Heyo! I’m just someone who likes to draw and play video games in her free time, when I'm not drowning in work and all the crap that comes with adulting lol. I’ll just post random creations of mine from games, books, anime, etc. that I like or something in the rare times I actually create something other than doodles in the margins of my notebooks.
Whats interesting about fanon(or more specifically I guess spamtenna focused fanon) perception of tenna is most people think he just exists in a vacuum and his entire deal is about Spamton and never acknowledge his dynamic with the Dreemurrs or anyone else.
If you ask them to characterize Tenna without mentioning Spamton it turns into “well hes a hardass boss whos super lonely” WHY is he a hardass boss. WHY is he lonely. If you take out the background of him knowing he will be killed if he fails at being a perfect TV then him being a “hardass” becomes a background quirk that’s just “aw thats spamtons silly husband”(or a way to make Spamton look like the better one). If you take out the factor of him being deeply isolated both as a boss darkner and a celebrity with no real equal(too above other darkners too below his lightner family he loves) then him being lonely seems like nonsense and awww spamton can fix that!
I’ve said it many times before that like… Tenna is very much shoved into a cardboard wife-like role for Spamton in fanon. But what interests me in this topic is the factor that it’s just so amatonormative that it loops around to a sick form of horror or tragedy and something that Tenna probably expects himself to step into, too. Yes he will be Spamton’s loving partner he can depend on yes he will be a strong figure that will protect him and take care of him for nothing in return other than basking in his love and affection.
It’s the factor of Tenna being deeply unwell and disabled himself, Tenna having such an endless amount of baggage and issues- obviously I’m really annoyed that it’s ignored amongst the fandom but it also fascinates me because it’s like theyre falling for Tenna’s facade. Like I know it’s the ableism it’s the amatonormativity it’s many things ect ect but like, isn’t it ironic? That Tenna, someone who will go to such insane lengths to avoid being seen as broken or not entertaining, is often seen as a prop? It’s so interesting to me.
But again, it’s so frequently that I never see anything done with that. It HAS to be about Spamton’s angst and when Tenna gets a turn it gets turned into more Spamton angst. I wish I could count the times I’ve read a fic or a comic where Tenna finally has a breakdown or gets hurt and it becomes about Spamton. I feel insane. Can anyone hear me.
No you’re 100% right and you should say it, especially the concept of people getting mad when you criticize a ship and say you hate it. I have a 300k spamtenna fic!!! I adore Spamtenna!!! But people are so blinded by their “toxic yaoi” that they refuse to look at anything else.
“Haha Tenna is always trauma dumping about his ex” is he? Or is he making a petty remark or two? Because Battat, the guy whos stalking and taking notes and making conspiracy boards about Tenna and is supposedly his therapist, doesn’t know who Spamton is(watsonian explaination of the frequency can easily be Tenna’s just spiraling out of control during ch3 so he’s got no filter. Doylist is toby has to portray information Somehow). “Tenna’s entire personality is spamton” Did we play the same game? Or do you only remember the three entire mentions of Spamton and nothing else about Tenna rambling about his family or his games or his fears of being killed for not being good enough(which, honestly w how much Tenna’s themes heavily rely on the themes of utdr as a whole, it makes sense that people only there for the “yaoi” dont pick up on them).
I feel like I could write an entire essay with chapters explaining why Tenna is treated the way he is- if I really wanted I could write a fucking book. Like there would be chapters titled “how misogyny blinds an audience” and you’d go how the fuck does that effect anything about the male character being mistreated and I go on a 20 page rant about how because none of the protagonists of utdr are not traditionally manly men they aren’t paid attention to and therefore the themes aren’t and how most the bonds Tenna has are with people who arent men and the 2 or 3 most masculine men that know him like to shit talk him so those voices are elevated and god FORBID I get into how BPD symptoms are most often associated with women and how women are disproportionately diagnosed with BPD for “acting out” and how people hear the disorder and think “attention seeking whore” speaking of this opens our Next Chapter: how ableism impacts the view of Mr Ant Tenna-
^ ignoring this rant, it fascinates me that if you criticize spamtenna or spamton its seen as hatred. And here is where I wrote an entire paragraph about that subject and then deleted it bc I don’t want to sound too mean even though I think it’s all 100% right LMAO 😭 just know I can’t agree enough on the idea of like. “How dare you imply spamton/spamtenna has issues” being the response to a lot of genuinely fascinating characters analysis
Thank you tumblr user thattennafan you are so very right all the time
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It irks me to no end seeing very complex and good characters get bastardized through fanart or interpretation, getting the villain treatment and such, especially when it’s just someone who is struggling, at their lowest point in mental health in the narrative/does seem to or is implied to have some mental health condition (like I feel we should appreciate characters that are more realistic and show actual struggles and symptoms, and not villainize that, or completely ignore all the inherent good about their character, their arc, or otherwise mischaracterize so badly aughhhh
It irks me to no end seeing very complex and good characters get bastardized through fanart or interpretation, getting the villain treatment and such, especially when it’s just someone who is struggling, at their lowest point in mental health in the narrative/does seem to or is implied to have some mental health condition (like I feel we should appreciate characters that are more realistic and show actual struggles and symptoms, and not villainize that, or completely ignore all the inherent good about their character, their arc, or otherwise mischaracterize so badly aughhhh
christianity being a real facet of peoples lives instead of something you grow out of is killing me what do you mean youre 19 and still believe that mission trips are a positive force in the world
I'm going to respond like that person said their comment in good faith for a second.
