Fruits are for breakfast; refrigerate some of them. They'll be delicious for mornings to come.
Though I should let you know (exculpatorily) you won't be having them- I ate your plum.
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Fruits are for breakfast; refrigerate some of them. They'll be delicious for mornings to come.
Though I should let you know (exculpatorily) you won't be having them- I ate your plum.

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Higgledy piggledy,
King Ozymandias
rendered in stone with a
strident decree.
Says our dear traveller
(unsentimentally)
"All that remains is his
foot and his knee."
Higgledy piggledy, turning and turning as gyres are widening, centers unheld,
things fall apart and there’s anarchy everywhere; falcons fly freely and can’t be compelled.
Dimming the tide there is blood in the water and everywhere customs of innocence drowned.
Held by the worst is a fervent intensity; lacking conviction the best run aground.
Surely there must be some kind of apocalypse; surely epiphany must be at hand!
Visions unbidden from Spiritus Mundi of something awakening out on the sand:
Head of a man with a leonine frame and a pitiless gaze that’s as blank as the sun;
sleep became nightmare by passage of centuries long before eons of slumber were done.
Higgledy piggledy, beast of antiquity, imminent, just as the prophecies warn,
shambling slowly but revelatorily, slouching towards Bethlehem, there to be born.
I think it makes more sense to view Gwi-ma as something internal to the characters rather than some mind controlling entity imposing some external force.
Gwi-ma, as the interior voice of shame, can only voice the shame that already exists within someone. During times of emotional crisis (ie Mira and Zoey) or when someone has done something that they ought to be ashamed of (say, ommitting certain facts about an event leading to them gaining a benefit they might not otherwise have), his voice gets much louder.
But he can't actually make anyone *do* anything.
Yeah, if Gwi-Ma can control you directly, he can make you abandon your friends or your duty to the world, can make you betray the first person in centuries to believe there was something good still in you, can make you make every single bad decision.
And it isn't your fault, if he controls you. You didn't have a choice.
And if you didn't have a choice, then what do you have to be ashamed of?
So while it may be a comforting lie for Jinu to tell himself that Gwi-Ma controls people, it's probably more accurate for Gwi-Ma to be talking to them, suggesting courses of action or giving justifications for giving in to your worst, most selfish, shameful impulses.
And when you do give in, the shame from that moment will haunt you forever. You could have chosen differently, after all, but you were weak and selfish, and you deserve everything that happened to you.
And it becomes a little harder not to listen next time
I do tend to see it that way, but I also tend to see it as some One Ring At The Cracks Of Doom shit. He can only suggest to you whatever your worst self may already have been inclined to do, but as a fully internal voice of shame, he (or the him inside your head, anyway; it’s probably narratively useful to limit the degree to which Bonfire On A Plinth Gwi-Ma can receive perfect information about other people’s internal states) knows the exact arguments that you can’t counter. At his most powerful, no one can resist him.
It’s why Rumi at the end of the movie (I keep coming back to this) could only beat him after agreeing to all his arguments and then dismissing their relevance rather than their accuracy.
why can rockstar games institutionalise you for life like nikita kruschev for being autistic
He didn't steal 10 million dollars. They made that number up as a loss, they never fucking had it. Rockstar has spent more than a billion fucking dollars on GTA VI and will likely make billions more when it gets released.
Uber is a fucking shell game of a company designed to leech investor capital and output bootleg cabs.
Nvidia posted a profit in 2023 of $4.37 billion. This is like someone stealing less than a penny from me.
And they lock this kid in a prison hospital for LIFE?
Capitalism is disgusting.
Nobody should buy GTA til they free Arion Kurtaj
What with GTA VI going up for pre-order i'd just like to remind everyone that rockstar conspired with the UK government to lock an 18-year-old away for life for hacking them.
This situation is significantly more complicated and sad than “Rockstar and nVidia vindictively conspired to sentence a hacker to prison for life.”
