đĽ My Media Analysis Master List Posts đĽ
âââââââââââââââ
đŚArcane: Season 1 + 2
đŞThe Amazing Digital Circus
đŞThe Backrooms
đŻBlue Eye Samurai

Love Begins

tannertan36
Not today Justin
Three Goblin Art
let's talk about Bridgerton tea, my ask is open

titsay
Aqua Utopiaď˝ćľˇăŽĺşă§č¨ćśăç´Ąă
we're not kids anymore.
Peter Solarz

â

Discoholic đŞŠ
Claire Keane
sheepfilms
tumblr dot com
Stranger Things
macklin celebrini has autism
Show & Tell

⣠Chile in a Photography âŁ
occasionally subtle
trying on a metaphor
seen from United States
seen from United States

seen from Malaysia
seen from Ireland
seen from United States
seen from United States
seen from United States

seen from United States

seen from Canada

seen from Malaysia

seen from New Zealand

seen from United States

seen from Australia
seen from Chile
seen from United States
seen from United States

seen from China
seen from Japan
seen from Canada

seen from United States
@sapphiresaphics
đĽ My Media Analysis Master List Posts đĽ
âââââââââââââââ
đŚArcane: Season 1 + 2
đŞThe Amazing Digital Circus
đŞThe Backrooms
đŻBlue Eye Samurai

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
I kinda like the idea of jax becoming a cautionary tale of what happens when you let dysphoria and self hatred eat you alive. I've met so many of him IRL in my own circles. I think people need to hear it. I need more characters who eat themselves alive and actually have to suffer the consequences of not choosing to be better. It's pretty refreshing to see a different and nuanced take on dysphoria and how it doesn't always manifest the way you would expect.
đŞTHE AMAZING DIGITAL CIRCUSđŞ
BTS of our Content Shoot
5,110 Followers, 4,649 Following, 77 Posts - See Instagram photos and videos from â¨đđđĽđ˘ đđŹđ đĽđ đđŠđˇđˇđđŤđ¤đ⨠(@mochaulzzang)
All the Trans Jax discourse has made me realise how many people don't view representation as something that exists to represent people to themselves and make them feel seen or validated but rather to represent us to non queers as a palatable sales pitch for why they should tolerate our existence.
the amazing digital circus is a show about empathy and what it does to you if you go too long without a support system so the show starts with sympathizing with Pomni (the most empathetic person, easy), ep2 is empathizing with an NPC in a game (no flaws), ep3 is empathizing with a man who has dementia, ep4 is empathizing with someone who annoys you when they're unmasking, ep5 is asking you to empathize with a rich white woman and so on....
so it all works up to the empathy boss - a bush era edgelord millenial trans girl who thinks she's Max from Sam & Max and is inherently unworthy of love
and some people failed the empathy test

