dc x depressed! reader
request some headcanons for the batboys with a depressed reader? like severe to the point that the reader doesn't shower if they're not constantly taking their antidepressants, and you still can't see their bedroom floor even if they are taking their meds. and they've got insomnia, so they're usually tired even if they try to sleep.
characters bruce wayne, dick grayson, jason todd, tim drake, damian wayne
content batboys x depressed! reader, gn! reader, severe depression, depressive episodes, self-neglect, difficulty showering/personal hygiene, messy living space/depression room, insomnia/sleep deprivation, exhaustion, antidepressants/medication reminders, therapy/medical support discussions, emotional distress, shame/self-deprecating thoughts, caretaking during mental illness, mentions of struggling to stay alive/survival language. no graphic s/h.
masterlist
bruce wayne
Bruce notices the self-neglect before almost anything else. Not because he judges it. Not because he thinks less of you. But because thereās a specific kind of quiet deterioration he recognises with awful intimacy.
The unopened curtains. The untouched laundry. The cups gathering beside the bed. The way your room starts becoming less like a place you live and more like a place you survive.
He has done versions of it himself. Bruce Wayne, public billionaire, is polished to a mirror shine. Bruce Wayne, alone in the Manor after patrol, has absolutely gone too long without eating, slept in the chair beside the Batcomputer, forgotten basic bodily needs until Alfred all but threatened him with a tray. So when he sees your bedroom floor swallowed by clothes, books, wrappers, whatever your depression has let fall and never given you the energy to pick up, he doesnāt look disgusted.
He looks⦠pained. Because he understands the shape of it, even if he does not understand how to talk about it.
Bruce is not naturally good at comfort. His first instinct is always logistics. Identify the problem. Build a system. Reduce harm. Prevent escalation. So the first time he realises how bad itās gotten, he goes very still and asks, carefully, āHow long has it been like this?ā
And if you snap, or shut down, or say, āI donāt know,ā he doesnāt push. He just nods once, like heās filing that information somewhere deep and private.
Bruce struggles with the fact that he relates to your self-neglect but not always to the emotional language around it. He knows what it is to treat his body like a tool that can be used until it breaks. He knows what it is to ignore hunger, exhaustion, pain, hygiene, sleep. But he has spent years calling that discipline. Seeing it in you forces him to confront that maybe, sometimes, what he calls discipline is just another form of damage wearing a very expensive suit. That realisation does not sit comfortably with him. Bruce Wayne and self-awareness have a situationship at best.
Still, he tries.
If you havenāt showered, he doesnāt say, āYou need to shower.ā He knows commands can curdle into shame. Instead, he says, āWould it help if I sat outside the door?ā Or, āYou donāt have to do everything. Just rinse off. Five minutes.ā Or, very softly, āYouāll feel less trapped in your skin afterwards.ā
That last one is how you know he gets it.
Bruce is painfully aware that hygiene can become impossible when depression gets severe. Not āhard.ā Not āannoying.ā Impossible. Like your body has become a locked room and the key is buried somewhere under the bed. So he never treats a shower like a small thing.
If you manage one after days of not being able to, he doesnāt overpraise you like youāre a child. He simply notices.
āYou look more comfortable,ā he says. Which, from Bruce, means: I know that cost you something. Iām proud of you. I wonāt embarrass you by making a spectacle of it.
Medication is where Bruce becomes very Bruce. He is deeply serious about your antidepressants. Not controlling, not patronising, but quietly immovable. If your medication is what keeps you showering, eating, sleeping, and functioning even slightly, then in Bruceās mind, it is not optional in the same way oxygen is not optional.
He helps create backups. Refill reminders. Pharmacy coordination. A pill organiser if youāll use one. Water on your nightstand. A tiny dish beside it so you can tell whether you've taken them already.
He does not call it āfixing you.ā He calls it āremoving friction.ā Because Bruce understands that when youāre severely depressed, every extra step becomes a locked gate. Find the bottle. Open it. Get water. Remember the time. Call the pharmacy. Pick up the refill. Eat enough beforehand.
Too many gates. So he quietly starts unlocking them.
If you miss doses, he does not get angry. He gets worried in a way that makes his jaw tighten. āIām not disappointed,ā he tells you, because he knows thatās where your mind goes first. āI need you to hear that.ā And then, after a pause: āWe adjust the system. Thatās all.ā
The bedroom is harder for him. Not because of the mess itself. Bruce has seen crime scenes, collapsed buildings, Arkham cells, Jasonās safehouses, Timās caffeine graveyards. Your room does not scare him.
What scares him is what the mess means. It means youāve been alone with it. It means things have been heavy for longer than you admitted. It means every object on the floor is a small surrender your brain forced out of you.
Bruce does not clean your room without asking. Control matters to him, and he knows it matters to you too. He stands at the doorway and says, āDo you want help, or do you want me to pretend I didnāt see it?ā If you choose the second option, he respects it. Mostly.
He will still have Alfred send up food. He will still make sure there are clean towels nearby. He will still quietly remove anything genuinely unsafe if he can do it without making you feel exposed. But he wonāt barge in and turn your suffering into a project.
If you do let him help, Bruce is methodical. He does not say, āLetās clean your room.ā He says, āTrash first.ā Then, āLaundry.ā Then, āClear a path from the bed to the door.ā
He breaks it down like a mission because that is the language he knows best, and somehow it helps. Not because your depression is a villain he can punch, tragic for him honestly, but because he can make the battlefield smaller.
The first goal is never āclean.ā The first goal is āsafe.ā You need to be able to walk without tripping. You need water. You need medication within reach. You need clean clothes somewhere accessible. You need a bed that feels like a bed and not an evidence locker for your worst month.
Bruce does not expect your room to stay clean afterwards. That might be the most important part. He knows relapse. He knows cycles. He knows what it means to drag yourself upright and then fall apart again three days later. So when the floor disappears again, he does not sigh. He does not say, āBut we just cleaned this.ā
He says, āBad week?ā
Thatās it. Two words. No accusation. No disappointment. Just recognition.
Your insomnia is the part of your depression that Bruce relates to most directly and least healthily. He knows the strange cruelty of being exhausted and still unable to sleep. The body begging. The mind pacing. The dark becoming too loud. But Bruce is also terrible at modelling healthy sleep. Heāll tell you that you need rest while standing in the kitchen at 4:12 a.m. in yesterdayās shirt with a split lip and a coffee he should not be drinking.
You stare at him. He stares back. āThis is different,ā he says. It is not different. It is, in fact, the same clown car wearing a cape.
Eventually, Alfred calls him out. Then Dick. Then you. And Bruce has to sit with the uncomfortable truth that he cannot ask you to value your body while treating his own like rented equipment. So he tries to do better with you. Not perfectly. Never perfectly. This is Bruce. Growth comes to him like a cat approaching a bath.
