Go home diogee

I played his rapping for my friend who hadent heard of date everything

Guess who's home button no longer works at all..

So I think my phone just breaks when guys named Jean appear on my phone

human: here is birds in water

Once again putting that degree to good use

Doing graphic design for fun should be a sign of a serious underlying mental issue

Spock is the galaxy because he is our universe but especially Jim's universe ❤️ trying to describe how damn gay this movie is and I fear it's impossible

tags via @catilinas: #[guy who has seen fewer than ten episodes of star trek ever] i think the captain's log exposition has given the public unrealistic #expectations about what is recorded in historical ships' logbooks

I'm still in the early phases of my Star Trek obsession (maybe 200 episodes out of the ~996 episodes that exist, depending on how you count; somewhere around 20%), but having also read ships' logbooks, I can confirm that this is absolutely true—ST captain's logs (as we see in famous Captain Sisko confessional voiceovers in DS9, for example) set very unrealistic expectations for historical ships' logbooks. Instead, I think ST crew logs mirror a totally different type of 18th/19th century maritime writing: private journals and letters home. The tone we see in Star Trek logbook voiceovers is very much like the type of prose we get from, e.g. James Fitzjames in both his letters home to his family from the Franklin Expedition, and in his earlier Mediterranean journal. And Fitz isn't an outlier—Sisko's more confessional style really sounds to me like the way James Clark Ross writes when he's not expecting a wide audience; both Sisko and Ross sound formal in nearly all contexts, but both take on an attitude of diplomacy and promotion of the empire in their public speech. Star Trek logs operate in a strange liminal ground between public and private; they're not truly for public consumption. And yet they do seem to be made entirely available to Starfleet Command.

Luffy | Zoro

I love the outfit Luffy wears in the canon, but since I played around with the other designs, I wanted to include him as well. I swapped their boots because I had a good laugh at the cosplayers who couldn't walk in them—thanks for your sacrifice.

He has tan lines; the guy never takes off those pants and spends the whole day in the sun.

Zoro is wearing a tight shirt and baggy pants; I think that suits him better than the canon bodysuit. Zoro had a black jacket; he lost it somewhere.

Nami | Ussop

Nami in her bodysuit, but slightly lengthened. Also with a jacket and some socks. Is she wearing a side ponytail because wearing her hair down wouldn't look right with the large, wide collar of her outfit? Yes.

I’ve got Usopp in yellow because my brain just can't process him wearing green like in the canon. He’s wearing baggy shorts and a jacket, plus a fitted top that leaves a bit of skin exposed—just for a touch of flirtatiousness, haha

Futuristic glasses because I love them.

Sanji | Chopper

Female Sanji, because my biggest headcanon about Sanji is that she is a trans woman. She’s wearing a retro-futuristic dress, and I kept her floral vest. She's wearing shorts underneath, because, you know—kicks.

Chopper keeps his boots—one of the perks of not having ankles. His post-time-skip appearance changed, making him look less like a ball with legs and more like a pre-adolescent.

They each have about three colors in their outfits. When I finished, I realized that Nami and Chopper share colors... Oops.

Robin | Franky

Robin was being flirtatious as always, but just like with Nami, I lengthened her bodysuit.

Franky is a concept, okay? Leave my boy alone. Is Franky the only one without a swimsuit? Not in my house.

Brook | Jinbe

I don't know how to draw skeletons or fish-people. Nothing more to say, and this will not be discussed again. Thank you.

I wanted Jinbe to have something that was a mix of traditional and futuristic... I did the best I could. And it shares the same print as Sanji (Lol I just realized that I didn't).