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Anyone's who's a reality shifter and a system want to talk or follow me?!
Figured I'd ask on here since TikTok's judgmental. Tumblr can be too but not as bad lately...
And If I talk to a fellow shifter then I don't have to deal with them saying "that's not real" or "You can't have DID in another reality and not here" which I'm sure I have OSDD in my CR so...go away thanks.
Also no I did not GIVE myself DID in those realities, I just recently found out I have it. 🙄 And in different variations yay me.
papercuts by gym class heroes (and how it is about a mother-child relationship)
this is my first analysis to be ever put on paper and published! i love to look at details and consider what they can mean, and i’m kinda happy to be doing the first one with a gch song. shoutout to @clubnate for leaving a super simple comment which motivated me a lot to do this, so thank you! i’m also applying they/them pronouns, since the gender of the lyric self isn’t specified.
1) “We met 22 years back / Fresh out the womb / Now she consumes me / No room for self these days”
okay, let’s get some facts together. the official papercuts release date is in 2005, but the song could be written before this year, so it’s acceptable to consider that travie was 22-24 when he wrote the song.
joining the previous fact to when he says they met “fresh out the womb”, this means the person in question knows him since birth. although it can be an expression for a friend or a relative who knows him since he was little, a mother knows more about their child like no one else could.
2. “And she's so demanding / Do this, do that / Don't forget to take your medicine”
this part catches my attention because of intimacy. yes, you can be intimate with someone who came from a whole different place than you, and it’s okay. but the demanding tone, as written before, is so crucial and connects really well with coming off from someone who is older than the speaker. it also shows a kind of “hierarchy” here, since these are all orders directed to the speaker.
3. “I hate it when her face is invading my head again / The welcome mat reads “please take off your shoes” / But she disregards the statement”
things here start to get kind of interesting. not because only know the feminine pronouns (for the person they’re talking about) are obvious, but the fact that the face of said person is invading their head — meaning that, somehow, they had grown up apart from her.
for having these illusions of her face in their head, they saw each other at least once or for very short periods of time. so we can be dealing with an absent or a single mother.
4. “I've grown accustomed to bending my beliefs to / Satisfy her needs / But I'm fed up / With plugging cuts everytime they bleed”
these verses show lots of vulnerability, how sensitive this topic is (and since this happens with such ease, this makes me think they are talking to someone they’re closer with). also, can we talk about how the lyrical self reveals that they had been doing this since they were born and how it feels just like a normal habit for them? we can see that it isn’t a healthy environment for them.
5. “So I dip my pen in the puddle / What a bloody mess its been / Trying to end this struggle”
this is more about the way the speaker responds to the household and their self-destructive attitude than something coming from their mother. you can see that the situation isn’t good, but the lyrical self chooses to hurt themselves even more. it’s also visible that is a conscious decision, even they actively recognize the mess that is being around them as they speak. it’s like seeing something in fire and doing nothing in order to help.
6. “But I love her, / She's the reason for the lesions / Man I love her / I start bleeding when she's leaving”
again, another moment they show themself as someone sensitive (and possibly in a toxic relationship). even despite all the bad things that happened to them in their lifetime by the side of their mother, they still love her no matter what. it’s like they know, deep down, that she has her flaws but still being someone for them to love.
7. “And every scar on my fingertip is a reminder of / All the lessons learned / On my missions to try to find her but / I'll sit alone until she comes back home / And I'll be waiting by the phone”
now, they are conscious of present time and see the marks that she left behind on them. even they try to search her and even learn some things with this journey. but, at the end, they decide to sit alone all by themselves (this is, even without someone they trust) and wait endlessly for her to give any sign of life.
8. “She don't live here no more / I heard she's staying down the street with two dead beat / That don't treat her right with two bad ass kids / Guilt and Regret”
this is a report of a part of their journey to search for their mother. at the address they stop in (which it can be the place they grew or lived the most), they got information about the new life their mother has, with another partner and kids. their names being guilt and regret can be a sign that she never wanted this destiny for herself.
