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Concept study for Elvish Fashion featuring the Original⢠FinBrothers and their Mini Me
FĂŤanor & Curufin: Splendor. They are wearing Noldor informal daywear inspired by Baroque/Rococo European Aristocracy (17thâ18th century), especially the Sun King and the extravagant courts of Versailles. Opulent, luxurious robes with theatrical flair and shimmering footwear. FĂŤanor is wearing the dramatic gemstones that once belonged to MĂriel.
Fingolfin & Turgon: Discipline. They are dressed in Vanyarin court fashion inspired by late Ming Dynasty China (17th century). I tried to portray the restrained elegance of high-ranking Ming officials and princes. Layered hanfu, structured silhouette, and minimal jewelry. Refined nobility rather than ostentatious wealth.
Finarfin & Finrod: Harmony. They are the most timeless here in my opinion. They are wearing Telerin outdoor fashion inspired by Ancient Mediterranean clothing (particularly Minoan and Classical Greece) mixed with Art Nouveau. Lots of drape and movement, sandals (because the Teleri love walking by the sea), gold jewelry, olive greens, laurel-style headpieces, wrapped waists. I tried to go 'less' historical noble and 'more' idealized gods.
Close-ups of my favorite details I'm forcing upon y'all
"And so they stood on the walls of the City of Gondor, and a great wind rose and blew, and their hair, raven and golden, streamed out mingling in the air."
latest finished commission, where i had the opportunity to go with my own vision of the characters, and here's what i landed on... they may look like squares but i know they freak4freak in their hearts etc.
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[ final ] sender and receiver share a kiss for the very last time, and they know it's their last đĽş
And thus the Dagor Dagorath came to an end, thus the Second Song had sung, thus Arda, as it had been known for time and time was falling, changing, morphing.
And yet Namo did not feel relieved, not yet, not until he found him, as he waded through the debris, the people - Maiar, Valar, Orcs, Elves, Men, Dwarves, all in that hurricane, in an all-encompassing opus of destruction, after which only Eru Iluvatar knew of what would happen.
He had to find Melkor, his beloved, his one person, the one he had been waiting for all that time.
Melkor.
And he felt his own heart beat loudly, aching.
Melkor.
He had to move fast, before all disappeared.
And finally, he saw him, at the edge of the world, standing tall, waiting. "Melkor, my heart!" He called him, and stretched his arm towards him, eyes glassy, both desperation and love and relief and happiness all written all over his face.
And Melkor smiled, genuinely, stretching his arm too and grabbing Namo's hand, pulling him into his arms. "I am here, Namo, my little one."
Chaos and Death, Destruction and Doom, Storm and Silence.
Meeting for one last time, entangled forever even as all things ended. Them both now shedding warm tears of joy and happiness - they got to be together till the end, they both got to walk on the uncertain path hand in hand until the end.
Melkor leaned towards Namo, as the latter laced his hands at the back of his neck, smiling brighter than any star. "At last... No more pain, no more war. My end has come, and it was always tied to you." The Black foe told the Lord of Mandos, voice full of love and tenderness.
"I have waited for you, and you are here. I am glad, and without regrets. We shall have our soft ending." And Namo's words overflowed with the same love and tenderness.
They would be together, beyond Arda, beyond Ea, beyond the Void itself and whatever would come after, would carry the ashes of their love, along with the echoes of their last words.
And as the last sunset fell beyond the horizon, they kissed, their lips finding their way to each other, laced now in eternity.
And there was no pain, no sound, as they both faded away from existence, their bodies still pressed together, them still kissing each other lovingly, in spite of it all happening.
And when even the last ray of sun disappeared, leaving only an eternal night, they both were no more.
Only the ashes of their love and the echoes of their last words remained.
curufin has better things to do than pose for picture day. he has a son to raise. baby tyelpe decided that he also has better things to do, like seeing if his fatherâs hair is good leverage for climbing (spoiler: itâs not)
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1. Who poses and who encourages the other by yelling sweet things at them?