I've been on mission trips, both domestic and international. I once believed I was doing good work. I don't any more, and I'm going to walk you through why. We're going to set aside the religious aspect for a second and call it what it is: voluntourism. You're going somewhere novel to you and doing volunteer work. That's voluntourism.
Here's what I learned over the 21 years since my first international mission trip. Voluntourism is a destabilizing influence on the people and communities it nominally serves. They introduce a lot of change in a short period of time and then they leave without doing any of the work needed to make those changes sustainable. The people who live there are faced with a no-win choice: they can try to keep the change going, and devote resources they may not have to creating the necessary infrastructure; they can abandon that change and let it decay over time, with all the risks associated; or they can scrap it for parts and risk upsetting anyone from the original set of voluntourists if they ever come back.
Now imagine that there are kids involved, as they often are. Voluntourists have a nasty habit of using kids as props to enhance the social credibility of their photos. I did this, and I'm ashamed of it. Kids everywhere form emotional bonds easily. So what happens to a kid whose school is constantly bringing in volunteers for a week or two who are friendly and affectionate, who bring food or gifts, and then bounce and never come back? That kid eventually grows numb. They don't connect with people as easily. They stop trusting that people have good intentions.
And all this is without even addressing the objectification of people in poverty that goes into these trips. The devaluation of cultures. The implicit, and sometimes explicit paternalism and colonialism that fuels them. Voluntourism depends on the idea that you are coming from somewhere "better" to somewhere "worse" and that your presence and cultural exports will inherently improve the place you are going.
If you want to do volunteer work, start at home. Start somewhere that you can go to regularly, that strengthens your community. Don't just show up for a day and call it done. And if you want to travel, travel! But remember when you do that you are a guest, and you owe it to your hosts to tread lightly and with respect.
what's the darkest thought Yamato ever had about himself? What's his villain trait?
Also same question for Taichi and Takeru because it's fun
Oh my gosh, ok, this was actually a really tough one, and so what I have come back with here is pretty deep-cut headcanon, based more on my own interpretation of these guys and how I characterise them in my fics, rather than this being some super insightful meta about the source material. That’s my disclaimer up front, for the canon purists!
I’ll start with darkest thoughts about themselves.
Yamato
One thing I have always found really interesting when writing him is to play with how others see him, versus how he sees himself, because I think there is a big gap between the two.
For example, he is clearly a desirable guy: he looks like the standard anime prettiest of pretty boys, and we see people explicitly crushing on him.
He is also sexualised in a way that the other boys aren’t, from an early age. Like, there is that weird hitchhiking scene where Taichi and Jou and Koushiro all try to hitch a ride and fail, and then Yamato tries, only to have an older woman instantly try to pick him up.
My headcanon is that Yamato goes through life knowing that people are drawn to him for his looks, without necessarily caring about getting to know him as a person.
And I think that in his darkest moments, he agrees that he is not someone worth knowing.
It all plays into existing fears of abandonment and not being good enough to be loved that stem from his parents’ divorce, troubled relationship with his mother, and the kind of transactional set up he has with his dad - him taking care of the house while his dad works all hours.
I also think this is why Sora actually makes sense as a partner for him in canon, because she would obviously be an exception to this narrative. She is sensitive and empathetic and has seen him at his worst. She clearly knows him and is choosing him for who he is as a person, not just because he’s in a band and has pretty eyes.
Taichi
I think his darkest thoughts are probably around looking back on past choices and questioning whether he did the right thing/did enough in the moment. He wants to save people, feels like it is on him to do it all, and for instances where this hasn’t worked out, it’s easy to look back and to feel like he has failed. It’s like that scene at the end of Schindler’s List where people are celebrating Oscar Schindler for all the lives he has saved, but all he can do is look at the gold rings on his fingers and think about how many more he could have saved if only he had thought to sell those rings.
Taichi willingly takes so much on his shoulders and I think his darkest thoughts are him beating himself up for not being able to take more.
Takeru
I feel like I have not spent enough time really exploring his character to be able to answer this particularly well! I guess there are obvious things like the typical younger sibling complex of not being able to measure up to an impressive older sibling…
But I think for Takeru maybe the key thing I would like to explore if I were to write fic about him would be a sense of him fighting to avoid succumbing to an underlying nihilism, which is seemingly at odds with everything a child of hope is supposed to stand for. Like, he has seen so much dark stuff from such an early age, and I’m sure he must have times where the whole world seems like a very dark place because of that, and I can imagine him struggling with holding on to the point of it all - like what is this for, and where do I fit in this existence?
I feel like his future career as a writer works well, as writing would allow him to work through some of those feelings.
Villain traits
Yamato
He has so many lol. He has all the ingredients to be an excellent villain.
At the top for me is that I think Yamato is very astute about people. He’s super smart, but there is a more emotional dimension to his intelligence compared to, say, Koushiro’s smarts, and that has the potential to be really dangerous, because he can spot what is going to hurt you the most, and then aim right for it.
Added to that, he has a temper and can quite easily be triggered to use physical violence. So, if you piss him off enough, he’s going to hit you.
Taichi
His villain quality is probably his drive to push on regardless and his potential to do whatever it takes to win - sacrificing anything he needs to and trampling over anyone who gets in his way.
In reality, he is not so cut-throat as to never consider the feelings of others. But in certain circumstances, I think that his commitment to a cause, and ability to inspire others to follow him in it, could potentially be quite toxic.