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
Anyone else worried that so much of queer culture right now is about categorizing yourself into hyper specific boxes? Itâs like we didnât learn from when straight people did that to us, and now weâre using our sorting system to harm other queer peopleâŚ
A moment of silence for Gooseworx and the harassment she as a trans woman has received for out of context jokes from seven years ago that she's already apologised and made statements for several times. The second she came back from being harassed off every social media ever, the transphobes came oozing out of the woodwork to do it again.
Oh, and another moment of silence for people hating on the ending of TADC because it focused on one of the two main characters and had a plot hole that is easily filled in if you know what a computer recycling bin is.
"Six weeks into the term, I assigned my rhetoric and writing students a 20-page article. It was the same length I had assigned for five years and the same length I had read without complaint as an undergraduate a decade ago. Not one student finished it.
When I asked why, a student answered honestly: It was too long, and she kept losing track of what the paper was about. This was not a remedial class: These were students who had cleared the admissions process and written essays good enough to get them here. Yet a routine academic reading assignment had defeated them.
Every generation of professors has complained that their students cannot read. The lament is usually overblown, but data have caught up to anecdote, and what I am seeing in my classroom is no longer a hunch. There is a measurable, generational collapse in sustained reading and writing, and the academy is responding to it with improvisation and exhaustion rather than the structural overhaul it requires.
In February 2024, Adam Kotsko, who teaches in the Shimer Great Books School at North Central College, wrote in Slate that students who once handled 30 pages of reading per class meeting now seem âintimidated by anything over 10 pages and seem to walk away from readings of as little as 20 pages with no real understanding.â Crucially, he added that this is ânot a matter of laziness on the part of the studentsâ but of underlying skills they were never given a chance to build.
The Chronicle of Higher Educationâs 2024 investigation found the same pattern across institutions as different as the Stevens Institute of Technology and Wellesley College, where the average SAT exceeds 1400. Nicholaus Gutierrez, an assistant professor at Wellesley, told The Chronicle that the baseline for what students consider a reasonable amount of work has dropped so noticeably that he has cut his readings accordingly; a 750-word essay now strikes many students as long. At Stevens, the science and technology studies associate professor Theresa MacPhail described following the mantra of âmeet your students where they areâ for so long that she has begun to feel âlike a cruise director organizing games of shuffleboard.â
Worse, the national data tell the same story in colder language. On the 2011 National Assessment of Educational Progress (NAEP) writing assessment, which is the most recent comprehensive writing benchmark, only 24 percent of 12th graders reached the Proficient level, and just 3 percent reached Advanced; another 21 percent scored below Basic. The reading side of the ledger is worse, and getting worse fast: The 2024 NAEP results released in September 2025 show 12th-grade reading scores at the lowest level recorded since the assessment began in 1992. Thirty-two percent of 12th graders now score below NAEP Basic in reading, meaning that, in the assessmentâs own language, they likely âcannot draw general conclusions based on concepts presented explicitly in a text.â And yet more than half of these same seniors reported being accepted to a four-year college. That last sentence is the whole problem in one line: We are admitting a cohort that cannot read at a college level and are pretending otherwise.
Why is this happening? One reason, of course, is smartphones.
I came into teaching as a skeptic of the anti-smartphone argument: I had a phone in my pocket throughout high school and college in the 2010s, and I read long books anyway. I now think I was wrong, because the neuroscience has caught up. In a 2017 paper, Adrian F. Ward and colleagues at the University of Texas at Austinâs McCombs School of Business showed that the mere presence of a participantâs smartphone â whether that be face down, powered off, untouched, or across the desk out of vision â measurably reduces available working memory and fluid intelligence on cognitive tests, with the largest effects on the most phone-dependent users. A 2022 study by Motoyasu Honma and colleagues at Japanâs Showa University used near-infrared spectroscopy to compare reading on a smartphone with reading the same passage on paper, and found that smartphone reading produced overactivity in the prefrontal cortex, suppressed sigh generation, and led to general lower comprehension scores; the authors argued that the sigh inhibition and prefrontal overload were causally linked to the comprehension decline.
