There are 2 types of fanfic:
fanfic that I like
fanfic that is none of my business

oozey mess
Three Goblin Art
sheepfilms
hello vonnie
occasionally subtle
Sade Olutola
YOU ARE THE REASON

Cosmic Funnies
trying on a metaphor

Xuebing Du

tannertan36
styofa doing anything
Cosimo Galluzzi
we're not kids anymore.

祝日 / Permanent Vacation
Misplaced Lens Cap
seen from United States
seen from Italy

seen from Germany

seen from United States
seen from United States

seen from Australia

seen from United States

seen from United Kingdom

seen from Colombia
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from Singapore

seen from Brazil

seen from Ireland
seen from Sweden
seen from United States
@sujulover1997
There are 2 types of fanfic:
fanfic that I like
fanfic that is none of my business

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one of the biggest tragedies of early 2010s tumblr is that the devil (bbc sherlock) took root as the face of johnlock when the guy ritchie films were RIGHT there
like come ON
wei wuxian's foolproof plan of making everyone believe that he is, in fact, not the yiling patriarch:
step 1: pretend to be a gay lunatic (he already was a gay lunatic)
step 2: throw step 1 out of the window as soon as someone disrespects the lan clan (his life-long crush's clan)
step 3: play the flute (the instrument well known as the yiling patriarch's spiritual weapon of choice)
step 4: summon the ghost general (the yiling patriarch's right hand man)
step 5: play a song composed by hanguang-jun that only him and the yiling patriarch have ever heard
step 6: flirt with hanguang-jun (his lifelong crush)
I completely forgot to post this
Enjoy the traffic Cone
Alt of this
I know it's been done before but I love jealous, possessive Conan/Shinichi

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WHOLESOMENESS IN OLD EPISODES😄
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Conan isn't the only jealous one around here
Heiji holding conan compilation
They should really lock those doors
An aspect of dcmk I find interesting is whenever someone confronts Conan about his identity, or implying that he's actually Shinichi, they never seem to think further about it than how it affects them personally. It's always that Shinichi is lying to 𝘵𝘩𝘦𝘮 and trying to deceive 𝘵𝘩𝘦𝘮, but never that he's in hiding to protect 𝘩𝘪𝘮𝘴𝘦𝘭𝘧.
And Shinichi freaks out every time, because in his mind his identity being revealed is literally life or death, no matter who it is. He goes into a panic survival mode every time, but whenever someone confronts him (Hattori, Ran, Sera, etc.) they never think of it from his perspective, and it just makes him out to be the asshole in the scenario.
Funnily enough, the only person (other than Agasa who he told willingly) who actually respects his situation and thinks about it from Shinichi's point of view is Kaito. Obviously this happens in a movie so the canon is a little flimsy but when he finds out Conan is actually Shinichi, instead of confronting him, he 𝘩𝘦𝘭𝘱𝘴 𝘩𝘪𝘮 𝘩𝘪𝘥𝘦 𝘩𝘪𝘴 𝘪𝘥𝘦𝘯𝘵𝘪𝘵𝘺. He immediately shows support rather than trying to get him to confess or rat him out, and I fully believe it's because Kaito understands what it's like to have a hidden identity. While he doesn't directly understand Shinichi's situation, he understands enough to not threaten him with it, which is probably a big reason why Shinichi ends up trusting him as much as he does.
(the same could be argued for Akai but he hasn't revealed that he knows so I'm not counting it in this)

