturated visual palette.  It’s a film that has to be watched more than once.  Even though it’s 2.5 hours long, I was completely transfixed the entire time.  It’ll depend on your mood or taste, but if you enjoy artistic, visual, and auditory enhanced horror, Suspiria is among the best. 

11. Mandy

Throw up the horns.  Mandy is here.  Pasmos Cosmatos cerebral horror film is full of the best revenge porn I’ve ever seen.  Nicolas Cage is unhinged (as he should be) in his best performance in ages.  He’s the Cage we’ve been dreaming of since the 90s.  The first half of this film belongs to Andrea Riseborough and underrated character actor Linus Roache, but the second half is all Rage Cage in full gory glory.  Mandy is a film unlike anything you’ve ever seen, but yet somehow it’s still completely accessible.  The title cards for each chapter are something straight out of a Heavy Metal comic book, and the hauntingly beautiful score by the late-genius Jóhann Jóhannsson is simply gorgeous.  Mandy is a film meant to be laughed at and with.  It’s a fever-dream of ideas that work brilliantly as a whole.  It’s a hard one to recommend but if you know, you know.  

10. Eighth Grade

Bo Burnham just burst onto the directorial scene with this film about the awkwardness of being a thirteen year old girl.  Not something you’d expect from a male standup comedian in times like these, especially when it’s handled so delicately and with so much heart, but it feels so important to young kids who’ve been thrown into subjectivity amongst their peers within the digital age.  Eighth Grade can, at times, make you so uncomfortable, and at other times it’ll completely tear your heart out and make you want to hug your dad.  I know, because I saw it in the theater with my dad.  He was like, you’re still the eighth grade girl you’ve always been.  Thanks, dad.  

9. Aquaman

I know there isn’t a ton of hate for this film, but there isn’t a ton of high praise for it either.  Aquaman was exactly the film James Wan set out to make.  It’s one of the most comic book-y films since Age of Ultron except it’s dumb as hell, and for that, I absolutely LOVED it.  This was a throwback comic book film ripped from the pages that was corny as hell and never took itself too seriously.  Aquaman is a damn hard character to adapt so it’s unbelievable that he got this big of a budget that included over-the-top actors like Willem Dafoe and Dolph Lundgren.  Patrick Wilson chews the scenery as Ocean Master and I don’t give a damn what people think of Black Manta; he’s completely awesome.  You could’ve easily cut this film down, but I was happy to live in its oceanic cheesball world for hours.  Aquaman was the comic book movie of the year that was as ridiculous as it was awesome.  I laughed so hard at how stupid it could be, but I couldn’t help but be entertained by how insane it was.

8. Mission: Impossible Fallout

I don’t know how these films keep getting better, but they do.  This was THE action film of 2018.  As much as I love Fast & Furious 5-7, Mission: Impossible 4-6 has been the best run of a long running action franchise ever.  Fallout brought one of the best villains yet in a story that barely makes sense, but I couldn’t care less.  This film was big in that edge-of-your-seat way that rarely comes along.  Thrilling doesn’t begin to describe it.  The IMAX presentation was fantastic.  I live for movies like this.  It harkens back to 80s and 90s action films but presents itself for a whole new era of practical effects extravaganza.  It’s the best action film since Mad Max: Fury Road.

7. Black Panther

There are a lot of people questioning this film’s entry as a Best Picture Nominee, but it absolutely deserves all of the recognition it’s getting.  Ryan Coogler’s Black Panther is both culturally and politically significant as it is cinematically.  This film is a culmination of what Marvel has been growing to.  The Marvel Cinematic Universe isn’t simply about story progression, it’s about cultural progression.  These films represent societal beacons of the times we live in through decades old comic book prisms.  The lore and spirit of the comics are still present, as well as relevant, and the socio-political themes have been injected into them effortlessly.  

A character like Black Panther can be a leader of change within his own cinematic universe.  Marvel’s created something that transcends blockbuster cinema.  Black Panther is now an icon of cultural appreciation that can inspire real change in the real world.  He’s an optimistic embodiment of what we should strive to achieve as a society.  We should share with the world our hope for change.  Comic Book’s have never been so relevant.  Black Panther has never been so important.