But he starts sitting with you at night without opening case files. He makes tea instead of coffee. He reads in the armchair near your bed because silence feels safer when shared. Sometimes he talks. Low voice, careful words. Stories about his parents, about Gotham before it became a wound, about Dickās first week at the Manor, about Jason stealing tyres, about Tim showing up with too many questions, about Damian pretending not to like being tucked in.
He doesnāt always know what helps. But he learns that he does not have to say the perfect thing. He just has to stay.
If you apologise for being ātoo much,ā Bruce almost visibly flinches. Because he has thought that about himself. Because he has believed his grief, his rage, his damage made him poisonous to the people he loved. So when you say it, he answers with unusual sharpness.
āNo.ā Just one word at first. Then, quieter, rougher: āYou are not too much. You are in pain.ā
He may struggle to relate to depression exactly as you experience it, but he understands pain becoming routine. He understands neglect becoming normal. He understands surviving so long in emergency mode that care feels unnatural.
Loving you forces him to become gentler. Not just with you, though that comes first. With himself too, slowly, stubbornly, like dawn dragging itself over Gotham.
Bruceās love is not loud. It is a prescription refilled before you panic. A hallway light left on because he knows the dark gets bad. A clean towel folded without comment. A hand resting near yours, not grabbing, just offering. A voice outside the bathroom door saying, āTake your time.ā
A cleared path through the mess. A cup of water beside your meds. A billionaire detective sitting awake beside you at 3 a.m., not solving, not commanding, not disappearing into the Cave.
Just staying. Because Bruce Wayne may not always know how to say, I understand. But he knows how to say, You will not go through this alone. And for him, that is practically a vow carved into stone.
dick grayson
Dickās first instinct is to try to be your sunshine. Not in a fake, toxic positivity way. Not exactly. Itās more that Dick has spent most of his life surviving by becoming the bright thing in the room before anyone notices how dark things are getting. So when he sees you slipping, he smiles a little softer. Talks a little warmer. Shows up with food, jokes, stupid stories, voice notes, memes, anything that might get even half a laugh out of you.
At first, he thinks maybe if he can just make the room feel lighter, youāll be able to breathe again. And sometimes it helps. Sometimes his warmth gets through the fog. Sometimes he makes you laugh when you havenāt laughed in days. Sometimes he sits on the edge of your bed and tells you some ridiculous story about Wally or Jason or Damian, and for a minute, the world feels less like wet cement.
But sometimes it doesnāt work. Sometimes you just stare past him, exhausted and hollow-eyed, unable to shower, unable to clean, unable to sleep even though your whole body aches for rest. And Dick has to learn, painfully, that being loved by him does not automatically make depression loosen its grip.
That is hard for him. Because Dick is used to being useful. He is used to catching people before they hit the ground. He is used to being the hand extended over the ledge. But this isnāt a ledge he can swing down from. This is your own brain turning the lights off from inside the house.
At the start, he probably pushes too hard. Not cruelly. Never cruelly. But he worries, and worry makes him move.
āHave you talked to your therapist?ā āAre you still taking your meds?ā āMaybe we should call someone.ā āMaybe you need a different dosage.ā āMaybeāā
And if you finally snap and tell him to stop, he does. Immediately. He might look hurt for half a second, not because heās angry at you, but because he realises he made you feel cornered when he was trying to make you feel safe.
Then he takes a breath and says, āOkay. Iām sorry. Iāll stop.ā And he means it.
He still cares about therapy. He still believes medication can matter. He still wants you to have support bigger than just him, because Dick knows love is not a substitute for treatment. But he respects your boundary.
After that, he becomes much more careful with his words. He stops asking questions that sound like checklists unless you invite them. He learns to ask, āDo you want help, distraction, or just company?ā He learns that sometimes āDid you take your meds?ā can feel like an accusation, even when it is said with love.
So instead, he might say, āIām getting water. Want yours with your usual stuff?ā
Gentle. Casual. An open door instead of a spotlight.
Dick does not pity you. That matters so much. He does not look at your room, with the floor swallowed by laundry and wrappers and old cups, like you are tragic or broken or disgusting. He looks at it like, Okay. This is where the fight has been happening.
And then he looks at you like you are still you. Not a project. Not a burden. Not a sad little bird with a cracked wing.
You.
If you havenāt showered, he notices, but he does not wrinkle his nose or make a face or say anything that will haunt you later. Dick Grayson knows how words can stick under the skin. So he chooses them carefully.
āWant me to grab you some clean clothes?ā āDo you want the bathroom warmer before you go in?ā āHair wash day or just rinse day?ā āNo pressure. We can also just change the sheets and call that a win.ā
He makes everything feel like an option, not a failure. He tries to get you outside more, but not in an annoying āfresh air cures mental illnessā way. More like: āCome sit on the fire escape with me for five minutes.ā Or: āWalk with me to the corner store. You donāt have to talk.ā Or: āBalcony picnic. Technically outside.ā
Sometimes he brings your blanket with him and wraps it around your shoulders before opening the window.
āOutdoor enrichment,ā he says solemnly, like you are a very sad zoo animal.
If you laugh, he looks so relieved that he has to glance away. But if you say no, he does not drag you. He may push gently once. Then he stops. Because he learns that helping you cannot mean turning every day into a battle where he is on one side and your exhaustion is on the other. Sometimes helping means accepting that today, the bed wins.
So he climbs into the room carefully, stepping over clothes and books and whatever else the depression has scattered around like emotional confetti from hell, and he sits with you. Not above you. With you. On the floor, back against the bed, knees pulled up, talking softly about nothing important.
He tells you about patrol. About Haley. About some kid in Blüdhaven who tried to convince Nightwing that Batman is obviously a vampire. About how Damian once insulted a barista so specifically that Dick still thinks about it when ordering coffee.
He lets the conversation be light if light is what you need. But if you want to talk about the ugly stuff, he lets that happen too.
Dick offers himself as your personal notebook. He literally says it one night, sitting cross-legged on your bedroom floor while you stare at the ceiling, sleepless and raw.
āUse me as a notebook,ā he says. āSay whatever. Messy, mean, sad, irrational, all of it. I wonāt grade it.ā And because he sees you tense, he adds, softer, āI wonāt judge you.ā
He means that, too. You can tell him you feel disgusting. You can tell him you hate your room. You can tell him you skipped your meds and youāre scared heāll be disappointed. You can tell him showering feels like trying to climb a mountain with wet cement in your lungs. You can tell him you are tired of being tired.
He listens. Not with that shiny hero face he wears for civilians. Not with the automatic āwe can fix thisā voice. He listens like someone kneeling beside a locked door, willing to wait as long as it takes.