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Things Conan has done with his skateboard (an incomplete list):
Crossed over half a bridge by balancing on a single steel beam in an effort to pursue a wanted criminal
Chased an armed criminal into and through moving traffic (bonus: almost got crushed by a car)
Chased kidnappers into moving traffic and onto a highway multiple times (bonus: fell off the highway once, had to be fetched like a frisbee)
Climbed an entire football stadium up to the roof (more steel beams were involved)
Rode upside down on the ceiling of a highway tunnel (bonus: somehow landed upright when gravity finally remembered to apply to him as well)
Crossed the collapsed passage connecting two skyscrapers
Used a parabolic antenna as a ramp in order to throw himself off a roof hard enough to almost reach a nearby river
Used a metal pipe he uprooted himself as a landing ramp after jumping off a building in order to slingshot himself into the air for a cool shot with his soccer ball
Caused an avalanche
Things Conan hasn't done with his skateboard:
Gone to a skate park
LittleBIGworld with Pond Phuwin (2022 - 2023) | ep.12
We all heard it.
Obligation
Chapter 2: Arrival
The door shut behind him with a hollow sound.
The room was simple: a bed with white sheets tucked too tightly at the corners, a table with a small lamp, and a chest of drawers with handles that clinked when he tested them. A faint hum came from the air vent above, steady and constant, like the mansion itself breathed differently from the world outside.
Phuwin stood for a while without moving.
The air felt filtered, thin in a way he wasn’t used to. His reflection flickered in the windowpane — a ghosted outline in the glass, half-lit by afternoon sun. He set his bag down on the bed, and the soft rustle of cloth was swallowed instantly by the stillness.
He unpacked slowly. Folded, stacked, tucked. His movements careful, his hands working in quiet rhythm. Inside were only a few things: three shirts, a spare pair of jeans, a toothbrush. He didn’t arrange anything deliberately, just placed each item where it fit. When he finished, he sat on the edge of the bed and let his hands fall to his knees. The mattress creaked softly under him.
For a long moment, he listened. The faint murmur of voices drifted from somewhere down the hall — a low rhythm of conversation and motion — but no one came.
When he finally stepped outside, the corridor was empty.
The mansion stretched endlessly in both directions, its polished floors catching slants of light from high, narrow windows. Footsteps sounded faintly from another hallway, sharp against the marble, then faded. Phuwin adjusted the collar of his shirt and started walking.
He passed by open doorways — glimpses of people moving efficiently: someone carrying linens, another arranging silverware. No one stopped him. No one looked his way.
He stood for a moment at a junction where three hallways met, uncertain which direction led to the kitchens. The air smelled faintly of detergent and citrus. Somewhere distant, a clock chimed. But still, no one approached.
He hesitated, then followed the sound of voices, trailing the faint echoes of work until he reached a wide, bright room lined with counters and sinks. The kitchen, where a handful of servants worked in synchronized motion — chopping vegetables, stirring pots, washing dishes. They spoke in short sentences, their tone brisk and familiar. Phuwin lingered by the door, waiting for someone to tell him what to do. No one did.
He cleared his throat quietly, but the sound was swallowed by clatter and steam. He watched for a few moments, unsure where to fit himself in, and finally stepped aside to the edge of the counter, folding his hands in front of him.
It was an older woman, perhaps in her fifties, who eventually noticed him. Her sleeves were rolled up, her hair pinned back in a quick twist. She gave him a brief look — not unkind, just assessing — then nodded toward a nearby table stacked with crumbs and empty plates.
“You can clear that,” she said.
Her tone was offhand, like she was giving away a task that hadn’t quite been hers.
Phuwin nodded quietly as he crossed to the table, collecting the dishes one by one. The plates were heavier than they looked, the porcelain cool against his fingers. He worked quietly, balancing the stack against his arm. The woman didn’t look again; she had already turned back to the pot simmering on the stove.
When he brought the plates to the sink, someone else moved aside without a word. He rinsed them, dried them, and returned to the table to wipe it clean. The rag smelled faintly of bleach, its texture rough against his skin.
It was work he knew — small, repetitive, grounding.