So when a student tells me they âkept losing trackâ of a 20-page article, I have to acknowledge that they may be describing a measurable neurological condition. The neural pathways that support sustained attention are built by use, and they atrophy without it. Your body is a use-it-or-lose-it system, and the brain is no exception.
Another reason for the decline in student reading capability is increasing reliance on generative AI. In June 2025, Nataliya Kosmyna and colleagues at the MIT Media Lab released a preprint titled âYour Brain on ChatGPT.â They divided 54 participants into three groups writing SAT-style essays â one using ChatGPT, the second group using a search engine, the last group using nothing â and monitored brain activity with a 32-channel EEG. The ChatGPT group showed the lowest neural connectivity of the three, with up to 55 percent reduced connectivity compared with the brain-only group, and âconsistently underperformed at neural, linguistic, and behavioral levels.â Eighty-three percent of LLM users could not quote a single line from essays they had written minutes earlier. When the LLM group was forced to write without AI in a follow-up session, their brain activity did not bounce back to baseline; the researchers coined the term âcognitive debtâ for the lingering deficit.
This is the first neurophysiological evidence that early reliance on LLMs measurably alters the brainâs engagement with writing tasks, and it is consistent with what those of us in front of classrooms are watching happen in real time. When I assign analysis, I am not trying to extract a polished product; I am trying to put the studentâs mind through resistance in order to make it stronger. Offloading the struggle to a chatbot does not âfree students up for higher-order work.â It deprives them of building the strength to do any substantial cognitive work at all.
There is a final factor that is contributing to this decline in reading skills, and that is that the students arriving in my classroom today are the first cohort to have experienced Common Core-influenced reading instruction across the entirety of their Kâ12 schooling. Whatever the standardsâ original intent, the on-the-ground implementation in many districts replaced sustained reading with the practice of pulling âevidenceâ from disconnected short passages, the same format used on the standardized tests that increasingly determine school funding. The education scholar Natalie Wexler, among others, has documented this pivot in detail: Students drilled on âfinding the main ideaâ in two-paragraph excerpts never build the stamina or background knowledge that longform reading requires. The pandemic then added fuel to a fire that was already burning. NAEP scores for 13-year-olds dropped sharply in 2022 and have not recovered. A 2023 EdWeek survey found that 24 percent of secondary-school administrators described pandemic learning loss in English and language arts as âsevere or very severe.â
In July 2025, the journalist Mary Harrington argued in The New York Times that âthinking is becoming a luxury good.â The ability to read deeply and reason at length is fragmenting along class lines as ultra-processed digital media replaces text in everyday life, much as ultra-processed food has replaced cooking. Her longer treatment of the subject in First Things makes the more provocative case that we are witnessing the end of print culture itself, and with it the end of the cognitive substrate on which modern liberal democracy was built.
I see this stratification in the classroom and on the page every week. My students from districts that protected sustained reading through small class sizes, strict phone policies, and faculty who refused to teach to the test all arrive with their attention relatively intact. My students from districts that surrendered to devices and standardized testing arrive cognitively winded. A democracy that requires a literate electorate is now training one fraction of that electorate out of literacy while marketing to the other a âdeep workâ lifestyle as a luxury good. The students who cannot read a 20-page article today are the voters who will not be able to read a bill, or the jurors who cannot follow a closing argument, tomorrow.
I do what I can in my own classroom to address the problems. I break 20-page articles into two halves and assign the first half with explicit analytical tasks. I require exploratory writing before formal drafts. I model (visibly, on the board) how to track an argument across pages or distinguish a sourceâs claim from my own analysis. I make structured peer review explicit, because the workshop format I used to take for granted now collapses into âthis is goodâ and âmaybe add more detailsâ the moment I step back.
