UNGRATEFUL tech companies are saying things like "turn off your ad blocker" and "we need your photo id" instead of "thank you so much for not just pirating our shit, youre so handsome"
noise dept.
Keni

JBB: An Artblog!
Mike Driver
Xuebing Du
hello vonnie

blake kathryn

Cosmic Funnies
cherry valley forever

Origami Around

Product Placement
Cosimo Galluzzi
Monterey Bay Aquarium

Andulka
PUT YOUR BEARD IN MY MOUTH
Today's Document
trying on a metaphor
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@secrettreestuffidk
UNGRATEFUL tech companies are saying things like "turn off your ad blocker" and "we need your photo id" instead of "thank you so much for not just pirating our shit, youre so handsome"

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i got inspired by antique furniture -> decided to try and make a wooden doll.
she is whittled entirely out of balsa wood with a craft knife, and colored with wood dye. the cabinet has miniature hinges made of tube beads and a metal rod, and closes with a magnet. she absolutely should hold a sentimental & important object, but i don't have any that are the correct size, so i just put in some cute trinkets.
Something I do find lovely about the first 4 Murderbot Diaries books (can’t yet speak on all of them) is:
Murderbot chronically finding new scientists/travellers to claim as “clients” (whether paid or not) like one of those sheepless herding dogs that goes around finding sheep (or anything else they can herd like a flock of sheep). Like it clearly has a protect humans instinct and a desperate need for enrichment.
Given its general lack of self awareness and unreliable narrator status, there’s no way in hell Murderbot is aware it’s doing this.
Murderbot: I just want to be left alone to watch my shows. I care nothing for these humans. I hate having clients.
Also Murderbot: *noticing unaccompanied humans that have nothing to do with it at all* Oh look, clients.
a rogue SecUnit will see a group of scientists and be like “is anyone going to protect them?” and not wait for an answer
What I find hilarious about Platform Decay is that Murderbot bitches that the Preservation people keep just “adopting” people they come across and honey? Have you looked in a mirror lately?
Look what my friend with no social media posted to the chat with the damning staggered timestamps of 1:11, 1:37, and 1:42 A.M.
Image description: art showing a person holding a small figure, text above them reads: "Thinking about the character", the words "the character" are the same color as the figure the person holds. In the second image the person still holds the figure now their mouth is wide open. In the last the person is biting down on the figures head, while holding it, stretching its body. end Image description
in our copy of hana-bi the subtitles never leave the screen until something else is said
dude’s fucking TORN about whether or not to buy a beret

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what you learn from hobbies:
consistent practice opens up whole worlds of skill that you couldn't imagine
making mistakes in the process of learning is not only natural, it is also essential
activities that you enjoy can give you more energy back than you spent on them
wow everything is so expensive
my hands hurt
type of animals in mud and Enjoying It Too
Who else #GoopedUp tonight!
wishing everyone a very #GoopedUp Wet Beast Wednesday
Hey regardless of your opinion on cultural cross pollination, keeping it real has spread to the point that most white people do not know its origin is specific to AAVE. It is definitely considered slang and informal/lower class/lower prestige, and those concepts *are* inextricably linked with race in American discourse, but along with the semantic broadening of the word “chintz” you’ve gotta take into account how conscious or unconscious of the racial implications the author or reader is likely to be, bc how racially loaded each of those is is at least somewhat ambiguous/subjective just due to how words travel and shift through language spread
ah ha ha, but this is exactly why I frame my analysis by speaking of what "the poem" is doing rather than what the author is doing. my default mode for literary criticism and formal analysis is firmly based in death of the author precisely so I can focus on what's actually in the text without needing to attempt to extrapolate what information the author was working with. the couplet's poet may have been aware of the origins of "keep it real" as a phrase and/or the history of the chintz trade, or they may not have been, their blog is deactivated so I can't check either way, and I am deliberately using an approach where I don't need to know whether or not they did in order to make my points. there are schools of textual interpretation that prioritize authorial intent and I do dabble in them sometimes, but that's not what I'm aiming at here.
they're trying to get me to do something called ""my job"" instead of reading about medieval english poaching laws

