Oh the confusion of being lovingly kissed on the shoulder by your situationship from hell
Full art is on my AO3 here
"I'm Dorothy Gale from Kansas"

if i look back, i am lost

🩵 avery cochrane 🩵
Xuebing Du
I'd rather be in outer space 🛸

Kaledo Art
Claire Keane

Discoholic 🪩
untitled
YOU ARE THE REASON


Product Placement
art blog(derogatory)
Cosmic Funnies

titsay
we're not kids anymore.

shark vs the universe
TVSTRANGERTHINGS

Andulka
seen from Germany
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seen from Germany
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seen from United States
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seen from Japan

seen from Iraq

seen from United States
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@beardconnoisseur
Oh the confusion of being lovingly kissed on the shoulder by your situationship from hell
Full art is on my AO3 here

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"The wilderness that is our daughter"
THE VAMPIRE LESTAT 3.03 | 3.05
These men, who brought me here today, do not fear me. They brought me here today because they fear you and because they know that my voice, the voice that refuses to be enslaved, once lived in you. And may yet still. They brought me here today to show you death and use it to frighten you into ignoring that voice. But know this. We are many. They are a few. To face death is a choice. And they can't hang us all. Get on with it, mother fucker.
#BLACKSAILSWEEK25 day one → favourite scene/episode
The GC series exists simultaneously in a world within which fear of homophobia drives pro athletes so deeply into their respective closets that they will implode their personal lives rather than face it AND another fantasy land full of rainbow sprinkles and fan service puppies in which homophobia is a single unpleasant but ultimately impotent business exec that can be shut down with a single firm “I choose him”. There is simply no way to reconcile these two worlds while retaining equal respect for both. Either the closeted athletes are paranoid losers that need to get over themselves or the exec is a cartoonish boogeyman set up like an inflatable punch bag in the way of empty fluff. As neither of these is narratively (or ideologically) satisfying, the only logical response is to reject the invalid premise. I’ll let you decide which that is.
#i was shocked when i asked and learned that in real life there are zero out hockey players#like if ottawa exists the story has no stakes i'm sorry (via @comingatthecottage)
I don't deserve you. Yes, you do.
Ilya Rozanov & Svetlana Vetrova HEATED RIVALRY (2025-)