Takeru
I honestly don’t think Takeru is very villainous, lol. But I guess his sunny nature and seemingly mild manners would do a very good job of hiding what he might really be up to. So, in my view, his ability to pass as a non-villain would be his most villainous trait.
This is really interesting! If you don’t mind, I’d like to share my thoughts on Yamato a little.
What stands out about Yamato is that the series actually gives us moments where we hear his darkest thoughts directly.
The best example is the Digimon Adventure episode with Cherrymon, where Cherrymon manipulates Yamato and convinces him to fight Taichi . The second best example is the dark cave episode, where Yamato completely sinks into his fears and negative emotions.
Across those episodes, Yamato’s thoughts can be summarized like this:
He feels that his only purpose in life is being needed (by Takeru)
He feels like the group — and even Takeru — would be fine if he didn't exist
He believes Taichi is a better older brother than he is.
He thinks that defeating Taichi might finally make him feel important or needed.
He feels unworthy of the Crest of Friendship.
Since his parents’ divorce, he’s been afraid to cry or show weakness.
He believes he always has to stay strong for everyone else, especially Takeru.
Deep down, he feels completely alone.
All of these thoughts are dark, especially for someone Yamato’s age. But I think the core issue is his desperate need to feel needed — to feel like he has a place within the group. Whenever he feels unnecessary, he starts questioning everything: his worth, his role, his friendship, even his own existence. He constantly compares himself to Taichi and doubts whether he deserves the connections he has.
That’s incredibly heavy for a child to carry.
Now, moving a bit into headcanon/fanfiction territory, I’ve always had this idea that Yamato’s existential crisis — the fact that he questions the value of his own existence — doesn’t come only from his parents’ divorce. I think there could be something even deeper behind it.
My headcanon/fanfic idea is that Yamato’s parents only got married because of him. Maybe Natsuko (his mom) became pregnant unexpectedly, and she and Hiroaki (his dad) decided to marry for the sake of the child.
But the marriage ultimately failed, and years later they divorced.
Because of that, Yamato subconsciously blames himself simply for existing. In his mind, if he had never been born, maybe his parents would never have married and might have lived happier lives.
That would explain why he’s so desperate to be needed by others specially Takeru. If he isn’t needed, then he starts wondering what value his existence even has.
To me, that would be the darkest part of Yamato’s psychology.
Also I just wanted to say something about Takeu
Takeru generally is shown to be nice and kind and polite but there are some episode both in adventure and 02 that show deeper side of him. I think Takeru's 2 important insecurities are :
His parent's divorce
Patamon's death which scarred Takeru forever
Yamato hating him (Picodevimon episode)
Becoming a burden (since he was the youngest in DA he wanted to always prove that he is capable)
Another thing about Takeru is that unlike Yamato, he is extremely good at supressing his anger but in the infamous episode with Ken, he literally snapped and hit Ken. Takeru does have some of Yamato's anger inside of him after all. They truly are brothers lol
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Teen-Age Wolf: A Yamato "Matt" Ishida Analysis and Critique
(What do you mean absolutely zero people asked for or will care about this I don't understand.)
I grew up a massive Yamato fan. He was a character that was very dear to me, so naturally I was extremely excited to hear I'd get to go on more Adventures with him, first in Tri and then Last Evolution Kizuna. The consistent thing through all of this was that I loved each evolution of his character as we got them, but a recent rewatch of Tri and Kizuna have had me thinking about his character in ways I really hadn't before—in some ways leaving me delighted and others making me feel outright betrayed. So I wanted to explore his character journey to fully and properly grasp my thoughts on the character I consider to be my favorite of all time.
Walk on the Edge of a Knife
While the main desire in this is to explore his journey through Tri and Kizuna, I think it's important to lay the foundation of where he comes from to better understand how he evolves. We first see him in Adventure as a seemingly aloof kid, though it's pretty quickly revealed that this isn't really true. While not as openly friendly as some of the others, he often shows that he does care about them, seeking to protect them and trying to choose the path with the fewest dangers. His interactions with Takeru highlight this the most but that does extend toward the rest of the group as well.
Yamato's growth as a character is most obvious through his thoughts and interactions relating to Takeru and his parents. Due to his parents' divorce, he himself admits that he grew to be closed off from others, viewing himself as the unwanted child and placing Takeru on a pedestal as something for him to protect at all costs. He viewed his own value through the lens of being a useful older brother, so when Takeru grew to be more independent, Yamato began to lose sight of who he was.
This was exacerbated by the fact that Taichi—as well as the rest of the kids—applauded and encouraged Takeru's independence. Yamato viewed this as a threat, growing jealous of Taichi specifically due to how well he got along with Takeru, even stating that he believed Taichi to be the better older brother figure of the two.
On that note, Yamato's interactions with Taichi specifically are also important to understanding him as a character. The two are often butting heads and disagreeing on the right course of action, with Taichi seeking the straightforward and sometimes reckless route while Yamato usually prefers the more thoughtful and sometimes overly cautious approach. While Taichi does become the natural leader of the group, Yamato's input is still taken seriously, to the point where when he has split off from the group, Taichi actively tries to think about how Yamato would handle the given situation if he were there. Yamato, for his part, largely comes to acknowledge and defer to Taichi's leadership, always offering his opinion when he feels it is necessary.
The last character I need to touch on is Gabumon whose biggest impact on Yamato is through his loyalty. Gabumon is often shown simply enjoying being in Yamato's presence, a quiet but firm rock for him to lean on, but will also actively put Yamato's needs and desires above his own. While trying to be a voice of reason, he will still go along with whatever Yamato wants to do so long as Yamato himself feels it's the right thing to be doing, even if Gabumon himself disagrees.