If you want advice, he gives it gently. If you do not want advice, he bites it back. Which is honestly heroic because Dick Grayson has eldest daughter energy in eldest son packaging and advice lives in his bloodstream.
But he tries.
āDo you want solutions,ā he asks, āor do you want me to say that sucks?ā
And if you say you just want to vent, he nods.
āThen yeah,ā he says. āThat sucks. It really, really sucks.ā
No fixing. No silver lining. No ābut at least.ā
Just him, staying with you inside the bad feeling instead of trying to decorate it.
When your insomnia gets bad, Dick worries himself nearly sick. He knows what tired looks like on a vigilante. He knows the glassy eyes, the delayed reactions, the way the whole body starts moving like it is underwater.
But seeing it on you is different. Seeing you exhausted even after trying to sleep makes him go quiet.Ā
He does not understand exactly how you feel. He will admit that.
āI donāt know what itās like in your head,ā he says one night, voice low in the dark. āI wonāt pretend I do.ā Then he shifts closer, careful not to crowd you. āBut I know you shouldnāt have to be alone in there.ā
So he stays awake with you sometimes. Not every time, because eventually Alfred, Bruce, and basic common sense bully him into remembering that he also needs sleep. But when he can, he keeps you company through the awful hours. He puts on quiet movies. Reads out loud. Lets you rant. Lets you go silent. Sends you stupid videos from two feet away because sometimes speaking is too much but memes are still legally allowed.
When your room gets bad, Dick offers help without making it a whole dramatic rescue mission.
āFive-minute reset?ā he asks.
That is his favourite phrase. Five minutes of trash. Five minutes of laundry. Five minutes of clearing the bed. Five minutes of opening a window and letting the room remember air exists.
Then he stops when the timer stops. No āsince weāve started, we might as well keep going.ā No guilt. He promised five minutes. Dick keeps promises. If all you can do is sit there while he cleans, he lets that count as participation.
āYouāre supervising,ā he says. āVery important role. You can be my manager.ā
He gives you tasks that are almost insultingly small, but somehow not insulting when he says them.
āCan you hold this bag open?ā āCan you toss me the cups?ā āCan you point to whatās trash and whatās not?ā āCan you pick the music?ā
He knows momentum can be impossible, so he does not demand momentum. He just offers rhythm.
Dick is also very affectionate, but he checks in more when you are depressed. Normally, he is touchy by nature. Hugs, shoulder bumps, forehead kisses, casual contact like punctuation.
But when you are this low, he asks.Ā
āHug or no hug?ā āCan I sit beside you?ā āDo you want contact, or would that make it worse?ā
He does not make your need for space about him. And if you do want touch, he is so gentle it almost hurts. He holds you like you are not fragile, exactly, but precious. Like something still alive under snow.
His sunshine changes over time. At first, he tries to shine hard enough to chase the depression out. Later, he learns to become softer. Less noon sun, more night-light. He stops trying to make every moment better. Starts trying to make every moment less lonely.
That is where Dick is strongest. He cannot always understand the depth of what you are feeling. He cannot always joke you into a smile. He cannot therapy-speak your way into functioning.
But he can sit on your messy floor with you. He can listen without flinching. He can remind you that needing help does not make you pathetic. He can say, āIām here,ā and then actually be there.
And when you apologise for being difficult to love, Dick looks genuinely confused. Like the idea does not compute.
āYouāre not difficult to love,ā he says. āYouāre having a difficult time being alive.ā Then, because he is Dick, because his heart is a bright reckless thing that keeps throwing itself against the dark, he nudges your knee gently with his. āBig difference, babe.ā
His love does not cure you. But it keeps a chair beside you in the dark. It brings water. It opens a window. It listens. It learns when to speak and when to shut up. It stays warm, even when it cannot be bright.
jason todd
Jason understands more than he says. Not perfectly. Not in a neat, one-to-one way. He doesnāt pretend your depression is exactly like his trauma, or his rage, or the dark stretches where being alive felt less like a gift and more like something he had to drag behind him by the ankle.Ā
But he knows what it feels like when your own mind stops being a safe place. He knows what it is to look at basic human maintenance ā showering, eating, sleeping, laundry, brushing your teeth ā and feel like someone handed you a list of impossible tasks written in another language.
So when he sees your room, he doesnāt flinch. The floor buried under clothes. Cups on the nightstand. Trash you meant to throw away three days ago. Clean laundry mixed with dirty laundry until both have become Schrƶdingerās Hoodie. Jason just stands there for a second, hands shoved into his jacket pockets, jaw working like heās chewing on every wrong thing he could say.
Then he mutters, āAlright.ā Not disgusted. Not disappointed. Just: Okay. This is what weāre dealing with.
Jason is not great with soft words at first. He wants to be. God, he wants to be. But the sentences get stuck somewhere behind his ribs. So he speaks with his body instead. He sits on the floor beside your bed instead of looming over you. He keeps his movements slow when youāre overwhelmed. He doesnāt stare at the mess too long. He places food within reach and pretends not to notice if your hands shake when you take it. He nudges a bottle of water closer with two fingers and says, āHydrate, gremlin,ā because saying Iām scared for you feels like standing naked in traffic.
His care is mostly acts of service. Quiet, stubborn, relentless acts of service. He takes out the trash without making a speech. He washes the cups collecting beside your bed. He changes your sheets while you sit wrapped in a blanket, exhausted and embarrassed. He puts clean clothes in one pile and dirty clothes in another because decision-making has become a boss fight and heās not about to let laundry win. He fixes the broken drawer youāve been ignoring for months. He plugs in your phone. He brings soup, bread, fruit, protein bars, anything easy enough that eating doesnāt require you to become a fully functioning citizen first.
If you apologise, he gets gruff, āDonāt.ā
Thatās all at first. Then, softer, without looking directly at you: āYou donāt gotta apologise for being sick.ā
He hates pity. Hates receiving it. Hates giving it. So he never looks at you like youāre pathetic. He looks at you like youāre wounded. Thereās a difference. Wounded means youāre still fighting, even if the fight looks like lying in bed for fourteen hours and taking one bite of toast. Wounded means you need care, not judgment. Wounded means Jason knows where to stand: between you and anything trying to finish the job.
When you havenāt showered in days, Jason notices. Of course he notices. He was trained by Batman and raised by Gotham; the man clocks details like itās a competitive sport. But he doesnāt wrinkle his nose. Doesnāt comment on smell. Doesnāt make your shame bigger. He just knocks his knuckles lightly against the doorframe and says, āWant a reset?ā
That becomes his phrase for hygiene when hygiene feels too heavy. A reset can mean a shower. A reset can mean sitting in the bathroom with the hot water running until the steam makes breathing feel less awful. A reset can mean wet wipes, deodorant, clean socks, and one of his shirts. A reset can mean washing your face and calling it a day.