2. Who sighs and rests their head on their partnerâs shoulder while the other pulls them closer?
3. Who is more likely to start a pillow fight at an obscure time at night?
4. How do they greet one another when they come home?
5. Who laughs and exposes their cover when they try to playfully scare their partner?
6. Who starts the dance off in the kitchen while they are baking cookies?
7. Are they more likely to built a pillow fort with aesthetically pleasing string lights or sit in a bed of a truck looking up at the stars?
8. Who continually tries to prank the other but fails each time?
9. Who is ready to throw down and who is ready to make a flower crown?
10. Who gets the spider out of the house?
11. Who laughs so hard that they make no sound and whose laugh can you hear from a mile away?
12. Who is more likely to create an absolute disaster in the kitchen?
13. Who tries their best at a new hobby and who is ready to hype their partner up?
14. They get looped into going to a party they donât wanna go to, do they, A) Get out of it with a mediocre lie, (what is the lie) B) Go and decide to try and have a good time, C) Go and decide to start chaos or D) Go and steal some food?
15. Who would be more likely to buy their partner socks with dinosaurs on them?
make sure to include the pairing(s) you are wanting these questions to be answered for . these should work for poly ships as well as monogamous . feel free to edit these as you see fit .
đ How did they both realize âoh wait, this is actually loveâ?
đš Who fell harder & who fell first?
đŤ Whatâs their favorite way to hold each other when words arenât enough?
đĽ Whatâs the pettiest thing theyâve ever argued about?
đ Who says âI love youâ first & how?
đ Whoâs the little spoon & who pretends they hate it but secretly loves it?
đ Would they ever get married? What would the proposal look like?
𧸠Who still has the very first gift the other ever gave them?
đ Who is more likely to start chaos âfor the vineâ & who films it?
đś Whatâs their song - the one that makes them both tear up / grin like idiots?
â Whoâs the morning person & how do they lure the night owl out of bed?
đĄď¸ Who jumps in front of danger for the other without thinking?
đł Whatâs the most embarrassing thing theyâve walked in on the other doing?
đ Whatâs the one fight that almost ended them?
𩹠How do they comfort each other after nightmares?
đ Who gets jealous more easily & how obvious are they about it?
đł Who cooks & who sets off the smoke alarm trying to help?
đ§ł If they had to run away together tomorrow, where would they go?
đ Who is bolder in public (hand-holding, kisses, etc.)?
đ§ď¸ Who steals whose hoodies when it rains?
đ How do they celebrate each otherâs birthdays?
đ¤ Whatâs the darkest âweâll never tell anyoneâ thing theyâve done together?
đ Who leaves little love notes & where do they hide them?
đ Who hogs the blanket & who ends up freezing dramatically?
đ´ Who falls asleep first & who watches them with heart-eyes?
đŞ Whoâs more likely to say âweâre not leaving this room todayâ?
đ¸ What nickname do they have for each other that would mortify them if others heard?
đ¤ Who sings in the shower & who secretly records it for blackmail?
đ How do they act when one of them is sick?
𩸠Who would literally kill for the other & who would help hide the body?
đ Do they go on sunrise / stargazing dates? Which one do they love more?
đ¤ Who apologizes first after a fight, even if they werenât wrong?
đ§Š What tiny habit of the other do they find unbearably adorable?
đŞ Who plans elaborate surprise dates & who just wants to stay in?
đ In their relationship, whoâs the king / queen & whoâs the knight / advisor?
đŞď¸ Whatâs the most chaotic thing theyâve done together on pure impulse?
đ¤ Who has the weirdest sleep-talking lines that the other quotes constantly?
đ§Ą What color reminds each of them of the other?
đ°ď¸ If they could go back in time, what moment would they relive together?
đś Whoâs terrified of saying âmeet my parentsâ & why?
đˇ Who gets tipsy first & starts spilling embarrassing love confessions?
đż Do they want kids/pets/plants together? What do they name them?
đŞ Who takes longer getting ready & who hypes the other up in the mirror?
đĽ Whatâs the biggest risk one of them took for the other that the partner didnât find out about until much later?
đ§Ł Who steals the otherâs scarf / gloves âon accidentâ every winter?
đ Whatâs their âwe made it through hellâ memory theyâll tell their grandkids?