But here, it felt different.
Back home, even the simplest chores carried sound: the hum of a fan, the occasional cough from his father’s room, the noise of passing traffic outside the window. Here, there wasn'thing but the rhythm of tasks performed perfectly and quietly, as if sound itself would be reprimanded.
When he finished, he stepped back, unsure of what came next.
He caught his reflection again — this time in the polished silver of a refrigerator door — and barely recognized himself. The uniform the house had given him that morning fit too neatly, the sleeves pressed and stiff. It made him look like he belonged here, but he didn’t feel it.
No one addressed him again.
The older woman called to another servant about the linen order, and two others laughed quietly at something one of them said. A voice broke through the chatter and caught Phuwin's attention, however,
“They’ll be back tomorrow.”
“The family?” Her friend murmured.
The first gave a small hum, the sound of someone half-distracted by her work, plates clinking faintly as she stacked them.
“And the son,” she added, lowering her voice even further. “He’s the one they always rush around for. Always wants things just so. The maids were cleaning his room all afternoon.”
She shook her head, half impressed, half exasperated. “I don’t know how anyone keeps up with it. Every time he comes home, it’s like the whole house goes into a frenzy — checking every corner, every hallway, like he’s some inspector instead of the young master.”
“Must be nice,” the other said, half under her breath.
Their voices faded again, swallowed by the low thrum of the refrigerators.
Phuwin didn’t move. The words hung briefly in the air, curious but meaningless to him. Whoever the son was, he was someone else’s concern.
He ignored them, instead, a towel left folded on the counter, a tray that needed rearranging, utensils slightly out of line — he adjusted them all, quietly, efficiently. It was easier to keep moving than to stand still and risk being seen for what he was: new, uncertain, and not yet part of the rhythm.
By the time evening light slanted through the high kitchen windows, the chatter had faded. One by one, the staff began to leave. The older woman wiped her hands, called a few parting reminders, and disappeared down the hall with the others.
Phuwin stayed a few minutes longer, making sure every surface was spotless. Then he returned to his room.
The corridor was quiet again. The same filtered hum filled the air, and the scent of flowers returned faintly from somewhere near the main hall. He reached his door, turned the handle, and stepped back inside.
Everything looked the same: the bed untouched, the lamp waiting. Nothing had changed, because there was no one here to change it.
He sat again on the edge of the bed, elbows on his knees, staring at the empty table. The quiet pressed in, heavier now. He leaned back slowly, feeling the mattress dip beneath him. His hands rested on his chest, fingers brushing the edge of the worn watchband he’d slipped around his wrist before unpacking.
He could hear faint footsteps overhead, then the quiet thud of a door. After that, nothing. The house settled into silence again, as if it were breathing around him.
Maybe this was easier. To be unseen. To move quietly enough that nothing could touch him anymore.
The morning came soft and grey.
Phuwin woke before the others — if they were even awake at all — and lay still for a while, staring at the ceiling. The air felt cooler here, untouched by weather or time, as though the mansion itself existed in its own quiet season. Somewhere beyond the window, birds called faintly from the trees, their sound thin through the glass.
He sat up and dressed quickly. The uniform smelled fresh, still too crisp against his skin. He tied the collar neatly, smoothing it flat with his palms before slipping out into the corridor.
The mansion was already stirring.
Distant voices carried from the lower floors, the muffled rhythm of footsteps and soft instructions passed down the hall. Somewhere, a vacuum hummed. The scent of polish and lilies hung in the air again — sharper now, cleaner, like someone had just wiped every surface twice.
The family was returning today.
He hadn’t thought much of it the night before, but now the house moved differently. There was purpose in every motion, urgency disguised as efficiency. The staff seemed to multiply in number; figures passed briskly through the halls, balancing trays, dusting railings, checking reflections in glass.
Phuwin kept out of the way. That was what he was good at.
