Prints from “Décoration moderne dans l'intérieur” by Henry Delacroix. 1930. Paris. Pochoir-process prints. Via Ursus Books
occasionally subtle

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Prints from “Décoration moderne dans l'intérieur” by Henry Delacroix. 1930. Paris. Pochoir-process prints. Via Ursus Books

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newthingincartons:1 million people in the 5th richest nation on Earth rely on food banks. Those who can’t stomach the shame go hungry, I’m sure. The most vulnerable are despised by the slightly less vulnerable, by the lumpy, sallow men and lumpy, sallow women that muddle around exurban retail parks, blearily drifting in and out of those enormous windowless warehouses. Our NHS is sold off piece by piece to make money for people who already have all of the money. A smiling, 2 metre tall cardboard policeman crosses his arms in the magazine aisle of a Home Bargains. A drunk, strong man with a sanitised version of a 1981 new-wave haircut is racist to a Pakistani man in a strip-lit chip shop. An inner-city A & E unit closes and is swiftly replaced with an ugly, plastic tower for the kind of stupid, wealthy young professional that gorges on ‘posh’ burgers during the day and spills £20 cocktails at night. The sky is three versions of the bad type of grey. Most of your family and all of your friends are on anti-depressants. The friendly men who talked about animals on television are child molesters. 13 year olds vote for UKIP in their school elections. The disabled commit suicide to avoid becoming a burden on their families due to deep cuts in social care. The parents of dead soldiers have to pay the bedroom tax to keep their child’s room as a memorial, or they have to move to Stoke. There is nothing good on TV. There is nothing good on the radio.
“Because things are the way they are, things will not stay the way they are.” - Bertolt Brecht
Unidentified photographer Bauhaus Building, Dessau, 1925-1926
i keep losing heart!

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Miranda July / Agnes Varda
Kasimir Malevich and El Lissitzky, Study for Backcloth for Vitebsk Committee for the Struggle against Unemployment, 1919.
A commander of the Ukrainian neo-nazi Azov battalion and his driver were killed when they attempted to destroy a monument to those who had died fighting nazis in the second world war by ramming it with their vehicle. Instant karma.
Für dich zerreiss ich mich Für dich verhungere ich Für dich vergess ich mich - ganz egal
It was in Spain that I learned that one can be right and yet be beaten, that force can vanquish spirit, that there are times when courage is not its own reward. It is this, doubtless, which explains why so many men the world over regarded the Spanish drama as a personal tragedy. – Albert Camus
Heart of Spain: Robert Capa’s Photographs of the Spanish Civil War, a collection of photographs, negatives, essays, poems, contemporary newspaper cuttings and historical ephemera, has been dear to me ever since I bought it about ten years ago. Even now, I thumb through with trepidation, deeming it far too delicate an item to sully with my clumsy paws.
Capa, the presidential-handsome Hungarian exile who sided with the beleaguered Spanish Republic became renowned and discussed in photography classes for his ‘Falling Soldier’ shot, but that was not the bulk of his work. His photographs from this period encapsulate the popular memory of this period: the euphoria of revolutionary Barcelona, the enthusiasm of the undertrained worker’s militias fighting fascism, the siege of Madrid and the volunteers of the International Brigades, who came in their thousands from 53 different countries to defend democracy - and for whom Capa held an intimate affinity.
Despite this, some of the most poignant images are those of defeat, as fascist victory drove hundreds of thousands of proud Spanish democrats from their homeland and over the Pyrenees. This particular photograph of a Spanish refugee, cello in hand, is particularly striking. The exhaustion of the broken Spanish people is absolutely written across the man’s crumpled face. The other refugees in the background are obscured, though the cellist’s expression is as oblique, his looks placed appropriately for an unknown future. With or without context, this is such a deeply distressing image.
I wrote & scanned this for Then There Was Us, a great little Manchester-based arts journal.

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Life in the century's midnight
in this picture: French Jewish Communists, liberated from Auschwitz, holding a banner they secretly made in the camp. Obscured from the picture is the infamous Arbeit Macht Frei sign.
I wrote an article about the resistance inside Auschwitz:
In summer 1944, Antonia Lehr and two of her friends were deported from Vienna to Auschwitz concentration camp. Posing as a foreign worker recently married to an Austrian, Lehr was in reality a Viennese Jew and a seasoned communist militant, specialising in exceptionally dangerous propaganda work amongst German soldiers in Paris, her two companions Communist underground activists. They had collectively received the death sentence for organising Austrian anti-fascists, the deportation a mere stop to liquidation. As national traitors, they considered themselves finished.
However, moving to Ravensbrück – a women’s camp with a high proportion of condemned political inmates, and the intended final destination for them – communication from the Auschwitz resistance organisation informed the Ravensbrück resistance of their special status as seditious Jewish communists and created false identities for them, successfully ‘vanishing’ them from the camp.
Antonia Lehr and her comrades were saved not by chance but as a result of the rigorous underground developed from the camp’s beginning. This experience, unusual within a general context of the Holocaust, is far from exceptional when studying the history of the anti-fascist movement operating behind stacheldraht. Written with the seventieth anniversary of Auschwitz’s liberation in mind and the ensuing commemorations, this article hopes to depict and discuss the political struggle within Auschwitz and to salvage the legacy of organised resistance, an important aspect of l’univers concentrationnaire that shall be no doubt ignored in faux-universalist politician-speak by humanitarians of dubious standing.
Read more HERE
"It erases Shiite-Sunni division": #Baghdad filled with joy after win over #Iran
three cheers to Emir Nader for sending me this, first one to spot it wins
Now this Syriza hype has died down, here’s our latest banner at the 3 - 1 FA Cup Trophy victory over Fylde. Quarter finals here we come.
from the KKE's 96th anniversary celebrations in 2014
rot front!

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Happy 100th birthday Ewan MacColl!
Happy 100th birthday, Ewan MacColl! The rendition of 'Dirty Old Town' yesterday afternoon at FC was electric. Highly fitting too that today it looks like the Greek people are about to reject the EU debt and elect Syriza (as well as raise the vote of the 'hardine' Communist Party higher than the traitorous social democrats).
photograph of Ewan MacColl from MI5 documents (from great article here)
with Peggy Seeger
two different record sleeves for MacColl and Dominic Behan's Streets of Song.
taken throughout western europe throughout the final quarter of 2014