đ Who kisses the other first thing in the morning, morning breath & all?
𩰠Slow dancing in the kitchen at 3 a.m. - who starts it?
â If one of them had to leave forever, what would they leave behind for the other?
đŤ Ten years from now, what random Tuesday are they spending together?
the problem of racism in tolkien fandom will not be resolved for as long as people believe that the mere act of critique is a violence in itself, and that therefore having made a critique, the person who has made a critique can either be unpersoned or that norms of politeness no longer apply. of course, this fandom is too "polite" to do slurs in askboxes for the most part, but there are other mechanisms of rude communications that fly in the name of "debate". do you think its polite to misread someone and then accuse them via that misreading, of not extending enough grace to a dead historical figure? personally, i think that's quite rude as a quibble, not least because of the total disengagement with the actual arguments being made. do you think its polite to send people snide asks for weeks on end, insisting on them defending their viewpoint, their specifically racial critique of the canon? personally, i think not! but you know, ymmv.
the problem of racism in tolkien fandom will not be resolved for as long as it takes (primarily) non-white fans doing the careful work of exposition and critique in order to uncover and engage with tolkien's racism and genealogies of his thinking for any non-apologetic engagement with tolkien and race to occur in fandom. and what do i mean by non-apologetic engagement? i mean that so far outside of a very small selection of tolkien academics (and a tiny handful of white fans) who i can all roughly count on my fingers, very few expositions of race in tolkien's work are not accompanied by a cringing apology that insists that a) tolkien was not racist himself personally and b) he was a man of his time and c) that there clearly were "exceptions" to his racial ideology in his works. this defensive pose allows the protective psychological mechanisms of political whiteness to continually step in and therefore absolve itself of engagement with race in tolkien's text. to put it plainly: i am claiming that the problem of racism in tolkien fandom, in specifically making tolkien fandom a hostile space for fans of colour, will not be resolved for as long as white fans cannot call tolkien a racist. if that sounds hardline, so be it.
the problem of racism in tolkien fandom will not be resolved for as long as it is largely only non-white fans investing the time and energy in expositing and critiquing race and tolkien specifically within a fandom space. it will not be resolved for so long as non-white fans are forced to rehearse and explain racist ideas, histories and thinking to white fans who refuse to do any amount of research themselves, or who settle on an anodyne "listen to non-white voices". believe me it is not very hard to do the research if you are actually interested in creating a non-hostile atmosphere and space for non-white fans. but that process has to be co-creative. i am inviting you to participate in actually doing this hard work of critique and conversation because you care about race and because, hopefully, you care about your non-white brethren within fandom spaces.
the problem of a hostile atmosphere towards non-white fans in tolkien fandom is not a problem that non-white fans can resolve, but one that i think falls to white fans to police, resolve and make socially unviable. if there is something i want to communicate persuasively, i think it would be this: what exactly do the norms of "politeness" in the fandom serve? how are you thinking about what is polite and what is not? what feelings are you prioritising when any attempt to engage with race is treated as "hurting" people's feelings or making things "less fun"? what feelings are being prioritised when discussions abt race in the texts are labelled "fandom discourse" or "fandom wank"? what feelings are being prioritised when a non-white fan is being asked to extend grace to a dead white historical figure? are you able and willing to police such communications even internally, even when you think non-white fans are absent from your conversations? when they aren't watching? or is it only something you become aware of when a non-white fan turns their eyes on you? these are questions i would like liberal white fans to ask themselves and to have a serious debate about.
lastly, all of these things have been said many times before in many other fandoms and even within tolkien fandom. i think that should invite some amount of reflection.
