aaahhhhhhh

Effie is 100% brainwashed AND YET she still hasn't lost her humanity. She believes propaganda completely AND YET she doesn't use it as an excuse to abuse people. Throughout the book, the tributes are constantly dehumanised. But Effie doesn't treat Haymitch that way. She helps the team. She's there for him in the launch room- which Drusilla and so many Capitol citizens would never do.

So there really is no excuse for abusing people, not even "I was lied to" or "i thought i was in the right" or "I was fed propaganda"

You still choose how you interact with people around you and how you treat them.

It was - get rid of Finnick, people tell him too much and like him too much

It was - get rid of Mags (she’ll volunteer to save anyone), she’s always been too much of a rebel and cares more about the tributes than the games (i.e. hiding Finnick from cameras)

It was - get rid of Beetee, we’re finally done with him (I want to know why he’s suddenly disposable though). But let’s make it as awful as possible and remind him every day what his son was feeling in his own last days

It was - get rid of Wiress (and also show the world what she’s become) because she never should have won (and we’ll show people what happens when you think you’re smarter than the Capitol)

It was - get rid of Johanna Mason, we killed everyone she loved and it didn’t break her enough so now we can’t control her

And of course, it was - get rid of those rebels from 12

But it wasn’t just punishment for Katniss. She had no idea how influential and volatile of a group they were.

The erasure of queerness in the movie is something I definitely did not expect.

Sure, it’s a love story between two men, but grab Alex and Henry and make them a man and a woman, the movie doesn’t change much. Maybe monarchy instead of being homophobic and racist now it’s only racist, and they hate Alex not because he’s a man but because he’s brown. They kept it a secret because of monarchy’s racism, but love triumphs at the end. That’s why the movie didn’t hit as hard as the book. The movie is just some forbidden love movie, rwrb is a book where the main characters are in a forbidden relationship, but it’s not the whole point of the book.

Alex discovering his sexuality, Nora being bisexual, whatever Pez had going on, whatever June and Nora had going on, Alex learning about queer history, the historical lgbt love letters at the ends of their e-mails, all the references to queer history and literature, THE SHELTERS, monarchy’s homophobia (yes, it appears on the movie but it’s really glossed over. It doesn’t show just how homophobic they actually are in the book), Alex stating how he knows more about himself the more intimate (both in the sexual and non sexual sense) he is with Henry, Luna being gay and unapologetic about it and being exactly Alex’s queer role model, even before Alex knew he was queer himself, THE FUCKING SHELTERS

I’m so so mad about the shelters being missing.

Henry and Pez made shelters for lgbt youth, so they can never feel as alone as Henry once felt, so they can always have a safe space so they know there’s nothing wrong with them no matter what the adults in their life might say, no matter what the preacher or their classmates or the right wing politicians in their tv might say, where they can find hope, and friends, and a home if they never had one before, or at least, one where they could truly be themselves. The shelters are, I would say, crucial to Henry’s character development. He went from hiding, believing being gay was “the most unforgivable part of him”, not even trying to come out because he just succumbed to live an unhappy life in the closet, to someone who’s out, living with his boyfriend and running lgbt shelters with his best friend so young queer people can move past all the things he felt and believed time ago, so they know they are perfectly normal and loved and safe in there, as long as Henry and Pez are there they’re safe, they don’t have to hide anymore.

Henry became the queer elder he needed in his life when he was younger. The lgbt adult who could tell him than it would get better, no matter how bad it was at the moment, no matter if he couldn’t see the light at the end of the tunnel, because it was there, he just had to hold on a bit more. Than there was absolutely nothing wrong with him.

Another thing than I seen changed than a normal person might not notice, but I did, because im obsessed, is the karaoke scene.

In the book, it takes place in something resembling a gay bar (maybe not exactly, but it’s full of queer people), and look at this

Three rounds of shots appear —one from a drunk bachelorette party, one from a herd of surly butch chicks at the bar, and one from a table of drag queens. They raise a toast, and Alex feels more welcomed than he ever has before, even at his family’s victory rallies.

Look again

and Alex feels more welcomed than he ever has before, even at his family’s victory rallies.

This book is about about finding community, finding yourself, finding love and letting yourself accept that love.

Do you think Alex in the movie has felt “more welcomed than he ever has before, even at his family’s victory rallies” at any point? Has he been with another queer person in the whole movie, except Henry, at all?? Because Nora’ sexuality was not mentioned at all no references nothing and with the whole Pez thing everyone could see Nora as just straight

Henry and Alex in the movie are kind of without community, alienated from it, they are, in my personal opinion, the kind of gay people republicans would consider “good gay people” who “don’t shove it on everyone’s faces and just wanna be left alone” (in the rwrb universe where they exist and are real not actual republican people watching the movie). They don’t really take a role on the community, in the book, Alex and Henry being queer is an important part of themselves, again, Alex feeling like he knows himself better, Henry whole internalized homophobia, their shared interest for lgbt history and literature, Henry and Pez making the shelters, etc etc meanwhile in the movie Alex and Henry just happen to be gay and bisexual, but it’s no deeper than that.