He followed the flow of movement until he reached the front foyer — an expanse of marble and light that almost didn’t look real. The floor reflected everything like water: chandeliers, uniforms, the sharp edges of morning sunlight that spilled through tall windows. Voices overlapped in the echoing space, low but steady, as if everyone had rehearsed this routine many times before.
“Positions,” someone called softly, and the quiet scattered into order.
Phuwin fell into line with the others near the back. He didn’t know if he was supposed to, but no one corrected him. A line of servants stood along the wall — not stiff exactly, but composed. Hands folded neatly. Eyes down.
Outside, a faint hum rose — the sound of engines.
Then the first car appeared through the gates.
It rolled up the long drive like a shadow — sleek, black, the kind of vehicle that seemed to absorb the light rather than reflect it. Another followed close behind, and another. Tires crunched against gravel, doors opened, voices spilled briefly into the air.
Phuwin straightened instinctively, shoulders drawing back, chin lowering just slightly.
The front doors opened with a sound that barely echoed. Cool morning air rushed in, carrying the faint scent of rain and perfume.
They entered all at once — a small group, framed in the light. A man and a woman first — elegant, familiar to everyone except Phuwin. They moved with the ease of people accustomed to being watched, greeting the butler with polite nods as though they’d never truly been away. Behind them, two maids hurried to take coats and luggage, already halfway through apologies and welcomes.
And then another figure stepped through the doorway.
You could tell, even before he spoke, that he didn’t need to announce himself.
He wasn’t particularly tall — not in a way that demanded attention — but the air shifted around him. He moved like someone born into space, unhurried, his confidence subtle rather than loud. His clothes were simple but deliberate: pale shirt, tailored trousers, a faint glint of something silver at his wrist.
He paused by the threshold, eyes adjusting to the cool light of the foyer, and for a moment, the house seemed to exhale.
“Welcome back, sir,” came the butler’s voice — steady, formal. “Everything has been prepared.”
“Thank you,” the young man replied, tone polite but detached. His voice wasn’t deep, but it carried easily — smooth, measured, the kind that lingered in the quiet afterward.
Pond.
Phuwin didn’t know his name then, but later he would remember that voice — the way it fit perfectly into the stillness of the mansion, like it had always belonged there.
Now, standing among the other servants, Phuwin only saw a figure outlined by light. He kept his eyes down, hands clasped in front of him, the way he’d seen the others do. The air in the foyer felt denser now, filled with footsteps, greetings, and faint laughter that didn’t reach the eyes of those who gave it.
Pond’s parents exchanged quiet pleasantries with the butler before moving toward the staircase. Their footsteps echoed once, then softened into the carpet. The young man remained behind for a moment, glancing briefly around the space — not with awe, but with the easy detachment of someone returning to something he owned. His gaze lingered near the line of servants, a casual sweep that moved like light along glass.
And then it stopped.
It shouldn’t have.
There were ten people standing there — twelve, maybe — all identical in posture and uniform. Yet his eyes caught on one.
Phuwin stood at the far end, partially hidden by the shadow of a pillar. He didn’t move. He barely breathed. The towel in his hands — one he’d been folding absentmindedly before being called to the foyer — felt suddenly heavy, the edges damp from his grip.
He didn’t understand why the air seemed to stretch thin in that instant. The boy — Pond — was still, expression unreadable, gaze anchored for a second too long to be accidental.
It wasn’t recognition, not exactly. More like a flicker of memory that hadn’t yet formed into thought. A faint pull of something he didn’t know how to name.
Phuwin felt it, too, though in a different way. The awareness of being looked at, of existing suddenly in someone else’s line of sight, cut through his practised stillness. His throat tightened.
He dropped his gaze quickly to the floor.
The sound of movement filled the pause — Pond shifting his weight, a servant coughing softly to the side. Someone spoke, breaking the quiet spell, and the moment collapsed like it had never been there.
“Would you like to see your room, sir?” the butler asked.
“Yes,” Pond replied. His tone was lighter now, distracted.
He started up the staircase, footsteps echoing faintly against the marble.
Phuwin didn’t look up again until the sound had faded.
