pairing: Tywin Lannister x f!reader | wordcount 1.1k | ao3
summary: Tywin gets delivered fresh plums and is reminiscing about eating plums right under a tree or: Tywin remembers how he ate you out
warnings: explicit, mdni, no y/n, age gap (legal), sexting but make it letters (but not really), mentions of plums and plum consumption, plum being a cheeky metaphor, hinting at Tywin being a certified pussy plum eater, allusions to Tywin having eaten your pussy plum, one pussy pronoun, incorrect GoT lingo
a/n: I saw the pic of Tywin reading a letter and thought "he's sexting 7 Kingdoms style". my brain took that and ran. anyways, I want him bad. chat, is this anything? Thank you for the praise and the beta @sleeplessmidnight 💛
There sits a plate on his desk, three plums arranged on it, a small knife at the side, a folded piece of paper tucked between the fruits. His face twitches, faint but visible for those who know that Tywin Lannister is able to smile.
The plums are ripe, my Lord.
The ink is of a deep purple, just like the skins of the plums.
I plucked them off the tree myself.
The tree. Their tree. Tywin takes a plum from the plate, his thumb running along the seam, imagining you having done the same.
He smells it, inhales the sweet scent, presses the fruit against his lips. It feels smooth, warmed by his hand. Not quite like the plum you had let him taste back then.
Most loyal, your Lady from the orchards.
The orchards. A rare place, a curious one. One that seems to be untouched from war and hunger. Owned by an ally of the Lannisters. Some lord who makes his gold with apples and plums and pears. A man whose business is seeds and fruits and who ironically only sired one child, and a daughter at that.
The Lady from the orchards.
Without noticing Tywin licks along the seam, the tip of his tongue pushing through the skin and into the flesh without much resistance.
Sweet and tart, the juice running down his chin. Dripping onto the paper.
He sucks and slurps at the slit of the plum before finally taking a bite.
Dear Lady, Tywin's quill scratches over a square of parchment, send more plums, for I miss their taste. Take them from the tree under which you gave me the ripest of plums, for I want to taste it again.
Tywin pauses, scratching his chin and feeling the sticky juice spreading over his skin. Like the memories spreading in his mind.
The tree. As old as Tywin since it was planted the day of his birth in honor of the new child. 'Come, let me show you your tree,' you said and he had been annoyed. Could this dull girl not see that he was exhausted after months of mud and blood and war? Could she not fathom how he just wanted to rest for a week before returning to the frontlines?
You couldn't. Half his age and full of a good, calm life you just wanted to show the great Lord Tywin, the Old Lion, the Hand of the King his tree. And because he was hungry for colors that weren't mud-brown and blood red and you were sweet like honeyed wine, he agreed eventually.
His tree stood tall and proud, the branches laden with ample plums. It wasn't among the other trees but had its own, designated place, sunny, with rich soil, birdsong filling the air. A piece of quiet Tywin hadn't tasted in a long while.
'Help me, my Lord?' you chirped like the pert sparrows swarming the grounds, already climbing a rickety wooden ladder. Tywin saw it, the way your foot stepped onto the hem of your dress, the way you were so eager to pluck plums for him that you didn't care if you broke a bone in the process.
Swiftly he lashed out, his fingers digging into the backs of your thighs just when you slipped off the third rung. By the Seven, you felt as ample as the ripe fruits, smelled of grass and fresh cut apple slices. And you laughed as if you didn't just fall into the arms of Lord Tywin Lannister but of a common harvest hand.
The plums, pulled in halves by your fingers and offered in your palm, were the best he ever had. Carrying the warmth of the sun in their flesh, each piece felt like he ate a summer's day.
The ink on the quill has dried, so Tywin dips the tip back into the liquid, scratching more words onto the parchment: I will brook no delay. Send a whole crate.
He picks up the second plum from the plate, turning it, letting his fingers press against it, not hard enough to break the purple skin. Yours felt just as smooth under the pads of his fingers. The quill moves again, hastily now.
Bring your Lord his favorite plum.
The one you let him taste under the old tree, where the grass and your skin were painted with dapples of sunshine.
The one he couldn't believe you offered him, a weary and stern man with more silver than gold in his hair.
But days spent with walking beneath trees, with watching men and women alike filling crate after crate with fruits, with being just a lord among the smallfolk and not the Old Lion—it turned him into someone else. A man, who he last had been decades ago. When life was a little simpler and he still could accept small joys that came his way.
'You are leaving tomorrow, no?' you asked and sat down next to him. Tywin Lannister, sitting under a tree in the grass. Something so unheard of it had to stay a secret, right here in the shadow of his tree.
A plum, pulled in half and nestled in your outstretched hand, was offered to him. He took it—like he had so often the last days—and noticed your thumb. It was glistening with sweet plum juice and he thought about taking your hand, too. To suck your finger between his lips and lick the sweetness from your skin.
And so he did it.
And you let him.
And when he drew you closer you followed his wordless command.
Bring your Lord his favorite plum.
A plum, pulled open and nestled between your thighs, was offered to him. He took it, tasted it, heated flesh—warmed from a day out in the sun. The salt of your skin, candied with the ever present plum aroma, a delectable tartness. Summer in his nose and on his tongue.
There, under the canopy of leaves and purple plums, Tywin hid between your thighs and you shielded him with the excess of your skirts. Painted over his sighs with your own. Fed him.
Bring your Lord his favorite plum. I want to taste her again.
The quill stops moving again, the soft scratching on the parchment ceases. A raven would reach the orchards by tomorrow evening. More plums could be here by the end of the week.
Tywin breaks open the last plum from his plate and runs his thumb over the pit sitting in its center until it glistens like his fingers did that one afternoon.
You could be here by the end of the week. He licks his thumb and then his lips, picking up the quill again.
Your plum is ripe, my Lady.
comment or reblog for Tywin to ask for your plum and for never ending gratitude 😌💛
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Rules: Make a 24 hr poll with five of your favourite characters and tag five people or however many you want. See which character is everyone's favourite.
thank you for tagging me @nightswatchyaoi <3
(I'm doing this with a queer mommy twist, happy pride!)
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Please start that project you're thinking about. Post it anywhere you can. Let people see the art you can bring to the world. Please, I want to see it. Just type that first word. I believe in you!
Sex scene as character study is so good. What is your relationship to your body? What is your relationship to your partner? What lessons have you absorbed from the culture about yourself as a sexual being? How much do you have to trust someone before being comfortable with intimacy? What fears and insecurities come to the fore for you when you take your clothes off? It's so good.
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Discovering book-canon Roose is a delight. His freakiness pipe is so clogged (I'm not talking about the flesh pipe of freakiness, thank you very much), and I don't think it will unclog easily. Or that anybody would want that. Imagine Ramsay but smart and able to wait for gratification and good at planning. No, we don't want to unleash that.
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I just saw the ask about the Aerion fic and now I'm curious, do you have any tips on how to write horror?
Sure! I'm happy to take a run at this. This will be long, so I'm placing beneath a cut.
I think in order to write horror you need to first have a good understanding of it as a genre - read horror novels. Not just Stephen King or Anne Rice, though they are extremely important, but branch out into the beginnings of horror in classic literature (Frankenstein, Dracula, Carmilla, Dr. Jekyll and Mr. Hyde, etc.) and explore what lesser known horror writers have to offer too (Lucy Rose, Eliza Clark, Moira Fowley, Stephen Graham Jones, etc.). Watch horror films, of all sub genres and time periods. Understanding the genre inside and out helps you to get comfortable with what your preferences are and where your strengths lie when it comes to writing. I tend to pull towards folk and gothic horror, and find that I write both quite well because of this.
Horror isn't necessarily about "the scary thing", it's more about each individual's experience of it and how they react to it. If you don't take the time to flesh out your characters then their reactions aren't believable and your premise loses all of its weight - horror is something that's internal rather than external.
Also, image isn't everything - what translates well on screen won't necessarily jump off the page. I think that's why a lot of Stephen King adaptations are absolute dogshit. The description of the leper that Stan sees in the book is infinitely more terrifying than it is on screen, and that's not because the book does a better job of portraying this horrifying image beyond all comprehension. It's because the written descriptions of the sounds, smells, movements and the description of Stan's reaction to it send literal chills along your spine. No on screen depiction could ever match what your imagination conjures when you're reading such well written prose.
Horror works best when it has an emotional core - every great horror story is rooted in one (the creature's desire for human connection in Frankenstein, the affection that Mina, Jonathan, Dr. Van Helsing, etc. have for one another in Dracula, Piper and Andy's complicated step sibling relationship in Bring Her Back) - if there's no love, no care, then there's nothing at stake.
Don't be afraid to be different with tropes, but don't be transgressive for the sake it. Not everything needs shock value or to have a huge twist, sometimes the simplest of things can be creepy. Here is a quick example I've written, so you can see what I mean:
"Don't feed it. It'll come back."
I laughed when she first said that -- utter nonsense. It was hungry, I would give it food and it would go away, and it did. Until the next night. I'm not laughing now.
I thought if I ignored it, it would give up, find another human's doorway to darken, but it discovered an open window and slipped inside, all lithe shadows and silent footsteps. I set what was left of last night's tuna upon the porch and watched it rend flesh from bone with a mouth full of teeth sharp as dagger points, then I made sure all of the windows were closed.
I hear its call in the middle of the night, a violent, ugly thing that's warbled out upon vocal chords that sound almost strangled. It tears through the darkness like a warning; "I'll come back".
I wonder what will happen when it does come back, when it realises I have nothing left to feed it, when it realises that my flesh can be chewed from the bone when a mouth full of teeth sharp as daggers close around it.
You've just read a short story about a stray cat from the perspective of someone who has never seen one before lol