Roadside Beaver Pond
trying on a metaphor

oozey mess
let's talk about Bridgerton tea, my ask is open
dirt enthusiast
we're not kids anymore.
Aqua Utopia|海の底で記憶を紡ぐ
DEAR READER

Kiana Khansmith
Misplaced Lens Cap

Origami Around
Jules of Nature

roma★
he wasn't even looking at me and he found me
PUT YOUR BEARD IN MY MOUTH
Peter Solarz

Andulka
Xuebing Du
art blog(derogatory)

seen from United Kingdom
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seen from Germany
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seen from Malaysia
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seen from Brazil

seen from Canada

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@spacekaas
Roadside Beaver Pond

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thinking about edvard munch's "The Sun" (1911)
like yeah thats how it feels. thats what it feels like to exist sometimes. he gets it
Also very big! Takes up two stories!
“When I was 26, I went to Indonesia and the Philippines to do research for my first book, No Logo. I had a simple goal: to meet the workers making the clothes and electronics that my friends and I purchased. And I did. I spent evenings on concrete floors in squalid dorm rooms where teenage girls—sweet and giggly—spent their scarce nonworking hours. Eight or even 10 to a room. They told me stories about not being able to leave their machines to pee. About bosses who hit. About not having enough money to buy dried fish to go with their rice.
They knew they were being badly exploited—that the garments they were making were being sold for more than they would make in a month. One 17-year-old said to me: “We make computers, but we don’t know how to use them.”
So one thing I found slightly jarring was that some of these same workers wore clothing festooned with knockoff trademarks of the very multinationals that were responsible for these conditions: Disney characters or Nike check marks. At one point, I asked a local labor organizer about this. Wasn’t it strange—a contradiction?
It took a very long time for him to understand the question. When he finally did, he looked at me like I was nuts. You see, for him and his colleagues, individual consumption wasn’t considered to be in the realm of politics at all. Power rested not in what you did as one person, but what you did as many people, as one part of a large, organized, and focused movement. For him, this meant organizing workers to go on strike for better conditions, and eventually it meant winning the right to unionize. What you ate for lunch or happened to be wearing was of absolutely no concern whatsoever.
This was striking to me, because it was the mirror opposite of my culture back home in Canada. Where I came from, you expressed your political beliefs—firstly and very often lastly—through personal lifestyle choices. By loudly proclaiming your vegetarianism. By shopping fair trade and local and boycotting big, evil brands.
These very different understandings of social change came up again and again a couple of years later, once my book came out. I would give talks about the need for international protections for the right to unionize. About the need to change our global trading system so it didn’t encourage a race to the bottom. And yet at the end of those talks, the first question from the audience was: “What kind of sneakers are OK to buy?” “What brands are ethical?” “Where do you buy your clothes?” “What can I do, as an individual, to change the world?”
Fifteen years after I published No Logo, I still find myself facing very similar questions. These days, I give talks about how the same economic model that superpowered multinationals to seek out cheap labor in Indonesia and China also supercharged global greenhouse-gas emissions. And, invariably, the hand goes up: “Tell me what I can do as an individual.” Or maybe “as a business owner.”
The hard truth is that the answer to the question “What can I, as an individual, do to stop climate change?” is: nothing. You can’t do anything. In fact, the very idea that we—as atomized individuals, even lots of atomized individuals—could play a significant part in stabilizing the planet’s climate system, or changing the global economy, is objectively nuts. We can only meet this tremendous challenge together. As part of a massive and organized global movement.
The irony is that people with relatively little power tend to understand this far better than those with a great deal more power. The workers I met in Indonesia and the Philippines knew all too well that governments and corporations did not value their voice or even their lives as individuals. And because of this, they were driven to act not only together, but to act on a rather large political canvas. To try to change the policies in factories that employ thousands of workers, or in export zones that employ tens of thousands. Or the labor laws in an entire country of millions. Their sense of individual powerlessness pushed them to be politically ambitious, to demand structural changes.
In contrast, here in wealthy countries, we are told how powerful we are as individuals all the time. As consumers. Even individual activists. And the result is that, despite our power and privilege, we often end up acting on canvases that are unnecessarily small—the canvas of our own lifestyle, or maybe our neighborhood or town. Meanwhile, we abandon the structural changes—the policy and legal work— to others.”
- Naomi Klein
“Climate Change Is a Crisis We Can Only Solve Together” The Nation 17 June 2015
(updated link as of March 2024)
broke: midsommar is a girl power movie
woke: midsommar is a horrifying movie about a manipulative cult
bespoke: midsommar is a litmus test to tell how easily you could be indoctrinated into a cult and if your first thought after watching it is that it was a girl power movie you’re very susceptible to cult tactics and you should be aware of that
you’re the only person who’s allowed to reply to this post anymore

