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đŚArcane: Season 1 + 2
đŞThe Amazing Digital Circus
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đĽ My Media Analysis Master List Posts đĽ
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đŚArcane: Season 1 + 2
đŞThe Amazing Digital Circus
đŞThe Backrooms
đŻBlue Eye Samurai

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I think a lot of fans should be reminded that just because you want to see something, doesnât mean you HAVE to see it.
For example: Would it have been nice to see Ragatha and Pomniâs conversation where they make up? As a fan of Ragatha and Pomni, sure! I would LOVE to see that!
But this is a series with 9 episodes and we gotta get to the emotional core of the plot.
And since the conversation would essentially be a rehashing of what Ragatha and Kinger talked about earlier in the episode⌠yeah.. thatâs not NEEDED to understand they made up.
Itâs like when you show a character going from one location to another. Unless itâs important to the plot, we do not need to SEE them go out the door, get into the car, drive down the street, wait in traffic, get to their location, park the car, get out, walk up to the building⌠etc. You can just do a hard cut to the new location and we fill in the gap.
Itâs not a plot hole.
Itâs not a mistake.
Itâs not bad writing.
đĄď¸đâ¨đ
The animation pipeline.
I see a lot of people not really understanding how animated shows are produced and blaming the creators for a lot of things that are beyond their control. So I thought it might be good to go over the different ways animated shows are produced, so you can better identify when problems arise who is to be blamed for it.
Network Animated Shows
Generally speaking if youâre working on an animated TV show for a major company like Disney or Netflix, you are going to work on multiple episodes at the same time.
On Gravity Falls and The Owl House for example, an entire seasonâs worth of episodes were broken up into batches. A beginning batch and an ending batch. Once all the beginning episodes were written, storyboarded, and voice recorded, the episodes then get shipped off to an animation studio to complete the animation. While those episodes are being worked on, the second batch of episodes are written, storyboarded, and voice recorded.
Around this time, about 6-7 months later, final animation comes back. If your series has the budget for it, some shots are sent back to fix animator errors, reanimate scenes to make the action clearer, or add additional scenes in for the same purpose. But I must stress this is only done if the production has the budget for it. Sometimes you have to let animation errors come through if you canât afford to send the animation back for retakes.
Additionally, there are multiple animation studios used for different episodes. For a season of 24 episodes, as many as 5-6 different animation companies could be used to complete animation. This can result in some of the animation being better (or worse) than other episodes, or the characters being off model from time to time.
Once the episodes are edited and put together they are shipped off to the distributing network. It should be noted that at this point the episodes are out of the creators hands. The creators of Steven Universe worked hard to never miss a deadline and got all of their episodes completed on time, only for Cartoon Network to sit around with the completed episodes for months at a time before releasing them.
A single episode can take anywhere between 9-12 months to complete from initial script writing until final animation and editing. This is important to remember because a lot of fans can feel like the creators are responding to their criticisms on a week to week basis, and thatâs just not physically possible. As Alex Hirsch is famous for saying âif you wanted to provide us feedback we needed to know about it a year ago!â
Independent Animation
Independent animation is very different from network animation because it can take the form of many different things. The pipeline is a lot less clear because a lot of the same people fulfilled different jobs along the way.
The way The Amazing Digital Circus worked is that they would have modelers and 3D artists working on creating the assets they needed for all of the episodes written to that point. Production would begin on the first episode, and they would not work on the next episode until that first episode was finished. There is some overlap to keep the schedule flowing, but generally speaking you work on them one episode at a time.
This is why each individual episode can take 6-8 months between them to come out. Youâre a much smaller team working on a smaller budget, and you canât realistically plan ahead for 24 episodes to be released on a week by week schedule. This is also why sometimes the scope of a project can shift or change as the series progresses because you are writing each episode one after the other. Unless you have a set plan in mind, things can change as you see feedback from your fans and characters become more or less popular.
Exceptions to the Rule
I wanna stress that these are GENERALIZATIONS. Each series has its own unique pipeline, and while for the most part they all follow a similar structure, there can be exceptions and changes depending on the needs of the episodes.
A big contributing issue for why people donât understand how long it takes to make animation is South Park. South Park is done on a weekly basis. The episodes are written and voice recorded within a couple days and the remainder of the week is spent on animating it. But itâs important to remember that South Park can get away with this because of how the characters and the animation pipeline is designed. The limited simple cut out design allows them to make the animations super fast. This is not something that can happen on most productions though.