Jason is very big on āgood enough.ā Not because he thinks you donāt deserve better. Because he knows āperfectā can become another weapon your brain uses against you.
āYou donāt gotta do the whole thing,ā he says, leaning against the sink with his arms crossed. āJust do one thing.ā
You tell him one thing wonāt matter. His mouth tightens.
āYeah,ā he says. āIt does.ā
And thereās something in his voice that makes you believe heās not just talking about the shower.
Medication is tricky for him. Jason believes in anything that helps keep you alive and functioning. Heās not anti-meds, not even a little. If antidepressants help you shower, help you eat, help you get through the day without drowning in your own head, then he treats them like they matter.
But he also knows what itās like to have people treat you like a problem to be managed. So he tries not to hover. He tries not to ask in that voice people use when theyāre already disappointed.
Instead, he just builds reminders into the room. Water bottle on the nightstand. Your meds placed somewhere visible, but not aggressively so. A snack beside them if you need food first. A text at the same time most days: āYou take care of business yet?ā If you say no, he doesnāt lecture. āAlright,ā he says. āDo it now. Iāll wait.ā
And he does. He stays on the phone, breathing quietly on the other end, letting you grumble and shuffle and open the bottle.
When you say, āDone,ā he just says, āGood.ā But his voice goes warm around the edges.
Jason is careful about pushing you toward help because he knows pushing can feel like being cornered. Still, he does want you to want help. He wants it badly. He wants you to have a therapist who gets it. A doctor who listens. Medication that actually works. Systems that donāt fall apart the second you have a bad week. He wants you to have more than him, because some terrified part of him does not trust himself to be enough.
But he doesnāt know how to say that cleanly. So sometimes it comes out rough.
āYou canāt keep white-knuckling this.āĀ Or, āThis aināt sustainable.ā Or, āIām not saying youāre broken. Iām saying you deserve backup.ā If you shut down, he stops. He swallows the rest of the sentence. Looks away. Nods once. āOkay,ā he says, quieter. āNot now.ā
And because itās Jason, because he respects boundaries more than people expect him to, he drops it. He may bring it up again later, but never like an ambush. More like leaving a door unlocked.
āBeen thinking,ā he says one night while folding your laundry badly but with intense concentration. āIf you ever wanna look for someone to talk to. Professional someone. I can sit with you while you make the call.ā He doesnāt look at you when he says it. Gives you the dignity of not being watched. āOr I can shut up,ā he adds. A beat. āIām real good at shutting up.ā
He is not, historically, real good at shutting up. But for you, he tries.
Your insomnia is something Jason understands in his bones, even if the cause is different. He knows the cruelty of night. The way everything gets louder after midnight. The way your thoughts turn feral. The way exhaustion can sit heavy in your body while sleep still refuses to come near you.
So when you text him at 3:06 a.m., ashamed and barely coherent, he answers fast. āYeah. Iām up.ā
He usually is.
Sometimes he comes over without making it a big production. Window opens. Boots hit the floor. Leather jacket, wind-chilled hands, helmet tucked under one arm.
āCouldnāt sleep?ā he asks. You give him a look. He nods. āStupid question.ā
He doesnāt force conversation. Jason is good at silence, when he lets himself be. He sits with you in the dark, shoulder close enough to touch but not touching unless you lean first. Sometimes he reads aloud. Old novels. Poetry. Whatever book he was carrying around like a secret soft spot. His voice is low and rough, not polished, not theatrical, but steady. A rope across black water.
If you do fall asleep, he stays. He wonāt admit he was worried youād wake up alone. His body language gives him away constantly. The way he angles himself between you and the door. The way his hand hovers near your shoulder before he touches you, waiting for permission. The way his expression goes murderous when you call yourself lazy. The way he freezes when you say, āIām sorry Iām like this.ā
That one gets him. He looks at you for a long second, eyes sharp and hurt. Then he sits beside you, close enough that your knees touch. His voice comes out low. āYou donāt gotta earn being cared about.ā
He says it like the words physically hurt to form. Like maybe someone should have told him that once.
Jason does not always know what to do when you cry. His first instinct is violence, which is deeply unhelpful unless your depression can be lured into an alley and punched. Since it cannot, he improvises. He brings tissues. Sits beside you. Lets you lean into him if you want. If you donāt, he stays close anyway, a warm wall of presence. His hand might settle on the back of your neck, heavy and grounding. Or he might press his shoulder against yours. Not a dramatic embrace.
Just contact. Just: Iām here. Iām real. Stay with me.
If you vent, he listens. He doesnāt always have perfect responses. Sometimes his jaw clenches. Sometimes he looks like he wants to argue with every cruel thing your brain says about you. But he learns not to turn your venting into a debate.
If you say, āI know itās stupid,ā he says, āItās not stupid.ā If you say, āI donāt need advice,ā he nods. āWasnāt gonna give any.ā
He absolutely was. But he doesnāt. Instead, he lets you talk. Lets the ugly feelings spill out without trying to sanitise them. Jason can handle ugly. He has never needed you to be soft and shiny to love you.
On bad days, when you cannot get out of bed, Jason changes tactics. He brings the world to you in pieces small enough to survive. Opens the curtains halfway, not all the way. Puts a cool cloth on your forehead if you feel overheated from lying under blankets too long. Makes your room smell like soup instead of stale air. Puts on a show youāve seen a hundred times because new plots require too much brain. Places a trash bag by the bed and says, āNo pressure. Just if somethingās within reach.ā
If you throw away one wrapper, he notices.
He doesnāt cheer. He just says, āNice.ā
Like it matters. Like he knows it did.
Jasonās love is not delicate, but it is deeply attentive. He remembers which foods you can tolerate when everything tastes like cardboard. He knows which hoodie makes you feel least perceived. He knows whether touch helps or makes your skin crawl. He knows not to turn on the big light when your head is already screaming. He knows that if your room gets too clean too fast, you might feel exposed, so he asks before moving personal things. He knows that sometimes you donāt want someone to fix the mess. You just want someone to sit in it with you and not leave.
And Jason can do that. Better than most. Because Jason has sat in wreckage before. He has been wreckage before. He does not need pretty surroundings to prove something is worth saving. He just stays, solid and warm and stubborn as a locked door.
One night, when you are too tired to sleep and too sad to speak, Jason sits beside you on the floor. The room is still messy. Your hair is still unwashed. Your meds are still something you have to fight yourself to take. Nothing is magically better.