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Tried to doodle them like in 91st
X-Men '97 Opening Credits Season 1 & Season 2
If I was less annoyed with Rachel (and with some parts of the HR fandom, let’s be real) I think it would be fascinating to do comparative analysis of her & her books’ understanding of montreal as a hockey culture vs the reality of that culture as it exists. because, yes, she has written a fictionalized NHL with entirely different teams and players etc, but she invited the comparison by declaring herself a habs fan irl and reacting to some real world events (of the Bergevin/Therrien era) in her fiction.
The obvious problem is of course that when you bring real world events into your fictionalized NHL, you are now open to continued comparisons that you may never have intended, in particular for a very old club with deep roots in a marginalized culture to which you, the author, do not belong. It IS that deep, but you are from Nova Scotia, and you do not have a natural access to it. Worse, you have almost certainly been exposed to the nationwide bias against that culture, which—don’t even get me started.
So Rachel was mad at the management of the team she liked, and she took it out on the pages of a silly little gay romance series she was writing, never knowing exactly what a cultural touchstone that story would become. Understandable! Except the story now IS a cultural touchstone, and the real life team getting roasted in the silly little gay romance series has moved on, and its real life fanbase is bracing to watch the cultural touchstone move in parallel to the real club, which is a comparison she directly invited when she put Bergevin and Therrien functionally 1 to 1 into the text.
And the real life club is full of members of the historically marginalized culture of its original, legendary players. The real life club’s captain’s name is Suzuki. The real life club’s coach is one of the most intelligent—emotional and hockey IQ—men in the league.
The popularity of HR has already required multiple members of the real life Montreal Canadiens to give statements on the acceptance (or lack thereof) of gay men in the real life NHL. Can we expect these questions to recur and intensify if and when HR(TV) adapts the long game? Is that appropriate or fair, given the current accomplishments of the real life Habs? Was it ever appropriate for Rachel to make the assumptions she did—which became 1 to 1 as soon as she introduced proxies to Bergevin and Therrien!!!!—about the response of the city of Montreal itself to the revelation that its beloved Captain likes dick? Must my city answer for what some writer from the maritimes decided for us?
And none of that even touches on the real life captain of the real life Ottawa club being a fashy thumb thumb who went to Trump’s SOTU. What are we doing here.
Honestly bringing this back in light of her showing up to the Ottawa Senators Pride Night and helping them pretend they don’t employ the guy who whined until Pride jerseys were banned and also Brady Tkachuk. Genuinely embarrassing. The only correct answer when the Sens org calls you to go to Pride Night in 2026 is laughter and hanging up.
I just want to say ftr that I really wouldn’t bother to criticise RR’s writing a fraction as much or as sometimes harshly as I do if I didn’t truly believe she could have given us more. The premise established in HR the book and the characters she introduced to play it out are genuinely brilliant and perfectly positioned to subvert so many conventional romance tropes in a variety of interesting and even unexpected ways. And she does in fact manage this on multiple occasions! That’s what makes TLG’s comparative failures as a sequel so frustrating. It’s all the wasted potential, and I just simply don’t have it in me not to point this out where I see it. I have both personal and professional interest in these kinds of discussions, and I know they can seem abrasive or unnecessarily mean-spirited from a certain angle. But yeah. Just know that constructive criticism is my love language. And I don’t believe in pulling punches. In…any area of life 👀
It’s that she simultaneously tells and shows us that 1) Ilya is hopelessly devoted to Shane, turns his life upside down unflinchingly for Shane (a codependency that is romanticised rather than deconstructed but that’s a separate issue), hides his depression/mental health struggles, hurt feelings, and simmering resentment just to avoid upsetting or disappointing Shane, but then 2) turns around and has him say things like JJ is the real captain of the Voyagers or mock his disordered eating.
That wouldn’t be irreconcilable with his characterisation if it was clearly framed both as a flaw in that we see Shane upset by it and Ilya later apologise or at least acknowledge harm done internally (even if he is at the time cruelly satisfied by it) and as an anomalous response provoked by his own emotional state, i.e., lashing out in a moment of weakness/bitterness so to say. But instead what we get is Shane laughing or brushing it off with a canned ‘Fuck you’ he clearly doesn’t mean, anyone else in the room responding with uncomplicated amusement, and no further discussion on the matter at any other point.*
What that tells me is that RR does not see how these contradict each other and in fact believes the latter (2) consistent with the former (1). For myself, who sees the way the former is reinforced throughout this book and naturally extends from their first, I have to label the latter ooc and fault the author for the oversight. Anything else means leaving the realm of interpretation (which requires there first be text to interpret) for unfounded speculation and headcanon, which while a wonderful form of collective fanon engagement that I just as happily partake in as everyone else in fandom, is not a sign of a well-executed story.
* The behaviour of and around Hayden is similar for that matter, but the difference with him is that these strange moments are neither out of the ordinary nor apparently designed to influence our thinking (e.g., JJ is the real captain, so we shouldn’t be upset Shane loses it; Shane’s just being neurotic and can totally quit his ‘dieting’ whenever he wants, so we don’t need to be worried about him at all, etc.) which I take as further evidence that these ooc moments where other characters (predominantly Ilya and Shane themselves) are concerned are contrived for the sake of some preplanned plot beat later rather than derived authentically from the characters’ reactions in the moment.