But I want to be plain about the limits of what an individual instructor can do, and all of these solutions have costs. Scaffolding a 20-page article into halves compromises the integrity of the argument I am asking students to engage, just as modeling note-taking in a credit-bearing rhetoric course is using a college slot to teach a middle-school skill. None of the syllabi I teach are designed to deliver this type of cognitive rehabilitation, and pretending otherwise has produced credential inflation. We cannot keep conferring degrees on students who cannot do what the degree is supposed to certify.
Iâm afraid I donât have answers. I do, however, have some questions that may point us in the right direction. If higher education is going to respond to the reading crisis as a structural problem rather than a private burden carried by composition instructors and adjuncts, it has to stop avoiding the following questions: If a majority of incoming students cannot read at a level the curriculum requires, are we admitting students we cannot serve, or offering a curriculum we cannot provide?
Why are first-year writing and reading-intensive general-education courses still the most adjunctified, lowest-paid, highest-load corner of the university, at the precise moment when their work has become the most important work the institution does? What is the responsible institutional response for AI usage: Is it a syllabus statement, or a sequencing principle that requires students to demonstrate the cognitive work themselves before AI assistance is permitted?
Why are most college classrooms still phone-permissive by default? Kâ12 districts from Florida to California are now banning phones bell to bell; higher education has somehow lagged behind the public schools. Universities benefit from a pipeline they did not build and refuse to repair. What would it mean for a university system to invest seriously in the reading instruction happening in the high schools that feed it, rather than treating remediation as something to be quietly outsourced to first-year composition instructors?
The thing I am no longer willing to do is pretend this is a temporary adjustment period, or that âstudents will adapt.â They will not adapt on their own. The conditions that produced this collapse are still in place: the phones, the algorithmic feeds, the test-prep excerpts, staffing models that load the reading-intensive work onto the most precarious faculty, and now the chatbots that finish studentsâ sentences before theyâve even begun to think of them. If we want literate citizens, we will have to rebuild the conditions for literacy deliberately, against the grain of every incentive currently pointed the other way. I know the academy has the will to do that. It also has the obligation."
â Tyler Jagt, 1 June 2026, "My Students Canât Read"
The generational collapse in literacy is measurable, persistent, and likely to get worse.
I want to be very clear on this: it is not just dependence on smartphones and phones causing mental atrophy. It's that for decades we have taught Three Cueing System as a way to read, and while we are now beginning to correct, it is catching up with us. The reliance on smartphones and short form video are in part a result of illiteracy, not necessarily a cause of it, because we have failed to give students the tools to actually read but also paired it with the belief that they can read. They do not seek remedial reading help but blame the materials for being unclear or too difficult, when the fundamental problem is that the more complex the text, the less functional the three cueing system is. They are often quite literally guessing what the text says by searching for words they recognize (or think they recognize but cannot verify) and texts rapidly become impenetrable nonsense. Of course people will reach for their phones when 90% of the text they encounter in their daily lives and schooling is not accessible to them!
I need to see the TADC fandom come together and DENOUNCE the toxic side of the fandom that caused Gooseworx to delete her tumblr account.
You all need to be OUTRAGED about this. And if youâre not, then youâre letting the toxic side of the fandom win. And sooner or later theyâre going to turn on you too.
Cut them out like a cancer NOW.
Edit: I understand now that she was banned by tumblr. That sucks and we should put pressure on tumblr as well. But that doesnât change that for the past several years the toxic side of this fandom has been allowed to flourish. My sentiment that we need to come together and cut the toxic side out like a cancer still stands.
me seeing the 'isn't she lovely' part of the tadc finale: omg jax is transgender!!!!!!
me after learning what the song means: oh that's not a fitting song choice actually!!!!!
I REALLY need you guys to understand that music can be used outside of your race, and that the meaning of a song can change depending on what itâs juxtaposed against. This is NORMAL transformative use.
And if you insist that a song made by a black person can only be used by black people, you are enforcing a weird form of segregation. And itâs doubly weird you object to it when the ESTATE of the original song APPROVED its use in the show.
Like seriously, is this your first experience with listened music EVER? Have you never watched a film where a song choice is deliberately transgressive by how itâs juxtaposed to whatâs on the screen?!?