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i love when intersex people try to talk about our issues people try to hit us with a "that doesn't count, that would be like 0.01% of the population you're talking about," ahh response, which I have personally received several times at this point.
everyone loves to be confident to pull some bullshit statistic out of their ass to be dismissive, but it's funny because they never do a second of research. the United Nations Human Rights Office estimates 1.7% of the population are born intersex:
Intersex people are born with sex characteristics (such as sexual anatomy, reproductive organs, hormonal patterns and/or chromosomal pattern
even if the numbers were any lower, it would still be worth talking about intersex issues. any amount of people with these experiences are worth representing and discussing. we should not have to be invisible because our conditions are so stigmatized that many of us receive "Corrective" procedures just after birth, during childhood, or puberty. so many of us are swept under the rug, that's part of the reason why the statistics vary depending on which area is reporting the statistics.
you can't weaponize how marginalized someone is against them. if we fight for people with the most specific gender identities that can't be easily explained in one or two words, we must include intersex people. if we include people who use unique pronouns not seen in current common vernacular, we must support intersex people. if we support other queer minorities, we must support intersex people.
it's not an option. you can act like we are a statistic on a page, a number you can't possibly fathom in your mind, but we are all around you. everywhere. existing in real time. we are not fossils. we are not extinct.
you don't have the pleasure of ignoring us anymore. intersex rights are human rights, and sometimes, they're queer rights, too.
#more people are intersex than are born with red hair#yet ehen i was in nursing everyone knew redheads have trouble absorbing painkillers#if we can talk about that we can absolutely talk about intersex people and their unique medical needs
tags peer reviewed
No single line has ever wrecked me as hard as this one from the Good Place and I think about it constantly
no i don't want to use your ai assistant. no i don't want your ai search results. no i don't want your ai summary of reviews. no i don't want your ai feature in my social media search bar (???). no i don't want ai to do my work for me in adobe. no i don't want ai to write my paper. no i don't want ai to make my art. no i don't want ai to edit my pictures. no i don't want ai to learn my shopping habits. no i don't want ai to analyze my data. i don't want it i don't want it i don't want it i don't fucking want it i am going to go feral and eat my own teeth stop itttt
Tara Maclay + Outfits (Season 4)

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The Kelpie Pond✨️ Jaimie Whitbread
“no job is worth your physical & mental health” i hauve. Bills.
i love when “just quit!” is thrown out as a suggestion. like damn thank you i’ve never thought of that before ever. in my life. There are these things called groceries and doctor visits
Capitalism is a hostage situation, and we are all the hostages.
The only playable glass violin in the world.
I’m making a concerted effort to grimace and pinch my belly fat.. less.. in 2019. Join me? °˖✧*• Shop, Patreon, Book, Mailing List *•. ✧˖°`
yesterday my flatmate asked what my "olympics schedule" was in terms of what i was planning to watch and when and i was like i can't explain to you how much of a foreign concept that is to me. you don't have an "olympics schedule" in my household you watch whatever happens to be on tv whenever you have a minute of free time and get insanely invested in whatever sport you end up watching. maybe down the line you get so caught up in an event that you start going "i'm sorry i need to have the tv at 8:45pm next tuesday because i need to see the men's sport climbing finals or i'll kill myself" but it's something that has to happen organically you know. that's half the fun
related to this i saw people getting really mad in the bbc’s instagram comments because their feed wasn’t showing enough events where british athletes were competing and i was like oh you guys are actually watching just for team gb? that’s the boring way of doing it. if you end up catching an event where nobody from your country is competing you just pick a completely random athlete based off nothing but vibes and become so invested in their success that within ten minutes you are actively nauseous from stress

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Vincent Price as Vincent Van Ghoul - 13 Ghosts of Scooby Doo (1985)
nature artwork by Andy Goldsworthy