This is also why some characters get simpler designs from the pilot. Steven Universe had really unique designs that got super simplified for the full TV production. And a major factor for why is because itâs faster and cheaper to animate that way.
Honestly the biggest contributing factor for the way errors and mistakes and things happen is time and money. A production that is given the time and money it needs to get done is going to turn out much more polished and better than one that is made in less time. That goes for writing and editing too. And unfortunately a lot of that isnât the fault of the creators. If you arenât given the time and money you need to work, youâre going to have to make compromises and focus your energies on specific areas that tell your story well instead.
Like sure, you can be upset that characters in TADC didnât get completely dedicated episodes for them⌠but also you have 7 main characters and 9 (originally 8) episodes to work with. Thereâs going to be compromises. Thatâs just the reality of production.
Less Akane hearing Ranma say "I'd never touch you!" and going "he hates me, he's disgusted :("
More Akane hearing Ranma say "I'd never touch you!" and going "pussy"

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One thing about the post-finale wave of new Jax haters that frustrates yet amuses me is that a lot of them are actually former Jax simps.
Like, 6/10 new haters I've encounter in the past two-ish months used to adore Jax.
You can search the Jax tag on their blog and they were making thirst posts about her.
They were selfshipping with her.
They were trying to justify every misdeed and woobify her.
They were demonizing Ragatha and Gangle for standing up to her.
They were taking their Jax plushies on dates to restaurants, and movies, and fairs, and etc.
They were exploring their fetishes and kinks using her character.
They unironically wanted the "I can fix him shirt."
They were unironically using Pomni and Ragatha to self-insert into the show to be with her.
They were making OCs who's sole purpose for existing was to date her.
They were writing fics about marrying her.
But the revelation that she was in fact a woman the whole time broke their brains.
Now they're back tracking hard and trying to hide the transphobia behind performative "lib speak" (for lack of a better term) so they don't lose their ally points.
They want to be seen as an ally because it makes them feel good, but they're not willing to put in any of the actual work, including the self-work of addressing why being attracted to a trans woman makes them so uncomfortable.
They just want credit while being given a pass to be transphobic. Which they're not getting, and a lot of them are having temper tantrums about it.
On days where it doesn't outright piss me off, it's really entertaining to watch them flounder in a hell of their own making.
to be honest i think a lot of fandom drama would be nonexistent if more people knew the difference between excusing and explaining a character's actions
One of the things that bugs me about the way The Amazing Digital Circus is criticized is that itâs often lumped in with the same types of criticisms that a standard TV series gets.
And I find that frustrating because this is an INDIE show, not a mainstream TV series. There werenât 24 episodes in a season, there was 9. There werenât 15 different writers, there was 1. They donât have a huge budget, so they have to economize their characters and focus. They werenât even released week to week, they were released as they were finished.
Why are we treating this series with the same level of scrutiny that an HBO miniseries gets?
Like, I get it⌠no show is above criticism. But I do feel like you need to tailor your criticisms for the work in question. You would not look at an indie game and compare it to a AAA title, would you? You should understand that the limitations and restrictions that come with an indi production are going to result in some things not being as ironed out and streamlined as possible. That there are always going to be things that couldâve been made clearer or more consistent.
Like the common criticism I see is âthe pacing is off.â Like no shit? On a typical TV series or mini series all of the episodes are filmed/animated at the same time. They might go into production in order, but they are all generally created around the same time, leaving little in the way for adjusting the trajectory of the story ahead of time. But Glitch doesnât do that. They do each episode as an individual production. And while the whole story might be planned out, this flexibility allows the story to change or shift over time.
That is a feature not a bug.
Anyway, I know WHY people treat it like itâs a mainstream production, but I really wish they wouldnât. Because those lofty criticisms become a barrier to entry. If youâre going to be that harsh on an independent production, what does that mean for someone even smaller looking to make their own work?
One of the biggest tragedies of half the TADC fandom rejecting Jax's transness is they're not appreciating the fact that goose trojan horsed her transfem character in the shell of a tumblr sexyman and then made it canon in cinemas
You are robbing yourself of how funny that is and I'm sad for you
Also this, this is EXTREMELY important
*straight yuri joke*

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Tsundere Type 2 (Part 1)
A lesson for all tsundere caretakers.
