Sapphire Sapphics

Pomni get in.

Celebrating 10 years of Korrasami! ❤💙🌊⚙

world heritage post: avatar femslash fans on livejournal discussing the possibility of a lesbian or bi lead in the legend of korra in 2010, 2 years before the series first aired. four years later, korra and asami walked into the spirit world together holding hands.

"There's no thoughts, no pain, no ego. No fear. They simply exist. Like furniture."

But then when he turns the light off, the wheelchair user turns his lamp on. When Mary hits The Pirate with the concrete piece, he yells in pain. Clark consoles The Pirate as though its feelings might be hurt. And when the memory of his wife sees The Pirate, she tries desperately to get away.

Clark was never trying to become better, he was using his therapy apointments as sources of vindication for his actions and anger. This is most apparent during the dinner scene at the end of the film where he forces Mary to reenact their roleplay session from the beginning of the movie, and it almost goes exactly as it did from before until Mary breaks character and finally tells Clark everything he needs to hear before the film offers Clark an ultimatium.

Mary tells Clark that he doesn't need to change and that he can just stay there, obviously hoping that it'd convince him to let her go, but it's also the movie giving Clark a final chance to be better. Clark could reject this offer, free Mary, actually start taking his therapy and anger problems seriously, and escape the toxic cycle he has entrapped himself in, but instead he accepts the idea. He refuses to listen to Mary and continues with the narrative that his actions is because of how his brain is "wired" and not actually his fault. It's this refusal to grow that turns Capn Clark hostile.

Clark, as he is throughout the entire movie, cannot exist without being mad or angry at someone. Even when alone, he needs to watch TV and find something to be mad at. The only time where he isnt mad at someone is when he is being chased or hunted by something in the Backrooms[tm]

Since Clark accepts the offer of solitude, his only company is the Still Lives and himself. Capn Clark is a reflection of Clark and is a personification of his abusive violent nature that's been magnified, and now both Clarks have only one source to project their anger onto: themselves.

Once the real Clark is dead, they're two ways to read why Capn Clark then pursues and tries to kill Mary.

1. Since Clark is dead and can no longer vaguely control Capn Clark, the Capn becomes like most of the other entities in the Backrooms[tm] and attempts to kill anything that moves

Genuinely the hate Jax was getting was like. Mid at best until it was fully in your face that she was transfem. Yall are not slick.

Jax is meant to be a cautionary tale against denying who one is and refusing support when it's needed. A lot of trans people never tell anyone that they're struggling until it's too late. A lot of trans people have taken this warning to heart and opened up to loved ones that they trust for help and support as a result of the finale.

i don't care about old social media posts that have coincidentally and mysteriously "resurfaced" following the outrage of transmisogynist fans. you clearly missed the part of this where Jax is reflective of Goose's past behavior of using edgy and harmful humor to play the bad guy and push people away in order to cover up the fact that she is a trans woman. you missed the part where Gooseworx has explicitly grown past that kind of behavior and Jax is an exercise in extending empathy to a past version of herself who was trying everything in her power to be uworthy of love and care. you fundamentally do not understand the art you are a fan of.