Corset from Dilara Findikoglu - Fall 2018
Monterey Bay Aquarium

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π©΅ avery cochrane π©΅

Misplaced Lens Cap

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Show & Tell

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@lesbianpraetor
Corset from Dilara Findikoglu - Fall 2018

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The amount of slavery in Ancient Rome was legitimately terrifying tbh
Yβall know that Iβm into ancient Roman history and I do a lot of research on it but even though I should be used to it by now sometimes I read an anecdote about how an individual slave was treated and Iβm hit with the realization that like a third of the population was living like that and I just need to put my head in my hands for a second
Emperor Hadrian randomly stabbed a slave in the eye in a fit of rage and he was supposedly unusually sympathetic to slaves.
Thereβs other instances of people randomly punching slaves that they didnβt even know because they got in their way or something. This was just normal behavior.
And slaves didnβt rebel en masse because if even one slave committed an act of violent rebellion it was common practice to kill every slave and former slave in the household.
People only took notice for posterity when these mass executions got into the hundreds of people. One of the few recorded for the history books is of over 400 people being killed because one guy stabbed his enslaver.
Like how many people throughout history were beaten to death because some rich asshole was angry and there was no legal or social consequences for doing so? We donβt know.
When you study ancient history youβre reminded that slavery has never once been kind or justified. It just takes on different forms of evil in every time and place that it infects.
My beautiful girls π
ok iβve been curious about something. can you name a character who is, all three at once,
1. canonically female (no variation)
2. canonically the protagonist of her story (if itβs an ensemble cast you have to say you can legitimately see her as The main character)
3. your personal #1 favorite character in that story (ties are acceptable)
?
yes
no
super nuance bald extract button (use this wisely)
palacio de cristal in el retiro park (madrid, spain), built in 1887 by architect ricardo velazquez bosco
Currently looking like this because it was about to fall down last year.

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βI very proudly entered the forestry school as an 18-year-old and telling them that the reason that I wanted to study botany was because I wanted to know why asters and goldenrod looked so beautiful together. These are these amazing displays of this bright, chrome yellow and deep purple of New England aster, and they look stunning together. And the two plants so often intermingle rather than living apart from one another, and I wanted to know why that was. I thought that surely in the order and the harmony of the universe, there would be an explanation for why they looked so beautiful together. And I was told that that was not science, that if I was interested in beauty, I should go to art school. Which was really demoralizing as a freshman, but I came to understand that question wasnβt going to be answered by science, that science, as a way of knowing, explicitly sets aside our emotions, our aesthetic reactions to things. We have to analyze them as if they were just pure material, and not matter and spirit together. And, yes, as it turns out, thereβs a very good biophysical explanation for why those plants grow together, so itβs a matter of aesthetics and itβs a matter of ecology. Those complimentary colors of purple and gold together, being opposites on the color wheel, theyβre so vivid, they actually attract far more pollinators than if those two grew apart from one another. So each of those plants benefits by combining its beauty with the beauty of the other. And thatβs a question that science can address, certainly, as well as artists. And I just think that βWhy is the world so beautiful?β is a question that we all ought to be embracing.β
β Robin Wall Kimmerer, βThe Intelligence of Plantsβ, from the podcast On Being with Krista Tippett (via peatbogbodyhasmoved)
Googled it and you know what, it is beautiful:
[ID: a photograph of purple asters growing amidst bright yellow goldenrod flowers. End ID]
Eurydice Bitten by the Serpent
"Innamorato della Luna" (In Love with the Moon) Antonio Rubino, 1907
How many pushups could your girl blorbo do on the spot?
Zero π
<10
10-20
20-50
50-100
She could go on for even more than 100
Nuance
it's Pal's "i can't bear the thought of using you" vs Cam's "Totally Ok With Being Used. Extremely Fine With It. Willing, Even." gigant forehead tatoo.
meanwhile Harrow holds a huge sign saying "i don't want to eat another soul can i please not have another soul on my conscience i already ate you alive i don't want to do it again" and Gideon wears a tshirt with "EAT ME. eatmeeatmeeatmeeatme" printed on it. they're both blindfolded.