Around him, the others began to disperse — small motions, practised, like a routine they’d performed countless times. A few spoke in hushed tones, trading quiet remarks about luggage or schedules. No one mentioned the young master’s brief pause, or the servant standing just outside the circle of attention.
They didn’t need to.
Phuwin adjusted the towel in his hands, folded it once more for the sake of something to do, and stepped aside to let the next flurry of movement pass.
It was only a second, but Pond’s gaze had lingered — as if he’d seen something he wasn’t meant to. Then he looked away, and the moment passed.
Phuwin moved through the hallways like a shadow, steps measured and precise. The mansion was vast, every corridor polished and gleaming, the scent of wax and lilies lingering faintly in the air. He carried a tray of clean linens, folded neatly, balanced carefully against his forearms. Each step on the marble floor echoed slightly, but he adjusted his pace to keep the sound soft, blending with the muted clatter of distant dishes from the kitchen.
He passed doorways where the staff worked: a maid stacking folded clothes in a linen closet, a footman arranging silverware on a sideboard, another worker sweeping the polished hall. Phuwin stayed to the edges, his presence careful, silent, a shadow moving in rhythm with the household.
He approached one of the upstairs bedrooms, where linens had to be replaced and towels folded for the next day. He set the tray down and began aligning the stacks on the shelf, smoothing each fold meticulously. His movements were slow, deliberate — an exercise in precision and invisibility.
From the doorway, Pond appeared briefly, seated at a small writing desk in the corner of the room. He wasn't here for Phuwin; he'd been finishing some schoolwork and reviewing a letter. But the moment Phuwin’s tray entered the room, Pond’s gaze shifted subtly, catching the boy in motion. It wasn't recognition, not curiosity in any conventional sense — just a faint pull, an instinctual attention toward someone moving differently, deliberately, quietly.
Phuwin didn't look up. He didn't speak. He adjusted a small stack of towels, straightened a rug, and arranged the sheets neatly, his eyes on the task. He bowed slightly when placing the last stack on the table, then stepped back toward the doorway, retreating in silence.
Pond’s eyes followed, just for a moment, before returning to his own work. His glance lingering longer than it should, though — a silent, subtle observation.
Phuwin continued down the hallway, delivering linens to the next room, a small guest bedroom near the end of the wing. The sunlight slanted across the polished floors, casting bright rectangles that illuminated the dust motes drifting lazily in the air. Each step was careful, precise. He straightened a chair, aligned a small table, and set the linens neatly on the bed.
The mansion’s details became more pronounced with every room: carved doorframes, ornate handles, rugs laid symmetrically along the corridors. Light filtered through high windows, reflecting across the polished surfaces. Phuwin’s movements became a quiet rhythm, a silent cadence of work performed efficiently, deliberately.
Later, he returned to a dining room, working quietly, methodically, aware that every motion was being watched, even if only indirectly.
Pond appeared at the far end of the room, adjusting a chair while speaking briefly with the butler, who noticed the subtle exchange — the young master's gaze lingering for just a fraction of a second longer on Phuwin— but said nothing. His face betrayed only the smallest hint of curiosity, a shadow of acknowledgement before he returned to his duties.
Phuwin didn't look up. He didn't speak. His head remained bowed, hands moving methodically over the work beneath him.
Each room he entered offered small, mundane tasks: folding towels, arranging linens, tidying chairs, dusting a side table. His movements were controlled, careful, silent. The mansion itself seemed to respond to him, every creak and echo muted, the light shifting across the corridors as if waiting for him to finish. Pond’s presence remained faint, just a subtle awareness from the corner of a room or the end of a hallway.
By the late afternoon, Phuwin had moved through the majority of jobs he was allowed to take on. He had tidied, aligned, folded, and arranged, moving silently and efficiently, aware of Pond’s distant but persistent gaze. Each glance from the boy left an unspoken weight, a curiosity that didn't require acknowledgement.
As Phuwin returned to the stairway, carrying the last tray of glasses back to the kitchen, Pond had already retreated to his study. The light fell across the polished floors, illuminating the faint dust motes and casting long shadows. Phuwin moved down the corridor, each step soft, almost swallowed by the echoing mansion.