Jason reaches over, slow enough for you to pull away if you want, and gently hooks his pinky around yours. Barely a touch. Barely anything. But his body says what his mouth cannot. I see you. Iām not scared of this. Iām not leaving because your pain is inconvenient.
Out loud, all he says is, āWeāll do tomorrow when it gets here.ā Then he squeezes your pinky once. āTonight, you just gotta stay.ā
And because it is Jason, because he does not promise things lightly, it lands heavier than hope. Not a cure. Not a rescue. Just a hand in the dark. Just someone who understands enough to stay, and loves you enough to keep trying.
tim drake
Timās first response is research. So much research. Tabs on tabs on tabs. Medical journals. Patient forums. Therapy resources. Medication side effects. Sleep hygiene. Depression room cleaning methods. Executive dysfunction. Body doubling. Antidepressant withdrawal. How to support a partner with severe depression without becoming overbearing. His laptop looks like WebMD got into a knife fight with a psychology database.
Tim doesnāt do it because he thinks youāre a problem to solve. He does it because he loves you, and Tim Drakeās first language has always been information. He doesnāt know how to make the weight in your chest lighter. He doesnāt know how to make sleep come when your body is exhausted and your mind is chewing through barbed wire. He doesnāt know how to make showering feel possible when depression has turned your limbs into wet cement.
But he can learn. So he learns obsessively. At first, though, he overcorrects. Not in a cold way. In a scared way. He starts offering solutions too quickly.
āMaybe we could try a checklist.ā āThereās this app for medication reminders.ā āI read that morning light can help regulate sleep cycles.ā āSome people find it easier to clean in categories instead of sections.ā āHave you thought about talking to your doctor aboutāā
And then he sees your face. The way your shoulders tighten. The way your eyes go flat. The way you look less helped and more handled. It hits him like a physical blow.
āOh,ā he says softly. Then, immediately, āIām sorry.ā
Tim is distraught if he upsets you. He tries not to show it too dramatically because the last thing he wants is to make you comfort him when youāre already drowning, but you can see it. The panic under his skin. The way his fingers twitch like he wants to pull every word back and delete the whole interaction from existence.
āI wasnāt trying toāā he starts, then stops himself. Because he realises explaining his intent does not erase the impact. He takes a breath and says, āIām sorry. I jumped into fixing mode. That wasnāt fair.ā
And then, because he means it, he changes. Not instantly. Timās brain is basically a caffeinated detective corkboard with legs. But he puts in the work.He starts asking first.
āDo you want comfort or solutions?ā āDo you want me to help, or do you want me to just sit here?ā āDo you want advice, distraction, silence, or a witness?ā
That last one becomes important.
A witness. Someone who doesnāt look away. Someone who sees the depression room, the unwashed hair, the exhaustion carved under your eyes, the meds youāre trying to keep taking, the insomnia that makes every morning feel like crawling out of a grave with homework due. And still sees you.
Tim is careful with your room. He understands clutter on a spiritual level, honestly. His own bedroom has absolutely looked like a conspiracy theoristās evidence locker crossed with a coffee shop crime scene. But your mess feels different to him. Not because itās worse. Because itās sadder.
His mess is usually momentum. Yours is gravity. So he doesnāt joke too carelessly about it.
He doesnāt say, āWow, you live like this?ā He doesnāt make faces. He stands in the doorway, takes everything in, and asks, āWhatās the least invasive way I can help?ā
If you donāt know, he nods like that is a valid answer. āOkay. Then Iāll start with trash within armās reach. You can veto anything.ā
Tim loves a system, but he learns your system has to be compassionate, not perfect.
He used to make lists like:Ā Clean room. Shower. Eat. Sleep. Take meds. Now he makes lists like:Ā Put cups by door. Sit up for two minutes. Take meds with water. Change shirt if shower is too much. Clear one pillow. Survive Tuesday.
The bar gets lower, but not in a hopeless way. In a humane way.
Tim starts realising that he has spent most of his life treating his own body like an inconvenient side quest. He tells you to sleep while he has been awake for thirty-six hours. He reminds you to eat while his own lunch is three coffees and half a granola bar he found in a drawer. He worries about your meds while forgetting his own basic needs because a case got interesting. And one day, you look at him ā exhausted, fond, and maybe a little annoyed ā and say, āTim.ā
He freezes. Because he knows that tone. You glance at the untouched food beside his laptop. He looks at it too. Betrayed by a sandwich.Ā
āThis is different,ā he tries.
It is not different. It is clown behaviour in a different font. That realisation shakes him more than he expects. Because Tim wants to help you take care of yourself, but he slowly understands he cannot ask you to believe youāre worth care while proving, daily, that he does not believe the same thing about himself.
So he starts trying. For you, at first. Then with you. He makes it mutual. Not in a way that puts responsibility on you. Not āIāll only take care of myself if you do too.ā Never that. Tim would rather throw himself into Gotham Harbour than weaponise your recovery.
Itās softer.
āIāll eat if you eat?ā āIāll go to bed if you try to rest?ā āMedication and water break. For both of us.ā āTen-minute reset? Your room or my desk. Dealerās choice.ā
It becomes less like he is managing you and more like the two of you are learning how to be alive in parallel. Tiny habits. Tiny victories. Tiny bridges over very deep water.
Tim is painfully gentle about your antidepressants. He knows they matter. He knows they may be part of why you can shower at all, why you can get through a day, why the floor sometimes becomes visible again. But he also knows medication can come with shame, frustration, side effects, missed doses, refill issues, and that awful feeling of being dependent on something just to function.
He never treats meds like proof youāre broken. He treats them like a tool.
āYou deserve tools,ā he says one night, voice quiet. āYou donāt have to claw through everything barehanded.ā
He sets up reminders only if you want them. If you say no, he respects it, even if his anxiety climbs the walls like a raccoon in a server room. If you say yes, he makes the system stupidly efficient. Refill calendar. Backup pharmacy info. Pill organiser. Water bottles where you usually collapse. A little note on your nightstand that just says: you already decided to keep going today. take the help.
He does not sign it. As if you would not recognise his handwriting. Menace.
Your insomnia worries him the most because it is the part he relates to too much. Tim knows being tired but unable to sleep. He knows lying in the dark while your brain becomes a hostile PowerPoint presentation. He knows the weird floaty feeling after too many nights awake, when reality starts getting soft around the edges and every emotion feels either too far away or much too close.
But with you, suddenly, he sees it clearly. It isnāt quirky. It isnāt productive. It isnāt ājust how things are.ā Itās suffering.
And then he has to look at himself.
He starts trying to build better nights for both of you. Not perfect nights. Better ones. Phones face down after a certain hour, unless one of you needs distraction more than discipline. Low lights. No case files in bed. Tea instead of coffee, though he mourns this like a Victorian widow. Audiobooks when silence gets too loud. Soft background noise when thoughts start sharpening their little knives.