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πΌοΈ
A Qifrey to get me outta art block (help me)
"I'll draw it back, and I'll look him dead in the eye, and I will slash her throat."
Critical Role Campaign 4, Episode 31: Trick of the Light
C4E014: A Bridge Too Far
this is an Aabria Iyengar appreciation post. her one-liner game in this episode was INCREDIBLE.
Comet. Ink on paper animation.

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Bleeding hope and bleeding gold. Finished just in time for @gondorweek! (INPRNT) β¬
βToday is August 4, 2026.β
It isn't while I write this, as I'll be overseas, but it's a special date enough to schedule a post.
August 4th, 2026 is the setting date for the only piece of Ray Bradbury's writing I've ever actually liked: There Will Come Soft Rains.
The short story is a popular one, at least here in the U.S., for classrooms to have students read and discuss: it's short enough that even students who struggle to read can get through it rather quickly, and it's of a contemplative enough subject that everyone will have thoughts on.
For those who haven't read it (seriously though, it's a short story - just go read it in the link above): in it, a house run on automation starts the day, runs through its scheduled functions and tasks, schedules out its entertainments and reminders, and manages the lives of its inhabitants. Quickly, the reader realizes that these duties are performed for no one: there's no one living there. No spoken details are given about their whereabouts.
As the story progresses, you are given the only clue as to what happened outside: five blast shadows baked into the charred outside, capturing a moment in time like a reverse photograph. The house sits alone in a destroyed city.
The house, at the end of the story, burns down. All of its functions finally stopping, barring the voice announcing the date: August 5, 2026.
I wouldn't say it's the most provocative story for the modern era. Almost everyone has heard the concept of nuclear war wiping out humanity in the modern age, though major nuclear powers aren't as trigger happy about trying to make it happen as they used to be. But May 6, 1950 was more than 76 years ago, and still close to the dawn of the nuclear age. Everyone was terrified of nuclear annihilation.
Bradbury's short story was, at the time, the latest in a series of works across multiple authors wondering about what would happen if humanity wiped itself out with its petty squabbles escalating into all-out war that destroyed all of its belligerents. There were several written for the nuclear era, as the horrors of atomic warfare brought a fresh wave of anxiety and paranoia anew.
But it was still only the latest in that series.
Over thirty years prior, Sara Teasdale wrote There Will Come Soft Rains, the inspiration in both subject and title for Bradbury's short story. Bradbury even includes the poem inside the short story itself, noting Teasdale as Mrs. McClellan's favorite poet (a woman with good taste, I see). Teasdale wrote it sometime in 1917/1918, at the height of World War I and around the start of the German Offensive. At the time, it seemed as if the war was never going to end, and all belligerent nations were just sending their young soldiers off into a pointless meat grinder with no hope of actually winning.
The poem considered what the world would be like if humanity just never stopped fighting, and "mankind perished utterly." Her thoughts were that the world would move on, and we would be little more than a footnote in the history of the world. It was one of the first 20th Century considerations of humans driving themselves to extinction.
Teasdale was the first awardee of the Pulitzer Prize in Poetry, before there even was a dedicated poetry category. She was highly influential for many authors in the 20th Century, using lyric that was normally reserved for quainter verse for unhappier themes - a poetic style more associated with Dickinson than anyone else.
This post is, primarily, a half celebration/half talk about my favorite poet and an influential work that was inspired by her own lyric. But it's important to remember these past works that discuss end-of-the-world thoughts in modern times. The world often feels hopeless: unending wars, climate change, unbridled hate for the pettiest of reasons, and ceaseless greed. But it's never a hopeless situation. We've been here before. People will live to see another day. The world might forget us when we're gone, but that doesn't mean you shouldn't show kindness to each other while we're still here.
It means something to someone, I promise.
β[Tomorrow] is August 5, 2026, [tomorrow] is August 5, 2026, [tomorrow] is...β