This is important to Yamato since he has trouble viewing himself as someone worthy of such loyalty due to the issues with his family touched on earlier. While everyone is changing around him in a way that makes Yamato unsure of himself, Gabumon remains a constant. The only character Yamato really talks about his issues with is Gabumon, hiding them from Takeru, Taichi, and the rest of the group. And when he cuts himself off from everyone else, it's Gabumon who finally convinces him that his view of himself is skewed as he refuses to see his own positive qualities.
All of these interactions (and more) shape who Yamato grows into by the end of Adventure. Gabumon's loyalty gets Yamato to be more open with his feelings—at least to Gabumon himself—helping him work through his issues with his family and Taichi. He comes to accept that just because Takeru doesn't need him to protect him all the time doesn't mean that he's a bad or useless brother and that Takeru loves him for who he is, not what he is capable of.
As for Taichi, Yamato turns his jealousy into respect. While initially feeling threatened by Taichi's growing maturity, Taichi is, in a way, a bit of an ideal for Yamato by the end—he's decisive, friendly, caring, and strong-willed while always desiring to do what's right, qualities Yamato wishes to possess himself.
The series ends with him embodying all of these things as well. He is shown to be supportive of Takeru, have utmost faith in Gabumon, and work in perfect sync with Taichi.
These all carry over into 02. While he doesn't appear often, we can still see his growth in what is shown to us. He is more open and friendly, both to the original Digidestined and the new, though he will still snap if he thinks the situation calls for it or he is pushed too far. And when he is around, he leads by example, being the first willing to do what's needed. His relationship with Takeru is on more equal terms, he and Taichi are friends that can both support and mess with each other, and he is clearly always happy to see Gabumon when he is able, the two still shown to have complete faith in each other.
To Me, You're Someone Irreplaceable
By Tri, though, things have shifted ever so slightly. While Yamato is more open than he used to be, we see that the only one he genuinely talks about his worries to is Gabumon. He and Takeru still have a close relationship, but it almost feels like Yamato purposefully doesn't want to tell him things about himself that might upset him—perhaps his new way to "protect" Takeru without smothering him. And as for Taichi…
By the end of Adventure, Taichi and Yamato had managed to become similar in a way, each taking on traits of the other that they had come to admire. Taichi grew to be more conscientious of those around him while Yamato learned to be more decisive. We see them in sync come 02, the two of them barely even needing words to understand each other. But this, too, has shifted, though in this case it's more than slightly.
By the start of Tri, Yamato and Taichi almost feel like the inverse of how they started. I mentioned that Taichi at the end of Adventure felt like a bit of an ideal for Yamato, someone with traits he aspired to have. Over the years, Yamato worked to change himself, to fashion how he handled tough situations after his ideal: Taichi as he was in Adventure. But meanwhile, Taichi was also changing, taking to heart the lessons he learned from Yamato and paying more attention to the people around him.
So when Yamato sees Taichi struggling against the Kuwagamon, he instantly knows something is wrong.
It takes a little while, but eventually he realizes that the ideal Taichi he's been admiring isn't the current Taichi. It leaves him at a loss for how to handle the situation, trying initially to confront Taichi head on before he realizes that way just isn't working anymore. Taichi isn't reacting the same way he used to. Yamato has to relearn how to approach his best friend, the person he thought he'd been in sync with for years now, in a completely new way.
This one difference is the catalyst for Yamato to finally stop idealizing the Taichi of the past and come to terms with how he truly wants to live his life.
We see Yamato take a gentler approach with Taichi, offering him relief instead of applying pressure. We see him taking active steps to look further into the situation with the 02 Digidestined, seeking answers from Nishijima and Himekawa in an attempt to ease the group's worries. He is stepping up and out of the shadow he had inadvertently been walking in, doing what he can without relying on Taichi.
We also see him actively approaching Takeru when he can tell something is wrong, but their encounter solidifies that it's not just Yamato who doesn't want to open up—Takeru is also no longer confiding in Yamato. The two are still close, but there's something keeping them both from truly trusting each other. And Yamato knows he's hiding something—Takeru, like Taichi, is changing.
And who does he talk to about all of this? Gabumon, his one remaining constant.
In the first three Tri movies, we see Yamato open up to Gabumon on several occasions, sometimes on his own and sometimes with merely a single question. But it's clear that their bond has grown over the years—Yamato trusts Gabumon more than anyone else, enough to talk about things he'd never admit otherwise. He shares about his struggles with Taichi, he admits that he's afraid of things changing, worrying that even his fond memories might change over time. And Gabumon listens, saying exactly what Yamato needs to hear if he can.
But then Yamato loses that too.
I think it's important to note that of all the kids, Yamato is the only one never shown by himself after the reboot. Right after it happens, he goes to Takeru and holds him while letting him cry. We later see him visit Taichi and riding on his moped with Takeru, and when they are all coming together at last, he's shown arriving with Sora.
These are the people that mean the most to him. All of them are changing, and that's clearly been hard on him, but they—unlike Gabumon who won't even recognize him even if they meet—are still here. Making sure to show him spending time with each of them instead of alone feels very deliberate, a clear indication that Yamato is both seeking and giving comfort.
It's at this point we see a few things start to shift again. Yamato seems to take notice of Taichi sliding back into the role of taking charge and finds relief in it. Upon meeting Tsunomon/Gabumon, the easiness they had is clearly gone. And now he finds Sora as the latest person around him that's suffering.