"TADC underdeveloped their female chara-"
Um... did we watch the same show. Hell, you CAN argue that Zooble, Gangle and Ragatha deserved more visible character growth... but it's there. Interestingly it's why a lot of fans have gravitated towards them.
Gangle had her "manic episode" which revealed a looooot about her alone. Ragatha has had a lot of her people pleasing deconstructed across the series without a focus episode but it culminating with her heart to heart with Kinger really made it work.
Also... Pomni? Pomni? POMNI? Did she blink out of reality? Why does she not count? She becomes a leader, someone who gets the circus members centered when it comes to a certain task like when it comes to dealing with Caine. Episode 8 has her going through the exits again to parallel when she was going mad in episode 1.
I just feel like... there's an argument to be had as to how much Jax's arc might've taken up the story, if it overshadowed the others in the narrative or if some of us are overlooking what character arcs we have of the others.
It's okay to want more but not at the expense at invalidating what we already have.
Ima be honest (damn why are almost all my posts beginning with some variation of this same statement damn)
TADC wouldnât be so hated if Jax was the main character and not Pomni
The issue wasnât really the show (slightly though, its pacing couldâve been better but still)
It was how Jax became the center of attention in everything.
How Iâd make the show (even though nobody cares lol)
Make Jax the MC with Pomni as the main side character
Have a little filler (or just episodes that showed more lore for other characters like how Goose promised there would be)
Thatâs all really.
Jax is a good character; heavily flawed yes, but sheâs still good in my opinion. Her entire story is about a closeted/self repressed trans woman struggling with her identity.
The reason the show fell was because Pomni was supposed to be the MC, but she was eventually becoming a side character in her own show.
A few other changes Iâd like to include is more hints and story on C&A since itâs supposed to be important, and filler episodes that could focus on other charactersâs backstories
I really like the fact that you emphasize your pronouns when complaining. âIâd do thisâ and âIâd do that.â Cool. Good for you.
YOU DIDNâT MAKE THE SHOW. So what YOU would do differently is immaterial to genuine criticism of the show. You are not criticizing the show⌠you are engaging in writing fan fiction and then bitching that the show wasnât up to your headcanon.
Like, not only is your criticism stupid, but it ignores the reality of the show in favor of this fantasy youâve concocted that Pomni isnât the main character of her own show just because Jax had some screen time.
Also can I just add that itâs easy to criticize a show after itâs done and complain about pacing, while ignoring the reality of how itâs made. A normal TV show is done all at once and that allows creators to iron out season long issues and work on the pacing that way. But this isnât a normal TV show. Itâs an indie production made by a small team where each episode is done independently of each other one after another. WHY THE FUCK are you holding it up to the standards of a big budget TV show?

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their dynamic
Ranma ½ wasnât my first egg cracking piece of media, but it 100% was a colossal influence on me growing up. My twin sister, Jackie, and I used to watch anime in the morning before school. There would be a little run of Sailor Moon, Dragon Ball Z, and Pokemon on starting at 6am. Weâd watch them back to back to back in my momâs bed (sheâd leave early for work).
Jackie got into manga not long after and would mention some of the things sheâd be reading. Eventually, Ranma ½ was one of them. When she told me it was the story of a boy that was cursed to turn into a girl after touching cold water (and back to a boy again with hot), I immediately wanted to read it.
I wish I had his curse, Iâd always think. Iâd work out the logistics of how I could have access to hot water if needed, and what steps Iâd take to maintain the life I wanted to live. Sure, with his curse Iâd have to be a boy from time to time, but even just the chance to be a girl for any amount of time made it seem like not a curse at all.
I saw myself in Ranma. Heâd be frustrated by his situation, just like I was, but he dealt with being the wrong gender, just like I had to.Â
He learned to take advantage of his curse when possible, and even enjoyed some of his time spent in girl-form. That totally rocks!
We play the cards life deals us.Â
One of my cards was gender dysphoriaâŚ
âŚbut if Ranma could make it work, so could I.
Itâs kind of insane that thereâs a remake roughly 23 years later, JUST after I started HRT. I know itâs just a coincidenceâŚ
âŚcertainly a fun and meaningful one, though.