I need Mike Flanagan to make a miniseries adaptation of “13 Storeys” by Jonathan Sims ASAP please and thank you
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@sapphicthunderhead
I need Mike Flanagan to make a miniseries adaptation of “13 Storeys” by Jonathan Sims ASAP please and thank you

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How else is one supposed to interpret Georgie saying, verbatim, “If this really is a second chance, please try to take it. But I don’t think that it is.” There is no other way to take it but that she’s saying him coming back is not a second chance, meaning he’s back because of sinister reasons, and if he were human he should’ve and would’ve stayed dead. But because he didn’t, and because she thinks him staying dead would’ve been a sign he wasn’t a monster and made the right choice to not become one, she’s saying, “I wish you’d died.” I cannot interpret it as anything else by her saying that.
Likewise, how else am I supposed to interpret Basira replying, “We’ll talk later,” after Jon asks if she’s disappointed he’s alive. It’s a yes or no question, there’s nothing to discuss. There’s no caveats that would make it any less her saying, “Yes, I am disappointed you’re alive,” without her explicitly saying, “No, I’m glad you survived.” Which she doesn’t.
Jon was basically viewed as dangerous and as needing to be pacified with halfhearted maybes by them. Then we have Melanie who immediately and proactively attacks him because of that danger he presents. Then we have Martin who says to him, without meaning, that if Jon died again he was going to make sure he stayed dead. Literally every single person in his life tells him he wasn’t wanted alive. That he made the wrong decision in coming back.
There is no other interpretation of the first few interactions Jon has in season four. I refuse.
COULD a Magnus Archives tv show be made?
SHOULD a Magnus Archives tv show be made?
These are legitimate questions.
The biggest issue in adapting TMA is, quite obviously, the length of it. The main benefit that comes from podcast is that you can reasonably have 200 episodes to craft a story in. With television, however, production would necessitate a huge cut. Meaning entire episodes or statements would need to be removed. Meaning the slow creep of realizations cannot happen. Meaning restructuring of plot beats or character moments. Wheat from chafe and all that. It could be doable. It could even improve things. Unfortunately, with how television shows seem determined not to go beyond 6-10 episodes a season any more, there would be A LOT of sacrifices.
To that point, we can look at the length of episodes as they stand. Given a 45-52 minute runtime in a television episode, you could adapt two or three of the 15-20 minute podcast episodes into one. Especially when adapting season one. Potentially still, for a certain degree, keeping that slow creep. At that point, as previously stated, the most thought would need to be put into what exemplifies and progresses not just the plot but themes of the series. At this time I will not be debating which statements or episodes could be culled. That is for another day.
Continuing on to the statements, there is the question of how to portray them. There is the obvious difference in medium -- audio versus visual -- and therefore a difference in what it should literally look like. It cannot simply be whoever is acting as Jon sitting at a desk and reading. So. Would they be snippets of visuals with narration overlying it? Would they be fully filmed and acted like any other scene? Would there be any indication of Jon as a watcher or the Fears? Would there be a shift to where Jon, when it is a live statement giver, acts out the statement? Would he be in the background? Unobtrusive at first, then more obvious? Would that obviousness only come to a head during the Eyepocalypse? There would also be the opportunity to fix where the fifth season failed as there would no longer be episode after episode of the same moral conundrums and naval gazing to bloat things out, streamlining things. Less room for emotional exhaustion to sour things.
I haven't spoken on the metaplot part as that wouldn't be too much of an issue to handle. A competent writers room can figure out how to structure an episode that balances things out satisfactorily. The main concern in that would be in how to condense those 200 episodes of development in a way that wouldn't feel unearned and out of nowhere. Especially as the cast list, in a shorter series, would potentially need to be condensed as well. This is what would make or break this hypothetical adaptation. Do you do away with one cop or the other? Do you take away one assistant to better feature another?
Beyond the Archives, what would be done about the marks? The rituals? That is, if the series even gets to that point. Less episodes, less seasons, less time to make any globe-trotting or kidnapping or foreshadowing make sense. Even with the aforementioned combining of podcast episodes into the longer television episodes.
Any conclusion to be drawn from this, and one I can see being why there hasn't been anything going forward to develop a hypothetical adaption, is that the effort of going back through 200 episodes to beat them into something they weren't mean to be, is idiotic at best and futile at worse. The show is there, faults and all, and anything that would be 'fixed' through an adaptation isn't worth what would be 'lost' with all that is stacked against it.
I have listened to well over 200 20-30 minute episodes of audio that primarily consists of Jonny Sims talking. Between The Magnus Archives (which I’ve listened to from Season 1 to Season 4 about 4 times, plus Season 5 only once), Season 1 and some of Season 2 of TMagP, as well as Re: Dracula in which he stars as my main man Dr. Jack Seward, plus going two rounds with the audiobook version of his horror anthology/novella 13 Storeys… that’s a ludicrous amount of time spent listening to one man’s voice.
As such, I have (naturally) become very familiar with and accustomed to this voice. I generally find its tones and cadence quite familiar and soothing, regardless of the role which the voice is tasked with occupying and animating. I have, of course, felt cold dread upon listening to the words being spoken by this voice as it describes innumerable horrors in various contexts throughout the years. But dread is all that the voice ever evoked in me, and that was down to the writing it read, and not any quality intrinsic to itself. It has never terrified me before, not truly, not once.
So explain to me why the hell this voice I know so well scared the dickens out of me in the audiobook for Family Business????
10/10 would recommend this audiobook. Fascinating story, well-developed characters. It might well have taken place in the universe of The Magnus Archives or the one most adjacent to it. Also, something about the sound mixing or the performance itself makes Jonny’s voice magnificently sinister when it crops up every now and then, at least imo. Anyone else who has listened to the audiobook is welcome to share their thoughts by commenting or reblogging if they so wish.