We have seen Yamato deal with trying to help people in two ways: 1.) getting aggressive as a means to force a solution into existence and 2.) quietly being there for them and hoping they open up to him. He chooses the latter with Sora, though trying to tackle the issue with Taichi winds up landing it somewhere in between the two instead, and it fails pretty spectacularly. It does at least show that he cares and wants to help.
The changes in Taichi, however, actually have an effect on Yamato. Taichi has taken his time to think, and when confronted with a hard choice, he chooses to kill Meicoomon on their own terms. This is different from anything they've dealt with in the past. In 02, when MetalGreymon was under the Digimon Emperor's control, they vowed to fight as hard as would be necessary, but the intent was to free him. And back in Reunion, Taichi was wavering because of potential deaths the collateral damage could cause. This is directly attacking a friend with the intent to kill.
And finally things with Yamato come to a head. He, too, has been growing and changing, taking charge when he felt he needed to, but this was not an answer he had ever come to, or one, I think, he ever expected Taichi to come to.
But he did. Yamato gave him room to figure out whatever was going on in his head, and this is the answer he came up with.
Now Yamato is the one left wavering. For all his growth, the one thing that has stayed the same is his desire to protect and help the people he cares about most. This decision feels like the antithesis of that. And yet Taichi, the person he most looked up to, the person he was at one point most in sync with, the person Yamato knows does feel the same way as him about the ones he cares about, has decided it's the best course of action.
He defaults back to aggression in retaliation, but ultimately he trusts Taichi. He hates it, he doesn't want to, but he trusts that Taichi isn't making this decision on a whim, and he can't do it without Omegamon—without Yamato.
But the battle abruptly ends, and Taichi disappears.
Yamato's development throughout Tri has been leading to this point—what is he capable of when the one he so often compares himself to isn't there as a guidepost?
Luckily, he does not have to answer that question alone.
Yamato does initially take charge, trying to keep everyone from falling apart under the loss, putting off dealing with his own feelings until they are in a safe space to think and rest. But even then he attempts to deal with them on his own, because the one that used to help him has been erased.
Accept, he hasn't—not exactly. Throughout all of Loss and Coexistence, Yamato's relationship with Gabumon felt far more surface level than it had in a very long time. I mentioned that Yamato has two ways of trying to help people, and with Gabumon he clearly decided that he would give him space to come to terms with a partnership he can't remember. This means that while Yamato still genuinely seemed to enjoy his company and cared about him deeply, he was choosing to not go to Gabumon with his worries like he used to.
So Gabumon comes to him.
While everyone around him was changing—while Yamato himself was changing—the core of who Gabumon was remained the same. It didn't matter that he didn't have his memories; he still wanted to be that listening ear he'd always been.
We can see Yamato hesitating to go along with it at first, simply giving Gabumon the friendly smile he'd been directing at him the past two movies when Gabumon tells him that he should rely on his digimon partner for advice. But Gabumon doesn't give up until Yamato is finally able to recognize that his friend is still in there. He may not remember everything that happened between them, but Yamato can recognize that despite it all Gabumon is still Gabumon.
This is what Yamato needed in this moment. He is not only allowed to process his emotions, but he is given the confidence he needs to do what he knows he has to.
Admittedly, though, Future doesn't actually give him a lot to do—Huckmon and Koushiro largely coordinate things. He does do his best to keep them together and focused and lead the attack charge, which are still important, but soon enough Taichi comes back, and the role of leader goes back to him, this time with Yamato backing him up completely, holding his ground despite how awful the situation is.
The last piece of insight we get into Yamato is him hearing that Taichi has finally decided to really aim for his future, and this inspires Yamato, claiming that maybe he'll aim even higher.
Virtual Reality Resistance
By the time Kizuna rolls around, Yamato is working hard in college, though feeling like he's in a bit of a rut, uncertain about his future. Instead, though, he gets pulled into a digimon related plot, one that includes a timer indicating that when it's up, Gabumon will vanish.
Yamato is shown working tirelessly trying to save the comatose people, the leadership traits he gained in Tri on full display as he investigates on his own as well as seeking the help of the 02 kids. He even goes so far as to purchase burner phones for Taichi and Koushiro, fearing they're being tracked. And when he and Taichi are confronted with Menoa's plan to "save" all of the Digidestined by trapping them in happy memories with their digimon from their childhood, everything finally comes to a head.
Yamato can have more time with Gabumon before he disappears, or he can put his all into the fight to save everyone and reduce the amount of time they have left.
There's a lot to note about all of this. For starters, Kizuna begins with them fighting off a digimon. But as soon as it's over, Yamato leaves Gabumon behind. Based on the reactions from Takeru, Gabumon, and everyone else left behind, this is not unusual. We later see Yamato and Taichi at a restaurant drinking beer, and when they talk about Gabumon and Agumon, they mention that they never change, making a joke about being unable to bring them with them to class. Taichi practically flat out says he's too busy for him, and Yamato doesn't dispute this. Later we learn that Agumon has never even been to Taichi's apartment, and Taichi freaks out when he sees stuff that's "only for adults".
Kizuna seems to be telling us that their digimon are holding them back from moving forward, that as long as they're around, Yamato will always have his attention divided.
This is where the timer comes in. They have, apparently, been neglecting their digimon long enough that it is somehow decided that it's time for their role as a Digidestined to come to an end. This would allow them to move forward with their lives without clinging to the past, the idea that maybe, someday they can reunite if they have "limitless potential".