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really humiliating trying to write horror like they went into the creepy house and there was a creepy ghost and the creepy guy with a creepy knife and everything was very creepy are you scared yet and thats like literally not how suspense and tension actually work but like all u can do is say well maybe something else was creepy?
Riverdale should've had a time loop episode but it's archie waking up every time married to a different person in town and then having to witness a murder like wow I'm married to veronica that's nice but how do we stop the killer, wow I'm married to betty that's nice but how do we stop the killer, wow I'm married to jughead that's nice but how do we stop the killer. And dear reader, the killer? It was the wizard that put him in the time loop with the intention of torturing him by putting him in an unhappy marriage, but he just loooooves everyone so he always wakes up like this is nice no problem, my wife is a lesbian but if she is happy doing her thing then I'm happy
higgledly piggledy english is rather less easily suited to dactyls in verse
though, I'll admit the assortment of feet the "iambic" tradition permits is...diverse
for a long time now, one of my go-to phrases is "shake it like a can of beans." im not really sure where this came from, but i've been saying it for three years or so. it never really occurred to me that this was unusual until yesterday when i was bouncing a baby in a rocker a little too violently (he was having a great time, it just wasnt exactly sending him to sleep) and i went "sorry, im shaking him like a can of beans over here" and both my coworkers reacted like i had said something insane
list of other things i've said that my coworkers really like:
everybody in the club getting baby (when 5 or more babies are fussy)
going absolute baby mode over there/he's activating baby mode (when the 10 month old is having a fit)
i play my blue eyed white baby (said when setting a specific baby on the floor)
sick 'em! (said when setting any other baby on the floor)
call her regina, she's a little bit dramatic (this is one of my go to phrases)
into the gladiator pit!/hey have you ever seen gladiator? (when two babies start wrestling/fighting) (i have not seen gladiator)
she's ready for college (when the three month old lifts her head to look around)
lock in, brother (i say this the most)
i say most of these phrases at least daily.
one of the babies was getting picked up and started screaming as soon as her dad pulled her from her crib (where she'd been sleeping) and i instinctively said "that's what we in the industry call: baby moding" and he started laughing so hard he almost dropped her
Women in Shakespeare
Also like to point out that when her mother says “I was your mother much upon these years that you are now a maid,” (translation: I had you when I was your age) you have to remember her father’s words: “earth hath swallowed all my hopes but she,” (translation: all the other children died.) The whole plot point of Juliet being an only child is explained by her mother being a Margaret Beaufort type who had her first child too young and it damaged her past the point of being able to bear more children.
Margaret Beaufort died in 1509. She was a major player in the Wars of the Roses, the swirling on-again-off-again civil wars that consumed England from 1455-1487. Romeo and Juliet was written and first performed in the early 1590s. Your average English person of Shakespeare’s day would probably have had at least a vague understanding of who she was and what happened to her, because she was a key figure in recent history and was still getting passed around as a cautionary tale.
There are two great problems with what happened to Margaret (and that her parents are trying to do to Juliet). One is easy for modern people to spot (but was also a common response back in her own day). And that’s the moral implications of what was done to her. She was too young to be married, and it was horrifying that she was forced into it so young. Every one of the adults around her either acted immorally or failed to protect her. They were wrong. This is what modern people see, and it’s important to remember that people back in her day mostly agreed with it. You’re supposed to think it’s fucked up! When girls were married that young (and it didn’t happen often!) it was a formality 99% of the time. It was for dynastic or financial reasons (the girl has lots of money and/or land and/or a title that her husband wants), but the “couple” don’t consummate their marriage for years. And it’s not just that they would have separate bedrooms. They might not even live in the same country until the girl was in her late teens and physically and mentally mature enough to bear and raise kids. Hell, a lot of times they didn’t even meet until the girl was older! They had this thing called “proxy marriage” where you would have two separate ceremonies, in two separate places, with each party saying their vows separately, one in one city and the other in a different one. So, yeah, sure, the girl was technically married at 12, but she didn’t actually meet her “husband” in person until she was 17 and they didn’t start sleeping together until she was 20. That was a thing they did.
