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justice is served
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Links to favorite fics you’ve read for Zutara?
i've been sick all weekend so apologies for the late response & lack of ratings, descriptions, et cetera.. i fear this is the best i can do rn. these are random fics from my bookmarks that i like for one reason or another, in no particular order. there are many, many, many that i am missing. i recommend checking out these writers' tumblrs/ao3 profiles for other works too <3
the crevasse by @iamnotthemilkman
delicate by @jasmine-tea-latte
nessun dorma by @sproutingliliums
the worst prisoner series by @emletish-fish
those who remain bt @arctik-fox
partner in learning
lost in you still
for the spirits by @demaparbat-hp
like gold by @sproutingliliums
salt and scale by @mzladybird
for pride and honor
such selfish prayers
celestial motion
modern love by @grapefruittwostep
i'm still here
everything i am
they call you refugee
didn't know my heart
playing with fire by @spacelattesao3
vengeance is like gold
The ones on this list that I’ve read are genuinely some of the best fics I’ve ever read, shout-out to @jasmine-tea-latte and @demaparbat-hp

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Links to favorite fics you’ve read for Zutara?
i've been sick all weekend so apologies for the late response & lack of ratings, descriptions, et cetera.. i fear this is the best i can do rn. these are random fics from my bookmarks that i like for one reason or another, in no particular order. there are many, many, many that i am missing. i recommend checking out these writers' tumblrs/ao3 profiles for other works too <3
the crevasse by @iamnotthemilkman
delicate by @jasmine-tea-latte
nessun dorma by @sproutingliliums
the worst prisoner series by @emletish-fish
those who remain bt @arctik-fox
partner in learning
lost in you still
for the spirits by @demaparbat-hp
like gold by @sproutingliliums
salt and scale by @mzladybird
for pride and honor
such selfish prayers
celestial motion
modern love by @grapefruittwostep
i'm still here
everything i am
they call you refugee
didn't know my heart
playing with fire by @spacelattesao3
vengeance is like gold
The ones on this list that I’ve read are genuinely some of the best fics I’ve ever read, shout-out to @jasmine-tea-latte and @demaparbat-hp
'katara and aang are about two genocide survivors finding commonality in that and making a family together!' wow great! i love reading that letter where katara got to pass down some SWT heritage to tenzin -
okay...maybe not. maybe the grandkids have some SWT culture incorporated into their designs -
and no, the blue-grey eyes don't count because if i have to use a color picker to see what color their eyes are to determine who their grandmother is, you may have fucked up
or how about when aang really understands katara -
*cue the last half of season 3 where aang either talks down to katara or the writers didn't think to put anything in to help the relationship*
*cue the movie having a scene where aang yells at katara that she doesn't understand why he's so desparate to get the staff*
yikes
guys. i don't know how to tell you this, but i don't think two white men still licking their wounds from when their first crush didn't work out a decade before they made their show was putting katara and aang together for progressive reasons. i'm glad you found a way to weave in a progressive reason, but stop giving bryke the credit where there isn't any
"The reason people don't ship Kataang is because of the kind of masculinity Aang represents."
I immediately stopped watching that TikTok when I heard that. Aang actually represents the classic hero, classic masculinity on the nice guy side. There's nothing different about him. The entire relationship with Katara was written from a misogynistic point of view to fulfill a childhood fantasy of Bryke's. A self-insert. There's no more classic masculinity than that. Just because Aang is a pacifist, vegetarian child doesn't mean he embodies a different kind of masculinity. You're analyzing the pure surface. It's astounding. Obviously, this opinion came from a man... Aang is such a pacifist that the show never confronts him with the potential problem of this viewpoint when facing Ozai by pulling a magic turtle out of a hat. He doesn't need to make any effort. He's a vegetarian but feels entitled to criticize the food of the Water Tribe or have bones read by Aunt Whu. He kisses Katara multiple times without her consent. He objectifies/idealizes her. He naturally expects her to reciprocate his feelings. He's excessively jealous. He doesn't understand her, as seen in the episode about his mother's killer, etc. Not to mention that he is constantly mothered by Katara, including in the new movie. If there are examples of different kinds of masculinity in this show, it's more Uncle Iroh and Zuko than Aang, honestly. Aang is an attempt at that, I won't deny it. But since he's essentially the self-insert of a complete opposite, the writing doesn't follow. And since Bryke obviously didn't really focus on characters like Iroh or Zuko, there are some truly different forms of masculinity here.
aang choosing katara over the avatar state being seen as a touching display of his love for her is honestly one of the most egregious misreadings of the source text that exists in atla fandom and i really wish this interpretation would stop being touted in support of kat.aang when it is anything but favourable to either the ship or aang himself as a character.
aang having to let go of katara isn’t — in fact, logically cannot be — about having to let go of love, because there is no mention of having to do the same for sokka, toph, appa or momo. and even if we make the caveat that pathik was referring only to romantic love, it still can’t be true because we know that previous avatars have loved and been loved romantically without issue. roku, kyoshi and kuruk all had romantic partners, so there is no reason aang cannot. then it follows that aang needing to let go of katara specifically can only be because what he feels for her is not love — true, pure, selfless love — but attachment. aang’s choice isn’t actually for katara at all; it’s a choice for himself, because he doesn’t want to let go of her.
there’s a reason that aang’s grief over the air nomads gets brought up in this same episode, because it is inextricably intertwined with both his feelings for katara and his role as the avatar. after all, it was his being the avatar that led to the fire nation’s attack; it was his abandonment of that role out of fear that caused him to survive instead of being slaughtered with the rest of his people. the weight of his responsibility, and his failure to meet it, is the weight of his grief, and he cannot accept the former without coming to terms with the latter. this is a large part of why aang has latched onto katara, as a crutch to avoid having to face not only the reality of his loss, but the reality of who he is, and why he has to let her go in order to master the avatar state, the embodiment of what he once ran from.
the narrative framing of the guru episode makes it clear that the audience is meant to view aang’s choice as the wrong one. there’s pathik’s ominous warning — aang intentionally concealing the truth about not having mastered the avatar state from toph and sokka — and even iroh’s advice about choosing love over power (which gets thrown around a lot to defend the narrative dropping this plotline later on) is notably given without iroh being aware of the actual nuance of aang’s situation. with knowledge of the full context, it’s highly likely that iroh (a proponent of meeting your destiny on your own terms) would have said something entirely different.
it’s also narratively inaccurate to attribute the choice of the avatar state to being the choice of power, just as it is to attribute the choice of katara to that of love. within aang’s arc and the set up of his character, the avatar state does not represent power but actualization: the manifestation of who he truly is, and must become. it’s the equivalent of aragorn taking up the crown of gondor, simba returning to pride rock — a staple of the classic hero’s journey, where the protagonist fulfills his goal by facing what he does not want to face and accepting who the story needs him to be. if we apply the Want vs Need paradigm here, then katara is the Want while the avatar state is the Need.
the same arc is mirrored with zuko in the book 2 finale, drawing upon the two characters’ relationships as narrative foils. both zuko and aang choose wrong — choose the Want — and pay the price. then comes sozin’s comet and the agni kai, and the conflict of love vs power returns again with katara as its lynchpin — but this time, when zuko leaps in front of azula’s lightning, we know it’s the right choice because the story has established the choice of katara as the Need, as the completion of zuko’s actualization as a character. in aang’s arc, the choice of katara represents divergence, leading him further away from his destiny; in zuko’s arc, it’s a convergence, the re-alignment of who he was with who he’s destined to be.
and if the show had followed through with what had been initially set up, this moment would have happened simultaneously with aang letting go of katara, making peace with his grief and so earning the avatar state on his own terms in his fight against ozai — completing the reverse triangulation of the CoD plot. but instead aang’s side of this story thread is dropped entirely, fracturing the narrative symmetry between him and zuko, and his own character development in the process. and so, despite how hard both the show and the fandom have attempted to retroactively justify it, aang choosing katara over the avatar state is less a grand romantic gesture and far more an example of one of the show’s biggest narrative failures and frustrating wasted potential.
Fanart for my FAVORITE Zutara fic called Delicate by @jasmine-tea-latte !! 500k words of Bridgerton x my favorite ship UGH I’m in heaven I had to draw them🥹

