Dykestra

Why is everyone mad at Noah Wyle for focusing his own show on the main character’s storyline? Robby is the main character. That’s literally the point. He created the show and plays the lead. Bro of course the narrative is centered around him.

It feels like people are forgetting how television works. Not every character is going to get equal screen time or a storyline that matches what you personally want. That’s what fanfiction is for—not the actual show.

Also, I keep seeing criticism that the show is treating its women of color poorly, but I honestly don’t think that tracks in the way people are saying it does. If anything, Mohan has had more focus this season. I didn’t even care much for her in season one—I thought she was underdeveloped—but she’s been more present and fleshed out this time around. That coupled with Baran, Trinity, and the entire nurses staff like???

People are also mad about a Supriya leaving next season and immediately spinning it into “it’s because she’s a woman of color” and “it’s a white male agenda,” and honestly… what show are you watching? This show has so much diversity it’s insane.

They’re completely ignoring the fact that she’s being replaced in the main cast by a Black woman whose character is already established, interesting, and clearly well-loved. So the idea that this is some kind of deliberate sidelining doesn’t even line up with what’s actually happening on screen.

This show has representation for not just poc but the lgbtq+ community, people who are neurodivergent and an assortment of religious and ethical backgrounds. It’s like you all are just fucking ignoring the fact that representation like this basically didn’t exist fifteen years ago. I’m so tired of people ragging on this show and not giving it recognition for all the subtle and complex details that come with mental health and the outrageous hell that is the American healthcare system.

And while we’re at it—this season has introduced and expanded some of the most complex character work we’ve seen so far. Baran Al-Hashimi, a woman who was initially framed like a straight-up antagonist “replacement” type, instead gets a layered, emotionally complicated arc that turns her into something far more interesting than a one-note villain.

Santos, a queer woman, is also given real depth: we see her carrying visible self-harm scars, navigating a toxic workplace relationship with another woman, and dealing with the trauma of being completely dismissed and humiliated by Langdon on her very first day. That’s not shallow writing—that’s intentional character building.

Mel has remained consistently written with clear neurodivergent traits that feel deliberate, grounded, and honestly deeply relatable.

Emma, meanwhile, is on her literal first day and is already being put through hell. Girl was physically attacked, choked out, and still managing to respond with care, professionalism, and control. And the rape kit scene wasn’t just “important,” it was handled with weight, precision, and actual narrative respect.

So again—what exactly are people watching?

Because if you’re looking at all of this and still claiming the show is flattening its women or stripping away complexity, that criticism just doesn’t hold up to what’s actually on screen.