The other problem, the one that modern people don’t notice, is dynastic. See, marriage wasn’t generally because you loved someone. It was because you had the resources to support a family, and you or your family wanted to pool those resources with someone. It’s about “our family has these resources, and we want that to continue.” It’s about continuity across generations. It’s about making sure that your children and grandchildren have the best possible resources to survive and thrive, whether those resources are land or a trade or a title or money or whatever. In order for this to work, you have to have kids! The family and the family’s resources depend on the married couple having children. If the couple doesn’t have children, the marriage is a failure. And that failure affects not only the couple, but both families. This is a really big problem. And you can’t have just one kid to pass on the family name, because half of all kids die in early childhood. If you want to be safe, you need several kids, to be sure at least one will survive to adulthood (when they can marry and pass on the family name and resources.
You know what happens when a girl has her first pregnancy too young? She is very likely to either die in childbirth, or have complications that destroy her future fertility. Just like Margaret Beaufort. Just like Juliet’s mother. In other words, the marriage is a failure, not just for her, but also for her family, and her husband (who can’t divorce her, it’s not allowed except in extremely rare circumstances), and her husband’s family. So even the people who didn’t have a moral problem with adult men having sex with pubescent girls had a practical problem with girls married too young because you are very likely to destroy the entire purpose of the marriage by doing it. As Shakespeare reminds us in the play through Juliet’s mother having been married too young and only having one child.
Shakespeare is telling us “yeah, this is fucked up. but even if you’re the kind of awful person who doesn’t think girls marrying too young is morally wrong, it’s also a problem for practical and dynastic reasons, don’t forget that by doing this wrong thing you are very likely to destroy what you most want out of it.”
Interesting
It bears repeating:
don’t forget that by doing this wrong thing you are very likely to destroy what you most want out of it.”
yes, excellent discussion!
another thing i noticed, the year my local community shakespeare theater did r&j, and i made the costumes so i got to watch the show every night: part of why capulet is telling paris, take your time, get to know each other, no rush, is that he still has his nephew tybalt as his heir. as long as tybalt is in the picture, there is no pressure on juliet to go further with paris, than get acquainted. once tybalt is killed, then suddenly capulet needs an heir, he needs a husband for juliet, now, this week. (the role of capulet is best given to the actor in the company that can do over the top apoplexy, you need to believe his urgency comes at least in part by how clearly he could drop dead any moment from giving himself a stroke)
i feel like this play is often taught in middle schools as if it was somehow relevant to, or about, teen hormone storms. really it's got more to do with the social structures around family and inheritance. leaving that context out makes it confusing, why is capulet suddenly flipping from nice dad to evil dad?
art history matters.
I've been thinking about this play a lot lately. I really wanna highlight that Lord Capulet asks Paris to wait and get to know her, and to woo her, while Tybalt lives. While Tybalt is alive, Juliet has something of a reprieve, and her wellbeing as his only child matters more to Capulet. But once Tybalt has died, the gloves come off. Lord Capulet was worried about his daughter's wellbeing when he felt he had the space to care, but as soon as his dynasty is at stake, as soon as this becomes larger than Juliet's happiness, his consideration for her health and mental wellbeing get thrown away. Which also is due in part to the fact that Capulet's family is implicated in a brawl that has left several dead after the Prince's family EXPLICITLY told the Capulets and Montagues to stop fighting or face dire consequences, AND Capulet is trying to align himself with the Prince's family by marrying Juliet off to County Paris, a relative of the Prince. So to Lord Capulet, it is now less important that Juliet is happy, and more important than he reminds the Prince of his loyalty via this marriage and aligns his family with the Prince's before it's too late. And he believes this must be done, at any cost...until Juliet kills herself. And that's when he realises the devastating cost of treating his family as chess pieces. He realises his wrongdoing far too late.
Seriously Romeo and Juliet is HEAVY on the dynastic politics, and I think you can't fully understand the play without understanding how that all works, especially because the impact of dynastic marriages on women and girls is like. THE POINT of the play

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