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Alexandra Bircken In Mud I Trust (2011)

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Alexandra Bircken, Ship, 2005

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Alexandra Bircken

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Alexandra Bircken Trophy, 2016

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'zusammenhang' by alexandra bircken, 2006 in unmonumental: the object in the 21st century - phaidon (2007)

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Morris Louis, Impending, 1959, 99 ½ x 139 ½ in. (252.7 x 353 cm), Acrylic resin (Magna) on canvas, Inscribed

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Hey guys, this is no longer marked adult

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Gerhard Richter, 3.8.2023

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Ralph Gibson, San Francisco, 1962

wendou

Two wine glasses

2004

Zhou Wendou

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Marble statue of a bound goat, Greek and Roman Art

Medium: Marble, Pentelic

Rogers Fund, 1910 Metropolitan Museum of Art, New York, NY

http://www.metmuseum.org/art/collection/search/248270

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Felix Gonzalez-Torres, "Untitled" (Blue Placebo), 1991 Candies in blue wrappers, endless supply

Astrup Fearnley Museet, Oslo June 22 – December 3, 2023

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Roy Lichtenstein

10 ¢ signed and dated 'rf Lichtenstein '61' (on the reverse) brush and india ink on paper 22 1/2 x 30 1/4 in. (57.1 x 76.8 cm.) Executed in 1961.

fernpapst

romannequins

Cynthia the mannequin - Alfred Eisenstaedt

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Ei Arakawa-Nash Grass Babies, Moon Babies Japan Pavilion, Venice May 9 – November 22, 2026

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Gustave Caillebotte - The Floor Scrapers (1875-6)

Original on top, later version below

“Despite the effort Caillebotte put into the painting, it was rejected by France’s most prestigious art exhibition, The Salon, in 1875. The depiction of working-class people in their trade, not fully clothed, shocked the jurors and was deemed a ‘vulgar subject matter.’

The images of the floor scrapers came to be associated with Degas’s paintings of washerwomen, also presented at the same exhibition and similarly scorned as ‘vulgar’”.

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