which song written solely by taylor swift do you like more?
superman
who’s afraid of little old me?
via @meandmypagancrew

#extradirty
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"I'm Dorothy Gale from Kansas"
art blog(derogatory)
Keni

I'd rather be in outer space 🛸
occasionally subtle
Cosmic Funnies


roma★
cherry valley forever
$LAYYYTER
Fai_Ryy
tumblr dot com

Love Begins
taylor price

ellievsbear
The Bowery Presents
🩵 avery cochrane 🩵
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@speaknowwitch
which song written solely by taylor swift do you like more?
superman
who’s afraid of little old me?
via @meandmypagancrew

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Said this in some tags but. Taylor gave out ~$200 million in bonuses - aka 10% of the GROSS PROFIT of the whole tour - but it didn’t come from the tour, those bonuses were money out of her bottom line; a number nowhere near the gross profit considering how much a tour like this would’ve cost to put on. And that’s before her charity donations which could nearly double that, or how out-of-industry-standard highly she already pays everyone.
With all of these components considered she genuinely probably gave away like, half her bottom line. That’s a real estimate and it honestly might be more. Everyone bitches about billionaires and how they should distribute their wealth and…. That’s literally what she did here. More than any other artist, like, ever. At this point I feel like the billionaire discourse is as trite and ridiculous as the “exes” discourse. Sorry but I never wanna hear about that nonsense ever again from within this fandom.
Also I appreciate people saying that she’s an ethical billionaire in regard to this, but my real point is it doesn’t matter because SHES NOT EVEN A BILLIONAIRE. she could be but half of it is based on something that is not even a real asset because it is priceless to her and never for sale (her catalogue), which we already knew, and the now proven other half of it is she literally gives it away freely, so the whole point is moot anyway.
I honestly wouldn’t have expected anything less from her!!
Over the past two years, Swift gave out $197 million in bonuses to everyone working on her Eras Tour, PEOPLE confirms. After her final show
just adding @wavesoutbeingtossed tags here because i think they’re so relevant! taylor is changing the industry not just by fighting for artists rights, but by setting precedent of being fair and generous in a place where people are self-serving and manipulative
i think the primary emotion underpinning midnights is actually revenge
anti-hero & vigilante shit are the theses of the album, i think. vigilante shit is literally the core ethos: lately i've been dressing for revenge. don't get sad, get even. and anti-hero is: oh god all i am is revenge all i am is the anti-hero and i have to be proud of that because i don't have anything else left.
you can see it pop up subtly across the album. in midnight rain, he never thinks of her except when she's on TV—he might not have been what she wanted, but she loved him, she doesn't want him to forget her. in question...? she takes jabs at her ex (or maybe not-ex, depends how you read the song, it sounds like it was about a situationship to me) for being with someone suitable but never recapturing the meteor strike that was their relationship. bejeweled takes revenge on the neglectful partner from tolerate it: i'm going out tonight! (high infidelity is the same idea). karma is—well, obviously.
even maroon, one of the album's only true breakup songs (as opposed to the pre-breakup songs that populate most of the tracklist) tells the ex that their legacy is always going to be in her work. you broke her heart, but she'll get the last word.
Were you making fun of me with some esoteric joke?

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if it’s all in my head, tell me now.
she really got fucked over by 2 older men and I think like you said didn’t fully process that until the rerecordings made her reopen those wounds
i think she feels like they completely and totally tarnished her ability to ever be normal about love affection sex and intimacy. and btw i think she’s too hard on herself. but it is how she feels
Jake was literally telling 20-year-old Taylor he could see her having his babies and people were like, "why would that dumb little girl think a three-month relationship was 'the one real thing [he'd] ever known'"
"he said since she was so wise beyond her years, everything had been above board. she wasn't sure" genuinely makes me nauseous
it's just like. she's also not sure that it wasn't above board. and that's the worst part, isn't it? is it really his fault? is it hers? is it both? she's smart. she should've known. but shouldn't he? why was it on her to avoid mistreatment instead of on him not to mistreat her? she keeps rereading the manuscript but still doesn't know
What cycle did Jake start? Like her patterns within relationships?
chasing love as salvation, chasing sex as control, chasing self-loathing as validation, chasing performance as catharsis