Iâm not trying to play devilâs advocate about the Tolkien and race post, I agree with most of what youâre saying about the denial. But modern non fiction Marxist critics forget one thing that hopefully fandom doesnât, that is to give the author grace instead of immediately deciding that the racial politics of his work is intentional. I accept Tolkien was a conservetive, but I find it hard to believe that he was exposed to anti racist thought like we are today. I think itâs important to acknowledge the biases in his writing, but not decide it as intentional, because heâs a linguist based in a very white part of England, whose background is in European history who did not anticipate a world where migration is the norm. Of course that doesnât make the text less racist but itâs an important thing to consider. Thatâs all, I agree with your other points.Â
Thanks for the question, and please bear with me re asks gang, I was stupid enough to leave inbox on for a while, not realising the post would break containment, so Iâm snowed under atm â ď¸
So thereâs a lot of talk about Tolkien being âof his time and classâ but precious little about what that environment actually looked like other than comparing him to his fellow religious conservative Oxford dons. âOf his timeâ is not a neutral statement and it certainly isnât applicable to Tolkien, but more importantly, ânorms of his timeâ seem to often be, in this fandom, calibrated to âwhat Tolkien saidâ rather than âwhat was actually happening thenâ.
Anyway, I will try to be a little more direct than in that last post. So the âthe fundamentally racist elements of the legendarium are because Tolkien was a man of his timeâ line really annoys me (and others!) because imo it lets Tolkien's own Oxford tea table stand in for the entire twentieth century as if there wasn't an entire world outside the Inkling Orgy arguing furiously about race and empire.
I can give you an example literally from Oxford itself! The Indian Majlis had been meeting at Oxford since 1896! The Majlis, for those who might not be aware, was a full-on political and debating society which produced a fuckton of the people who'd go on to lead independence movements across South Asia. This was not some obscure footnote he would need to trudge to a specialist archive to dig up, and I can confirm that attending debates and discussion groups is, was, and has always been a large part of Oxford University life. Ie this was happening in his university in his lifetime among people of his class group he'd have had every opportunity to meet and engage with, whose existence he absolutely would have been aware of.
Beyond the Oxford ventures, you have things like Moodyâs League of Coloured Peoples, founded in London in 1931 and organising against colour bar practices in Britain itself. The West African Students' Union had been running since 1925, building a public anticolonial intellectual culture that fed directly into multiple independence movements of the following decades. CLR James was in England from 1932! And so on and so forth! And many in these organisations were white British activists or public intellectuals or writers! This was a live political and literary scene running in parallel with Tolkien's and explicitly arguing against the racial categories his fiction sought to preserve. Which is to say, I think whatâs more likely than âthe legendarium is the way it is with regards to race because Tolkien didnât know any such antiracist thought existedâ is that âthe legendarium is the way it is with regards to race specifically because Tolkien did know such antiracist thought existedâ.
can i say i am so glad the guy was not a lazy writer and also that he disliked direct allegory because if one of sharkyâs minion gangs in scouring of the shire were called the hobbiton majlis or something, i would probably start cooking peopleâs cats
Anyway, Iâm so tired of how âof his time" just keeps getting used to mean "the time as understood by conservative Oxford dons," when the actual record shows Black British and colony diasporas and white progressives were producing sustained public counter-discourse in the same space the whole time, in his own country, in his own language, in his literal university. So when people say he was "just a product of his environment," I just always want to know which environment they mean exactly, because the one he was actually in very much did sustain quite a lot of anticolonial thought.Â
Also just to get into the basics again, bro was famously a philologist, ie not exactly a profession where you could plausibly bumble through life without ever encountering race-as-a-formal-category. Philology in this period, and especially in Oxbridge, was literally a primary engine of race science. The Indo-European/Aryan linguistic apparatus that mapped language families onto racial stock was built by people doing Tolkien's exact job, so I really donât think he passively inherited racial categories without noticing, he inherited them deliberately through years of formal study, with copious footnotes and his own academic judgement. Like I always find it so funny when people, even on that post, refer to the racial dynamics of the legendarium as âunconscious biasâ because I just know Tolkien is spinning like a power drill in his grave every single time, because they just implied he was shit at his job đ
Anyway, the entire feudal value system of the legendarium runs on inherited blood as a determinant of worth (even within the Shire, ie the most ânormal people not kings of menâ place, where Sam is placed as a Good Man Friday), and this is a very well known fact within fandom. Aragorn's legitimacy is genealogical-first and earned-second, the blood of NĂşmenor "running true" in some lines and "thinning" in others is outright presented as a real, quasi-biological fact about a person's capacity for greatness, and not to forget Faramirâs entire speech about greater and lesser men, and the âchildless lords sit alone while barbarians bay at the gatesâ bit.
