Doing python exercises that I absolutly hate and telling myself "Ryland Grace got through this so you can too" the whole time
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@squirrelfromspace
Doing python exercises that I absolutly hate and telling myself "Ryland Grace got through this so you can too" the whole time

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The most important change in the Backrooms movie from the original short films is the fact that you can now "easily" enter and leave the backrooms this time.
Originally, you had people accidentally falling and getting stuck there and that was the main fear the backrooms instilled on people; What if you were trapped in an infinite room and maybe theres creatures in there?
This time, the film gives the protagonist infinite chances to go back, to place a big dresser in front of the entrance and forget he ever saw it.
But he can't and he won't. And that's so much scarier.
smartest cat ever!
Adrian is happy happy happy about the new addition to the family.
(the original quote is from b99, of course; i'm sure this has been done before, but who cares. full picture below the cut)
Arada holding Murderbot's hand when it was unconscious in the first book vs. Murderbot holding Tapan's hand (!!!!!) when she was unconscious in the second book

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Does anyone know what to do about the temperature and also the prices
Still thinking about how Murderbot just peacing out was the perfect ending for All Systems Red. It needed freedom, and that wasn't something even the best, kindest, most sincere people it had ever met could give it.
anyone interested in my au's eridian oc ? anyway this is Bráss, the primary sociobiologist
Bráss is very fond of humans, they wish they could spend their whole life studying them
"shipping and blorbofication are not inherently at odds with understanding a story's deep themes" and "some people can't grasp the themes of a story because they never learned how to engage with stories outside of the lens of shipping and blorbofication" are two statements that can coexist
blorbofication to me is when you love a character in such a laser focus way that you somewhat detach them from the narrative from which they are inserted and treat them in a way roughly similar to how you'd treat an oc for which you still have no story and just like to put them in situations just for fun. which there's nothing wrong with btw, it's just that it can easily lead to people forgetting the character engine in a narrative and not just a barbie doll
a small thing i learned from my sister dying is that i really would rather the people i love be a burden than be whatever the hell else they'd be if they weren't. yes even if it's messy and not always fair and hard completely inconvenient for everyone involved. even if it's weird. even if i'm rolling my eyes a bit inside sometimes. i just want you to bother me. please always bother me
like "it's rotten work" "not to me not if it's you" actually sometimes it's still rotten work. even if it's you. and i'd still do it a million times over

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take his camera away please
sight I saw in san francisco, twice: gaggle of tiny children leashed together being herded along, everyone in hi-vis
you gotta read, you gotta write, you gotta draw, you gotta watch films and shows. there is literally NO time to be employed
i'm winning the idgaf war [remembers idgaf] i mean who gives a shit how the idgaf war is going. i wasn't even aware there was a war.
joining the idgaf war on the side of who cares
STOP SCROLLING
Your life ends in the wasteland.
there’s a japanese radish just below this post but you can’t reach it

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収穫祭
2015年、長屋門公園。
立派な大根がリアカーに積まれていた。ここで育てたものだろうか。
Im glad they made up romance for stories and music but can you imagine how scary it would be to deal with all that for real
this is a certified AROMANTIC POST!!!!!!!!!!! NO yearning on my shit..... GO ON . GET
official aromantic post