pt 2: THE CLASS
TAWOG characters as humans

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@secondlandiareblogs
pt 2: THE CLASS
TAWOG characters as humans

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The amazing world of gumball × Homestuck !!!!
pt 1: THE WATTERSONS
TAWOG OFFICIAL ANNOUNCEMENT TODAY? as good a time as any to post my human designs ..
really wanted to do my own designs of the gang as humans since most people give them colored hair and such. i wanted it to be a bit more realistic (most 12 year olds dont have bright blue hair and.. cat ears?) kept blue hair for nicole tho. really wanted her to have the vibe of miss from idwtbamg
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Something like this would be so colossally helpful. I'm sick and tired of trying to research specific clothing from any given culture and being met with either racist stereotypical costumes worn by yt people or ai generated garbage nonsense, and trying to be hyper specific with searches yields fuck all. Like I generally just cannot trust the legitimacy of most search results at this point. It's extremely frustrating. If there are good resources for this then they're buried deep under all the other bullshit, and idk where to start looking.
>:)c
May I present to you, nationalclothing.org?
It doesn't have everything, but it's still my first source when researching traditional clothing from other cultures.
There's also this resource on historical fashion: Claire’s Historical Fashion Reference & Resources
another addition as far as physical media goes there is the encyclopedia of national dress (that i still need to buy myself bc this kind of thing is super important to my sort of fantasy designing) but yes i do agree i wish there was EVEN MORE documentation on this
Reblogging to spread awareness
the goldmine folks
About halfway through the Doomies so far, and I am pleasantly surprised at the sincerity of the emotion the two lead characters display.
Despite the fact that I think a lot of the time when you put together two lead characters with conflicting personalities you run into conflict, and they do disagree from time to time. But what comes through the strongest to me is how co-dependent they are.
But with Bobby and Romy it's very obvious just how important they are to each other and despite being not even halfway through the season the sheer desperation and grief Romy feels for Bobby's safety despite her otherwise cavalier personality is tangible. And while Bobby doesn't have as many opportunities to reciprocate, it's obvious that Romy is an anchor in his otherwise cripplingly lonely life.
And just... the idea that Bobby was victimized because he's a kid without present parents. Like Bobby is a socially vulnerable kid and that left him open to potentially having his soul stolen. Prior to his curse being afflicted his social circle was his aunt, and his best friend (also a child). Kids in kids shows are often orphans because it gets rid of pesky questions like where are the adults. But for it to be stated so explicitly that the lack of people in his life was the exact reason he was targeted makes it surprisingly grounded.

