Costume design by Léon Bakst for Arlequin in the ballet Carnaval with music composed by Robert Schumann
Michel Fokine as Arlequin in the ballet Carnaval with music composed by Robert Schumann
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Costume design by Léon Bakst for Arlequin in the ballet Carnaval with music composed by Robert Schumann
Michel Fokine as Arlequin in the ballet Carnaval with music composed by Robert Schumann

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De la scène à la toile : L'art unique de Léon Bakst
Von der Bühne auf die Leinwand: Die einzigartige Kunst von Léon Bakst
From stage to canvas - The unique art of Léon Bakst
Serge Diaghileff's Ballet Russe (Metropolitan Opera, 1916)

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Bakst
Charles Spencer
A Rizzoli Paperback, Academy Edition 1980, 48 tables, 7+48+2 pages, ISBN 0-847800 725
euro 35,00
email if you want to buy [email protected]
This book is a true gem for any collector or enthusiast of fashion design. Written by the renowned designer Leon Bakst, this book provides a unique insight into the world of fashion. The book is a second impression from the Academy Editions series, published by Rizzoli International Publications, Incorporated. The book is a must-have for anyone interested in the history of fashion design and the cultural significance of fashion. With beautiful illustrations and detailed descriptions, this book provides a fascinating window into the world of fashion during a tumultuous time in fashion history. Whether you are a fan of Leon Bakst or simply interested in fashion design, this book is sure to be a valuable addition to your collection.
14/03/25
Russian vintage postcard, illustrated by Léon Bakst
Set and costume designs
The Thyssen-Bornemisza collection
Alexander Schouvaloff, Intr. Serge Lifar
P.Wilson, London 1987, 268 pages, 25x30cm, ISBN 085 667 3153 , copy n.4770
euro 60,00
email if you want to buy [email protected]
During his lifetime the late Baron Thyssen-Bornemisza acquired a collection of over fifty drawings - largely of set and costume designs - reflecting the theatre of the first half of the twentieth century, and particularly the ballet, during what was surely its most exciting and innovative period. Twenty-two of these drawings are by Leon Bakst, perhaps the most famous of all theatrical designers, whose revolutionary designs for Diaghilev's Ballet Russes played such a major part in the impact that company made during the years 1909-1929.
In addition to works by Bakst, the collection includes drawings by George Barbier, Alexandre Benois, Erte, Alexandra Exter, Nathalie Gontcharova, Michel Larionov, Jose de Zamora and others.
30/09/29