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
^^^^^
Okay but like... there's a flaw in your logicâŚ
Having media literacy skills is all about having the ability to DECODE the symbolism left in by the creators. Symbolism that isn't just as blatantly obvious as a character looking at the camera and saying "I am trans fem."
You're supposed to be able to take all of those separate elements listed above, and put the pieces of the puzzle together yourself. So yes, it's not unreasonable for people to be annoyed at you when they list all of the VERY OBVIOUS SYMBOLISM based on character actions, shot composition, music choices, editing, etc... and have you just say
"but it wasn't explicitly stated."
Maybe it's because I'm queer and I grew up my entire life watching queer media have to be coded and hidden and spent my time decoding those messages the creators intentionally put in there, but your response really reads as very anti-intellectual to me.
I don't need to see Gooseworx give me an answer, because I saw all the elements line up in the episode on its own and was able to decode the message myself. That's what having media literacy is all about. As in literally that's what media literacy MEANS:
Media literacy is the ability to apply critical thinking skills to the messages, signs, and symbols transmitted through mass media.
I really don't like this idea that "everyone can have their own interpretation and therefore nobody is ever wrong" mindset. We shouldn't treat every opinion like they have to be on equal footing with someone else's opinion. Some opinions are just bad. And yeah...
You can just be wrong sometimes.
Not just about your interpretation of Jax but about the way you approach media in general. You are VERY anti-intellectual in your thinking and see things in black and white terms. That's why you're getting so much hate. Because your basic understanding of how media WORKS is wrong and flawed.
not my usual content but since I am in the tadc fandom I would like to share my opinion without the toxic fans putting me on the stake.
PLEASE DON'T BE TOXIC
To anyone who complains that this is âbad rep,â please actually take the time to listen to someone who was in the exact same situation as Jax and what their experience was:
Not gonna lie. This is a hard watch. But I think itâs worth it when people seem to believe the only good representation is a squeaky clean morally righteous one..
Sometimes good representation is letting people see what it feels like and what damage can be caused by not being supportiveâŚ
My problem with a lot of the TADC drama is that the fandom is just making things worse.
If a person says or does something wrong but then apologizes for it and swears to do better, you donât help them get better by constantly digging up that thing they did wrong and shoving it in their face every chance you get.
Think of what they did wrong as a wound in the community. Itâs only going to heal with time and effort. But the problem is the fandom is picking at that wound and keeping it open. Itâs not able to heal because you fucking assholes wonât leave it alone and let the 7 YEARS of history speak for itself.
And I want you to put yourself in their shoes. What if you did something bad and you immediately regretted it? You recognized it was wrong and you apologized. You say you wonât ever do it again. And you mean it! Your track record is exceptional and youâve dedicated a lot of time and energy into being a better personâŚ
But then some prick digs up what you did and makes a post about it. And that keeps being spread everywhere. And now you canât go anywhere without someone constantly reminding you of the worst shame you have been struggling the past several years to move on and forget. All of your accomplishments since are washed away and youâve been dragged back down into that moment by people who are supposedly your âfans.â And that moment wonât end. You canât move on from it because no one will let you. Day in and day out itâs just a barrage of reminders that one day 7 years ago you fucked up. Doesnât matter that you regretted it. Doesnât matter that you apologized. Doesnât matter that youâve done a lot to be better since. Youâre just forever perpetually in that moment, and NO ONE will let you move on from it.
How would you feel in those shoes?
Do you understand how fucking traumatizing that is? How unhealthy that is? Both for the fandom AND the people in question? Do you understand how youâre not helping the community move on? You picked at the scab and now itâs bleeding all over again. And anytime anyone tries to put a bandaid on it to heal, you bitch and whine and wonât let it go. So the scab becomes a scar. And now itâs just festering and getting worse.
This isnât just about TADC. Iâm speaking from personal experience and things Iâve witnessed too over the years. Some of you âfansâ just want to hate and you donât actually want people to change and grow. You just want to wallow and youâre bringing all of us along with you.
THAT IS NOT HEALTHY.
And of fucking course NONE of this is meant to justify what they did. But if a wound is healing you donât help by picking at it. And some of you just need to learn to leave it alone and let it heal.
I think a majority of what can be said about the Micheal Kovach/Ashley situation HAS been said, but I find it extremely disappointing hearing the opinions of nonblack individuals get more attention than the opinions of the affected group on other websites. I am a black person, and felt like speaking up about this since I have a lot of TADC followers and primarily post about TADC, and I think the current state of fandom culture as a whole is too forgiving of racism.
Micheal and Ashley are - and, 7 years ago, were - adults. I hate when old stuff is dug up as much as the next person but if something like this is simply swept under the rug it does more damage if its overlooked than if its ignored. The argument that this isn't "that deep" because it was years ago means nothing here; Both VAs should know better than to make shitty, tasteless edgy jokes on a livestream no less when they're both ADULTS. Microaggressive humour like this is not only unoriginal and unfunny, but allows for larger hateful acts to occur. I do not think Micheal and Ashley are racist but they have extremely large fanbases now and they risk fostering a subcommunity of actual racists if they are careless with what they say. Ultimately, they should've both kept their mouths shut.