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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You love me, don't you?
richard gadd on jamie bell via bbc
Richard only felt big when petite Jamie is around
this is literally peak romance. to me.
I want Naill to be disgusting annoying perverted violent jealous despicable in despair lying worst of the worst at the bottom of the bottom rotten like a wound or roadkill want him to find men that remind him of Ruben and let them have their way with him only to think aftermath that Ruben would be better, he would smell better, move better, kiss better, apply both pressure and pain better. Give me longing give me stalking give me pining. Give me Niall who at the beginning will be like well, it's not stalking, cause it was easy to find information about Ruben (it was not, many steps had to be taken, he is just obsessive psycho), only to forget about his conscience later, and fully stalking Ruben like he is a little hound dog. Want him to be obsessive and possessive and delusional, thinking what ruben is doing right now, thinking what would he do in this or that situation, real and not situations, need Niall to replay and replay their shared memories and stares need him to see Ruben both in wet dreams and nightmares, yay. #myevilshow

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
the setting of half man is under discussed imo. im no expert in glasgow gothic but the show's scottish identity strikes me as important. glaswegians are some of the most ridiculed people in the english speaking world and particularly in the 80s/90s it was infamous for it's high rates in poverty and violence. that there's a prestige show airing on the bbc, showing the community in earnest, (that isn't a sitcom or a police procedural) is pretty notable by itself. coming from a similar background, i know that there are certain types of normalized crime that celebrate machismo, and so a lot of ruben's expression is informed and encouraged by the culture around him. as is niall's, it's really compelling to me that niall can't seem to conceptualise a life where he is openly gay and scottish, that his freedom hinges on emigration. and yes a big part of him wanting to move to oxford is to move away from his immediate circle of perception, but like i don't think it's a coincidence that the only openly gay man as of episode 3 is a brown immigrant. the gentrification involved in a shift from glasgow to oxford is a pretty sensitive area, that you can't have a scottish success story without settling down in england first. gay iconography, at least in early 90s britain, being associated with this kind of posh lifestyle that doesn't coincide with those in the estates, excludes glaswegians from a relatable queer identity. his ma's gay and his girlfriend's woke so there is literal proof under his roof that this is a life that's possible, but that the jury would like a thug more than a fag is a reflection of how homosexuality is viewed as an outsiders sport. i expect that when we see niall and ruben in contemporary scotland, there will be a reflection of how that mentality has drastically changed over the years and how queerness is recognisable across classes and counties. i don't know if this is something they'll ever tie together/make explicit in the text. but it's there. to me.
i just know the first time niall and ruben kiss, niall will make the most pathetic whimpers any near 40 year old man has ever made in their life and ruben will sound like he’s eating niall’s face.