He doesnāt say, āYou need to sleep.ā He says, āWant to make the room easier to rest in?ā
Because sometimes sleep is too much pressure. Rest is gentler. Rest can mean lying down with your eyes closed. Rest can mean letting him read beside you. Rest can mean not fighting your body for twenty minutes.
If you still canāt sleep, Tim doesnāt make you feel like you failed. He just shifts closer and says, āOkay. Then weāll make being awake less lonely.ā
Tim becomes very good at body doubling. He will sit on your floor with his laptop while you sort one pile of clothes. He will brush his teeth beside you so brushing yours feels less weirdly impossible. He will take his own shower while you take yours, turning it into parallel maintenance instead of a spotlight on you. He will set a timer for five minutes and clean his desk while you clear your nightstand.
āTeam objective,ā he says.
āThis is laundry,ā you mumble.
āLaundry is a formidable enemy.ā
āYou need better enemies.ā
āI live in Gotham. I have variety.ā
He loves when you banter, even weakly. You can see it in the way his face lights up for half a second before he schools it back into something less obvious.Ā
Tim is careful not to celebrate too loudly. If you shower after days of not being able to, he doesnāt make a huge deal and accidentally drown you in attention. He just leaves clean clothes nearby and says, āIām glad you feel a little more comfortable.ā If you take your meds, he doesnāt clap like youāre a child. He says, āGood. Iām proud of you,ā so softly it almost disappears. If you clear a patch of floor, he notices. āHey,ā he says, pointing with his mug. āFloor sighting.ā
āEndangered species.ā
āWe should call National Geographic.ā
Itās stupid. It helps.
When he messes up, because he does, he owns it. Sometimes he still slips into solution mode when heās scared. Sometimes he gives you three options when your brain can barely handle one. Sometimes he asks too many questions.
And if you go quiet, Tim catches himself faster now.
āSorry,ā he says. āToo much?ā
If you nod, he closes his laptop. Fully closes it. Thatās basically Tim Drake kneeling in surrender.
āOkay,ā he says. āNo fixing. Iām here.ā
And then he proves it. He sits beside you in the mess. No tabs. No notes. No plan. Just Tim, learning that love is not always research. Sometimes love is shutting up.
He offers himself as a quiet place to be honest, but in a different way than Dick. Dick is a notebook. Tim is a shared document with comments turned off. You can say the ugliest things your depression whispers. You can say you feel gross. You can say the room makes you hate yourself. You can say youāre scared your meds will stop working. You can say youāre tired of trying to sleep and tired of waking up and tired of people telling you to ājustā do things.
Tim listens. His face hurts sometimes, because he wants to argue with every cruel thought. But he learns that not every thought needs to be debated in the moment. Sometimes it needs to be heard, named, and allowed to pass through without becoming another fight.
āThat sounds exhausting,ā he says. Or, āIām sorry itās that loud today.ā Or, āI believe you.ā
That one lands. Because Tim does believe you. Even when he doesnāt completely understand. Especially then.
Timās love becomes less frantic over time. Still intense. Obviously. This is Tim Drake. He has never had a casual emotion in his life. But less frantic. He stops trying to build a perfect rescue plan. Starts building a life with you where needing help is normal. Where the room can get bad and still be recoverable. Where missed sleep is serious but not shameful. Where meds are part of care, not proof of failure. Where showers can be mountains and still be climbed one tile at a time. Where both of you are allowed to be works in progress.
One night, after a hard day, Tim finds you sitting on the bed, staring at the floor you still canāt see. He stands in the doorway with two glasses of water and his own hair a mess, dark circles under his eyes like bruised moons.
For once, he doesnāt offer a plan. He just sits beside you and hands you a glass. You both take your first sips at the same time. Then he leans his shoulder against yours.
āIām trying to get better at this,ā he says.
You ask, āAt helping me?ā
Tim is quiet for a moment. āAt being kind to us,ā he says.
And there it is. The heart of him. Not perfect. Not magically wise. Not always smooth. But trying. Researching, yes.Ā Adjusting. Apologising. Learning when to solve and when to stay. Loving you hard enough that he starts wondering whether maybe care was never supposed to be something either of you had to earn.
Tim does not cure your depression. But he learns your rhythms. He lowers the lights. He closes the laptop. He takes the meds reminder off ātaskā mode and turns it into ācareā mode. He sits with you through the long, sleepless blue hours. He lets tomorrow be tomorrow.
And when things are bad, when the room is a wreck and your body feels impossible and your mind is being cruel, Tim reaches for your hand like it is the most logical thing in the world.
āWe donāt have to fix everything tonight,ā he says. Then, softer, like heās saying it to both of you, āWe just have to make it to morning.ā
damian wayne
Damian is not good with words. He is not Dick, who can soften a room with his voice. He is not Tim, who can research his way into emotional fluency. He is not Jason, who can make silence feel like armour. Damianās comfort is⦠precise. Awkward. Devoted in a way that almost feels formal until you realise he is pouring his whole heart into it with both hands.
He does not always know what to say when your depression gets bad. When you cannot shower. When your room is so messy you cannot see the floor. When you are exhausted from insomnia, even though you tried to sleep, even though you wanted to sleep, even though your body feels like it has been wrung out and left somewhere cold.
At first, he may stand in the doorway, very still, taking in the clothes, the cups, the blankets twisted on the bed, the dimness of the room. His face does that sharp little Damian thing where he looks annoyed. But he is not annoyed at you. He is angry that something is hurting you and he cannot stab it. Depression, tragically, refuses to have a physical form.Ā
Damian does not pity you. Ever. Pity feels too much like looking down on someone, and Damian would rather cut off his own hand than make you feel small. He sees you struggling, yes. He sees the self-neglect. He sees the way your meds make the difference between barely functioning and collapsing completely. He sees how even when you are taking them, everything can still be too much. But he never sees you as weak.
If you call yourself lazy, his eyes narrow immediately. āThat is inaccurate.ā His voice is sharp enough to slice paper. āYou are unwell. There is a difference.ā
It is not exactly cuddly comfort, but it lands. Because Damian says it like a fact, not reassurance. Like he would argue it in court. Like he would bring evidence.
He will never give you any real doubt that he loves you. He may not always say it smoothly. He may not always say it when you expect him to. But he shows it so consistently that the words become almost unnecessary. A clean towel folded outside the bathroom. A fresh glass of water on your nightstand. Your medication placed where you can reach it, never shoved in your face. Curtains opened halfway because full sunlight is too aggressive but darkness has started lying to you. A blanket tucked around your shoulders with almost military precision. A quiet, āI am here,ā when he sits beside you.