Whether Yamato and Taichi realize all of this or not, they make the choice to save everyone, vastly reducing the time they have left together with their digimon.
In the end, Yamato has to let Gabumon go. But in doing so he finds a renewed purpose, running toward his future with the hopes of seeing him again someday.
If You Don't Believe I've been Here All Along Just Turn Around
As stated at the beginning, I have a lot of thoughts on all of this, some good, some not so good. As my biggest issues come at the end, we might as well start with Kizuna.
The big elephant in the room is the idea that Yamato has grown beyond Gabumon. I can see what the writers were trying to do with this, but I admit it doesn't work for me for many reasons, the first being Gabumon himself. While I understand the idea is that everyone has changed except the digimon, the Adventure-verse as a whole doesn't fully support that.
In my analysis of Tri, I mentioned that even after the reboot, Gabumon was still the same, but I only said it that way because it's how Tri wanted you to view the scene. In truth, however, Gabumon post-reboot is the same as Gabumon from earlier in Tri, but not the same as Gabumon from Adventure/02. The Gabumon from Tri feels older, as if he's been around Yamato long enough that he's taken on some of his traits and mannerisms, like his sarcasm and side-eyes. In a similar vein, the Gabumon in Kizuna has a moment where he feels younger than the other versions—in the restaurant when he and Agumon both get shushed by the waitress for being too loud. The Tri version of Gabumon would have been annoyed at Agumon causing a ruckus, while Adventure/02 likely would have just sat there quietly. So as much as Tri/Kizuna want you to believe Gabumon hasn't changed, the writing is so inconsistent that it feels like he has, with Gabumon being written in a way to support each different story.
But even if you ignore that, Gabumon is shown to be one of the more mature digimon even back in Adventure, and not only that, for a long time he was Yamato's only true confidant. This is not just a childish toy or game—this was his closest ally and friend. Am I really being expected to believe that Yamato, the one given the Crest of Friendship, was ignoring not just one of his best friends but the one who had always been there for him in his darkest, most vulnerable moments? The only one he felt he could tell anything to? All because, what, Gabumon wasn't "adult" enough?
So, to summarize, Kizuna is about the Bearer of the Crest of Friendship actively ignoring one of his closest friends because he was now too immature and that being the catalyst for Gabumon's death in all but name. If someone has a better take, I would love to hear it, but this is how Kizuna read to me, and I am honestly SO not ok with it.
Which is a darned shame as if you completely ignore this incredibly unignorable aspect of the movie, I actually like it quite a lot and think Yamato is handled pretty well. How he acts for most of the movie builds really well on the potential we saw from him in Tri.
Which is nice as Tri itself kinda failed a bit in that regard.
I unabashedly adore Yamato in almost the entirety of Tri. Even the parts I'm less fond of, it is largely in a "it's still ok" kind of way rather than an outright "oh, no, that doesn't work" kind of way. I think there are only two exceptions. One is when he and Taichi are trying to get Sora to talk to them and he (and Taichi) says, "What a pain." The whole scene just feels mildly off (though amusing), but this line specifically feels pretty out of left field for Yamato.
Which is a real shame as Yamato only really has important scenes with three characters—Taichi, Takeru, and Gabumon—and it would have been nice to add Sora—the only other character we know he's supposed to have a close connection with—to that group. It really feels like Sora's conversation with Meiko should have been had with Yamato (and maybe Taichi). A more awkward version, sure, but it would have helped their chemistry which was pretty lacking.
The only other part I don't really like is a bit more subjective, though. In Future, when Sora says she wonders what Taichi would say if he were there, Yamato states that Taichi would "go with the option that causes the least damage". The line is not what I have a problem with—it's the implication behind it. This is one I admit I can't say for sure what the intention was, but to me, the scene reads like Yamato is implying that allowing Homeostasis to reboot the real world would cause the least damage, which is honestly an insane take.
Perhaps I'm reading the scene the wrong way (I did watch the same scene dubbed and it leans far closer to the "we don't know what side that is exactly, but it can't be the reboot, right?" which feels like a fair take), but the way everyone just kind of starts listening to Huckmon, the way Koushiro gets angry and runs off with Yamato yelling after him… it really feels like the implication is supposed to be to allow the reboot to happen. I would love to be wrong on this one, though, because I can't believe that Yamato (and the others, frankly) wouldn't be able to grasp just how badly that would effect the world as a whole.
Other than these two very small details, I do think the way Yamato is handled in Tri not only works really well but builds off of his development in Adventure/02. He still feels like the same character despite the fact that everything from the art style to his voice is different.
The biggest letdown is that the payoff is kind of weak. If the scene I mentioned in the paragraph above had been tweaked just a tad, having Yamato actually make a definitive, hard decision instead of adding his two cents and letting Koushiro and Huckmon handle it, it could have really felt like a proper payoff to all the build up of Yamato learning to handle things his own way. Instead it feels a bit like he really is just holding onto the goggles until Taichi gets back. Thankfully Kizuna does give us the proper payoff to this, but it not being in Tri itself feels like a missed opportunity.
