#buddhsim

- A message from 23 nights temple -

“Be patient, be patient, just be patient. Any long rain will stop one day.”

-二十三夜堂からのメッセージ-

The Origin of Humans on Earth

May all beings hear the name of Amitabha Buddha and be reborn in His Land of Ultimate Bliss 🪷🙏 

 🙏 Namo Amitabha Buddha 🙏 

I often get questions on the Buddhist concept of enlightenment (nibānna). In particular there seems to be an idea that Enlightenment as it is seen across all the sects of Buddhism is the same and that it has remained unchanged in concept since the time of Guatama Buddha. 

To suggest that Enlightenment is the same across all sects of Buddhism is a grave mistake. Zen Enlightenment is nowhere near the same concept as Theravada Enlightenment. Shingon Enlightenment is nowhere near the same concept as Tibetan Enlightenment. Each sect, branch, sub-sect of Buddhism has evolved its own interpretation on what constitutes Buddhist Enlightenment.

The concept of Enlightenment has evolved over time. Historical, cultural and temporal conditioning have affected the concept of Enlightenment so that it has different interpretations across all the various sects and sub-sects of Buddhism. 

Individual associations with the term Enlightenment and the meaning of Enlightenment have been debated and discussed in thousands of sūtras over the past two thousand years. 

The meaning of Enlightenment can be shown to have varied over time. The concept of Enlightenment has often been the primary reason for the founding of new branches and interpretations of Buddhism, schisms and break aways have formed in lineages due to an individuals newer interpretation of Enlightenment and how to achieve it. 

So, it is no easy thing to explain the concept of Enlightenment. Not without explaining all the different interpretations that have evolved over time, and the different methods for achieving Enlightenment that are the very reason for the various sects of Buddhism. Not without first asking the questioner, “According to which sect? According to which teacher? and according to which point in time?”

The annihilationist view that maintains Enlightenment is nothing more than the cessation of dukkha - the cessation of conditioned existence and samsāra - the wheel of suffering and the realisation of anattā - no-self, this is what most people will say is Buddhist Enlightenment. The release from the wheel of dependent origination - samsāra. 

Enlightenment then is little more than annihilation. 

But then in Sōtō Zen, Enlightenment is seen as not merely an annihilation of conditioned existence, but rather a higher impersonal and non-subjective consciousness - a state of bliss. 

How Sad Is Your Love?

by Mu Soeng

A phrase in one of the Korean liturgical chants has always seemed to me to be a gateway to a deeper understanding of compassion in the Buddhist tradition. The chant is called the Morning Bell Chant, and, as the name indicates, it is chanted in early morning hours, at all Korean temples and monasteries. Typically, one of the monks sits by a large hanging bell and hits it at periodic intervals in a prescribed manner. This protocol is followed whether the liturgy is done in the mountains of Korea or in a Los Angeles neighbourhood. The monk also chants in a traditional manner and, at periodic and indicated intervals, the congregation joins him in chanting the phrase, Namu Amita Bul, “Homage to Buddha Amitabha.”

The Morning Bell Chant is a curious commingling of three disparate Buddhist traditions that are all inherited from China: Huayen, Pure Land, and Zen. In the Morning Bell Chant, elements of these traditions are blended in a single sonic narrative that’s unique to Korean Buddhism. When and why this chant came to be adopted in its present form is a subject of many debates and interpretations among Korean Buddhists.

The phrase in the chant that has always captivated me is dae ja, dae bi, popularly translated as “great love, great compassion.” The Bodhisattva of compassion is a profound iconic presence in Chinese, Japanese, and Korean Buddhism and, not surprisingly, provides the context for this phrase in the Morning Bell Chant. The Bodhisattva of compassion is called Avalokiteshvara in Indian Mahayana Buddhism; Kwan Se Um Bosal in Korean; Kuan Yin in Chinese; and Kannon in Japanese. In the Korean usage Kwan means perceive; Se means world; Um means sound; and Bosal means Bodhisattva; hence, “the Bodhisattva who perceives (hears) the sounds (cries) of the world.” The Sanskrit term Avalokiteshvara, while literally meaning “The Lord Who Looks Down,” is traditionally understood in Mahayana Buddhism as “He Who Hears the Sounds (Outcries) of the World.”

The Bodhisattva of compassion transformed from a male figure in Indian Buddhism to a female figure in China, Japan, Korea, and Tibet; this transformation remains one of the great mysteries of the Mahayana Buddhism that developed in North and East Asia. In traditional patriarchal societies, male archetypes were associated with the roles of priest, warrior, and merchant, and religious and social hierarchies flowed from this role-playing. These same societies associated compassion and caring with feminine qualities and assigned them to female deities in the religious pantheon. It is likely that as Buddhism evolved in early medieval China, the Taoist model of harmonising the two polar energies of yin and yang (yin as the feminine, compassionate, soft, nurturing, yielding, receptive, and yang as masculine, energetic, proactive, hard, unyielding) may have played a pivotal role in providing a complementary background for the Mahayana’s balance of wisdom and compassion.