For a pretty good explanation by someone with a degree in psychology and a practical background in reporting video game news, see episode 249 of the Castle Super Beast podcast; it’s on YouTube here and the timestamp for the relevant segment is roughly 1:46:42. In summary, though:
The person in question was a member of a hacker group who hack companies and put things like the personal data of those companies’ employees up for ransom. He also has a history of stalking women. He is also severely autistic, to the point where the court found he was not mentally capable of standing trial because he could not understand how his actions constituted criminality and when asked whether he would continue to engage in this sort of behavior if released, he said he would. As such, he was handed over to the mental health system, which does not have fixed sentence lengths, where he’ll be kept in treatment until doctors are convinced he’s no longer in danger of continuing his criminal activities if released. However, once in the mental health system, he began having violent outbursts, so instead of being sent to a mental institution he was sent to the hospital wing of a prison. Prisons have significantly poorer treatment records than mental institutions, so it is statistically unlikely he’ll receive the treatment he needs to be found no longer a danger to society as long as he’s in a hospital prison; he won’t be sent to a mental health institution until he’s judged to no longer be a danger to staff; and because he was shunted into the mental health system instead of being given a criminal sentence, he won’t be released until he’s been judged to have undergone the successful treatment he’s statistically unlikely to receive.
It is an awful catch-22 and an indictment of both the legal and the mental health systems, but it isn’t Rockstsr being evil. I say this as someone who does not like or play Rockstar games.
I tend to agree with Pat’s analysis — this guy’s best hope is that he becomes sufficiently acclimated to institutional life that he stops having violent outbursts and gets transferred to a mental hospital, and then to be released when the mental hospital gets its budget cut.

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Thought this might help others who struggle when writing. I know I get in my head too much.
im developing cataracts in my right eye and ill be getting surgery for it on sunday so art might be paused for a bit next week ...
to help OP out for each day it is healing I will invent a new minion hybrid.
day 1: if a minion and shrek had sex that produced viable offspring
that's okay. you dont need to do that actually
Everyone go look up the song nasa banned from space
Don't forget to play it loud as fuck
please….listen to the whole thing. And imagine that you are IN SPACE in 1973 and you JUST woke up. Every time you adjust…it escalates somehow.
This song had to be designed in a lab for the sole purpose of fucking with astronauts. whoever added it to the NASA playlist was a genius.
OceanGate, the deep-sea exploration company that created the Titan submersible, has removed its Facebook, Instagram, Twitter, and LinkedIn a
poor things, well we should definitely make this easier on them by never repeatedly mentioning their name and deeds on the "reblog things forever" website
yea that'd be a shame
by the way, just so everyone knows what not to do, shift+r reblogs a post instantly
just make sure you don't reblog anything about oceangate because that would completely undermine their entire plan 😇😇😇
You also shouldn't queue a post, that would make people keep remembering this post for a longer time, which is the opposite of forgetting
June 18, 2023 never forgor

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Hey y'all! Any ideas for how Huntrix could be connected to the Autobots in a non-supernatural KPDH/Transformers crossover?
This is how it's going so far:
Magic and the supernatural as depicted in the movie doesn't exist. Huntrix is still a highly successful and popular kpop group, but are otherwise normal people. Instead of demon patterns, Rumi has vitiligo and her shame stems from that. The Saja Boys still compete with Huntrix for the Idol Awards, but are later disqualified due to foul play by sabotaging the girl's Golden performance via exposing Rumi's vitiligo with Mira snd Zoey lookalikes, as well as having no license for their street performance of Soda Pop. Instead of actively hunting the Saja Boys, the girls simply join them whenever they make public appearances to remain relevant and the Saja Boys do the same up until the aforementioned Idol Awards.
Any and all ideas are welcome!
Setting aside the obvious joke answer, which is "Well, you could make it a crossover with specifically Transformers Kiss Players..." (do not do this. I mean, unless that's your thing, then do I guess; I'm not your dad), Jem and the Holograms were in continuity (to the extent that continuity existed) with G1 Transformers and animated G.I. Joe so the template is there for Music Shenanigans Crossing Over With Interstellar Robot War. Your version of non-magical KPDH is very low-conflict, though; Jem crossovers traditionally handle things by, I dunno, having the Decepticons come after Jem's hologram tech or having them make a corporate deal with Riot and the Stingers, but with Huntrix not having anything the Cybertronians want and a general lack of avenues for evil corporate boardroom maneuvering in the narrative venue as you've engineered it, most of the Jem crossover tropes seem inapplicable.