Overall I think Yamato's development is handled shockingly well considering it's spread out over two decades with different writers at the helm. There are characters written by just one guy in a much shorter span of time that don't have the kind of consistency that Yamato has. And each iteration really does build on the last, even if I don't personally agree with all the choices made. I may have other issues with various iterations of the Adventure-verse, but going back through everything has made me realize just how lucky I am to have a favorite character that I've been able to actively enjoy new material for for so long.
your honor he did that shit but his beloved youngest viewer/sibling/nibling/child/best friend/whatever the fuck brought him out of purgatory and told him he'd get unplugged again if he didn't, and he tried to make it as comfortable and entertaining for everybody else as possible while he practically had a gun to the back of his head, and he didn't expect it to go much longer than one round and was forced to keep it going in order to not fail his end of the bargain and get sent back to purgatory/the dump, and when he finally snapped under the pressure it was clear how terrified and miserable he was for his entire breakdown as he barely recognizes his surroundings and babbles unrelated nonsense and talks about his family arguing in present tense like he's still hearing and remembering it, and even still his absolute last stand was structured as a game with a clear end goal and plenty of opportunities to get there including his damage for his final attack decreasing the lower your health is, and the moment a teenager shows him the slightest bit of understanding and compassion he instantly changes his ways and vows to make things right, and the second he does he's viciously cut down in of the most brutal and cruel deaths in the whole series like it was a fucking secret hostage situation
Ow. Bad neck pain, can barely move my head nor lie down painlessly. Hey guys don’t do what I did; or I guess if you have a bad habit of it like I do, just keep it extremely minimal, don’t be forceful
Hey yeah so this post literally kept me alive for like 6 months. Thank you. And OP is so right. Everyone on this island became my best friends. And guess what? Now they can't wait to meet *you* and they talk about you every single day.
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Beautiful, you don’t HAVE to forgive them. You just can’t ridicule them after leaving for being “tainted” or “evil” or whatever the acceptable word is now. Do not punish the behaviour you want to see.
“But they should’ve known sooner” and we should’ve known sooner that Destiel was never gonna meaningfully happen outside of queerbaiting, what’s your point?
“I never want them near me” that’s fine, but you do realize to insult them, YOU have to get near THEM, right? Wouldn’t it be more conducive to what you want to just leave each other alone?
“What if one of them tries to approach me?” Then you block them online, or you keep the conversation clinical and polite irl. You do NOT take time out of your day to berate them for their old views. Your mother raised you better than that.
I think it's insane that even in the most leftist and "progressive" spaces the idea of equating morality with looks is alive and present and no one fucking bats an eye at it. like racists and mysoginysts are always portrayed as fat and hairy and generally unkept, as a contrast to the morally good and attractive leftists of course; people will have no problem being genuinely fucking awful about someone's appearance if they're deemed to be a "bad person". and the worst part is you point all of this out and people act like you're reading too much into things like no dude you gotta start using your brain more
"release your creativity" - a google ad for gen ai.
Wow.
Here's something tangible.
List of hobbies
(added a cut 14th Jan 2026 - sorry I missed it! annoyed at the time)
"I make stuff"
3d modelling
Animation
Calligraphy
Carpentry
Clay
Crochet
Cross stitch
Drawing
DIY
Embroidery
Engraving
Figure painting (miniatures)
Game Dev
Glass blowing
Graffiti
Inventing
Jewellery
Kite making
Knitting
Knots
Painting
Paper mache
Perfume
Photography
Plushies
Pottery
Puppets
Rube Goldberg machine
Sand
Sewing
Soap
Tattoo
Lino prints
Metallurgy
Music composition
Origami
Quilting
Weaving
Welding
Wood burning
Wood carving
Wood block prints
"I want to write"
Creative writing
Poetry
Reading
Story writing
TTRPG
"I'm interested in design"
Architecture
Cosplay
Engineering
Fashion
Furniture
Interior design
"Something tasty"
Baking
Beer
BBQ and Grill
Coffee
Cookery
Competitive eating
Foraging
Jams, preserves, marmalades
Jerky
Tea
Wine tasting
"I want to learn something"
Auto mechanic
Coding
Languages
- ancient (greek, roman),
- fantastical (Elvish, Klingon)
- local dialects and native
- widely used (mandarin, french, spanish)
Study something
Take a class
"Let me move my body"
On my own or with a partner
Acrobatics
Archery
Bowling
Climbing
Cycling
Dance
- Ballet
- Ballroom
- Capoeira
- Salsa
- K-pop
- Finger Tutting
- Pole
- Zumba
Fencing
Horse riding
Ice Skating
Jogging
Knife and axe throwing
Parkour
Roller blading
Weight lifting
In the water
Diving
Kayaking
Mermaid
Surfing
Swimming
As part of a team
Airsoft
Baton twirling
Football
Rugby
Use a racket
Badminton
Cricket
Squash
Tennis
Martial arts
Boxing
MMA
Muay Thai
Judo
Kickboxing
Wrestling
There's SO many sports.
"Music sounds nice"
Brass
Custom
Electronic
Singing
Strings
Open mic events
Percussion
Woodwind
There's SO many instruments and styles.
"I like the outdoors"
Bird watching
Camping
Clouds
Dowsing
Fishing
Geo caching
Geology
Hiking
Magnet fishing
Outdoor climbing
Stargazing
Slacklining
Survival
Train spotting
"I need it to be free"
Library - computers, books, events, resources
Meditation
Walking
Study something, this is can range from reading a fandom wiki to reading a text book word for word, just do whatever you're interested in.
Lots of hobbies also have a lower upfront cost or free depending on where you are. Clubs and societies, friends and family can introduce you to things.
Most things have a cheaper entry version specifically made to just try it out, even stuff like kayaking you can hire or join a thing so you don't buy a boat outright. Seriously, if you're keen on something, let's make it happen, you don't need the top end anything to start out. If you like it enough then you upgrade later.
"Dextrous?"