Or if you prefer a Silm example, (note: the context of the exile and whether or not you think they deserved what they got is irrelevant to this point) but the Doom of Mandos and the Noldorin re-entry ban, when viewed as a mechanism detached from context, is fundamentally just the ontological excision of a âbirthright citizenshipâ as a consequence of a personâs actions. Idk how big this was outside the UK but remember when Shamima Begum was extensively groomed as a child and fucked off to join ISIS and the UK decided to strip her of citizenship and leave her stateless? This is basically just that, ie the legitimisation of an ontologically confirmed birthright citizenship that can be granted to exceptional cases at the behest of the ruling body (see: Hobbits, Peredhels) due to their extraordinary actions, but also can just as easily be taken away by the same ruling body in response to a transgression. Like this is literally just present-day âmigrant criminalityâ discourse, how can you say he didnât anticipate the rise of postcolonial global migration đ
(once again to the reader, please let me reiterate i am simply comparing the mechanism of the exile alone, i am not saying that the FĂŤanorians are fucking ISIS, and i certainly am not saying that the exiled Noldor are the equivalent of stateless refugees, so pls donât jump up my ass đ)
Tolkien wasn't writing this in a vacuum where phrenology was a fringe pseudoscience nobody respectable touched, it was institutionally embedded and state sanctioned British science well into the interwar period, with its own society and journals, and an enormous presence in Oxbridge. Moral and mental character of Great Menâ˘ď¸ being first fixed by descent and the subsequent positive/negative shaping of character by choices and environment being seen as a somewhat effective yet undeniably secondary mechanism, is literally the loadbearing premise of race science. Itâs not a borrowed aesthetic! The entire legendarium runs on this logic!Â
Once again, and this is also re: a few reblogs of my original post that take a similar route, what do you mean âhe did not anticipate a world where migration is the normâ??? đThe legendarium isnât a product of 1937 alone, bro was notoriously still tinkering with its genealogies and societal architecture well into the 1960s and early 70s and pretty much until the day he died, like a fucking dweeb (for once, complimentary), hence why it takes the fragmented form it does. That's a working lifespan that runs through major global decolonisation, Windrush, the 1958 Notting Hill race riots, the 1962 Commonwealth Immigrants Act, through literally the entire long and convoluted and drawn out process by which Britain had to publicly and unavoidably reckon with the idea that the empire's subjects were now their neighbours. At some point we need to truly engage with what "of his time" means, ie we have to reckon with the fact that âhis timeâ kept moving and the foundational elements of the legendarium didnât.Â
And to bring up the same example from my original post but in a different light, Tolkien was completely capable of precise and deliberate racial argument the second it was framed as being about himself rather than his fiction. In said well known example, in 1938, some German publisher wants confirmation of his "Aryan" descent for translation rights, and Tolkien's (drafted) response is sharp and furiously specific, knowing exactly what's being asked of him by the Nazis and exactly why it's grotesque. Compare that to the total absence of literally any comparable interrogation applied to the Haradrim or orcs, or the entire chronology and geography of Middle-earth where evil consistently arrives from the same two compass directions wearing the same coded features. Man like. Tolkien was honestly a pretty clever guy, and ngl I feel it does him a (very funny) disservice to assume he didnât have the capacity to scrutinise race to the level he does â ď¸
Anyway I think where the fandom focus on âunconscious bias of the era" does not actually originate in a true desire to absolve Tolkien (fair enough, because this is a man who has never once asked to be absolved of the opinions he holds strongly enough to work into his narrative at such depth) the individual, and but rather in the interests of keeping the emotional crutch of loving a beloved childhood text without having to acknowledge that the person who made it was making choices in the same way Rudyard Kipling or Rider Haggard was making choices, and yet very few people offer Haggard this kind of protective custody in present day.
