tiramisu lover

Wild how abusive artists like Micheal Jackson can have biography movies made and not a single mention of accused abuses or the subsequent trials will be mentioned.

PLAYBOY: Do you ever get tired of talking about your friendship with Matt?

AFFLECK: I understand the questions. Ben Affleck and Matt Damon, they're friends, they're pals, they grew up together, isn't it great and cute? I get all kinds of questions, like, "So how's Matt?" or "What's Matt like?" And I don't know what sort of answers are expected.

Instead of saying Matt's fine and he's doing his thing, I'II be like, "Well, let me tell you about Matt. Matt can give a blow job in a way that's incredible, really special." Most of the time it's like Entertainment Tonight, and they can't air it. But then sometimes you think you're safe, but someone writes it down and it ends up being taken out of context in Out magazine.

PLAYBOY: Does Matt ever get pissed off about that?

AFFLECK: Matt gets it. We have a similar sense of humor, which I think is the main reason we're compatible as friends and in terms of writing. He always thinks it's funny. It's just a question of the rest of them.

PLAYBOY: Let's see if you've learned your lesson: What is Matt Damon really like?

AFFLECK: [Laughs] He gives a really great blow job.

The second reads

PLAYBOY: In his 1999 Playboy Interview, Affleck jokingly said of you, "He gives a really great blow job." Care to return the compliment?

DAMON: I do give great head. I definitely give a better blow job than Ben. I mean, I'm not lucky enough to be able to blow myself, but if I could, I'd never leave the house.

It’s an important weekend for Mayor Gom. After years of struggling to put his island hamlet, Widow’s Gay, on the map, Gom is finally getting ready for a big weekend of tourism and summer fun that will rival Martha’s Boneyard.

Before the weekend has a chance to kick off, however, several mysterious clangs ring out from the church and storm clouds roll in, the beginning of a terrible prophecy that now threatens to destroy Widow’s Gay forever. According to legend, the only thing that will stop this curse is a hardcore encounter at the lighthouse, but Mayor Gom quickly discovers there are even more mysteries in Widow’s Gay than he initially thought.

It's not a monster in the lighthouse that’s on the hunt for a pound, it’s the lighthouse itself.

This erotic tale is 4,300 words of sizzling human on gay building action, including anal, blowjobs, rough sex, and living lighthouse love.

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So the whole white glove thing comes from early black & white animation, most notably the Mickey Mouse shorts, but also the Looney Tunes and the Max Fleischer toons. The gloves serve two purposes: 

One; the gloves are big and makes those over-the-top hand gestures more prominent. It allows the characters to be more expressive, which is necessary for some of the mute cartoons.

Secondly, these characters tend to be completely black, like Felix the Cat (who was one of the inspirations for Mickey). The black color is easier to animate, but you end up with a problem: if their hands were over their bodies or a dark background, you wouldn’t see them! In Mickey’s first appearance in Steamboat Willie, Mickey and Pete don’t have their gloves, and everything kind of bleeds together.

Adding the gloves in the later shorts, you can see the distinction between his body and hands. Problem solved!

Even after technicolor cartoons arrived, the gloves stuck.