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i feel like we've gotten shades of this in other albums but i think ttpd is a major evolution in how taylor talks about the power dynamics of her sexual relationships. i can't think of many past lines that so openly acknowledge that some men see her as a sexual trophy.
Taylor in Singapore for The Speak Now World Tour.
i originally retagged the post but actually everyone should see them
“None of these men will ever be able to take anything away from Taylor’s legacy as a songwriter, singer, director, philanthropist, and advocate for artists’ rights. Taylor has completely moved on from this saga, and has turned what started out as an extremely painful situation into one of the most fulfilling creative endeavors of her life.”
— An official statement issued by Taylor’s team pertaining to the “Taylor Swift vs Scooter Braun: Bad Blood” docuseries
not to be glib but hoax always reminded me of those wedding vows where the couples are like "bryan, we've had our highs..... and we've had our lows [significant glance.] we've made each other laugh, and we've made each other cry in fetal position in the bathroom. and through all the pain, struggle, strife, bickering, fights, and ikea trips, we forged a relationship. a relationship that was tried by fire, multiple times..." like jesus christ just say who fucked up
OK @taylortruther reblogging her post made me go back and watch the whole BBC Live Lounge performance and her introduction to Can't Stop Loving You is SO revealing in retrospect regarding so many of the themes we've been talking about lately in her later albums.
"The type of love that this song sings about is unconditional love. People say that term all the time and they kinda think that they know what unconditional love is, but I think true unconditional love is, like, do you love someone so much that you would even love them if they didn't love you anymore? That is unconditional love."
Um, "hoax" has entered the chat. 😳
I feel like that goes a long way to explaining why she may have believed "hoax" was romantic, and why "grey skies everyday, would you still stay" was the ultimate expression of love. "Your faithless love's the only hoax I believe in" makes a lot more sense in this context, holding onto someone who's drifting away or showing that they may not love you in the way you need or in the way you'd once been. It's kind of heartbreaking because she's so earnest and so emphatic about it, but it's actually so sad in the context of ~everything~.
Help me hold onto you. That's the kind of heartbreak time could never mend. And I can't talk to you when you're like this, staring out the window like I'm not your favorite town. Your faithless love's the only hoax I believe in. Don't want know other shade of blue but you. I'll be getting over you my whole life. Like waiting for a bus that never shows you just start walkin' on. Pulled him in tighter each time he was drifting away. I left all I knew, you left me at the house by the Heath.
(My personal opinion is that unconditional love isn't loving someone even if they leave you; it's loving someone for who they are, including their challenges, and not seeing it as a transaction but an action. ANYWAY. Semantics I guess. I find the way she explains it really devastating tbh.)
(video timestamped @ 19:27)
Unrelated: I need an entire show done acoustically like this please and thank you because the entire performance is 🤌

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love is supposed to hurt which scares me so i run and i don't want to run from you but if you stay (how could you stay?) losing you would hurt and i would do anything to keep you, i would beg you on my knees not to go but even when you leave i will love you forever because it's unconditional ... is reputation/lover in a nutshell
i want to make you happy forever and i'm so afraid you'll leave because i hate myself and think i'm difficult to love, but you believe in me and ask for nothing from me and you support me even at my worst, all this shit is new to me, and my love for you is so unconditional that if you ever left me life would lose all its meaning except i'd still love you because i simply can't! stop!!!!
an absolute wild statement in retrospect
Ok fuck it I’m so sleep deprived I am going to parasocialize on main:
Champagne Problems came on my playlist when I was in the car this morning and it struck me that “you told your family for a reason, you couldn’t keep it in” kind of parallels how much wedding/marriage imagery was all over the Lover album with her telling the world she was ready to marry this person and in turn everyone expecting it to happen imminently but then by evermore we started getting all the relationship breakdown stories because no one was celebrating anymore 😵💫
"she would have made such a lovely bride, what a shame she's fucked in the head" hurts especially hard in this context too 🙃