He paused briefly at the door, and for a heartbeat, he allowed himself a glance at the hallway that looked entirely empty. The quiet was so absolute that even the hum from the air vents felt loud. His eyes lingered on the space for a moment, imagining what might occupy it. Pond’s presence was gone, but the memory of his gaze lingered, subtle and unresolved.
Pond leaned lightly against the wall, the sun catching the edge of his hair and casting a faint glow around his figure. He was still, perfectly still, his attention entirely on Phuwin. Every motion the boy made seemed amplified in Pond’s perception — the slight bend of his shoulders, the way he set his tray down and adjusted the corner of a table. Pond didn’t step forward; he remained hidden, the faintest smirk of curiosity tugging at his lips.
Phuwin straightened himself, glancing again at the hallway. His pulse quickened slightly, though he told himself it wasn't anything, a strange flutter he tried to ignore. He shook his head, as if that simple motion could sweep away the odd tension coiling in his chest. A slow breath in, a deliberate exhale—he told himself it was nothing, just the unfamiliarity of the mansion, the weight of responsibility pressing on him. He flexed his fingers, letting them brush against the smooth surface of the banister, grounding himself in the physical world, and willed his thoughts back to routine, to tasks he could control. Still, the uneasy prickle lingered for a moment, fleeting and unnameable, before he forced his shoulders back and stepped forward, determined not to let it slow him down.
Pond’s eyes followed, lingering on the slight tension in Phuwin’s hands, the way his feet shifted carefully over the marble. He noted the quiet efficiency of the boy’s movements, the way each task was performed without fuss, without sound. Pond’s curiosity wasn’t loud; it was quiet, restrained, as if he were cataloguing each detail without interfering. He had watched enough of the household to know when someone moved differently — and Phuwin did. There was a natural rhythm to him, subtle and precise, and Pond couldn’t stop noticing it.
As Phuwin stepped forward, Pond pressed his back and hands flat against the wall of a narrow alcove just off the main corridor, holding himself still. The angle was tight, the light dim, but it allowed him to peek out just enough.
When Phuwin’s figure passed, Pond leaned slightly, tilting his head to peek around the corner. His gaze followed the boy, tracking the quiet rhythm of his movements, the subtle precision of each gesture. Every fold of linen, every careful adjustment of a chair, caught his attention. He was drawn to him.
He held his breath, remaining perfectly still, as though even the smallest shift might alert Phuwin to his presence. The hallway stretched long and empty ahead, and Phuwin moved down it without glancing back. The sound of his footsteps was soft against the marble, each step absorbed by the polished surface. Pond allowed himself a fraction of movement, just enough to track him, the corner of his shoulder brushing the wall. He watched until Phuwin was far enough away.
Only then did Pond let himself exhale, lowering his head slightly and retreating further into the narrow alcove. His posture was tense, alert, every sense tuned to the rhythm of the boy’s movements, and yet, a quiet satisfaction curled at the edges of his lips as he let Phuwin walk off. It was almost imperceptible, this quiet fascination, the way he lingered in the shadows, careful to remain unseen. And for a moment, he allowed himself to enjoy the small thrill of being hidden yet present.
Meanwhile, Phuwin had no idea he was being observed. The corridor felt empty, the polished floors reflecting sunlight. He adjusted the edge of a chair as he passed, every motion controlled, careful — a practised silence that made him almost invisible in the vast house.
And still, Pond watched. He ducked slightly again, craning his neck just enough to catch the end of Phuwin’s figure as it disappeared rounding a bend where the corridor opened into the sunlight of a high window. His eyes followed, lingering on the soft slope of the shoulders, the careful alignment of hands and finger by his sides. The subtlety of him drew Pond in — this wasn't someone demanding attention, not someone seeking it. Yet the way Phuwin moved through the house, fully present in his duty, left a small, insistent impression.
For a moment, the mansion seemed to exist entirely for that silent exchange: one boy performing, the other observing.
taglist: @skwunkler
Still You
Director: *Frustrated and regretting the mechanics of a car sex scene*
TXN & ZY: Ma'am we just need a bigger vehicle—