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I really need Jacob Tierney to lock the fuck in on portraying Ottawa as a team that is finishing up a serious rebuild and hungry to win.
Like. There are gripes of varying levels about the Ottawa Plan, but this is by far the most efficient change he could make to improve it. The team can still be bottom of the league right now (which maintains a lot of the plot beats from The Long Game), but if they are actively working on becoming contenders before they got the unpredictable opportunity to sign Ilya Rozanov...? Literally could be enough to move the needle on understanding how either of these hyper competitive hockey talents managed a whole year without deciding this was a terrible idea.
Ilya moving to a shitty team and becoming miserable because he's committed career suicide at his peak is so predictable it's not even funny. Same with Shane becoming upset that Ilya isn't really competitive anymore, and with both those facts putting a strain on their relationship. Planning a move a season in advance and somehow not realizing this during the multiple games where both their teams presumably destroyed Ottawa while half asleep is just unrealistic. It would stop them dead.
But.
If Ottawa is trying to win, trying to trade and draft and sign and take advantage of the benefits deliberately built in to help losing teams rebuild, then maybe they could be optimistic enough to try it anyway. Shane alludes to them needing a center during the 3am planning meeting. It's not compelling evidence as is, but it could be spun into something worth noting pretty easily. They need a center because they've rebuilt the blue line solidly but they still can't generate scoring. Ilya isn't committing career suicide. He's moving to become the offensive core of what could be a serious contender if they could make the pieces click. It's still pretty crazy - he's gambling on an untested franchise and definitely setting his Cup race back several years, minimum - but he at least seems to have a plan.
...And just to address a justification I've seen floating around in advance: signing Ilya alone is not actually conveying this. People point out that Ilya captained Boston up from mediocre to Cup winning and suggest maybe Shane is just optimistic he could do it again. Except - Ilya is a player. He's not actually making the kinds of decisions that determine if a rebuild is successful. Little baby 19-22 year old Ilya did not buckle down and plan Boston's glorious comeback. This is management stuff - the coaching staff developing lines and players, the GM and assistants negotiating trades, the scouting staff making sure they get draft picks that can fill roles, etc. Ilya's job is to be good at playing hockey.
Ilya wanting the team to be contenders wouldn't do shit unless the front office was actively and skillfully making them contenders. A feeling TLG does not get across by all accounts.
But Jacob Tierney could add it and it wouldn't even be hard 🙃
#the vibe from tlg (as i understand it) is that ottawa is just kinda coasting until the hockey gods make them extremely lucky and gay#and that if they *hadn't* been blessed they were just gonna keep doing that? keep losing? keep the same roster?#but an ottawa with a new gm and new training staff and a bunch of strategic trades going on in the background? that could be something#< op tags#yes to all of this#there are a few other absolutely doable tweaks they could make to clean up the worst of the mess of tlg and this is one of the biggest#you put this perfectly#it won’t fix everything ofc and knowingly setting himself back by years at his prime is still shit#but there’s a difference between anticipating taking a hit to come back stronger#and fully just torching his career with no realistic expectations of recovery. as again they would HAVE to know looking at Ottawa#esp w a full season to observe them#also agree with the comments about reworking the timeline to get players like Hayes and Haas in sooner#and make us believe this team can be cup contenders before Ilya’s magic speech (via @ravenbytes )
I really do genuinely love the idea of shane having a "change the culture in his locker room" type of arc.
some top tier cooking happening in the replies by @northca4
The GC series exists simultaneously in a world within which fear of homophobia drives pro athletes so deeply into their respective closets that they will implode their personal lives rather than face it AND another fantasy land full of rainbow sprinkles and fan service puppies in which homophobia is a single unpleasant but ultimately impotent business exec that can be shut down with a single firm “I choose him”. There is simply no way to reconcile these two worlds while retaining equal respect for both. Either the closeted athletes are paranoid losers that need to get over themselves or the exec is a cartoonish boogeyman set up like an inflatable punch bag in the way of empty fluff. As neither of these is narratively (or ideologically) satisfying, the only logical response is to reject the invalid premise. I’ll let you decide which that is.
Romeo + Juliet (1996)
THE BORGIAS (2011 - 2013) S02E05 - The Choice S03E05 - The Wolf and the Lamb

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HEATED RIVALRY 1.02 | Olympians
i think i found my new favorite artist on twitter
(source)
👆 me