6. Roma

Director Alfonso Cuarón’s intimate portrayal of life as a housemaid was one of the most vibrantly affecting films I’ve ever seen.  Every single shot wasn’t just a landscape; it was a mural.  I’ve never seen direction take this angle and provide so much while saying so little.  Some people might’ve felt emotionally disconnected from his style but Cuarón’s masterful direction captivated me like very few films this year had.  There are multiple layers to his visual representation that effect more of what’s seen than what’s said.  It’s not an easy watch and perhaps that’s part of why it was released by Netflix.  Unfortunately, I had to watch this at home instead of in theaters, but I still felt the impact of the themes and presentation.  It’s one of the few Best Picture nominees that truly belong in the category that’ll stand the test of time.  

5. Paddington 2

This was one of the earliest releases of 2018 and it never escaped my mind throughout the year.  Paddington 2 advances upon the original’s tone to encapsulate something that is pure joy.  Paul King directed the bejeezus out of this movie.  I felt like I was watching Wes Anderson meets Harry Potter.  I saw Paddington 2 in theaters with just one mother and daughter couple and it never felt weird.  The only thing that’s weird is that more people haven’t seen this film.  I had a smile from ear to ear the entire time.  This movie is magic.  Like the Harry Potter films, all of the best British actors are present, and Hugh Grand and Brendon Gleeson give their best performances in years, if not ever.  Hugh Grant should’ve been nominated for Best Supporting Actor.  If you haven’t seen this hidden gem yet, do your soul a favor and seek it out immediately.

4. The Favourite

Yorgos Lanthimos is on a roll.  This nutty Greek director began his career with the insane film, Dogtooth, and hasn’t let up since.  But he’s also learned and built from his previous work.  What started as something of a cultish followed career has expanded into prestigious and innovative filmmaking.  I’d nearly missed this film in theaters until I drove across the state to see this with my parents in Ann Arbor, and although it might be one of the worst movies to see with your parental units, we all could agree that this was a uniquely hilarious and thought-provoking experience.  At first, I wasn’t sure what to think because I was too busy trying to avoid talking to my mom and dad about Emma Stone jerking somebody off, but The Favourite stayed with me for weeks and I loved dissecting all of its themes and nuances.  The Favourite is both entertaining and timely.  It’s another one of the films this year that absolutely belong with (and should’ve won) the Best Picture nominations.

3. Widows

Steve McQueen’s Widows was vastly underseen and underrated.  Here’s a director who usually only does vague, cerebral drama, but working with Gillian Flynn as a screenwriter adapting Lynda LaPlante’s 1983 novel about wives finishing the heist their husbands failed to complete before their untimely deaths, is about as pulpy and as timely as you can get.  There are a lot of stories woven into Widows epic crime saga and some critics have faulted the film’s narrative for it, but look at Heat; one of the most prolific crime sagas of all time, which has more subplots than you could imagine, yet it’s still widely regarded as one of the best films ever made.  Widows is the best film of its kind since Heat in 1995.  It still carries the acting heavyweights and still compelled me more than nearly any other film in 2018.

2. Spider-Man: Into the Spider-Verse

Into the Spider-Verse is one of the few films in 2018 that has the power to influence cinema for the future.  Not only is it extraordinarily entertaining, but it’s also innovative in terms of style and theme.  No other film in 2018 was this inventive and groundbreaking.  I was definitely excited to see this as a lifelong Spider-Man fan, but based on Sony’s mishandling of the character for years, it had me extremely cautious.  Thanks to Phil Lord and Chris Miller’s impeccable screenplay, I got more than the Spider-Man I’ve always wanted to see.  This is a Spider-Man for a new generation.  He’s not my Spider-Man, he never was.  This film is for everyone, and I mean EVERYONE.  The cell-shaded animation and soundtrack elevated this film into bonafide classic territory.  I couldn’t even comprehend it after I first saw it, because I wasn’t ready for something so new.  Months after I watched this film, I could not stop thinking about it.  Spider-Man: Into the Spider-Verse is so nerdy for the fans and so accessible to the newcomers.  It feels like I’m living in an alternate universe where good movies in 2018 DO exist.

1. Avengers: Infinity War

The *Snap* heard ‘round the World...