Why was this balance needed? The early Mahayana practitioners in India may have felt that the extraordinary emphasis on wisdom in the earlier Pali Nikaya tradition caused or could cause one-sidedness in understanding the Buddha’s teachings. Although compassion is present in the Pali Nikayas as a quality to be cultivated, its role in these texts is secondary to the cultivation of wisdom. The innovation in Mahayana Buddhism was to raise compassion to equal standing, to somehow balance the shocking intensity of the wisdom of emptiness with a leavening of healing and helping through compassion.

A deeper consideration of the phrase dae ja, dae bi offers a stimulating perspective for understanding the subtle nuances of “great love” and “great compassion” beyond the conventional meanings of these terms. Dae means “big, great, strong, and respected”; ja generally means “love.” But this “love” has a particular character to it. It is not erotic love; it is not sentimental love; it is not attachment love. It has a strong connotation of the kind of care given by a mother to her child; the implication here is that the nature of this care supersedes any love based on attachment. In other words, this experience of love is not needy or greedy. It emerges naturally and dynamically in response to the causes and conditions of the child’s needs and development, and is not an expression of neurotic symptoms. Of course what is being described here is an ideal of a mother’s love, and it may not be how each and every mother has experienced it.

The care and love given by a mother to a child is easy to associate with the Bodhisattva of compassion as a female archetype (Kuan Yin or Kannon or Kwan Se Um Bosal). In folk Buddhism throughout China, Japan, and Korea, this female figure is represented as having a thousand eyes and arms, through which she is able to help all those who seek her help. What seems to emerge in these narratives is the quality of care the supplicant expects to find in seeking a refuge in the Bodhisattva of compassion.

We can come to a similar kind of understanding when we consider that bi in the Morning Bell Chant, while popularly translated as “compassion,” has in its historical roots a nuance of meaning that is much closer to “sadness.” This nuance has more to do with a state of mind or a feeling-tone. Thus, the etymological nuances of both ja and bi are much closer to states of mind or feeling-tones rather than idea or concepts.

When the Bodhisattva of compassion looks down with her thousand eyes at the beings caught in the sea of suffering, she feels an enormous sadness for their situation. This sadness is not pity or pathos or commiseration. It is a response to the entire human condition. From the perspective of the Bodhisattva, human beings don’t learn much; they keep going around and around within the same grooves of samsara — greed, hatred, and delusion — in a never-ending cycle. The feedback loop of this cycle is dynamic, but it also remains self-enclosed and keeps itself in place over aeons and aeons. The Bodhisattva feels deep sadness that things are this way, just as a mother feels great sadness when her child goes through physical or psychological agony. The mother of the universe — as the Bodhisattva of compassion is depicted iconographically — does not personalise this sadness. She has seen this phenomenon of numberless beings caught in the web of their own creation for countless aeons. She reaches out with her thousand arms to these beings and helps them in whatever way she can. But this sadness and the resultant compassion and willingness to help are universal rather than personal.

We might understand how the derivation of bi lends itself to the emotion of sadness a little better if we look at our experience in a meditation retreat. During longer retreats especially, the space of personal experience opens up in a periodic up welling of sadness. When looked at closely, this sadness may be the culmination of earlier emotions like anger, rage, frustration, and so on that bubble forth, particularly during the earlier phase of a long retreat. These layered emotions resurface as a manifestation of deeply suppressed intuitions that one’s life has not worked out the way one had wanted it to. But these emotions, after they manifest themselves quite vividly, also spend themselves out. What’s left is a generalised feeling-tone of sadness, which is personal and yet not personal. One feels sad for the turns one has missed in one’s own life through the workings of greed, hatred, and delusion. This particular sadness is not regret and it is not quite sorrow as we generally experience sorrow. It’s something more subtle and finely attuned than sorrow or regret.

Within this sadness one also recognises a certain universal pattern — that one’s life is a microcosm of all human lives that have ever been lived. In recognising one’s own samsaric feedback loop, one also recognises how each and every person who has ever lived has been similarly caught up in the working of samsara. The feeling of sadness for the personal-yet-not-personal is understood as sadness for the fundamental nature of the human condition. One of the healthy outgrowths of this sadness is that one takes responsibility for all the mistakes one has made in one’s life rather than blaming them on someone else, or even blaming ourselves. Sadness is thus a process of growth and maturation.

Sadness for those mistakes and a non-blaming acceptance of their costs provide the essential ingredients for further insights to develop. With sadness as a backdrop, one resolves to care diligently for one’s actions from now on, so that one does not again harm oneself or others. This care or watchful concern is not an overt or covert scheme of “self-improvement” but a deep insight that the samsaric web we are weaving through our thoughts and actions have karmic consequences that ripple out endlessly. As one cares for one’s own being in an authentic way, one also has the sense of somehow being of some assistance to the rest of creation.

It may not be possible to precisely outline the details of this assistance, but one has the general sense of helpfulness. The aspiration implicit in the first great vow of the Zen tradition, “All beings, one body, I vow to liberate,” somehow becomes alive in one’s caring for oneself. An up welling of sadness toward one’s mistakes in life and the cumulative mistakes of all humanity helps serve as a backdrop to the arising of compassion. Our authentic experience evokes our authentic motivation, like the first musical note struck on a string instrument. How the other notes follow becomes a matter of great and delicate care.