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Rewatching revenged love is realising what an absolute mindfuck of a character made with messy tropes and subverting expectations that Chi Cheng happens to be.
This man is the poster boy for bad boy “I care about no one” sex-hell to poundtown classic dark romance male lead. When you start that’s PRECISELY what he is. My man has a room full of snakes for god’s sake, snakes. My Tumblr account from 2018 was less emo than his fuckboy ass
So it works, the idea of him being the usual dark romance male lead archetype works until you reach episode five and realize no.. this guy isn’t the cold-blooded mafia leader top.. this guy is that one dumb character who falls in love within like five days of knowing someone and then draws hearts around their names together
His entire character does a complete 360. Because not only is he not the “I don’t commit” type, he is quite literally the “let’s get married in the course of three days and have seven children and five cats” type. Guys, if you really think about it, he’s basically a masc lesbian.
Anyway, this is what makes him so compelling. He’s 100% in before he even knows there’s a chance to be in and he’s not ashamed of admitting it. Usually, a character of his type will be vehemently trying to hide their feelings but no this guy, no snake daddy will transfer you 200,000 yuan then tell you he can’t bear the thought of you being mad at him and then cuddle you to sleep.
He’s not some brooding, messy asshole. He’s probably been depressed for six years and now for the first time in a while he’s happy. And his happiness is contagious. It’s not something he feels the need to hide.
You’ll notice how easily chi cheng laughs and smiles, those are not coveted things like other male leads of his kind. He’s just happy and there is no Thou Shalt Noteth Know I Haveth Feelingeth melodrama surrounding it
Another thing is the fact that he cares about other people. The cold male leads archetype only cares about his partner and no one else. They’re incapable of forming connections with those around them . I know some people find this compelling but I’m not one of them. Ofcourse, Chi Cheng cares about Suowei more than anyone else but isn’t it nice he also really cares about Guo Chengyu? He still cares about his parents and their well being? That he loves his nephew? That he has a great relationship with Gangzi? That more than anything he wants a family and he wants Wu Suowei to be the center of that family
This is a male leads capable of emotions and nuance. He cares about a lot of people, he smiles and laughs whenever he wants to and he actually has other colours than black in his closet. Chi Cheng isn’t a well written fetish, he feels like a human being with vulnerability and space to grow. He is a part of Wu Suowei’s story that can’t be replaced with a wooden log like most male leads because his actions are so central to his personality
Anyway yes, Chi Cheng was the ideal Playboy Cold Mafia Boss Emo Male Lead TM that got turned into boy next door insanely in love baby and I have no complaints
As heart wrenching as they were, I loved the flashbacks we saw of Chi Cheng and Suowei living together. They truly felt like memories.
Many shows incorporate flashbacks of things we've already seen during a breakup period. But this one? Each flashback gave us a new glimpse into their life together. Some built around things we knew like the vivarium and sugar figurines. Some introducing completely new knowledge - like Chi Cheng's terrible cooking skills.
The flashbacks were a gentle reminder that we've only seen the highlights reel of the relationship. This connection runs deep, and it's taken time to build. There's been time and energy invested at every stage. Outside of the schemes and plans, they know each other well.
Despite it's snappy pacing, this show is slow-burn in every way possible. It's slow burn romance, slow burn breakup, and slow burn reconciliation. There are weeks and months between a lot of the events we're seeing. It makes the relationship feel lived in and real in a way few shows accomplish.