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How dare you. You have wounded me gravely. Now I must inflict this horror upon others. Just like in The Magnus Archives…
a remake of wolf 359 that's exactly the same but lovelace gets to say "fuck" and "shit" as many times as she wants
Let Lovelace use profanity 2025
Let Lovelace use profanity 2026
Sher lock and co
Continuing the fears drawings with the Hunt, the End, the Spiral, the Stranger and the Vast !
Part 1 Part 3
late night

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I'm trying to make illustrations for each of the fears, starting with the Buried, the Corruption, the Desolation, the Lonely and the Dark !
Absolutely beautiful!!! Pls do the Vast next!!!
gimmie ur fave mag quotes! there’s so many for every character that deserve to have a light on them
Bunch of spoilers for Sherlock & Co ahead, specifically regarding Stockbroker’s Clerk & Six Napoleons. Beware!
Between the Sebastian Moran reveal and the reappearance of “Don’t Go Chasing Waterfalls” I am so very very frightened of what is coming next. I am bracing myself for the worst.
In other news, Sherlock’s recent habit of referring to Watson by peculiar pet names is not only persisting, but escalating. “Dear Watson” and “my little Doctor” have me grinning (love a direct reference to Doyle’s dialogue) and cackling, respectively
I find Sherlock’s repulsion at the phrase “4D Chess” hilarious and relatable. It is quite overused. 3D Chess is a nice little Star Trek reference, but 4D is gratuitous showboating. I said what I said
I appreciate it when Commissioner Lestrade gets to be as imposing as she was when she first appeared! Makes sense she’s standing her ground on this matter.
Oh, Sherlock’s black moods. His monologuing. Archie farting on him was truly the only remedy
LILY LESTRADE???
Febuwhump Day 10: God Complex
Just finished the silt verses and still thinking about the wound tree
Thinking about externally vs internally produced hauntings in Shirley Jackson's houses– the house being haunted in and of itself (Hill House) vs the people providing and acting as the haunting of the house (the Blackwood family). One expanding outwards (the house affecting its occupants), the other encroaching inwards (the occupants affecting the house through their actions and the wider perceptions they bring). You understand

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SPOILERS for The Musgrave Ritual - Part 4
Hey guys, have I finally lost it or did I hear what I think I heard. Did I hear Sherlock say “I could kiss you!” to John Podcast Watson.