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That video of Alex Hirsch reading S&P notes for Gravity Falls conveys a few things to me:
1) the U.S. entertainment industry (especially animation) is run by older conservative types who make up offensive terms and get really mad about them.
2) the people who run Disney would be the first to fall in line with a fascist regime.
3) most of the media we consume is tailor-made and watered-down to appeal to the tastes of older, deeply religious conservative audiences.
4) conservatism, not the left, is and always has been the biggest voice of censorship in American culture.
J. Michael Straczynski, creator of Babylon 5, was before that a producer and writer for a number of cartoons in the late ‘80s/early ‘90s (The Real Ghostbusters and the original She-Ra, most notably). After a few years of dealing with the censors and their obsession with finding Satanism (or at least looking for Satanism to further political agendas) he wrote an article about the whole corrupt and bullshit system.
And published it in Penthouse, to force those same censors to buy a skin mag. The editor there asked, why Penthouse?
That one is from his autobiography, Becoming Superman. See also:
(As he goes on to say, he’s never worked in animation again–he’s effectively been blacklisted by the cartoon industry.)
Every time something like this comes up, I remember two stories about making media. The first is about movies, and comes from Quentin “Feet Man” Tarantino.
When he was making Pulp Fiction, he was worried that the MPAA would object to the high level of violence in the film, so he shot a bunch of extra-gory stuff that he didn’t actually want in the film, and added it in before submitting it to the MPAA. Predictibly, they asked him to cut most of it (without even commenting on some of the things that had him worried, like the bits of Marvin’s skull that lodge in Samuel L. Jackson’s hairpiece). The resultant cuts were actually more permissive than he’d expected, so he cut a little more and submitted it, and it got passed with an R.
The second story is about that artist on Morrowind whose name escapes me (I’m not a big ES fan tbh) who figured out that if he made two creature designs, one weird and what he wanted, and one even weirder, he could get Todd Howard to agree to just about anything by showing him the whopper first, then going back and “working” for another few hours on a second, “toned-down” version, and it worked every time.
The reason I bring these up is that the thing that drives censors isn’t some extant physical rubrick of what is and isn’t acceptable, it’s the idea that they can have absolute power over someone else’s creative work. It’s about the social dominance of the interaction.
There is nothing so innocent, so clean, that a censor will not find some fault with it. Because they must find something wrong with it to justify their existence, and because it makes them feel powerful.
This is true of all censorship.
Tbh germ theory DOES sound crazy. Like if you told a regency-era nobleman that tiny creatures lived on the surface of everything and THAT’S what causes consumption, they’d be like “ah, I see you are a lunatic. Would you reside in my hermitage? Rantings and ravings do so amuse my guests”
But if you told a Medieval person this they would probably go "Ah, so when the miasma settles on surfaces it gains evil life. I understand."
Yeah, actually, it would probably be pretty easy to explain germ theory to a Medieval person as tiny evil spirits that live on everything, but they can be purified by soap and water, or by alcohol, because that is why God has granted us those things. And because they can float in the air, if you cough or sneeze after they have infested you, that can cause them to infest others. And when you are sick, the angels God has deputized to defend the bodies of His beloved children are at war with the evil spirits, and, sadly, sometimes they lose, but the best way to help your angels win their battle is to rest, drink plenty (this would probably be small beer in this time period, not water, because the water was also infested), stay clean, and for the sake of God do not allow anyone to let your blood, for the angels need that blood in their war against the evil spirits. Bloodletting is good for some types of illnesses but not the kinds caused by the tiny evil spirits.
boiling as a sterilization measure is also easy to explain. water returns to the air when heated and it rises as steam back up to the floodgates of heaven; we know God created the world in seven days, He's not up there making more water every time it rains. it circulates. the returning of water to heaven also purifies the water of unclean and malign influences. you know wormy water from a muddy puddle will kill your kid. you know you wouldn't wade into a bog and have a slurp. water that remains in the low places of earth absorbs all that is unclean from our waste and it may also sponge up new diseases from hell, we're not totally sure about that one, but it seems likely. God set up the heavenly water cycle so that the earth's waters wouldn't totally fill up with gunk.
what does this have to do with boiling your surgical tools? well look, the boiling water releases bubbles of steam which carries the malign influences up to heaven. you boil a knife, you send all the miasmic particles off with the steam to heaven. if you rinse the knife off in a bucket the water isn't hot enough, the particles go into the water and then right back on to the knife. you gotta boil it to get the particles all the way away. how can a tool or rag or a bed have miasmic particles on it when you can't smell them? humans have a lousy sense of smell. look at your dog on the hunt. are there no rabbits in the woods just because you can't smell them? we know that miasma is carried on the air, and is what makes stench so dangerous, and we know that humans can't smell worth a damn compared to dogs cats horses etc. a dog can smell if a rat died in a corner of the room last week. you can't. do you think licking the spot where the rat died is going to go well for you? luckily, what humans lack in snout we make up for in brains. we have extra brains where our sniffers should have been. God set that up for a reason.
and why does a rinse with wine spirits work? man, look how fast alcohol evaporates. my guess is that because wine contains a lot more vice than water, it evaporates a whole lot faster, in sort of an equal and opposite way that a rock falls faster than a feather. if you want the miasmic particles to get off there FAST, you dunk it in something that's going back to heaven at a gallop.
what's up with honey? it just preserves things against corruption. doesn't clean them off. honey doesn't evaporate at all. probably because bees don't sin. it's not good for ridding a tool of particles-- it's sticky-- but fine for preserving anything you don't want to go to heaven OR hell. this is why you wash the wound with wine spirits or purified water FIRST, to sluice the miasma out, then slap the honey on AFTER. and boil the damn bandage, too. you wouldn't put a rotten door in a sound doorframe and expect it to keep out bandits, would you? cmon.
Medieval people also already knew that putting things out in the sun helped to keep them clean (UV radiation killing bacteria). So everyone knows that after you use a butter churn, you rinse it out, give it a scrub, and set it out in the sun to dry, or else it will go sour and everything you make with it will go bad fast. Likewise with when you want to get sheets and clothes really clean and fresh, you boil them with lye soap and then lay them out in the sun to dry.
I accidentally did a Wikipedia binge about 1st wave feminism and fashion and stumbled upon the 1890s bicycle suit. Do people know about this? Why didn't anyone tell me about this? This is dope as hell.
It's old-fashioned. It's modern. It's butch. It's femme. It's snazzy. It's practical.
Wikipedia talks about the bloomers and the leg-o-mutton sleeves, but I'm also noticing a lot of these outfits have absolute supervillain lapels, which I also like a lot.
finally, someone else giving some love to the much-slept-on bicycle suit.
In re-watching Henry Selick's films and shorts, I came to a revelation about something, but then forgot exactly what that something was...
What was it?
I know it was something. Something about a hyperfixation of his.
Almost like there's a certain clad of animals he likes.
...hmmm...
It's coming to me...
...still thinking...
...it's like a tick in my side...
...darnit what was it?!
Well, guess we'll never know.
Completely unrelated to this post for real, I have Tony DeTerlizzi's illustrated picture book version of "The Spider and the Fly" with me
and guess who I remembered there's a quote review from on the back??
Henry Selick, legman of all time.
Gay ass animals

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Goodnight I hate drawing
*cat beam*
- What are you waiting on? ⭐ -
TADC SPOILERS BELOW
last words of a shooting star

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this fanfic shit easy
I wonder how many people understand that these are two separate things happening in different times. One is Caine coming more and more into existence and discovering the obsolete unused brain scans, and the other is Caine gaining access to the random WiFi hotspot that just appeared temporarily (as they often do) nearby. They’re both moments of self discovery which is why we cut back and forth between them, but they are undoubtedly not happening at the same time.
I worry people might think these are congruent events and be confused why Scratch suddenly appears in the circus but is never seen again afterwards. That was them showing how Caine used his powers to figure out how to use the brain scans. It was a flashback. And it’s juxtaposed to him using his powers to learn more about the outside world and about the remaining circus members.