#contextmatters

I deliberately kept quiet about this weekend's jitters.

Despite having a body so stunning it could probably halt traffic, Cucumber Cowgirl does not, in my humble opinion and with all due respect, resemble Hedy Lamarr. (This is not a criticism; I myself am light-years away from such a comparison 😉. And honestly, I know very few women who possess the perfect trifecta of an extraordinary body, a beautiful face, and a razor-sharp mind.)

In other words: I do not suspect Cucumber Cowgirl, again, with maximum respect for any allegedly spontaneous marketing stunt on her part (insert majestic facepalm), of acting entirely on her own, free from… shall we say… outside “encouragement.”

What I see is something closer to a “Hawaii during the pandemic, spring 2020” type of operation.

Because if someone hasn’t shown their face on Instagram since March 2022, and suddenly resurfaces in December 2025 just to drop THOSE Stories with THOSE tags, we can safely say it wasn’t RANDOM, SPONTANEOUS, born of sentiment, melancholy or a sudden wave of nostalgia for a faded "lover".

I’m thinking rather that this painfully embarrassing display (spitting water on yourself? sweet mother…) is meant to fit into something, to prove something.

And doesn’t the sudden verbosity of the First Wife under the Main Character’s Instagram posts ring any bells for you?

Maybe I’m naïve, but I like to maintain at least a minimal level of intellectual coherence.

. . . We know that Cucumber Cowgirl's fluffy white puppy appeared on the timeline precisely on Thursday, 11 August 2022.

. . . We also know that on Wednesday, 10 August 2022, the Main Character was present at a sombre ceremony at St. Dympna’s Church in Tydavnet, Co. Monaghan.

Conclusion? One of these two events actually happened… and the other was fabricated so it could be interpreted in a VERY SPECIFIC WAY. I’m not even touching the perfect timing (smoke & mirrors!). I’m talking about the core logic: you can’t simultaneously be an adorably dim “lover” to Cucumber Cowgirl and the solid emotional support of a very adult daughter in mourning.

Given all that: are we really supposed to believe the weekend Instagram spectacle was spontaneous?

Okay so first: I do not agree with John Walker. He makes terrible choices. He murders people. He loses it. I am not saying he’s a good guy. But if you actually look at the context? The emotional, mental, human context? He makes… sense. Not excusable sense, but understandable sense.

He wasn’t thinking clearly. He was grieving Lemar. He was carrying the serum, which literally warps your brain and amplifies everything you feel. And what if it was Bucky and Steve instead of Lemar? Or Sam and Bucky? Or even just someone he loved and lost while trying to be a symbol of something bigger than himself? He was trapped between grief, guilt, power, and expectation, and the world demanded he be perfect anyway. He had no space to just be a human beingin a situation that was impossible to survive emotionally.

And also… Midwest emo. Like. Very clearly Midwest emo. I don’t normally post music stuff but hear me out: Be Nice To Me by The Front Bottoms just… screams John Walker. The metaphors hit too hard:

“You’re a flashlight in a dark room… but the batteries ran out.” Lemar is the flashlight. The thing that kept John grounded, kept him human, kept him anchored when everything else is chaos. When Lemar dies? The batteries are gone. John is stumbling blind, still trying to do right, still trying to hold it together, and failing because he literally has no guide.

“You’re a werewolf and I’m a full moon.” John believes he causes everything bad. The serum, his anger, his impulsiveness — he’s the storm. Lemar is caught in it, hurt because of him, and John carries the guilt like a boulder that won’t budge.

All the lines about breaking, failing, lying, and screaming into the void? That’s John screaming into the world after Lemar dies. That’s him trying to make sense of a world that won’t make sense, trying to be the symbol he’s supposed to be, while the person who kept him human is gone.

Some comic context for the record: John is literally canonically a US Agent in the comics, trained to be the government’s “perfect” patriotic soldier. He kills villains under orders, struggles with authority and morality, and has a really messy emotional life in canon too. MCU just… condensed all the trauma into one intense arc with Lemar and the serum.

The song isn’t justification. It’s devastation. It’s guilt. It’s grief and rage and self-loathing all tangled together. John is violent and wrong and dangerous and also… heartbreakingly human. He’s angry, he’s scared, he’s desperate, he’s trying to do the right thing in a world that won’t let him. And he will never be allowed to be a human who fails, because the serum and the government and the symbol he carries won’t let him exist quietly.

Mizmowr 89 defines “Father” and “Son” as covenant roles bound to Dowd, not claims of divinity. Religion later hijacked that language, stripped it from its context, and used it to manufacture doctrines the psalm itself never authorizes.

https://yadayah.com/ https://x.com/YadaCraig 🎙️ New to streaming or looking to level up? Check out StreamYard and get $10 discount! 😍 https://streamyard.com/pal/d/6451052384485376 https://linktr.ee/yadayah Music, lyrics, and video provided by Craig Winn, and used with permission from the YAHOWAH MUSIC GROUP through CC 4.0.

FatherAndSon, Mizmowr89, CovenantDiscipline, ContextMatters, FirstbornLanguage, DowdOnly, TextualTruncation, ReligionExposed, Psalm89, Yahowah, CovenantMisread, MessiahAndSon

"For I know the plans I have for you," declares the LORD, "plans to prosper you and not to harm you, plans to give you hope and a future." –Jeremiah 29:11 NIV

In a world where Jeremiah 29:11 is frequently cited for personal reassurance, it becomes imperative to delve into the addressed audience, the profound meaning it carries, and its practical application in our lives. This verse, with its comforting promise of God's plans for welfare and hope, necessitates a closer examination of its intended recipients—the exiled Israelites.

Rooted in a specific historical context, this verse encapsulates God's message to a group navigating the challenges of exile. Recognizing this context is paramount, shedding light on the depth and richness of its intended meaning. While commonly employed for solace in the notion of God's plans for individual prosperity, its primary purpose was to speak to a collective group undergoing a particular historical moment.

Despite its misuse in isolation, divorced from its historical context, Jeremiah 29:11 undeniably conveys a general truth about God's care for His people. However, comprehending the verse within its original context enhances its significance, enabling us to apply its timeless principles to our lives more accurately.

Therefore, as we explore the audience, meaning, and application of Jeremiah 29:11, let's remain mindful of its historical roots. While the verse may offer personal comfort, its true power lies in recognizing the broader narrative and extracting relevant insights for our journey of faith. Context matters, reminding us that even in our individual pursuits, the authentic context of God's message holds the key to a deeper and more profound understanding of His plans for us.

Audience/Context:

Addressed to the exiles in Babylon, this verse finds its primary audience in a community facing displacement and uncertainty. The context unfolds within the broader scope of Jeremiah's prophetic message, emphasizing God's intentions for a specific people in a particular historical moment.

Meaning/Implication:

Understanding the verse's original meaning unveils a promise rooted in a communal context. It speaks to a people undergoing a period of exile, assuring them of God's plans for collective welfare. This resonates with a deeper message of trust and reliance on God's providence during challenging times.

Application/Relevance: