Yeah, sorry, this is a Star Wars blog now. Night_Fury on AO3, author of the Shoulder the Sky series. Aggressively Pro-Jedi. Fantastic icon is drawn by @wolfspider-appreciation.
Folks, if you've enjoyed shoulder the sky, I hope you'll take a moment to give this a read.
I live on Oahu, in Hawaii, and between March 9 to March 23, two Kona low storm systems slammed into the islands. Oahu's North Shore got hit particularly hard. Residents had to be rescued by bulldozer; the town of Haleiwa was completely cut off by floodwaters. It's a testament to the strength of the community and the first responders on the ground that no one died. I got lucky, only a few possessions of mine got damaged, but I have friends up there who have lost everything.
I was up in Waialua this weekend assisting with clean-up and supply distribution, and while a lot of places are donating materials, the need is just so great- we ran out of diapers larger than a size 3 within the first hour. If you have a few bucks to spare, please consider donating to one of the following organizations who are doing good work on Oahu and the other islands to help communities recover.
Aloha United Way supports disaster response and recovery efforts for individuals and families, as well as nonprofit organizations serving on the front lines.
The Hawaii Agricultural Foundation has launched a relief effort with the Hawaii Farm Bureau Federation to support farmers impacted by the Kona low storms and provide resources for recovery and rebuilding.
The Hawaii Food Bank is holding emergency food distributions for flood-impacted residents across Oahu.
The Hawaii Workers Center prioritizes support for those considered part of Hawaii's working poor, including recent immigrants, low-wage workers, and survivors of labor trafficking.
The Hawaiian Council is matching every donation, dollar for dollar, up to $100,000, doubling the resources available for relief and recovery efforts.
You can find more information about the storms and more places to donate at Hawaii News Now and Honolulu Civil Beat. Mahalo nui!
(Also, as a thank you, if you donate and send me a screenshot of the receipt, I'll write you a lil Star Wars something of your choosing! Minimum 100 words per dollar, but probably longer if I feel inspired- y'all know my word count problems by now.)
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47 more free and helpful things, that everyone can take advantage of
Music
Gnoosic is your place go for new music recommendations. It asks for three of your favourite bands, and based on them, spits out an artist that you might like. You can also “like”, “dislike”, or mark it as something you aren’t familiar with – which further refines the results.
NoCopyrightSounds is a copyright free / stream safe record label, providing free to use music to the content creator community. NCS Music is free to use for independent Creators and their UGC (User Generated Content) on YouTube & Twitch - always remember to credit the Artist, track and NCS and link back to our original NCS upload.
Radio Garden take a trip 'round the world's airwaves! Just pick a city — literally any city — and Radio Garden will play you whatever its local radio station is broadcasting.
Radiooooo Radio Garden walked so Radiooooo could run. This site adds a timeline function so you can listen to radio from not just anywhere, but anywhen. Get down to those 1910s Germany bops!
Art
Krita free and open-source raster graphics editor designed primarily for digital painting and 2D animation.It is made by artists that want to see affordable art tools for everyone. It runs on Windows, macOS, Linux, Android and Chrome OS
29a.ch interactive site that lets you color what looks to be a map of the cosmos, but I'm honestly not sure. Whatever it is, it's mesmerizing.
Games
Patatap is an interactive website that responds to the keys on your keyboard with a sound and a brief animation. Now imagine hammering in entire sentences – and you got an explosion of sounds, colors, and movement! Once you start typing in random paragraphs, it becomes almost hypnotic, in a way.
Drench a very simple browser game, Drench gives you a board with different colored tiles, and you use the buttons to flip the colors around. Do this until your board is full of tiles of a single color only.
River Styx an interactive point-and-click game that takes you through the river Styx and the Underworld. You will meet many Greek Gods and Goddesses here, and you will also be learning a lot about their myths and legends.
2048 this website lets you play a game called 2048, which is kinda like Tetris but with addition. Use your arrow keys to try to combine numbers until you reach 2048, or go ~beyond~ and try to reach 4096.
Little Alchemy 2 fun little time killer. As its name suggests, the website deals with the process of transformation you achieve when you start mixing different things. You start with Earth, Fire, Water, and Air. The goal is to create as many different materials or objects as possible. For example, earth and air will form dust. There are no rules just mix and match your creations to create new ones. You will not even know where your time went.
Akinator website is magic or rather feels like one. You can think of any character in this entire world and through a series of question, it will deduce the name. Don’t believe me, go try for yourself.
Find the Invisible Cow You’re going to want to make sure your sound is on in this fun finding game! Find the invisible cow in this laugh out loud version of hot and cold.
CookieClicker How fast can you click for cookies? Level up and become a cookie pro with this fun time-wasting website!
Knowledge
Zooniverse A really neat website that brings people together to create one of the largest platforms for people-powered research. Volunteers come together to assist professional researchers. There is no need for a specialised background or training; all you have to do is to answer simple questions.
Cool Hunting is a really cool publication platform that uncovers the latest in design, technology, style, travel, art and culture. If you are into art, architecture, and culture, then this website is perfect for you.
OCEARCH Shark Tracker This one looks right on the money for the folks who can’t get enough of sharks! With OCEARCH Shark Tracker, you can keep a track of tagged sharks as they are busy swimming around the deep ocean. Moreover, the website also lets you zoom in on a particular location to check where sharks have been swimming for the past year.
Ad Astra-app An essential tool for every astronomer. The star atlas and skyguide that makes it really easy to pick the best objects, make your own observation list and use it when you are outside
100,000 Stars is one of the most beautiful things I have ever seen on the web. It shows a representation of galaxy with stars inside it. You can take a tour which starts from the Sun and takes you to the outer edges of the galaxy while teaching you valuable insights in between.
wikiHow is an online wiki-style publication featuring how-to articles on a variety of topics. For example: How to make ginger ale, How change a lock or How to survive an encounter with an ostrich.
Cooking
Cooking for Engineers is a godsend for those who love to cook. This website has it all, from recipes, to kitchen gear, to cooking tests, down to a handy dictionary. The best part about this website is its classic 90’s layout, which makes accessing the recipes and files intuitive and easier.
My Fridge Food at this point, your fridge probs has, like, three random items in it, and you're starting to panic about meal options. Enter My Fridge Food, which inputs everything you have in your kitchen and outputs a recipe. Bless.
Work, or relax
Da Font Tired of your basic Times New Roman? You can spend hours downloading new fonts from typography artists to spice up your new document!
A Soft Murmur If you’re looking to create your own ambient background music to listen to while you work or read, A Soft Murmur is the fun website for you! Create your own mix of white noise and other natural sounds to relax and waste some time.
Rainy Mood Get all the benefits of rain without getting caught in it with Rainy Mood! This is perfect for setting a relaxed and chilled out mood.
I Waste So Much Time The website is designed to literally allow you to waste your time. There are no long articles, just funny pictures with embedded texts. A very good time waster for short breaks.
This Is My Website Now The website truly kills your time. It is just a collection of small games which you can play on your browser. Effective for less than 10 minutes of usage, it’s good for a short break.
Instructables If you’ve always wanted to learn how to DIY but didn’t know where to start, try Instructables. They have community posts with step-by-step instructions to help you become a DIY master in no time.
OBS Open Broadcaster Software is free and open source software for video recording and live streaming. Stream to Twitch, YouTube and many other providers. only downside to it is that you have a power director watermark in the corner of your video, but its not very large.
Sleepytime is your sleeping schedule out of whack? This fun website calculates exactly when you need to go to sleep and wake up in order to get a good night’s sleep.
Boredom
MapCrunch Go on an adventure without leaving your home — because you can't! This site plops you down in a random location on the globe, and all that's left to do is explore.
List of Conspiracy Theories Get sucked down the dark rabbit hole of the internet that will have you denying history and wearing tinfoil hats. Wikipedia’s list of conspiracy theories will have you scrolling for ages!
This Person Does Not Exist If AI and deep-fakes fascinate you, this is a website that will either make you very excited, or give you nightmares about whether ‘The Matrix’ is real, and if you, at some point in your life, took the blue pill instead of the red one. Either way, the website generates fake people using GAN (or generative adversarial networks), and displays them to you. You can refresh the page to see a different face. Also, if this interests you, you might also like:
This Cat Does Not Exist. You know, because why stare at human faces when you can look at cats instead.
The Useless Web Want to see what the Internet truly has to offer? Take a peek at The Useless Web to see what truly is out there.
Not Always Right Had a bad day at work? Did that one annoying, pesky customer or client who just wouldn’t shut up tried to give you a hard time, and succeeded? Then this website is just perfect for you! It’s a collection of stories about customers who just don’t know when to shut up.
Zoom Quilt If you're looking to be hypnotized, then check out this site, which is basically a picture that infinitely zooms in to reveal new pictures.
Just for fun
Tickld is your go-to spot for anything humorous and funny, for anything that’s really cool and interesting, or stuff that’s just plain WTF.
Paper Toilet Just because stores are sold out of toilet paper doesn't mean you have to live without. This site features some interactive TP that you can roll up or down.
The Passive-Aggressive Password Machine Type a password (real or fake) into this site and it'll shade you for how much it sucks.
CoolThings is a collection of cool things. From entertainment, to gadgets, to even toys and inventions, there is bound to be something here that will interest you.
This Is Why I Am Broke This is a great website for discovering new gift ideas which are distinct. The products range from a few dollars to a few thousand. There’s something for everyone here.
PostSecret is a very interesting website. Visitors are encouraged to send in anonymous postcards on which they write their secrets. There are all sorts of secrets on all kinds of postcards, and the variations make this a really interesting project. However, be warned – these secrets are very real… and very heavy.
NOIYS – Post, read, forget is a place to post an anonymous note to be viewed by many people, only to be deleted within 24 hours. It’s the perfect website for venting anonymously and not worry about the consequences, as it will be deleted within a day. The best part (or maybe worst) is that strangers can reply to your note, too. That way, you can have a running conversation with a complete stranger.
Scream Into the Void Take your outrage about our current situation (or any problem in your life) and throw it into the void. Just type out your feels and then click the "Scream" button, which does exactly what you think it does.
And lastly...
Dildo Generator Welcome, good citizens of the web, to my favorite site of all time. It's right in the name: You can generate a custom dildo by length, width, base, contours, and so many more variables. Things get wild pretty fast.
Eyebleach Did you see something on the internet that was just too scary? Or just need to get it out of your head? Click on Eyebleach to be fed adorable pictures of puppies, kitties, or babies!
Everything I read about recovering from burnout is like “it takes months or even years to fully recover” and it’s like okay…. I have a weekend before I gotta clock in on Monday
"what if the creative self-expression IS the burnout though?"
I had to deal with this recently after years of labouring on a manuscript and stressing about criticism and backlash (because writers get loads of negative attention now) and had to basically drop this project and not write for several weeks because that was causing the burnout.
I floundered for a while.
I figured making things with my hands was probably good. As was learning things and exploring new stories by watching movies I'd never seen before, learning about parts of movie history I had never known--found some really good documentaries on exploitation films, 80s horror, nudity and censorship in film, drive-ins--and generally just trying to take a vacation from my profession--which, I realise now, I have never done before in all my 20+ years of writing.
I think the solution to burnout is a vacation. A real vacation. A leave-your-phone-behind, don't-post-about-it vacation. Even a weekend would help. If you can go somewhere else for a weekend, do it. If you can't, well, put your phone away and go to the movies, or just watch an old movie at home. If you can walk, go on a walk around your neighbourhood and explore like you might have if you were a kid. Ride bikes. Roll in the grass at a park. Go to the thrift store and find something you can fix up or decorate and make it yours--we found a little bookcase and painted stripes on it and now it holds all our board games, as an example. If you have a yard, go mess around with it. If you don't, find some containers and put dirt and flower seeds in them--even dandelion seeds, which are free and everywhere! Draw on the wallpaper with sharpies, or get some acrylic paint from the craft store and paint an old bedsheet and hang it up if you rent.
Engage with the world that materially exists and do something that only benefits you, that only you know about--don't post about it! Try not posting about your life for a while, not scrolling. Put the phone down and change your environment a little.
I started really throwing myself into this lately, and it helps.
I think burnout is talked about like some big scary monster that can't be solved by regular people suffering it (because who the fuck has the money to do nothing for YEARS on end???). But I truly think burnout is just what happens when you don't take a vacation regularly.
You don't need a lot of money to take a vacation, you can do it with your regular days off. My mom used to take us on random vacations on weekends. She didn't know where we were going, we just started driving and she would keep turning toward things that were interesting to look at, until we were in Solvang or Idyllwild or somewhere and she would see a neat little motel and we'd stop and stay there for saturday night, and on sunday we'd wander around and go places that looked interesting in that little spot, and then go back home. This was back when gas and motels were a lil cheaper, but the idea is you don't have to plan a vacation and it doesn't have to be very long to be good and fun.
Shake out of your routine of drudgery and play. That, in my opinion, is the solution to burnout. Play. Humans are not meant to live lives without recess.
posting this with every artist tag i can think of, even if you dont do crochet, PLEASE TAKE RESTS FOR YOUR HANDS!!! no matter what medium artist you are, take care of your articulations
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Revolting little machine I hope someone guy fawkeses you too.
(Context: was trying to find the text of a version of the Guy Fawkes poem which ends 'are we glad that they stopped him or not?' Was not expecting this thing to run defence for the UK parliament 400 years ago)
Btw, if you ever wanted an indicator of the ideological censorship that now exists, and how pervasive it has become? The poem I was looking for, with its implication that maybe it might not have been a bad thing to blow up parliament way back when, was published in a children's book two decades ago. Without incident. Now I can't even SEARCH for that poem without receiving a telling off for its contents.
reading a historical romance novel and reflecting on the way these stories often present woke nobility for the contemporary reader. a big thing is servants. you can’t not have servants in those times but many modern readers think “but I would never have servants. it would be so weird to have servants” and in order to make the protagonists of the story more relatable they are actually friends with the servants. but flip your perspective and think of it from the side of the servants. wouldn’t it be so awful if your boss was always trying to be friends with you. a really common thing you’ll see is the woke baronet having tea in the kitchen with the servants bc he’s not like other baronets. but what if your boss wanted to hang out and talk during your lunch break every day. not so charming when you think about it that way
#okay but now what is the optimal way to be a good boss in this situation i genuinely wanna know#its easy to guess what makes a bad boss or a mid boss. but what is a good boss#specifically in such a highly structured hierarchal situation (via @rainbowroach)
HELLO you are asking questions that literature and poetry THROUGHOUT the middle ages has asked, and it is from this questioning that we derive things like the Codes of Chivalry (which is not "how to treat a noble lady really nice" but is actually "how to be an ethical person when you're rich and you own a horse" and includes such things as "don't run people over with your horse")
In fact I daresay you already know instinctively just from cultural osmosis what a good boss -- a good liege lord -- is and does based on the tropes that have survived to the current day and the kinds of things that get Hugely Praised in things like legends of King Arthur.
A good boss (liege lord) is:
Merciful. He is not having his peasants killed for things like poaching rabbits during a famine. In fact, he is working to mitigate famine. During times of individual hardship, he might negotiate with a peasant for a payment plan on their annual rent.
Patient. He is not impulsive, he does not lose his temper.
Prudent. He makes choices that are thoughtful, considered, conservative (in the sense of not needlessly risky--he's not investing his entire fortune in having everyone plant an unproven crop). He is making sure local infrastructure like roads and public buildings are maintained and kept in good nick.
Gentle. He doesn't haul off and slap a servant or a tenant for breaking a dish or making a mistake. He doesn't abuse animals, his wife or children, or his employees. He doesn't rape the servants.
Generous (both in money and in spirit). He is not extorting the peasants for an amount of rent that is beyond their means, he is not raising taxes every year to cover his own lavish lifestyle. He is paying his servants a living wage (or, if wages are low, he's giving them room/board/clothing to make up the difference). If someone in a tenant's family dies, the lord is sending a gift of condolence, or helping to pay for the funeral, or possibly even ATTENDING the funeral and speaking a few kind words about the deceased, ESPECIALLY if they were a really upstanding and important member of the community. If one of his tenants is gravely sick, the lord is sending a basket of food or paying for a doctor. He is giving charitably (generally this will be, like, a bequest to the church so that they can run a hospital or an orphanage or a school for the local village children).
Pious. This classically means "goes to church, submits with humility to God" but to me this quality is subtextually standing in for "maintaining an ongoing sense of Perspective that HE'S not god, that there are higher powers he is Accountable to, that he too can be Judged, etc, so that he doesn't end up going on a weird fucked up power trip"
Humble. One of the most admiring things you hear about a lord doing in literature and epic poetry is, "He ate off of wooden plates while his followers ate off of gold and silver." Humility isn't about being meek, it's just about not thinking so much of yourself that you turn your nose up and sneer at what "lesser" people do. In other words: Don't be a fucking diva. If your carriage gets stuck in the mud, climb out and help everybody else push, you're not gonna die from getting mud on your shoes.
Condescending. This word has changed wildly in meaning/tone over the last couple centuries -- it's now a rude thing to do (because we've done away with legal social hierarchies, so someone acting like they're lowering themselves to your level IS insulting), but in older times, a high-ranking person "condescending" to a servant was worthy of praise and admiration: it means they were setting aside rank and privilege to speak to them with the easygoing, friendly respect and compassion they'd give a peer. This is things like... Treats those beneath him with courtesy and respect (ie: listens soberly and attentively when one of his servants or tenants comes to complain about a problem). Having a sense of humor and kindness about it when the lord and a servant both come around a corner at the same time and run into each other and the servant gets knocked to the ground and starts babbling apologies--the condescending (positive) lord helps them to their feet with his own hands and cracks a joke to show them that it's ok (as opposed to just walking off without a word or insulting/scolding them). This is also things like trusting a farmer, woodcutter, or artisan to speak with expertise about their own livelihood and taking their advice into consideration if they tell the lord that one of his ideas won't work.
Good boundaries. The ethical liege lord knows that it's normal for the staff to probably be softly bitching about him in private (even with a really good boss, we all grumble from time to time). He's not eavesdropping on them, he's not going into the staff areas where they should reasonably expect to have a degree of privacy, etc.
Righteous and protective of "the weak". The "weak" here doesn't necessarily mean physically weak, this is often used in the sense of someone politically or socially weak, aka The Marginalized -- the poor, the disabled, women, children, the elderly, etc. If a lord sees someone like this being mistreated or abused, he's supposed to step in and put a stop to that.
Committed to reciprocity. In a highly hierarchical system like feudalism, every person (from the lowest peasant all the way up to the crown prince) legally OWES their liege lord certain things (taxes, labor, service, loyalty, etc). A good liege remembers and takes very seriously the idea that this should be a balanced and reciprocal relationship -- in other words, he owes something BACK. Feudalism is modeled very strongly on the family system: If children owe their parents obedience and service, then parents owe their children care and protection. This still applies when the "child" is a farmer and the "parent" is a local baron. Or when the "child" is a duke and the "parent" is the king.
Basically, we get so caught up in the aesthetics of nobility that we forget that it literally is a managerial position that comes with responsibilities that were... very similar back in the day to the same ones we have now. Humans have not changed all that much. At the end of the day, a really good boss in the 1400s versus in one from the 2020s displays most of the same qualities of personality, even if the details of execution are different.
The next question is, of course, "well, but this theoretical liege lord is HIGHLY idealized -- how often did that actually HAPPEN? Wasn't it more likely that everyone was exploited all the time?" and to that I say: Well, maybe. But again, I don't think humans have changed all that much. Just like the bosses of today, there's a SPECTRUM: A really really good boss is rare and precious and one that you tell stories about for years after you've left that job, but a truly, genuinely, homicidally nightmarish boss is also pretty rare. Most bosses are sort of meh -- they have their good moments, they have their shitty moments, but they're tolerable and you can get along with them well enough to do your job, and then you roll your eyes at them behind their back. Generally, humans don't take outright exploitation lying down. Being a bad boss in the historical period is how you get peasant uprisings and revolts, and you know that to be true because your parents raised you with that knowledge, so unless you are very stupid or inbred or an egomaniac, there is literal personal incentive to at minimum be a Tolerable liege lord. And that means hitting at least SOME of the above bullet points.
TL;DR: In the words of Honore de Balzac, "Everything I have just told you can be summarized by an old word: noblesse oblige!"
(for more discussions of the ethics of fealty and what it means to be a good boss when you are an exquisitely beautiful twink of a prince with a hot beefy bodyguard.... [fingerguns] read A Taste of Gold and Iron)
The rule could have heavy impacts towards trans people across society.
Last week, the Trump administration quietly released a sweeping new federal rule that would use funding threats to force institutions across the country to reject transgender people. The 400-page proposed regulation would codify the administration's anti-trans executive orders into binding federal policy, imposing a blanket prohibition on federal funds going toward "gender ideology"
The proposed rule, formally titled "Regulation for Federal Financial Assistance," rewrites the government-wide framework governing all federal grants across every agency. Among its most consequential provisions, it requires that before a federal grant recipient can receive money, the award must pass a "pre-issuance review" conducted by a political appointee—not a career expert or peer reviewer—to ensure it is "consistent with applicable law, Federal agency priorities, and the national interest." The regulation explicitly instructs these appointees to screen for "denial by the recipient of the sex binary in humans or the notion that sex is a chosen or mutable characteristic." [...] An institution that acknowledges transgender people exist—through its policies, its training, its healthcare, its bathroom access, its HR procedures, its name-change processes—could be deemed to "deny the sex binary" or to “support the notion that sex is mutable” and have its federal funding blocked.
Importantly, the gender ideology prohibition has no age limitation—hospitals could be targeted not just for providing care to minors but for providing gender-affirming care to adults, because prescribing hormone therapy to a transgender patient of any age could be deemed promoting the belief that "sex is a chosen or mutable characteristic."
This is all very bad and horrible, but I want to be clear that it’s worse and more sweeping than just eliminating trans research.
This torches everything. And I do mean everything.
A very abbreviated list of its ramifications include (but are not limited to):
ending funding for ALL DEI related initiatives
allowing the government to terminate grants at any point for any reason
preventing researchers from publishing, going to conferences, and being part of academic societies
requiring that topics must support the president’s agenda.
What this means, and if anything I’m under selling it, is the death of science and research in America. It allows the government to restrict any topic they please at a whims notice, putting officials who have no background in the topic in charge of deciding funding continuity. It controls what gets researched and if/how researchers are allowed to share their discoveries. There are no books to burn if the government never allows them to be written. This is fascism plain and simple.
Please, if you only ever write one public comment, this is the one to do.
Bringing back this guide to writing an effective public comment. This gives you the basics you need to know, what you need to include, a basic outline you can follow, etc.
Public comments are not a vote, it is a chance for you to say "here is an issue with this law I think you need to address" and provide justification for legal challenges if it goes forward:
"Comments raise the bar that agencies have to meet when making a rule; “if an agency fails to adequately respond to significant, relevant comments in a final rule, members of the public may seek to challenge the rule in court on that basis and claim it could be struck down.ˮ"
But also, if possible, don't stop at writing a comment. Don't stop at calling your representatives. You should ideally be talking to people in your community about this and organizing resistance on-the-ground; there is a good chance people are already doing that even if you aren't hearing about it.
Some added 101-level context from someone (me) who’s worked in federal grantmaking for 20 years and is literally certified on this document - this is a document that governs all federal grantmaking. It’s been around for over a decade and is a mega-document that combine multiple previous smaller documents that have been around for ages. It is updated every few years and generally the updates are minor - a notable change in the previous update was raising the small procurement threshold from $10,000 to $15,000 for example. Deeply dry boring minutiae that no one outside of federal grantmakers need concern themselves with. It was also federal GUIDELINES, which means there was flexibility.
This year’s is different. They are now federal REQUIREMENTS, which means there’s no flexibility. As was said previously, the 400 pages are not singularly devoted to being absolute shitheads to trans people. Theres a lot of stuff in there, some of which is the standard dry boring grants stuff, some of which is the horrible ideological warfare outlined above.
This document is issued by the OMB, the Office of Management and Budget, which is currently lead by fucking Russell Vought, the principal architect of Project 2025. This is how they’re going to implement all the horrible shit in there that wasn’t covered by Executive Order. Russell Vought is actively coming for my job, my marriage, and my kid, and most of my friends lost their jobs last year because of him. He is the fucking arch villain behind the heinous shit the current regime is doing.
So yes, please comment. You don’t have to read all 400 pages before doing so, it’s dry and dense as fuck, but I thought this information might be helpful. Also, while there is a public comment period, this isn’t voted on by Congress. The OMB just fucking issues it. Pressuring your elected officials into publicly saying “hey what the fuck are you doing here” is good, though.
Please note the comment period is open through JULY 13th, not JUNE 13th. I saw a lot of relogs yesterday saying "last day!" and I just want to say it is very much not too late.
As of today, 7/8/26, we have five days for public commentary on this to go through. I am begging y'all: if you care about independent science in the country that produces the most global science funding in the world, please leave a comment.
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Sorry it took me so long to get this out, but in my defense, life lifed and I have exactly zero restraint when it comes to word count. Oops. Thank you @scarletclarinet for your donation to Aloha United Way - I hope you enjoy part 1, part 2 will be coming shortly!
The plane comes on the seventh day.
Zylon is a mining planet. Barren, stripped to the core, and abandoned until satellites in orbit around a nearby planet had picked up distortions in seismic data. Preliminary investigations had uncovered a renewed Separatist presence on the deserted ground. The 212th-- scheduled leave and the accompanying resupply having been suspended once again-- had been deployed to investigate.
A scouting mission. Determine and destroy. Fine. But the suspended resupply had been desperately needed. They had no air support. No surveillance drones. Why send them on a reconnaissance mission without reconnaissance equipment?
But their protests go unheard by the Senate. Surveillance drones-- from the Senate's point of view, the 212th had plenty. What else was a clone, really, if not a drone with legs?
So. Zylon it is.
Cody knows this is going to be a shitshow from the beginning. He knows it when the orders come in. He knows it when the leave gets cancelled. He knows it when their resupply is cancelled next-- because oh, he knows what "suspended" means when it comes to the 212th, even barely two months in; if he didn't know better, he'd think the Chancellor's trying to kill them off.
But he really knows it when General Kenobi's expression empties out as soon he jumps down from the gunship.
Kenobi's face is never empty. Quiet, sure. Calm. Controlled. But there's always something dancing behind his eyes, even when the rest of his expression is wholly and utterly motionless. He smiles easily, too, for all of them (and the treacherous little voice in the back of his mind that keeps count notes that he smiles for you most of all), and the fierce brightness in his face that Cody glimpses in the thick of battle makes his blood sing. But this awful emptiness...
He dares to touch a hand to Kenobi's arm-- the palm against the elbow, fingers curled against his forearm. A gentle pressure, because Kenobi is set apart, but Cody has begun to notice the way he sways into every absent-minded touch.
"Sir?"
There. A blink. A resettling. The blank eyes clear; the thin-lipped emptiness twists into a rueful grin. "Dead earth," Kenobi says, and scuffs a heel against the dusty ground. "Apologies, Commander. It's starving."
Cody does not like the sound of that, and says so.
Kenobi laughs. Cody preens.
"Hungry in the Force, I mean," he says. "It wants energy. Poor thing. It's been drained completely."
Only his General, Cody thinks helplessly, would call an entire planet poor thing.
But. Nothing to be done about it.
The ground is scarred with narrow canyons as far as the eye can see. They split into groups and trudge single file along the remains of the strip-mining operations, searching in vain for any indication of activity. They traverse the cramped and dim tunnels that intersect the gorges, empty apart from metal scaffolding that's free from rust and gleaming brightly enough to make the hair on the back of Cody's neck rise.
The dust gets everywhere.
No rain has fallen here in decades, and in the absence of living roots, erosion has taken its toll. Every step sends up a puff of dried dirt. Every man's armor soon becomes indistinguishable, coated in the same dull and rusty brown. It sneaks through the seals and itches under their blacks. It gets in hair and under nails and between teeth. The sky above remains a clear and disorienting blue, and Cody watches for smoke-- pollution or presence, he would take either-- to no avail.
For six days, no one fires a shot. There's not another living soul to be found.
On the sixth night, the battalion regathers. Tents are pitched on a wide stretch of open plateau; one of the rare spaces left where more than two men can walk abreast. The vast stretch of space sets Cody's teeth on edge-- visibility goes both ways, after all-- but it's either here or in a valley, and the only thing worse than an ambush is an ambush from above. The canyons around them have already been cleared; a retreat, if necessary, can be managed quickly. At least here, they will meet their enemies on an even footing.
No campfires burn. There is no wood to be found. But Terror and his perpetually terrified rotation of secondaries can work wonders, and they have warm food for latemeal. Cody eats next to Kenobi, the two of them bumping knees on the crowded ground around one of their solar-powered burners amid the low and cheerful chattering of their men.
He tumbles into his cot with a smile on his face and is asleep in an instant.
Waking comes suddenly.
Cody squints into his pillow, rolls over, blinks at the ceiling-- then sits up abruptly, staring into the darkness of the tent.
What is it?
Where?
Were it time for him to be up, he would hear quiet churning outside, and see the shadows of footsteps crossing in front of the flap-- but there is nothing so obvious that draws his attention, and for a long moment he cannot identify what had drawn him so abruptly out of sleep.
Then he glances to his left, and realizes that Kenobi's cot is still neatly made.
Not only are the blankets tucked and folded-- Kenobi is the type of man to take that time, after all-- but they do not appear the slightest bit wrinkled.
Had he ever returned to the tent, after latemeal?
Cody has gotten used to the noise of breathing other than his own. The quiet pricks at his spine, and with a sigh, he swings his legs over the edge of the cot and stands.
It's not that he doesn't trust Kenobi. He does. It's just--
(He walks among them like he is one of them. He knows their names before he learns their ranks. His hands have been blood-soaked since the day they'd met. He is not careless with anyone's lives but his own. He is not just someone Cody likes, he is someone Cody does not want to lose--)
He forgets he has people watching his back sometimes, that's all. Cody occasionally needs to remind him.
He finds Kenobi seated cross-legged about a hundred feet past the troopers on watch.
Cody stands behind him for a long moment. Watching him watching the dark.
Then he clears his throat. He's under no illusion that he'd approached undetected, but Kenobi does him the favor of waiting to acknowledge him until Cody announces himself.
"Sir."
"Commander," Kenobi says. His head tilts back, his eyes meet Cody's-- and then he smiles, a flash of white teeth against the encroaching night, and pats the ground next to him. "Couldn't sleep?"
"Not when a superior office was missing, sir," Cody says drily, and settles next to him.
The camp behind them is full of the crowded silence that emerges alongside a mass of sleeping people. Burps, snores, snorts, murmurs, jabbed elbows, the occasional muffled laugh-- none loud enough to be heard on their own, but all together accumulate into a snow-like layer draped across the tents. Wholly comforting, in its own way.
But beyond them, in the dark, the silence is absolute.
Dead and vast and hungry.
(It's starving, he'd said. Poor thing.)
"I don't like this much," Cody confesses quietly.
Again, a sudden flash of a smile--
"No," Kenobi agrees. "Me neither."
"What's the objective?"
Kenobi sucks at his teeth, drums his fingers against the ground--
"We're pulling out when it's light."
That is not what Cody had expected him to say.
"New orders from the Senate?"
"No. There is something deeply wrong with this place. I thought at first my sight was just obscured, but I went down into the tunnels earlier--"
"Sir," Cody says, exasperated, but Kenobi waves him off--
"-- and there was no activity stirring the earth. None. Only all of you, breathing above me. Whatever that report said, right now we are on an empty planet. If the Senate wants more details, then they can equip us with proper aerial support. We're too vulnerable to bombardment as it is. I'll take whatever lashing they see fit to hand out."
Above them, the sky begins to lighten. The deep, uninterrupted black yields to the very deepest purple at the edge of the horizon.
Cody considers going back to bed. By his estimate, he has another hour and a half until he well and truly must be up-- to coordinate departure, and he swallows back the bubbling relief-- and he should know better than to waste an opportunity for sleep. But the thought of returning to an empty, silent tent makes his stomach twist uncomfortably, and he's sat in less comfortable places.
Not many. But still.
The sky is... kind of pretty, he guesses. Kenobi's watching it too, bright eyes narrowed.
Then Cody hears it, and lurches to his feet.
The low, distant drone of an incoming plane.
Sound precedes appearance. It takes a few moments more for the plane to become visible, streaking just ahead of the lightening horizon. Cody jams his bucket on, watches the visual interface light up; the targeting software locks on, centers the plane for a closer view--
One, two, three seconds for him to notice the peculiarly rounded belly.
Four, five, six seconds for him to realize what it means.
The neutron bomb had been outlawed over two centuries ago. It used the molecular make-up of a planet's atmosphere as raw matter to generate a self-replicating reaction. Once triggered, the detonation would multiply at an exponential rate until it had consumed all organic matter available to it, at which point it would neatly self-extinguish. All organic lifeforms would be reduced to steaming puddles- if not evaporated completely- and all non-organic infrastructure would be left intact. Give it a few centuries for the radiation to die down to treatable levels, and the neutron bomb became a perfect tool for aspiring planetary empires who wanted a tidy little solution to the people in the way.
Detonation was tricky. Portable fusion reactors were famously unstable. The longer it ran, the riskier it was. Wire it too early, and you risked the reaction igniting while still within your planetary orbit. Standard operating prasctice dictated that the bomb be wired en route. The drop bay of the porting plane would be built out with a mechanical rig that could conduct the operation for the pilot, providing the distinctive bulging exterior.
So high above them, the plane appears deceptively slow. Thousands of miles an hour turn into a lazy drift across the brightening sky.
A shout goes up behind them. The watch has caught it. The slow quiet of the camp behind them sharpens in response-- voices rise, waking, calling out.
Cody wishes they hadn't seen it.
In the crystalline silence of his own mind, the truth has sharp edges.
They have no air support. The transports that brought them down are still aboard the Negotiator, and are not designed to chase down a bomber. They have no artillery capabilities; their re-armaments are stocked aboard the resupply tug still waiting in Helva-3's orbit. Out of the corner of his eye, he sees a half dozen blue blaster bolts streak upwards; they fizzle out before they get close.
But his brothers don't die easy. Cody loves them for it.
"Commander."
A jump, a jolt-- his throat is very dry--
"Sir?"
"It's all just energy, you know."
Cody dares a glance sideways. Kenobi's on his feet, watching him. His eyes are very bright and very blue.
"Not sure that's very comforting at the moment, sir," he admits.
They have less than a minute until the plane arrives above them. The detonation will trigger approximately five hundred meters above them. The flash will blind them first. Then the radiation will cascade in all directions, consuming the atmosphere and all organic matter until there is nothing left to use.
It will, at least, be a quick death.
What is wrong with him? Shouldn't he be panicking? Grieving? At the very least, reaching for his blaster, so he can die with a weapon in his hand?
(Is this why his brothers never fought, on Kamino? Is this what it does to you, knowing there's no escape?)
Kenobi laughs. Dry and quiet, almost resigned, and Cody is struck with the sudden and absurd urge to take his hand.
The plane is almost directly overhead.
"My old master had a particular affinity for the Living Force," Kenobi says conversationally. He kneels, and starts-- digging, methodically, with one hand. Flexing his fingers into the dry and dusty dirt. "He always said that. It's all just energy. Sometimes destructive, sometimes constructive, but energy all the same."
His free hand presses firmly over the other, half-buried in the dead earth, and scrapes the dirt back into place.
"You cannot destroy it, only dissipate it."
Dust puffs up with every motion. His hands, his sleeves, the bridge of his nose: all stained with burnished red.
"You cannot conjure it, only channel it."
Something's wrong with Cody's visual interface; the color grading is out of whack. The blue of Kenobi's eyes is fading, washing out into something pale and bright.
Above them, the belly of the plane swings open. The bomb falls like a shadow, a little blot of black against the night.
Kenobi extends an arm-- reaching out, reaching up, palm open, as if beckoning the explosion towards him. From sky to soil: a straight line. A stretch. A conduit.
"Brace yourself," he says, his words soft and slurred around the edges. He looks up at Cody with strange and shining eyes. "And don't call home about this, please."
The bomb detonates.
This is the last thing Cody sees, before instinct throws up an arm and twists him into a bracing crouch equal parts desperate and futile:
The dark and deadly metal cracking open, the ignition within, the spark.
Obi-Wan, his face turned upwards, reaching and holding.
The flood of white light, moving wrongly, not outwards in an instant but spinning downwards into a funnel, snapping and crackling, tumbling over itself in a hungry rush towards the outstretched hand--
And the flash of lightning that leaps up to meet it.
part 2! every so often i re-live the realization that i feel sick when i don't write because the thoughts just pile up and turn rotten so sometimes sleep is worth sacrificing!
Cody's trembling breathing sounds very loud in the confines of his helmet.
The sensory ports have shut down. Exactly what they're designed to do, when external input exceeds capacity-- preventing permanent blinding, reducing the risk of hearing loss.
His heartbeat jackhammers at the base of his throat.
He's braced forward. Unbalanced, far enough that he would fall flat were it not for an existing opposition, and then he registers it: the shifting pressure of a terrible wind. Beyond that, the isolation is total. The darkness is absolute, without a hint of shadow. The only sound he can hear is his own panting. Underneath his hand, through his feet, the ground is rumbling.
He'd only been a few feet away from Kenobi. He'd sat close enough that their knees brushed, then-- to his feet, a step backwards in the rising-- had he moved forward at all, when he'd realized? Not wanting to die alone? And then, the lurch away, the twist into a crouch--
He could just stay here.
Keep the helmet on, keep the world narrow, and let death-- if it comes-- take him by surprise. If it doesn't, well, someone will draw him up eventually. There will be a friendly hand, and a living brother, and a next battle.
But what if there isn't?
Most of the camp had been asleep. They'd had, what, fifteen seconds' warning? They would've reached for blasters and comms, not buckets. What if inhalation is ignition? What if this narrow air is the only safety left? What if they're already dead, and he is alone--?
No.
He reaches up, cracks the seal, and lifts the helmet.
The storm slams in like a tsunami.
Cody stays close to the ground. Nearly blind in the face of the unending flash, deafened by the undying roar of noise-- he crouches in a crab-walk, shifts sideways, forward, sweeping the ground in a slow and regular motion with an outstretched hand. Echoes of vast convulsions shudder up his arms and make his teeth jump in his skull. The dust smears across the fingers of his glove, slivers of copper on black. He resists the urge to raise a sheltering arm and stares determinedly ahead. A few feet forward. Three feet, maximum--
There. A flash of red. He claws his way forward, faceplants when the ground convulses under him and gags on a mouthful of dust--
"Sir!"
The noise is unbelievable.
And the light--
Kenobi didn't stop the explosion. They're in the explosion.
And yet. Not dead.
Cody stumbles back to his knees and crawls forward. Head down, bracing, reaching out. It feels interminable, feels like miles, but finally he catches another flicker-- closer, this time-- of red hair, of a brown robe, of a scabbed hand clutching at the dusty earth. He reaches forward, closes a hand over Kenobi's--
His fingers go straight through.
Cody stares for a long, horrible moment.
Then the ground bucks again and the horror is broken. He loses his balance once more and tumbles onto his side, squeezes his eyes shut against the rushing light, thinks furiously--
Okay. Okay.
He just missed. That's all. He's as Force-sensitive as a brick; he doesn't get to fade through things. He just missed. Never mind that Kenobi has pulled off miracles before. Never mind that he's huddled in the midst of another one. He just missed. They're crouched in the middle of a lightning strike; what visibility exists is patchworked and streaked. He just missed.
People don't turn transparent.
Cody knows this. He knows this. He thinks about how much he knows this; he grits his teeth and focuses and holds it in the center of his mind until the rest of the world fades around it. He knows as well Kenobi's hands: broad and gentle and stained with blood in every crease. Patting shoulders and patching wounds and and punching like a brawler and constantly losing his godsdamned lightsaber.
He does not think. He does not hope. That's for people who don't know. He keeps his eyes squeezed shut and knows where Kenobi's hand will be, and he clambers upright and reaches, fumbles, scratches through dust, and when his fingers close over scarred knuckles he does not permit himself relief-- he slides his hand up, knowing he will find wrist and arm and all the rest, and when he does he hooks an arm around Kenobi's shoulders and digs his fingers into the muscle and holds the knowing of him too tightly--
Then he ducks his chin against his chest, digs his heels in against the wind, and holds on.
@scarletclarinet this has literally taken me over and it's entirely your fault--
Patchwork glimpses:
Underneath them, a splintering ground. The groaning earth sounds in his bones. The cracks open narrow but deep, webbing out from seized-up fingers and vanishing into a distance made unreal.
A radiating heat, along every point of contact. Plastoid softens, begins to bubble. Pain knocks at the edge of his awareness; Cody ignores it.
Too much give under his hand. Sensation, not sound: of tearing, warping, the wrong kind of remaking. He tastes copper, turns his head to the side, spits. The wad of bloody phlegm vanishes before it hits the ground, into the rush of light and wind and roaring sound.
From above:
A burst of white light.
A heat that makes the shields glow red.
A hollowing out. Draining a yolk without breaking the shell.
A cracking of the shell, and a disintegration.
An unexpected carpet of green.
There is only so much to be seen, a hundred miles up. Landing transports are dispatched immediately.
There are no scouting droids to be found. But if one was discovered and prepared and loaded and deployed in the time before the transports were launched--
(A tall order, to be sure, for the crew left aboard the ship will move very quickly indeed to maintain their refusal of stunned dismay--)
And if it were to dive down--
Down through the thick and fan-like leaves, each one larger than a man's head; down through the knotted wood from which sprout buds of shimmering white; down through the yellowed ivy shading eucalyptic bark; down through the tiny, star-like flowers dotting towering trees with splashes of orange--
Down through pink and draping pitcher plants, suffused with a sickly sweet scent; down through branches laden with violet figs so ripe as to be splitting at the seams; down through waxen, pebble-like leaves that glint oddly under the dawning sunlight; down through colonies of pale blue fungi looping across trunks large enough that a dozen men with their arms outstretched could not cover the whole breadth--
Down towards clusters of red pickleweed that fan in sweeping carpets across the cracked earth; down towards frond-like ferns embossed with fingerprint-like whorls; down towards dew-dappled moss that bounces back when touched and betrays nothing of its dusty roots; down towards the low-lying bushes bearing all manner of wildberries; down towards the patches of four-pronged nettles that rattle threateningly at the change in the wind--
It would find, in the middle of all of this, a barren crater.
It would find, in this cracked and splintered pit, two men.
It would log without understanding: the first figure crouched over the second, twisting, auditory input spiking, the cracking shout of Helix! Helix!; the latter thrown prone, spasming, back bowing clear off the ground, white lightning cracking muscle and bone--
Perhaps it would linger long enough to catch the third: slip-sliding down the last fifty feet of a towering redwood, leaping the last ten and rolling into a sprint, skidding down the side of the crater in a cloud of dust, the vanguard of a churning movement in the canopy--
Perhaps.
"Talk."
"He ate a neutron bomb," Cody grits out. He'd slipped a hand under Obi-Wan's head when the latter had folded into a seizure, but the next spasm had hit with an inhuman force and he'd felt something crack. Helix's hands are moving very quickly from where he's crouched over Obi-Wan's chest-- something sharp catches the light, but Cody refuses to be distracted; he cannot look away from his face.
Whatever he'd done-- it's eating him alive. Cody had caught him when he'd first fallen, had already been braced for it, only to let go almost immediately when he'd looked down. A flash of white lightning tore a bloody gash down the side of his face, deep enough to see bone, but he'd barely had time to realize what he was looking at before the next streak seared it shut like a bad dream-- only for a gaping wound to open over the cloudy eye, reducing it to pulp until a half-second later all was well again-- then a spray of blood from a freshly-opened jugular caught Cody on the forehead, too hot, the next second the only proof of its origin--
His fingers, curled in Obi-Wan's, slip slick and red for one terrible moment; he doesn't dare look at his gloves. Splotches of a dark wetness bloom on dusty tunics that cave in suddenly in odd places; Cody forces his thoughts to rain and nothing else. A blast radius opens up across his lower jaw, showing teeth from the wrong angle; Cody folds over him and snaps don't you leave me to do this by myself, thinking very hard not of those who did but rather of every brother who still breathes--
And it works.
Half-lidded eyes shine a terrifying, too-bright, crackling white, but what remains of the explosion lancing across visible skin draws no more fresh blood in its wake. The worst of the bone-cracking seizure eases into a wave of full-body trembling; arms and legs twitch inwards as if trying to keep warm. Fingers clench and relax in an unsteady rhythm around Cody's own, and Cody presses his forehead to Obi-Wan's and hisses it again: an order, good soldiers follow orders,but the latter half catches in his throat and it turns into don't you leave, don't you leave, don't you leave--
Then Helix skids to a stop next to them, and the world opens up.
Talk, he says, but what is there to say? The words are too glib but they're the only ones he has. Helix is too good of a man to waste time on questions, and in truth it doesn't matter if he believes Cody or not. Metal flashes once, twice; Helix makes a satisfied noise and leans back on his heels, and a silence Cody hadn't even recognized yields to a whistling wheeze through the straw in Obi-Wan's throat.
"Collapsed airway," Helix says shortly, misreading Cody's expression. "It'll hold until a medevac gets here. Needle'll take over here, I'll comm the secondaries on board to prep the theater. Anything I need to know?"
Above them: the growing whine of engines.
He can't say it out loud. If he speaks it into existence, it becomes real; if it becomes real, Obi-Wan is dead, because there is no way a body survives all of that. It had been only him who'd seen it, after all, and Helix has mentioned nothing about the smear of blood, wet and hot, that had caught him in the face. Perhaps he'd only imagined it. Extraordinary exposure to neutronic radiation messes with perception; they'll all have to go through a decontamination cycle back on board. Maybe it wasn't real. It doesn't have to be real.
(But if Helix leaves, not knowing--)
"Don't let go."
Helix glances up at him, startled, and Cody recalls the way Obi-Wan's hand had slipped through his own like so much light and thinks he turned into a reflection--
"Don't let go of him," he repeats, and Helix, unquestioning, nods.
He curles a hand around Obi-Wan's wrist, fingers to the pulse point. Looks up, nods again.
"Easy," he says, and his lips quirk upwards in a humorless smile. "I don't think I'll be letting go for a bit."
So Cody untangles his fingers from bloody hair. He catches the edge of Obi-Wan's hand, eases his own out, and tells himself he doesn't see blind eyes flick towards him or hear a wounded sound from a torn-open throat. Obi-Wan would not want him to abandon their men, especially not for him.
The first transport lands.
And Cody unfolds himself, steps back on shaking legs, and turns away.
He trudges up the side of the barren crater. His fingers twitch at his side, uneasy at the empty space. Behind him, Helix's voice rises like thunder, shouting orders and cussing out the hapless pilot in equal measure.
On Saturday I said to my partner, as I have said for months, "A ten thousand dollar a year raise would solve so many of my problems."
As of this morning I was reluctantly looking for jobs because I love my job and don't want to leave it, but see: $10k raise problem solver.
As of noon today this was no longer an issue, because my boss called me with the news that I was getting a $10K merit raise.
I feel like a huge weight has been lifted off my shoulders. This is roughly $200 extra per paycheck. Enough to pay off debt faster, rebuild my savings, and spend a weekend a month in Milwaukee getting obscenely laid. The sex I'm going to have on $200 extra per paycheck. You can't even.
May all of you get the $10K raise your soul has yearned for. And whatever level of sex you can be satisfied with for $200.
does anyone have good recommendations for indie businesses selling tank tops specifically? science-y, queer, cool animals- it is SO hot and SO humid outside and I just want something with personality!!
This Juneteenth I want people to know and remember Alfred Irving who was finally freed from chattel slavery in 1942 and Mae Louis Miller who was finally freed from peonage slavery in 1963.
Slavery was not "200 years ago," the last living former enslaved african american passed away in 2014 at 70 years old.
Chattell slavery in America did not go away, it adapted. It became peonage, sharecropping, vagrancy laws, "chain gangs" or convict leasing, and continues into the modern day prison system and the systematic incarceration of black and brown people and expanded to forced detention of immigrants in modern day America.
Do not believe the common narrative that the emancipation proclamation freed every slave. There are many more who were unable to tell their stories out of shame or fear of harm.
I reccomend that people read Slavery by Another Name by Douglas A. Blackmon or watch the 90 minute documentary / film adaptation
If nothing else please remember the names of the two people that American society wants you to forget.
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Sorry it took me so long to get this out, but in my defense, life lifed and I have exactly zero restraint when it comes to word count. Oops. Thank you @scarletclarinet for your donation to Aloha United Way - I hope you enjoy part 1, part 2 will be coming shortly!
The plane comes on the seventh day.
Zylon is a mining planet. Barren, stripped to the core, and abandoned until satellites in orbit around a nearby planet had picked up distortions in seismic data. Preliminary investigations had uncovered a renewed Separatist presence on the deserted ground. The 212th-- scheduled leave and the accompanying resupply having been suspended once again-- had been deployed to investigate.
A scouting mission. Determine and destroy. Fine. But the suspended resupply had been desperately needed. They had no air support. No surveillance drones. Why send them on a reconnaissance mission without reconnaissance equipment?
But their protests go unheard by the Senate. Surveillance drones-- from the Senate's point of view, the 212th had plenty. What else was a clone, really, if not a drone with legs?
So. Zylon it is.
Cody knows this is going to be a shitshow from the beginning. He knows it when the orders come in. He knows it when the leave gets cancelled. He knows it when their resupply is cancelled next-- because oh, he knows what "suspended" means when it comes to the 212th, even barely two months in; if he didn't know better, he'd think the Chancellor's trying to kill them off.
But he really knows it when General Kenobi's expression empties out as soon he jumps down from the gunship.
Kenobi's face is never empty. Quiet, sure. Calm. Controlled. But there's always something dancing behind his eyes, even when the rest of his expression is wholly and utterly motionless. He smiles easily, too, for all of them (and the treacherous little voice in the back of his mind that keeps count notes that he smiles for you most of all), and the fierce brightness in his face that Cody glimpses in the thick of battle makes his blood sing. But this awful emptiness...
He dares to touch a hand to Kenobi's arm-- the palm against the elbow, fingers curled against his forearm. A gentle pressure, because Kenobi is set apart, but Cody has begun to notice the way he sways into every absent-minded touch.
"Sir?"
There. A blink. A resettling. The blank eyes clear; the thin-lipped emptiness twists into a rueful grin. "Dead earth," Kenobi says, and scuffs a heel against the dusty ground. "Apologies, Commander. It's starving."
Cody does not like the sound of that, and says so.
Kenobi laughs. Cody preens.
"Hungry in the Force, I mean," he says. "It wants energy. Poor thing. It's been drained completely."
Only his General, Cody thinks helplessly, would call an entire planet poor thing.
But. Nothing to be done about it.
The ground is scarred with narrow canyons as far as the eye can see. They split into groups and trudge single file along the remains of the strip-mining operations, searching in vain for any indication of activity. They traverse the cramped and dim tunnels that intersect the gorges, empty apart from metal scaffolding that's free from rust and gleaming brightly enough to make the hair on the back of Cody's neck rise.
The dust gets everywhere.
No rain has fallen here in decades, and in the absence of living roots, erosion has taken its toll. Every step sends up a puff of dried dirt. Every man's armor soon becomes indistinguishable, coated in the same dull and rusty brown. It sneaks through the seals and itches under their blacks. It gets in hair and under nails and between teeth. The sky above remains a clear and disorienting blue, and Cody watches for smoke-- pollution or presence, he would take either-- to no avail.
For six days, no one fires a shot. There's not another living soul to be found.
On the sixth night, the battalion regathers. Tents are pitched on a wide stretch of open plateau; one of the rare spaces left where more than two men can walk abreast. The vast stretch of space sets Cody's teeth on edge-- visibility goes both ways, after all-- but it's either here or in a valley, and the only thing worse than an ambush is an ambush from above. The canyons around them have already been cleared; a retreat, if necessary, can be managed quickly. At least here, they will meet their enemies on an even footing.
No campfires burn. There is no wood to be found. But Terror and his perpetually terrified rotation of secondaries can work wonders, and they have warm food for latemeal. Cody eats next to Kenobi, the two of them bumping knees on the crowded ground around one of their solar-powered burners amid the low and cheerful chattering of their men.
He tumbles into his cot with a smile on his face and is asleep in an instant.
Waking comes suddenly.
Cody squints into his pillow, rolls over, blinks at the ceiling-- then sits up abruptly, staring into the darkness of the tent.
What is it?
Where?
Were it time for him to be up, he would hear quiet churning outside, and see the shadows of footsteps crossing in front of the flap-- but there is nothing so obvious that draws his attention, and for a long moment he cannot identify what had drawn him so abruptly out of sleep.
Then he glances to his left, and realizes that Kenobi's cot is still neatly made.
Not only are the blankets tucked and folded-- Kenobi is the type of man to take that time, after all-- but they do not appear the slightest bit wrinkled.
Had he ever returned to the tent, after latemeal?
Cody has gotten used to the noise of breathing other than his own. The quiet pricks at his spine, and with a sigh, he swings his legs over the edge of the cot and stands.
It's not that he doesn't trust Kenobi. He does. It's just--
(He walks among them like he is one of them. He knows their names before he learns their ranks. His hands have been blood-soaked since the day they'd met. He is not careless with anyone's lives but his own. He is not just someone Cody likes, he is someone Cody does not want to lose--)
He forgets he has people watching his back sometimes, that's all. Cody occasionally needs to remind him.
He finds Kenobi seated cross-legged about a hundred feet past the troopers on watch.
Cody stands behind him for a long moment. Watching him watching the dark.
Then he clears his throat. He's under no illusion that he'd approached undetected, but Kenobi does him the favor of waiting to acknowledge him until Cody announces himself.
"Sir."
"Commander," Kenobi says. His head tilts back, his eyes meet Cody's-- and then he smiles, a flash of white teeth against the encroaching night, and pats the ground next to him. "Couldn't sleep?"
"Not when a superior office was missing, sir," Cody says drily, and settles next to him.
The camp behind them is full of the crowded silence that emerges alongside a mass of sleeping people. Burps, snores, snorts, murmurs, jabbed elbows, the occasional muffled laugh-- none loud enough to be heard on their own, but all together accumulate into a snow-like layer draped across the tents. Wholly comforting, in its own way.
But beyond them, in the dark, the silence is absolute.
Dead and vast and hungry.
(It's starving, he'd said. Poor thing.)
"I don't like this much," Cody confesses quietly.
Again, a sudden flash of a smile--
"No," Kenobi agrees. "Me neither."
"What's the objective?"
Kenobi sucks at his teeth, drums his fingers against the ground--
"We're pulling out when it's light."
That is not what Cody had expected him to say.
"New orders from the Senate?"
"No. There is something deeply wrong with this place. I thought at first my sight was just obscured, but I went down into the tunnels earlier--"
"Sir," Cody says, exasperated, but Kenobi waves him off--
"-- and there was no activity stirring the earth. None. Only all of you, breathing above me. Whatever that report said, right now we are on an empty planet. If the Senate wants more details, then they can equip us with proper aerial support. We're too vulnerable to bombardment as it is. I'll take whatever lashing they see fit to hand out."
Above them, the sky begins to lighten. The deep, uninterrupted black yields to the very deepest purple at the edge of the horizon.
Cody considers going back to bed. By his estimate, he has another hour and a half until he well and truly must be up-- to coordinate departure, and he swallows back the bubbling relief-- and he should know better than to waste an opportunity for sleep. But the thought of returning to an empty, silent tent makes his stomach twist uncomfortably, and he's sat in less comfortable places.
Not many. But still.
The sky is... kind of pretty, he guesses. Kenobi's watching it too, bright eyes narrowed.
Then Cody hears it, and lurches to his feet.
The low, distant drone of an incoming plane.
Sound precedes appearance. It takes a few moments more for the plane to become visible, streaking just ahead of the lightening horizon. Cody jams his bucket on, watches the visual interface light up; the targeting software locks on, centers the plane for a closer view--
One, two, three seconds for him to notice the peculiarly rounded belly.
Four, five, six seconds for him to realize what it means.
The neutron bomb had been outlawed over two centuries ago. It used the molecular make-up of a planet's atmosphere as raw matter to generate a self-replicating reaction. Once triggered, the detonation would multiply at an exponential rate until it had consumed all organic matter available to it, at which point it would neatly self-extinguish. All organic lifeforms would be reduced to steaming puddles- if not evaporated completely- and all non-organic infrastructure would be left intact. Give it a few centuries for the radiation to die down to treatable levels, and the neutron bomb became a perfect tool for aspiring planetary empires who wanted a tidy little solution to the people in the way.
Detonation was tricky. Portable fusion reactors were famously unstable. The longer it ran, the riskier it was. Wire it too early, and you risked the reaction igniting while still within your planetary orbit. Standard operating prasctice dictated that the bomb be wired en route. The drop bay of the porting plane would be built out with a mechanical rig that could conduct the operation for the pilot, providing the distinctive bulging exterior.
So high above them, the plane appears deceptively slow. Thousands of miles an hour turn into a lazy drift across the brightening sky.
A shout goes up behind them. The watch has caught it. The slow quiet of the camp behind them sharpens in response-- voices rise, waking, calling out.
Cody wishes they hadn't seen it.
In the crystalline silence of his own mind, the truth has sharp edges.
They have no air support. The transports that brought them down are still aboard the Negotiator, and are not designed to chase down a bomber. They have no artillery capabilities; their re-armaments are stocked aboard the resupply tug still waiting in Helva-3's orbit. Out of the corner of his eye, he sees a half dozen blue blaster bolts streak upwards; they fizzle out before they get close.
But his brothers don't die easy. Cody loves them for it.
"Commander."
A jump, a jolt-- his throat is very dry--
"Sir?"
"It's all just energy, you know."
Cody dares a glance sideways. Kenobi's on his feet, watching him. His eyes are very bright and very blue.
"Not sure that's very comforting at the moment, sir," he admits.
They have less than a minute until the plane arrives above them. The detonation will trigger approximately five hundred meters above them. The flash will blind them first. Then the radiation will cascade in all directions, consuming the atmosphere and all organic matter until there is nothing left to use.
It will, at least, be a quick death.
What is wrong with him? Shouldn't he be panicking? Grieving? At the very least, reaching for his blaster, so he can die with a weapon in his hand?
(Is this why his brothers never fought, on Kamino? Is this what it does to you, knowing there's no escape?)
Kenobi laughs. Dry and quiet, almost resigned, and Cody is struck with the sudden and absurd urge to take his hand.
The plane is almost directly overhead.
"My old master had a particular affinity for the Living Force," Kenobi says conversationally. He kneels, and starts-- digging, methodically, with one hand. Flexing his fingers into the dry and dusty dirt. "He always said that. It's all just energy. Sometimes destructive, sometimes constructive, but energy all the same."
His free hand presses firmly over the other, half-buried in the dead earth, and scrapes the dirt back into place.
"You cannot destroy it, only dissipate it."
Dust puffs up with every motion. His hands, his sleeves, the bridge of his nose: all stained with burnished red.
"You cannot conjure it, only channel it."
Something's wrong with Cody's visual interface; the color grading is out of whack. The blue of Kenobi's eyes is fading, washing out into something pale and bright.
Above them, the belly of the plane swings open. The bomb falls like a shadow, a little blot of black against the night.
Kenobi extends an arm-- reaching out, reaching up, palm open, as if beckoning the explosion towards him. From sky to soil: a straight line. A stretch. A conduit.
"Brace yourself," he says, his words soft and slurred around the edges. He looks up at Cody with strange and shining eyes. "And don't call home about this, please."
The bomb detonates.
This is the last thing Cody sees, before instinct throws up an arm and twists him into a bracing crouch equal parts desperate and futile:
The dark and deadly metal cracking open, the ignition within, the spark.
Obi-Wan, his face turned upwards, reaching and holding.
The flood of white light, moving wrongly, not outwards in an instant but spinning downwards into a funnel, snapping and crackling, tumbling over itself in a hungry rush towards the outstretched hand--
And the flash of lightning that leaps up to meet it.
part 2! every so often i re-live the realization that i feel sick when i don't write because the thoughts just pile up and turn rotten so sometimes sleep is worth sacrificing!
Cody's trembling breathing sounds very loud in the confines of his helmet.
The sensory ports have shut down. Exactly what they're designed to do, when external input exceeds capacity-- preventing permanent blinding, reducing the risk of hearing loss.
His heartbeat jackhammers at the base of his throat.
He's braced forward. Unbalanced, far enough that he would fall flat were it not for an existing opposition, and then he registers it: the shifting pressure of a terrible wind. Beyond that, the isolation is total. The darkness is absolute, without a hint of shadow. The only sound he can hear is his own panting. Underneath his hand, through his feet, the ground is rumbling.
He'd only been a few feet away from Kenobi. He'd sat close enough that their knees brushed, then-- to his feet, a step backwards in the rising-- had he moved forward at all, when he'd realized? Not wanting to die alone? And then, the lurch away, the twist into a crouch--
He could just stay here.
Keep the helmet on, keep the world narrow, and let death-- if it comes-- take him by surprise. If it doesn't, well, someone will draw him up eventually. There will be a friendly hand, and a living brother, and a next battle.
But what if there isn't?
Most of the camp had been asleep. They'd had, what, fifteen seconds' warning? They would've reached for blasters and comms, not buckets. What if inhalation is ignition? What if this narrow air is the only safety left? What if they're already dead, and he is alone--?
No.
He reaches up, cracks the seal, and lifts the helmet.
The storm slams in like a tsunami.
Cody stays close to the ground. Nearly blind in the face of the unending flash, deafened by the undying roar of noise-- he crouches in a crab-walk, shifts sideways, forward, sweeping the ground in a slow and regular motion with an outstretched hand. Echoes of vast convulsions shudder up his arms and make his teeth jump in his skull. The dust smears across the fingers of his glove, slivers of copper on black. He resists the urge to raise a sheltering arm and stares determinedly ahead. A few feet forward. Three feet, maximum--
There. A flash of red. He claws his way forward, faceplants when the ground convulses under him and gags on a mouthful of dust--
"Sir!"
The noise is unbelievable.
And the light--
Kenobi didn't stop the explosion. They're in the explosion.
And yet. Not dead.
Cody stumbles back to his knees and crawls forward. Head down, bracing, reaching out. It feels interminable, feels like miles, but finally he catches another flicker-- closer, this time-- of red hair, of a brown robe, of a scabbed hand clutching at the dusty earth. He reaches forward, closes a hand over Kenobi's--
His fingers go straight through.
Cody stares for a long, horrible moment.
Then the ground bucks again and the horror is broken. He loses his balance once more and tumbles onto his side, squeezes his eyes shut against the rushing light, thinks furiously--
Okay. Okay.
He just missed. That's all. He's as Force-sensitive as a brick; he doesn't get to fade through things. He just missed. Never mind that Kenobi has pulled off miracles before. Never mind that he's huddled in the midst of another one. He just missed. They're crouched in the middle of a lightning strike; what visibility exists is patchworked and streaked. He just missed.
People don't turn transparent.
Cody knows this. He knows this. He thinks about how much he knows this; he grits his teeth and focuses and holds it in the center of his mind until the rest of the world fades around it. He knows as well Kenobi's hands: broad and gentle and stained with blood in every crease. Patting shoulders and patching wounds and and punching like a brawler and constantly losing his godsdamned lightsaber.
He does not think. He does not hope. That's for people who don't know. He keeps his eyes squeezed shut and knows where Kenobi's hand will be, and he clambers upright and reaches, fumbles, scratches through dust, and when his fingers close over scarred knuckles he does not permit himself relief-- he slides his hand up, knowing he will find wrist and arm and all the rest, and when he does he hooks an arm around Kenobi's shoulders and digs his fingers into the muscle and holds the knowing of him too tightly--
Then he ducks his chin against his chest, digs his heels in against the wind, and holds on.
I sent you an ask a while ago kind of overflowing with how much shoulder the sky meant to me and how you captured the feeling of not being in yourself so perfectly and how much I loved the medics. I just wanted to let you know that I made it. I'm pretty firmly seated back in my body again and the jostling loose is shorter and less often. And the series still holds. I still return to it. I still come back again and again. I still feel the same aching resonance in the callbacks. I still love the medics dearly. It is a gift to have read, loved, and used this fic as a reminder to ignore the urge to drift in the middle of depersonalization and derealization episodes that left me unmoored. It is a gift to be able to return to it and still love every word. Thank you for writing it. Thank you for sharing it.
Hey. Hey.
I'm so proud of you.
I'm proud of you for sticking with it. I'm proud of you for working on it. I'm proud of you for getting better even when getting better is one hell of a crooked path. I'm so glad this series has been able to provide some comfort during a tough time, and thanks for taking the time to share that with me.