Almost nobody aside from hardcore conservatives sits around saying King Solomon's Mines just "reflected the assumptions of empire" as if Haggard had no hand in shaping said assumptions himself, we read it (correctly) as a deliberately shaped ideological project worth taking seriously as an argument. Tolkien, specifically due to the fandom culture around him both then and now, often gets a pass that even Kipling doesn't, and imo it's not because the textual evidence is thinner but because the fandom loves him more and flinches harder when heâs hit. Which is to say, the insistence on âTolkien was of his time and his time was badâ being the chosen interpretive lens is less a claim about âthe timeâ Tolkien existed in than it is a claim about us as a fandom today.Â
On a vaguely related note, I also think âthis fandom gives grace to the authorâ should not be treated as a complimentary statement, especially because one of the elements of the Tolkien fandom which genuinely baffles me is the general air of author-genuflection across the board regardless of what fandom pocket youâre in (and a towards Christopher LMFAOOO) never have I been in a fandom that consistently deifies the creator to this extent, and itâs doubly baffling considering that he isnât exactly a sensitive up and coming artist but a dude who has enormous mainstream cultural impact and, crucially, has been dead as a doornail for decades.Â
Like it is quite funny but also on a serious note, whilst the sentiment is understandable because yeah the world and its languages are as immense as the work he put into it and it is very important to so many of us, I think a publicly performed culture of âgrateful to the author for this wonderful worldâ is one of the things that preclude a deeper critical understanding of the legendarium itself. Amusingly, this is literally the only thing that makes me miss the bloodsoaked battlefields of anime fandom, because Masashi Kishimoto may have painstakingly drawn 3 billion pages of Naruto, but 95% of the fandom would probably, upon meeting the guy, tie him to a chair and beat him repeatedly on the head with a rubber hammer going âwhy the fuck did you do this? what the fuck is wrong with you? did you hate twelve year old me personally?âÂ
I have a longer post cooking abt the historical elements of Tolkien as a man of his time re ideological genealogies and contemporaries, but in the meanwhile I just want to say by his own letters (letter 83, written in 1944), Tolkien was an avowed supported of General Franco, which a) most writers of his generation were in active and public opposition to Franco and b) Tolkien spends a not inconsiderate part of his letter bitching about how the notoriously conservative C S Lewis himself is opposed to Franco and infected by "Red propaganda" and c) if it comes to fellow Catholics, Graham Greene himself opposed Franco, even if he was unhappy abt murders of priests. And I also think it is very important to note re the stewarding of these conversations that there are exactly two papers on Tolkien's support for Franco, one by an independent scholar and one by the head of the Tolkien Society in Spain, who managed a private interview with Priscilla Tolkien and who cited her godfather having been a Francoist himself - and THAT author is, guess what??? a fucking Francoist himself. The conversations and scholarship about Tolkien are NOT happening in a neutral and "normal" space.
Ok, here is another one 𥰠: 𩹠How do they comfort each other after nightmares?
Thank you đ
Melkor will feel Namo having nightmares and he will immediately go for the biggest bear hug and will try to wake Namo up with any means possible. When Namo wakes up, shaking, all disheveled, breathing heavily and on the verge of crying, Mel is still hugging him tightly, repeating that everything is alright and stay like that until Namo calms down.
Namo, if Melkor is having a nightmare, with gently try and shake him to wake him up, whispering soothing words. When Melkor wakes up, disheveled, eyes wide open, Namo will settle in his arms until he's calm enough, and then brings him some comforting food or drink, like tea, cookies, and will stay awake until Mel has calmed down.
They both will try and get each other out to take some fresh air, and they both might tell about the nightmare to each other, but only after they both have ensured that they had enough time and space to calm down
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If anyone ever expected Melkor to be the one... They'd be wrong. Melkor, due to Ungoliant related trauma, doesn't deal with spiders in any measure.
Namo will get the spider. He'd be like, "oh, you cute little thing 𼰠don't worry, the Gardens have plenty of room for you", whilst Melkor in the background is like, "It's a bloody SPIDER, just KILL IT đĄ".
I am not saying Melkor will be like the classic representation of a person atop of a chair screaming because there is a mouse, but the picture is looming in my brain đsorry!
Namo gets the spider out of the house, he doesn't kill it, but he will give Melkor a kiss and some cookies to soothe him when he comes back