Their individual apologies were good too. They were simple and addressed their behaviour, and they agreed to keep the VOD up so they can't hide from accountability. I genuinely appreciate their transparency. Despite this, black fans of these creators are entitled to feel however they wish about the jokes they made. I do not care what a nonblack fan of these two think regarding that matter. If you are black and you are upset at these two creators for their actions, that is completely fine. Personally, I am neither forgiving nor resentful of their actions; this sort of thing is unfortunately so common I have grown numb to even hearing it, and I cannot feel anything but disappointment when situations like this occur. However, I am obviously very disappointed and felt uncomfortable watching the clips; Me being slightly numb to this doesn't make it any less of an issue. There is nothing funny about the n-word. White people have no reason to be joking about it. I may be a minority myself but I wouldn't dare use words meant to harm other minority groups I am not a part of for my own enjoyment. It's pointless, and honestly most edgelords aren't even good at what they do and are extremely unfunny.
Fandom spaces are predominately queer, yes, but the same cannot be said for how accepting of different cultures they are. Admittedly the reaction to both Micheal and Ashley's apologies were more infuriating than their actions to me. People are so willing to sweep everything under the rug for their own safety. The idea of their favourite voice actors being "problematic" is terrifying to them - its such a parasocial mindset. I don't give a fuck about their contributions right now, there's a larger issue at hand. I don't know Micheal and Ashley, and I don't care to - I enjoy their voices in TADC and other proj3cts but they simply make content for me to enjoy. I am not their friends, and YOU aren't either. It's extremely privileged to only care about the integrity of their roles as Jax and Zooble right now and it's pretty easy to have basic empathy for black TADC fans by just admitting that the VAs' apologies are not YOUR apologies to accept or deny, and listening to the group affected. Your witty two cents isn't always wanted.
If you genuinely think this situation isn't a big deal, and are silently hoping it'll dissipate and people will forget so you can feel good about yourself interacting with Digital Circus content -- Fuck you. You're a part of what makes fandoms so unsafe and unwelcoming for people of colour. The sad part about this is there are definitely people who don't care if black people have it harder in the fanbase but I am choosing to ignore them because it's hard to change the minds of racists. Please feel free to unfollow and/or block me if you actually care more about these two fully grown adults' reputations than how black people feel. Noone wants you here.
Please do not think you don't belong in a community if you are a person of colour. These online spaces are extremely white at the moment but they are YOUR spaces as much as they are anyone else's. Noone should be able to tell minorities how to feel about an issue relating to them.
Okay but can someone please explain to me how a wound in the community is supposed to heal if people perpetually keep the wound open and re-open the wound every chance they get?
By your own admission, their apology was genuine and their TRACK RECORD of not repeating the offense has been good and intentional. How are we as a community supposed to hold them to their word if all we ever do is tell them âno amount of apology or effort to improve yourself will change how we feel for all time, and we will constantly harass you and remind you of the one mistake you clearly regret doing?â The message youâre unconsciously sending is âif you try to be a better person, we donât care and you canât be one no matter how hard you try.â
Do you not see how continually digging this controversy up over and over and over again isnât helping?
I donât really like to publicly talk about fandom stuff like this very often, but seeing as I am Black, and after seeing some peopleâs reactions to the whole situation with Micheal Kovach and Ashley Nichols, I feel at least a little compelled to add my two cents to the whole situation
Let me preface this by saying that I am absolutely not a representative of every Black person in the fandom. Iâm just one guy with an opinion on this, and me having a different view on this compared to another Black person shouldnât invalidate their opinion, nor does their opinion invalidate mine.
AnywaysâŚ
yeah, the whole âNega sounds like the n-wordâ joke was indeed not that funny. It was a pretty lame joke and probably not one white people should be making all willy nilly, but itâs honestly pretty tame compared to other edgy jokes? Like, this isnât even the first âNega sounds like the n-wordâ joke Iâve ever seen, and I donât see people getting up in arms over Eggman Nega or whatever. Honestly the clip was more second-hand embarrassing for me to watch than actively upsetting.
I think Micheal and Ashleyâs apologies were both serviceable enough, obviously it doesnât absolve them, but it does seem like theyâve grown and changed and arenât making racist jokes anymore. I canât say for sure because I donât really pay that much attention to what they get up to outside of TADC, but like, they seem normal to me.
I think ultimately, itâs up to you personally if this whole thing makes you not want to support or engage with the show anymore, and Iâd understand either way. Black people absolutely have every right to be upset by this, and if they donât feel good about engaging with TADC anymore, thatâs completely fine, and theyâre allowed to do what they want. Similarly, if someone does still want to watch the show, thatâs completely fine as well. Just donât harass anyone over what they decide to do (And also donât harass the VAs or anyone else who works on the show, you can criticize peopleâs actions while being normal about it)
I am a bit concerned about how intense some people are getting about the whole thing though, some of yâall are saying some crazy shit over this
I wonât go into specifics, but sheesh, some of it is kind of embarrassingâŚ
Like I said, you are allowed to be upset by this, especially if you are Black, but some of the reactions Iâve seen over this just scream âchronically onlineâ to me
There are more serious things going on than âtwo white voice actors made a tasteless joke in a Jackbox livestream 7 years ago.â Like objectively, there are more serious things to be mad at than this, at some point you are just kind of wasting your energy
Overall, just do whatever you feel is right for this situation, you are allowed to feel upset by this, but also donât harass people over it. Be civil, please.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
"[blank] isn't good queer representation" gives the same vibe to me as "all queer people have to be spokespersons for the entire community"
let queer characters be assholes. let queer characters have bad morals. let queer characters be really sexual. let queer characters be genuinely bad people. let queer characters be written poorly. let queer characters be 2 dimensional. let queer characters be stereotypes. let queer characters be cringe. let queer characters have a sexual/romantic/gender/other aspec/etc identity separate from their personality.
let queer characters exist. let queer characters exist without being perfect in the same way you'd let queer people exist without being perfect.
Itâs driving me up a wall that I havenât seen anyone talking about this design choice yet