I feel like Completely Normal Low Conflict Non-Magical KPDH AU might have trouble interfacing with the more Serious Business War Story versions of Transformers, but if you want to pull back from there into the less grim takes on the property, the Decepticons scheming to take over the Kpop industry so they can divert its profits to buy fuel would fit with a lot of Megatron's behavior in many versions of Transformers, and the traditional way to introduce a set of civilian characters to the Autobots is "I found this busted car and am fixing it up; wait, it's an alien robot?" So, Decepticons are active in South Korea trying to infiltrate the Kpop industry (Soundwave is taking point I guess?), Autobots are also there investigating, one of the Autobots loses a fight and gets injured and discovered by Huntrix, one of whom in this version of things is a car / motorcycle aficionado -- I'm guessing Mira, since Rumi has plants and Zoey has sea life but Mira doesn't really have a Thing -- and in the process of fixing the injured Autobot up, Huntrix discovers that the Autobot is an Autobot while the Autobot discovers that she or he has accidentally fallen into the laps of the perfect group of industry contacts to help her or his investigation into Megatron's latest evil plan. Traditionally this would be either Arcee (motorcycle version) or Bumblebee (any version), I think.
On the other hand, if you want to go full on everybody's having a bad time, you could take your low-conflict Huntrix AU and toss it into the deep end of one of the grimmer, more realpolitik Transformers continuities.
The other obvious dial would be how personal do you want to make this for Huntrix, which probably comes down to whether the Decepticons are attempting a hostile takeover of the Kpop industry in general or Huntrix's label in specific.
Also if you really want to write fluff you can just leave off the evil Decepticon plot and have Huntrix find and fix up an Autobot and make friends, and then have them interact in that capacity. Not everything needs to be a fight.
Actually doing another reply to this, because this is an intersection of two of my special interests I rarely apply together and so I keep getting ideas:
As your preferred take on KPDH is relatively low-stakes and absent violence, you may wish to consider a Rescue Bots inspired Transformers variant — Rescue Bots is a Transformers continuity where the Decepticons aren’t present and the cast consists of Autobots who’ve been assigned to Earth to act as search and rescue volunteers, because it could be handy to have giant robots to help with that (and because there’s no shortage of rescue vehicles they can transform into that Hasbro can sell toys of). There was a cartoon (that I haven’t watched) in which this was framed as “The Autobot/Decepticon war is happening off-camera, and these are inexperienced Autobots that Optimus Prime doesn’t want fighting in it” but I believe there was another Rescue Bots continuity (based on comics that came with toys? I could be misremembering or confabulating this, admittedly) where the Decepticons just don’t come up at all and it’s implied that Autobots just… send missions to various planets throughout the galaxy to help out, like if Omni-Man’s cover story in Invincible were real. Rescue Bots variants tend to be more kid-pitched, but actual search and rescue work is serious life and death business, so if you want stakes but not fights this is a viable option for how to handle cybertronians in a low-violence setting at pretty much any maturity tone. You could even bring in known Decepticon characters and just have them be, like, around as rescue operatives who are kind of jerks about it, if you really to include Starscream being his recognizable self in a setting without a war. (And what fic wouldn’t be improved with the addition of Starscream, really?)
There’s also the potential diplomatic side — some Transformers fics lean into the angle of “Cybertronians establishing diplomatic relations with Earth,” a topic implied but not heavily explored in many of the shows, and your version of Huntrix, as media personalities (if they had some initial positive contact with the Transformers during period in which cybertronian presence on Earth is first being established/revealed), might be well-positioned to serve as human spokespeople for the cause of positive diplomatic ties/integration.
Hey y'all! Any ideas for how Huntrix could be connected to the Autobots in a non-supernatural KPDH/Transformers crossover?
This is how it's going so far:
Magic and the supernatural as depicted in the movie doesn't exist. Huntrix is still a highly successful and popular kpop group, but are otherwise normal people. Instead of demon patterns, Rumi has vitiligo and her shame stems from that. The Saja Boys still compete with Huntrix for the Idol Awards, but are later disqualified due to foul play by sabotaging the girl's Golden performance via exposing Rumi's vitiligo with Mira snd Zoey lookalikes, as well as having no license for their street performance of Soda Pop. Instead of actively hunting the Saja Boys, the girls simply join them whenever they make public appearances to remain relevant and the Saja Boys do the same up until the aforementioned Idol Awards.
Any and all ideas are welcome!
