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Julian Myers's essay "Fake Estates," on the messy demise of California College of the Arts, appears in the new issue of October, as part of its series Art Communities at Risk. The drawing here is by Metel Musles (misspelled on purpose). If you have access to JSTOR, please download it here. For anyone that doesn't have access, we're sharing it here.
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Christina Ramberg, Black 'n' Blue Jacket, 1981
Henry Dunant, Apocalypse Diagram, 1890
Keith Haring, No Nukes poster, 1982, on the occasion of the Rally for Nuclear Disarmament, New York City, June 12, 1982
Norman Lewis, Untitled, 1943—via Michael Lobel
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Christina Fernandez, Lavanderia #4, 2002. The survey “Christina Fernandez: Multiple Exposures,” curated by Joanna Szupinska, opens tomorrow, October 1, at the California Museum of Photography. Along with Joanna’s writing about the exhibition, Julian Myers’ essay on Fernandez’s photographs depicting the graffiti-covered windows of East Los Angeles laundromats appears in the exhibition's gorgeous exhibition catalogue.
Film still from Weekend, 1967, directed by Jean-Luc Godard
Natalia LL, TAK (Yes), 1972
RIP to a fantastic artist
Ray Johnson, Oedipus (Elvis #1), 1956–7
Brian Eno, Another Green World, 1975, back cover detail
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Rudolf Schlichter, Meeting of the Fetishists and the Maniacal Flagellants, c. 1921
Moyra Davey, Shure, 2003
George Grosz, Tatlinesque Diagram, 1920
Jo Ractliffe, Nadir 10, 1987
Edward Weston, Nahui Olin, 1924
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Letizia Battaglia, Killed on the Way to the Garage, 1976
RIP to the great photographer.