9. “And I'm willing to bet / My last album (that?) she's wishing she was kissing me”
while searching for her day by day, they have a musical career that it’s just in the beginning (as a way to earn money to live). so their last album went kind of popular, since it came to the mother’s ears that the album is from her child, and it makes her wish to be closer to them.
10. “Man the nerve of this bitch / Pardon my French / But it's been 10 days / And I'm getting kind of light headed”
after knowing the new life their mom has, and how easily it seems that she doesn’t miss them, they allow themself to feel. despite the obvious anger inside of them, seeing by the choosing of words they do, they hate to feel like some replaced object.
11. “Maybe I'll write her a letter in a gentleman's way / And send it with the hopes that she might get it”
you can see the anger and hate is no longer strong here, but it’s obvious they didn’t forget about the things they discovered after so many tries. so, thinking more rationally, they come to the conclusion that writing to her is better than randomly appearing at her new place.
12. “I can't believe I let her run all over me / But all I think about is / When she's here and holding me”
this writing phenomenon is brilliant in the context, using the present tense to describe things that happened in the past. it can really indicate how bad they miss them, even after all the hell they went through. it’s a double-sided state because they can be missing their mother, specifically, or just feeling the absence of a maternal figure.
13. “I can't complain / I kind of like the pain / She ain't even got a name / She just lives in my brain”
it is indubitable that their childhood (and present life) are full of traumas from the very first minute of breath. so, as a way of trying to deal, they create the image of their ideal mother in their head to fulfill their feelings. things get messier when the dreams mix up with reality, and they seem to deal with it kind of well. also, the absence of basic information (in this case, of a name) can represent how they lack of motherly love.
14. “She says she loves me / But she comes and goes when she pleases / When the door shuts / It's like another papercut / And now I'm stuck with a hand full of bandaids / Until she comes back around like them ceiling fan blade”
“Claims she loves me / But she cuts me into pieces / When I'm sewed up / Here comes another papercut / Now I'm stuck with a hand full of bandaids / Until she comes back around like them cailing fan blades…”
the chorus is more of a summary of the past they had been through, how their mom comes like flashes in their life and how bad this is hurting them until the present days (represented by the moment they’re talking).
15. the ending (bonus)
“She says she loves me but / She really thinks that I’m an asshole
She says she loves me but / My hands are too big
She says she loves me but / I pick my nose too much
She says she loves me but / She says I never really listen
She says she loves me but / I take too many pills
She says she loves me but / I never pay my bills
She says she loves me but / I wait into the last minute
She says she loves me but / I don’t try hard enough”
i think this lays here, significantly at the end, to act like a vague mention of one time they finally met their mother and talked to her (it isn’t too much important itself, but the speaker shares with us). they show us their mother’s list of excuses to direct all the guilt to them instead of holding herself accountable. they are all nonsense and don’t even connect to the fact that she made a hell of their life and then, left them behind without a single kind of support. not only does it show how much she doesn't care about her child, but how much of guilt-trip she has (and doesn’t mind using it, even if it’s against a child of her).
The IO Foundation is running an event from 12th to 14th September in hybrid format.
Agenda & RSVP: https://TIOF.Click/EventsRSVP
How to participate:
In-Person: @ iSpace at TTDI, Kuala Lumpur, Malaysia
Online: Through Airmeet
A summary of activities:
- Presentation TIOF's Policy Brief on Business and Human Rights in the Tech sector
- Presentation of TIOF's DCDR Framework
- Asia Pacific Regional IGF (APrIGF) Malaysian remote Hub
- Preparation for the upcoming ICANN 75 in Kuala Lumpur
Meals and welcome pack will be provided (in-person)
Note: This event is made possible by a BHR in Tech project through Global Partners Digital and the Global Network Initiative & with the support and collaboration of the Malaysian Public Policy Competition Team and the Asian Law Students' Association (Malaysia Chapter).
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
✓ Live Streaming✓ Interactive Chat✓ Private Shows✓ HD Quality
Anya is LIVE right now
FREE
Free to watch • No registration required • HD streaming
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