Setting aside the obvious joke answer, which is "Well, you could make it a crossover with specifically Transformers Kiss Players..." (do not do this. I mean, unless that's your thing, then do I guess; I'm not your dad), Jem and the Holograms were in continuity (to the extent that continuity existed) with G1 Transformers and animated G.I. Joe so the template is there for Music Shenanigans Crossing Over With Interstellar Robot War. Your version of non-magical KPDH is very low-conflict, though; Jem crossovers traditionally handle things by, I dunno, having the Decepticons come after Jem's hologram tech or having them make a corporate deal with Riot and the Stingers, but with Huntrix not having anything the Cybertronians want and a general lack of avenues for evil corporate boardroom maneuvering in the narrative venue as you've engineered it, most of the Jem crossover tropes seem inapplicable.
I feel like Completely Normal Low Conflict Non-Magical KPDH AU might have trouble interfacing with the more Serious Business War Story versions of Transformers, but if you want to pull back from there into the less grim takes on the property, the Decepticons scheming to take over the Kpop industry so they can divert its profits to buy fuel would fit with a lot of Megatron's behavior in many versions of Transformers, and the traditional way to introduce a set of civilian characters to the Autobots is "I found this busted car and am fixing it up; wait, it's an alien robot?" So, Decepticons are active in South Korea trying to infiltrate the Kpop industry (Soundwave is taking point I guess?), Autobots are also there investigating, one of the Autobots loses a fight and gets injured and discovered by Huntrix, one of whom in this version of things is a car / motorcycle aficionado -- I'm guessing Mira, since Rumi has plants and Zoey has sea life but Mira doesn't really have a Thing -- and in the process of fixing the injured Autobot up, Huntrix discovers that the Autobot is an Autobot while the Autobot discovers that she or he has accidentally fallen into the laps of the perfect group of industry contacts to help her or his investigation into Megatron's latest evil plan. Traditionally this would be either Arcee (motorcycle version) or Bumblebee (any version), I think.
On the other hand, if you want to go full on everybody's having a bad time, you could take your low-conflict Huntrix AU and toss it into the deep end of one of the grimmer, more realpolitik Transformers continuities.
The other obvious dial would be how personal do you want to make this for Huntrix, which probably comes down to whether the Decepticons are attempting a hostile takeover of the Kpop industry in general or Huntrix's label in specific.
Also if you really want to write fluff you can just leave off the evil Decepticon plot and have Huntrix find and fix up an Autobot and make friends, and then have them interact in that capacity. Not everything needs to be a fight.
But when I say the “wholesome and funny” YouTube short I have been handed of students surprise showing their teachers 10+ year old photos of themselves and most them were emo/goth in some way and every single one now has medium brown beach waves and is wearing head to toe beige and immediately screams and hides the photo like it’s the most embarrassing thing in the world is a hallmark of a deeply insidious tendency to associate socially acceptable WASPy aesthetics with maturity and responsibility and perpetuates the idea that everyone grows up, “gets right” and becomes the most digestible unobtrusive heterosexual I’m “taking it too seriously”
“It’s not that serious” oh but it issssss because every day we perpetuate the idea that non-conformity of any kind to the white straight middle class standard is inherently immature and gets “left behind” when someone becomes a socially acceptable adult
This idea that maturity is conformity is everywhereeee if you look for even a moment
It's fear. It's fear of being judged. Because we now live in a panopticon. People rationalize it as something other than fear because fear is scary to face, but it's fear.
Hey y'all! Any ideas for how Huntrix could be connected to the Autobots in a non-supernatural KPDH/Transformers crossover?
This is how it's going so far:
Magic and the supernatural as depicted in the movie doesn't exist. Huntrix is still a highly successful and popular kpop group, but are otherwise normal people. Instead of demon patterns, Rumi has vitiligo and her shame stems from that. The Saja Boys still compete with Huntrix for the Idol Awards, but are later disqualified due to foul play by sabotaging the girl's Golden performance via exposing Rumi's vitiligo with Mira snd Zoey lookalikes, as well as having no license for their street performance of Soda Pop. Instead of actively hunting the Saja Boys, the girls simply join them whenever they make public appearances to remain relevant and the Saja Boys do the same up until the aforementioned Idol Awards.
Any and all ideas are welcome!
Setting aside the obvious joke answer, which is "Well, you could make it a crossover with specifically Transformers Kiss Players..." (do not do this. I mean, unless that's your thing, then do I guess; I'm not your dad), Jem and the Holograms were in continuity (to the extent that continuity existed) with G1 Transformers and animated G.I. Joe so the template is there for Music Shenanigans Crossing Over With Interstellar Robot War. Your version of non-magical KPDH is very low-conflict, though; Jem crossovers traditionally handle things by, I dunno, having the Decepticons come after Jem's hologram tech or having them make a corporate deal with Riot and the Stingers, but with Huntrix not having anything the Cybertronians want and a general lack of avenues for evil corporate boardroom maneuvering in the narrative venue as you've engineered it, most of the Jem crossover tropes seem inapplicable.