Damianās affection is in the details. He learns which lights make your head hurt. He learns which foods you can tolerate when eating feels impossible. He learns whether you prefer silence, distraction, or contact. He learns where not to touch you when your skin feels wrong. He learns the difference between āI want to be aloneā and āI am scared to ask someone to stay.ā
And once Damian learns something important about someone he loves, he does not forget.
When your room gets bad, Damian does not insult it. He also does not pretend not to see it, because Damian Wayne has never pretended anything in his life unless espionage was involved. He simply says, āWe will make a path.ā
Not, āWe will clean the room.ā Not, āThis is unacceptable.ā
A path. From the bed to the door. From the bed to your meds. From the bed to water. From the bed to the bathroom. Safety first. Dignity always.
He does not touch your personal things without permission. Damian understands invasion. He understands people deciding what is ābestā for your body, your space, your mind. So he asks, stiffly but sincerely, āMay I move this?ā
If you say no, he nods and leaves it. No argument. No lecture. Just respect, sharp-edged and real.
When hygiene feels impossible, Damian gets very quiet. He does not say, āYou need to shower.ā He knows, eventually, that this only makes your shame bare its teeth. Instead, he creates conditions. Fresh clothes placed near the sink. Towel warmed in the dryer. Your favourite soap opened and ready. Water temperature checked. A chair in the bathroom in case standing is too much.
If all you can manage is washing your face, he treats that as valid. If all you can manage is changing clothes, he treats that as valid. If all you can manage is letting him brush your hair, he does it gently, slowly, with a concentration usually reserved for sword maintenance and sketching. He does not say much while he does it. His hands say enough. Careful. Patient. Reverent, almost.
Damian is not naturally comfortable with emotional chaos. He was raised to control feelings, bury them, sharpen them into weapons. But with you, he starts to understand that emotions do not disappear just because you command them to. They rot if trapped too long. They need somewhere to go. So he tries to help you channel them. Not fix them. Channel them.
If you like art, he brings you sketchbooks. Good ones. Expensive paper. Proper pencils. Paints if you want them. Charcoal. Ink. Whatever he thinks will make your hands remember they can create something besides damage. He does not demand beauty.
āIt does not need to be good,ā he tells you, which is hilarious coming from Damian āperfection is the bare minimumā Wayne. You raise an eyebrow. He flushes slightly and looks away. āArt is permitted to be ugly.ā Then, after a beat: āSometimes it is more honest that way.ā
If you cannot draw, he draws for you. When things get bad, Damian sketches you constantly. Not in a creepy way. In a devotional way. You asleep under three blankets. Your hand resting beside an untouched cup of tea. Your profile lit by the dim blue of early morning. You curled up with a book you have been too tired to read.
He draws you softer than you feel. Not idealised. Not fake. Just seen.
When he shows you, it almost hurts. Because in his drawings, you do not look disgusting. You do not look lazy. You do not look like a burden. You look tired, yes. Sad, sometimes. But also human. Loved. Worth the time it took to study every line.
Damian does not know how to say, I wish you could see yourself the way I see you. So he hands you the sketch instead.
āYou may keep it,ā he says, like he is granting a royal document. His ears go pink. āIf you want.ā
If you like writing, Damian encourages that too. Not in a ājournal your way out of depressionā way. More like: āYour thoughts are consuming you. Put them somewhere they cannot bite as deeply.ā He buys you notebooks. Plain ones if fancy ones feel like pressure. Little ones if full pages are too intimidating. He will sit beside you and write in his own notebook while you write in yours. If you cannot write full sentences, he tells you to write fragments. Single words. Lists. Bad metaphors. Angry letters you never send. Anything.
āThe page does not judge,ā he says. Then, with a tiny scowl: āAnd if it did, I would destroy it.ā
When you cannot write, he writes you notes. Small ones. Folded carefully. Left on your pillow, your desk, beside your meds, tucked into the book you have been meaning to read. They are not always traditionally cute because this is Damian, and his version of cute sometimes sounds like a motivational speech from a tiny general.
You have endured today. That is sufficient.
Drink water. I am not asking.
Your room is not evidence against you.
I found this flower. It reminded me of your stubbornness.
You are not a burden. Do not argue with me on this.
I love you. Obviously.
That last one makes your chest ache. Because he writes it like it is the most irrefutable thing in the world.
If you like reading, Damian becomes almost unbearably sweet. He will read aloud to you when your insomnia is bad. He sits near your bed or on the floor beside you, spine straight, book in hand, voice low and careful.
At first, he reads like he is presenting evidence in a trial. Very formal. Very serious. Dramatic pauses in odd places. If you tease him, he scowls. āWould you prefer Drakeās sleep-deprived mumbling?ā
No, actually. So he continues. And over time, his voice softens. He starts learning which books calm you. Which ones are too heavy. Which ones make you smile. Which ones you loved before depression made it hard to love things.
If your eyes are too tired to focus, he reads until your breathing slows. If you do not sleep, he keeps reading anyway.
āYou are resting,ā he says when you apologise for staying awake. āRest is not failure.ā
Again, he says it like a fact. Like he had to learn it too.
If you have another passion, Damian treats it with fierce seriousness. Music, crafts, games, plants, photography, cooking, collecting tiny stupid trinkets, whatever little spark depression has not completely smothered. He protects that spark like it is sacred. He will not let you mock it.
If you say, āItās dumb,ā he immediately replies, āIt brings you comfort. Therefore, it has value.ā
He will sit with you while you do it badly. He will make space for you to have no energy and still be a person with interests. He understands, slowly, that passion does not always look like excitement. Sometimes it looks like staring at art supplies for twenty minutes and touching one pencil. Sometimes it looks like opening a book and reading one paragraph. Sometimes it looks like saving an idea for later because today your brain is soup. Damian counts all of it.
He is intense about your medication, but not in a smothering way. He knows the antidepressants help. He knows they do not cure everything. He knows you can be taking them and still be drowning. So he does not act like the pill is magic. He treats it like part of your armour.
āArmour requires maintenance,ā he says one day, placing water beside you.
You stare at him. āDid you just compare my meds to armour?ā
āYes.ā
āThatās actually kind of cool.ā
He looks smug for the rest of the hour.
If you miss a dose, Damian does not shame you. He may tense, because worry comes out of him as control before he catches it. But he catches it. He breathes once, visibly. Then says, āTake it now, if it is safe to do so. If not, we will follow the instructions. There is no need for panic.ā
We. Always we.
That is one of the ways he loves you. Your problems do not become his to command, but he refuses to let you face them as if you are alone.
With insomnia, Damian becomes very protective. He knows sleeplessness makes everything worse. He has seen what exhaustion does to fighters, to animals, to himself. When you cannot sleep, he does not tell you to ājust try.ā He knows better than to say something that useless. He may be emotionally constipated, but he is not stupid.