Cardistry
Card shuffling
Cups
Juggling
Lockpicking
Pen spinning
Poi
Rubik's cube
Magic
Yoyo
"Let me play!"
Bingo
Board games
Cards
Checkers
Chess
Coloring books
Daily word games
Dominoes
Gaming
Go
Lego
Mahjong
Puzzles (Jigsaw, Sudoku, Kakuro, Picross)
Roleplay
Shoji
Video games
Xiangqi
"Talking!"
Acting
Comedy
Debate
Poetry slams
Public speaking
Voice acting
"Can I look after something?"
Bee-keeping
Cat sitting
Dog walking
Fish
Gardening
Terrarium
"I need to get out of my head"
Bathing
Massage
Journaling
Tai Chi
"Kink adjacent?"
Rope
Options are more case by case, so talk to people.
"I like collecting things"
Cards
Coins
Figurines
Travel souvenirs
Rocks (minerals, rock polishing, fossils)
Stamps
Stickers
Collect anything
Geographical issues
Naturally much of this is location dependant, living far out is naturally going to make some things more accessible than others. Being in a city raises options. Your best bet when arriving in a new place is just check out what's local, see what's around, look for events.
---
You can just do and learn things for the sake of doing it.
It doesn't have to be monetised, you don't have to be good, it doesn't have to be useful nor beneficial.
A world that considers typing random words into a machine the height of creative capacity mustn't be allowed to exist.
Spamtenna loving each other and being committed for life isn't just more accurate, but it's also much deeper and ties into Deltarune's theme of autonomy. If they weren't a happy compatible couple, or even if they were fine together but didn't care too much about staying together forever, their separation would no longer be such a tragedy and such a huge violation of their autonomy and it might even be a good thing, which would undermine or even outright destroy the thematic significance said separation has.
Since we'll probably get to reunite them if we take the steps necessary for it, that would also make them tie into the theme of hope and defying fate, and if they weren't a loving couple, the possibility of reuniting them wouldn't be a positive or hopeful thing, and it would mean that fate was actually right to separate them.
^This take is also wrong, because that's not what they're doing. They're not "playing the blame game".
Tenna's side is that he's literally just grieving. He's not blaming Spamton for anything. From his perspective, they signed the contract, Spamton got that call, panicked and ran away, never to be seen again; from his perspective, Spamton went missing. His anger at Spamton for "running out" on him is literally just a common way people cope with grief. They may feel (irrational) anger towards their dead or missing loved ones, like "why did you leave me?". He's also expressing his grief through denial by telling himself that Spamton "abandoned" him (implying a deliberate choice) rather than going missing, because if Spamton is only gone due to outside circumstances, Tenna would have to think about what those might be, and he might have to consider the possibility of Spamton being dead, which is incredibly painful for him. He'd rather believe that Spamton is alive, but is a scammer that hates him and ripped him off, than believe that Spamton is dead (or still in danger), but was fully honest and loved him until the end.
Spamton's side is that when everything was falling apart after his benefactor stopped helping him and he tried to call Tenna for help, he wasn't able to reach him (due to outside interference). His Valentine's card suggests that he believes Tenna changed his number. As a result, he genuinely believed that Tenna had suddenly abandoned him, ripping away the happy future he thought they were about to have together ("I thought we had something!!! I thought we had a [Kids!] I thought we had a [Set!]"). He was heartbroken and angry about this, because he deeply loves Tenna and genuinely trusted that Tenna would still be there to support him if something went wrong. He was also living with the knowledge of Tenna's fate in the prophecy, which was driving him crazy; deeply loving someone he thinks betrayed him while also knowing that person is destined to die is a pretty wild combination of things to be dealing with while also struggling with homelessness (to some degree, he was probably also grieving a still living person, like Tenna is grieving him). In Chapter 3, even without the pipis cutscene, having the Dealmaker equipped will give that Check description for Tenna, where Spamton (sincerely) describes him as tragic. And in the pipis cutscene, he's overjoyed to discover that he was wrong and Tenna does still love him. If Tenna had never abandoned him, then he's no longer upset with Tenna (though he was hurt by Tenna's reaction to him in the pipis cutscene).
They're fully aware that they could've had a happy future together; both of them were/are grieving each other and the future they could've had together. Tenna fully blames himself for that future not happening (he keeps claiming he "made" Spamton sign the contract even though Spamton never says that, because he wanted to sign it; it was mutually beneficial); Tenna believes he caused something terrible to happen to Spamton, which caused Spamton to disappear forever, which thus destroyed their happy future. Spamton was genuinely tricked into believing that Tenna had abandoned him and never really wanted that happy future with him, but as of Chapter 3, he knows that's not true and Tenna does actually love him.
(Also, it's funny to keep using the term "divorce" (in the rest of the tags) on a post in which I explicitly categorized it as inaccurate fanon. "Their divorce is like the opposite of Toriel and Asgore's" because it's not a divorce! Toriel divorced Asgore; Spamtenna was separated against their will by outside forces. If neither party wanted to be separated, it's definitionally not a divorce; words have meaning! "Divorce" means a specific thing, not just any time a romantic couple is separated. Calling it a divorce is part of the fanon misreading problem. Calling it a divorce inherently implies that at least one party wanted the separation, which isn't the case here.)
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A while ago @ciderjacks and I were discussing Tenna with the song Putting The Dog To Sleep, and at the time while he drew it I also drew it with dfw, but I’ve forgotten to post it until now. Anyways this song makes me sick to my fucking stomach