I feel like Completely Normal Low Conflict Non-Magical KPDH AU might have trouble interfacing with the more Serious Business War Story versions of Transformers, but if you want to pull back from there into the less grim takes on the property, the Decepticons scheming to take over the Kpop industry so they can divert its profits to buy fuel would fit with a lot of Megatron's behavior in many versions of Transformers, and the traditional way to introduce a set of civilian characters to the Autobots is "I found this busted car and am fixing it up; wait, it's an alien robot?" So, Decepticons are active in South Korea trying to infiltrate the Kpop industry (Soundwave is taking point I guess?), Autobots are also there investigating, one of the Autobots loses a fight and gets injured and discovered by Huntrix, one of whom in this version of things is a car / motorcycle aficionado -- I'm guessing Mira, since Rumi has plants and Zoey has sea life but Mira doesn't really have a Thing -- and in the process of fixing the injured Autobot up, Huntrix discovers that the Autobot is an Autobot while the Autobot discovers that she or he has accidentally fallen into the laps of the perfect group of industry contacts to help her or his investigation into Megatron's latest evil plan. Traditionally this would be either Arcee (motorcycle version) or Bumblebee (any version), I think.
On the other hand, if you want to go full on everybody's having a bad time, you could take your low-conflict Huntrix AU and toss it into the deep end of one of the grimmer, more realpolitik Transformers continuities.
The other obvious dial would be how personal do you want to make this for Huntrix, which probably comes down to whether the Decepticons are attempting a hostile takeover of the Kpop industry in general or Huntrix's label in specific.
stop letting miserable people on the internet convince you that you must have a concrete, well-constructed opinion on everything that has ever existed.
everybody say thank you Marcus Aurelius
In all seriousness there is a studied psychological phenomenon where once we form an opinion, we become attached to it, and we become resistant to incorporating new facts into our worldview that contradict it. If you’ve ever seen professional opinion-havers (pundits, editorialists) go slowly crazy as they get older, with consistently worse and worse takes about everything, you are witnessing what I believe to be the compounding effect of being attached to dozens or hundreds of solidly-formed opinions warping their ability to interpret more and more of the new things they observe. Forming concrete opinions on everything that has ever existed is bad for you, and it’s worse for everyone who has to interact with you.

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Vote for progressives. #DSA #ZohranMamdani
Democrats, are you taking notes? This is how you get shit done.
The real problem is that after all that, the wealthy are pissed off at being slightly less wealthy, but still wealthy enough to buy bad press for him.
new ebbits! new site!
this is probably my favourite comic of all time jsyk
can someone explain this to me?
Sure thing! For convenience I’ll refer to the guy with his arms in his pockets as SG (shorter guy) and the one on the computer as TG (taller guy).
In the first panel, SG sees TG playing on the computer and is disappointed. SG puts a lot of value in the idea of “making things,” specifically “art,” and thinks TG is just wasting their time
So he asks them if they wouldn’t rather be “making something” instead of just playing games and listening to music, implying that TG isn’t doing anything worthwhile or creative with their time
But TG replies that “interpreting is generative,” meaning that even if they spend their time just doing fun stuff, the mere act of enjoying something is creating an experience and an interpretation. Talking about something, dancing to music or sharing a piece of art with your friends IS “making something,” and each of those can be worthwhile and artistic.
SG leaves, complaining he “can’t be an auteur of [interpretation].” Auteur is a movie term that refers to a filmmaker with artistic control and vision enough to be considered essentially the singular creator of the resulting work of art. Turns out, SG doesn’t just want to “make things,” he wants to make things he and others see as “important.” He wants to make art not for the sake of art, but for the sake of being recognized and praised for his art.
This comic really speaks to elitism within the artistic community, the idea that art needs to meet certain standards to be considered art. SG’s viewpoint is really traditionalist, that art need to be “approved” and validated in order to be considered “really art;” while TG recognizes that art can be as little as just talking about what you love.
TLDR: Art is for everyone, not just some sort of social “artistic elite.”
ooh i love the explanation
Rebloging for that in depth and not even a little snarky explanation. 10/10