Instead, he asks, āWould you like silence, reading, or distraction?ā
If you choose silence, he stays. If you choose reading, he reads. If you choose distraction, he brings Titus, Alfred the Cat, or a sketchbook, because animals and art are Damianās emotional support starter pack.
Titus will absolutely climb onto the bed like a weighted blanket with legs. Damian pretends this is tactical. āHis body heat may assist your nervous system.ā Titus licks your hand. āAlso, he likes you.ā Damian looks away. āAs do I.ā
He says it stiffly, but his hand finds yours under the blanket.
He goes to the internet for research, to Tim and Leslie, and Damian eventually gets you a therapy animal. He acts extremely formal about it, obviously, like he is presenting a royal gift instead of trying not to look nervous. He does more research first. Breeds, temperaments, training requirements, emotional support versus psychiatric service animals, allergies, housing needs, sleep routines, how animals can help with depression and grounding. Damian Wayne does not simply āwing it.ā He prepares like the animal is joining the Justice League.
He does not force it on you, though. He sits beside you one evening, a little stiff, and says, āI believe an animal companion may be beneficial. Only if you want one.ā
If you look overwhelmed, he immediately adds, āI would assist with care. You would not be responsible alone.ā
And he means it. Damian knows depression can make even feeding yourself feel impossible, so he would never hand you another living thing and expect you to magically become functional. He builds a care plan before the animal ever comes home. He helps with food, vet appointments, litter, walks, grooming, training ā all of it. He makes charts. Tim is weirdly impressed. Jason says, āKid made a custody agreement for a cat.ā Damian tells him to be silent.
If itās a dog, he trains them with frightening precision but melts every time they curl up beside you. If itās a cat, he insists they are āan emotionally intelligent creature with excellent judgmentā while the cat sits directly on his sketchbook and ruins his work. If itās a rabbit, bird, or other small animal, Damian becomes a tiny professor about their care needs and quietly watches your face soften when you hold them.
He teaches the animal gentle grounding cues: sitting with you during panic spirals, nudging your hand when you dissociate, lying near you during insomnia nights, waking you gently when youāve slept through alarms.
When you have bad hygiene days, he doesnāt use the animal to guilt you. No āthey need you, so get up.ā He knows that would make everything worse. Instead, he uses the animal as company.
āThey wish to sit with you,ā he says, placing them beside you carefully. āI believe they find your presence calming.ā
Which is Damian-code for: I find your presence calming too.
On nights when you cannot sleep, the animal curls against you while Damian sits nearby reading aloud. His voice, the soft breathing of the animal, the warmth beside you ā it makes the room feel less like a trap and more like a den. He pretends not to notice when you start talking to the animal before you can talk to him. Actually, he prefers it at first. Less pressure on you. Less chance of him saying something emotionally constipated and weird. A win for everyone.
And if the animal helps you get outside, even briefly, Damian treats it like a sacred victory.
āThey require fresh air,ā he says. They do not. Damian is lying again. Badly again. But he walks beside you anyway, matching your pace, letting the animal be the reason you both step into the world for five minutes.
His favourite part, though, is when the animal chooses you. Curls into your lap. Sleeps against your side. Follows you from room to room. Looks at you like you are safe.
Damian watches quietly, his expression soft in a way he would deny under oath. Later, he leaves a note beside your meds. They trust you. So do I. Then, underneath, in smaller handwriting: You are easier to love than you think.
When you are at your lowest, Damian becomes less sharp. Not less himself. Just softer in the places he usually keeps armored. He stops correcting every irrational thing you say. Sometimes. He still has limits. If you insult yourself too harshly, he cannot help it.
āNo,ā he says. Not loud. Just final. āYou may feel that. It does not make it true.ā
Then he sits beside you, shoulder against yours, and lets the quiet settle.
Damian learns that love does not always require perfect speech. Sometimes it is a pencil moving across paper while you lie in bed. Sometimes it is a note that says, I am proud of you for remaining. Sometimes it is reading your favourite book aloud until his voice goes hoarse. Sometimes it is silently picking up three pieces of trash and not mentioning the rest. Sometimes it is bringing you your meds and water and sitting with you until you take them. Sometimes it is not asking you to be better that day. Just asking you to be there.
He struggles when he cannot fix it. Damian is used to training harder, fighting better, mastering the weakness, defeating the opponent. Depression does not play by rules he respects. It does not duel honourably. It creeps. It lingers. It returns after victories. He hates that. But he learns not to treat you like a mission. You are not his mission. You are his person. So he stops trying to defeat your depression in one dramatic act of devotion and starts showing up in small ways, over and over.
A note. A drawing. A book. A glass of water. A walk in the garden when outside feels possible. A seat beside you when it does not.
If he does get you outside, it is usually through something gentle. āThe dog requires a walk.ā Titus absolutely does not require a walk at that exact moment. Damian is lying. Badly. But you go anyway, wrapped in a hoodie, moving slowly through the grounds or down a quiet street, and Damian keeps pace beside you. He does not rush. He does not make it a lesson.
He just points out birds. Their species. Their calls. Whether they are nesting. Whether they are, in his opinion, behaving foolishly. It is weirdly calming.
If you cannot go far, he accepts one minute outside as success.
āAdequate,ā he says. Then, because he has learned, he adds, āI am glad you came with me.ā
Damianās compliments are rare enough to be emotionally devastating. When you feel ashamed, Damian becomes fiercely clear. āYour suffering does not make you repulsive.ā He says it one night after you apologise for not showering, for the room, for being tired, for being ātoo much.ā His voice shakes slightly. Not much. But enough.
āI do not love a cleaner version of you. I do not love a hypothetical version of you. I love you.ā He looks almost angry after saying it, like vulnerability has personally insulted his bloodline. But he does not take it back. He reaches for your hand. His grip is warm and certain. āThat remains true even when you cannot believe it.ā
And that is Damian at his best. Not smooth. Not easy. Not effortlessly comforting. But unwavering. He may not always have the words. But he will draw you until you can see yourself. He will write notes until your room has little paper lanterns of proof. He will read aloud until the night becomes less cruel. He will help you pour the unbearable feelings into art, into words, into pages, into anything that lets them leave your body without destroying you on the way out. He will love you with discipline, loyalty, awkward tenderness, and a devotion so steady it becomes part of the furniture of your life.
When the floor is hidden again, he will make a path. When your hair is unwashed, he will bring a brush. When you cannot sleep, he will open a book. When your brain says you are unloved, he will leave another note.Ā
You are wanted here.
You are not alone.
I will return tomorrow.
And he does. Every time.











