Art by Yinka Shonibare
1-2. How to Blow Up Two Heads at Once (Ladies) 3-4. The Age of Enlightenment: Adam Smith 5-6. The Age of Enlightenment: Gabrielle Emile le Tonnelier de Breteuil, Marquise de Chatelet
Misplaced Lens Cap

blake kathryn
he wasn't even looking at me and he found me

⁂

#extradirty
wallacepolsom
Xuebing Du
I'd rather be in outer space 🛸

pixel skylines
"I'm Dorothy Gale from Kansas"

Product Placement
will byers stan first human second
Cosmic Funnies
dirt enthusiast
Sweet Seals For You, Always
Today's Document
Game of Thrones Daily

Andulka
tumblr dot com
Stranger Things

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@softpastelqueer
Art by Yinka Shonibare
1-2. How to Blow Up Two Heads at Once (Ladies) 3-4. The Age of Enlightenment: Adam Smith 5-6. The Age of Enlightenment: Gabrielle Emile le Tonnelier de Breteuil, Marquise de Chatelet

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
i think theres this idea in the general public that the "best" fanfic gets turned into real books like 50 shades of grey. but the truth is that the best fanfic can never be published as an actual book because its intricately woven into the canon material so its inseparable even if you change the names
wearing a shirt that says “even in an au fanfiction, the characters, relationships, or even the scenarios are recognizable in the best fanfic, and an au without ties to the source material may be a fine story but it’s not a good fanfiction” and booty shorts that say “I HATE FUN”
Teens orufrey 🥰
And Olly's goatee origin story:
one sip of this will have you demanding the news

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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IM GONNA CRY BC THAT WORLD EXISTS BC OF KATNISS
THERE IS A WORLD WHERE PEETAS CHILD IS SAFE
Oh also! Both for pride and because I want to post more of my original stuff here, here's a zine I made for my recent screenprinting class! :p It's called Masculine Women and it's about being masculine and a woman! Fun fact, also, when you unfold the real thing, there's a big poster on the back! It looks like this:
Get real.
tumblr glitched while loading this, so instead of "dude get real" being the punchline, it was like this cat put on glasses for the first time and their friend was just. a legit dog. and not like them at all.
This is killing me

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
i’ve been thinking about this and desperately searching for it for months
i like my music and it makes me happy and i dance and i smile and i groove to the rhythm
Apex predators share their freshly hunted prey

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
‘Two Women Kissing in Nature,’ an illustration from ‘Le Poison Des Pierreries’ by Georges-Antoine Rochegrosse, 1903
my eternal personal bugbear about "authenticity" in specifically artwork is the central irony that a given piece will only be accepted and understood as suuuuper authentic and raw and real if it matches what the audience perceives as the artist's True Self. "authenticity" has a look, it has a style, it has a vocabulary, it has a hierarchy of materials and media, it should be folk craft or handmade over industrial or digital, it should be emotional and warm over detached and bitter, and obviously it should look pre-21st century because as we all know no one has ever existed honestly since the turn of the millennium and all Authentic Culture died to death badly in 1990. I've heard tons of artists in marginalized groups repeatedly get the feedback that they should make their art "more authentic" and more "reflective of their identities" by people who clearly just mean "make it look more like the stereotype I expect from you." it's a framework that relies on the idea that the only real representation of a culture or identity comes when you strip away all its interrelations with other groups, as though cross-cultural exchange and technological innovation aren't constants throughout human history.
anna daliza, artist bio, 2021
yinka shonibare, the victorian philanthropist's parlour, 1996-1997