Melanie A. Yazzie (Native American, DinĂŠ) - Two Minds Meeting (fabricated aluminum with powder coat finish, 2017)

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Melanie A. Yazzie (Native American, DinĂŠ) - Two Minds Meeting (fabricated aluminum with powder coat finish, 2017)

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"Map of An Underwater City " 9"x12", oil, 2023
By Jennifer St. Mary
11 August 1973 is considered to be the "birthday" of hip hop when 18-year-old DJ Kool Herc hosted a party in the Bronx to raise money for his younger sister's back-to-school clothes.
Cindy promoted the show with hand-made fliers and her brother set up two turntables to create an "extended cut 'n' mix of the percussion breakdown" from James Brown's Sex Machine (1970), creating the template for hip hop.
An Endlessly Looping Path of Water Rushes Over Gallery Walls and Floors

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Haunting the Undercroft. London Southbank, October 2015.
Shoreline Restoration Project
Acrylic and fabric on canvas, 2026
I đ¤ Bartering
Screen print for the Barter Market at Studio Two Three on July 9, 12-8! I will be screen printing this design on shirts BUT itâs bring your own shirt!!

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Liz Christy Garden, Bowery and Houston Streets, New York City, from the series âSweet Earth: Experimental Utopias in Americaâ
In 1973, artist/activist Liz Christy and a group of like-minded New Yorkers calling themselves the Green Guerillas began taking over abandoned lots on Manhattanâs Lower East Side in order to convert them to gardens. Their first success came at a site on the corner of Houston and Bowery, in a vacant lot where drug users found a haven, and two homeless men had frozen to death in a cardboard box a few months earlier. Over a period of thirty years, eight-hundred-fifty gardens were successfully fought for by the Green Guerillas and others, including the legendary eco-activist Adam Purple, known for his all-purple attire worn while bicycling through Central Park, gathering horse droppings to be used as fertilizer. At least fifty-four of these gardens are now being transferred to the jurisdiction of the Parks Department, to become permanent additions to the cityâs urban landscape. New York City has a history of community gardening going back to the 1930s. During the Great Depression, five thousand relief gardens were sponsored on vacant lots, for use by unemployed people. The program was cancelled in 1937 when the US Department of Agriculture initiated a food stamp program. For the next few years the public garden program lay dormant, but when World War II broke out the city announced that all available city-owned land could be cultivated as Victory Gardens. With the warâs end and the advent of frozen food, the Victory Garden program came to an end. The continued existence of the garden at Houston and Bowery is currently threatened by the construction of an adjacent upscale apartment complex. Many other community gardens have fallen victim to the forces of real estate development or have been involved in conflicts resulting from land speculationâAdam Purpleâs world-renowned Garden of Eden was destroyed in 1991. Liz Christy died of cancer in 1986, at the age of thirty-nine. From the portfolio, Sweet Earth: Experimental Utopias in America, 1982â2005 by Joel Sternfeld
Pati Hill | Untitled (broken glass and dragonflies), c. 1990 xĂŠrocopie. 42 x 29,7 cm. unique
Compound
Installation by Sopheap Pich for Singapore Biennale 2011.
Cambodian artist Sopheap Pichâs sculptures respond to and connect with his surroundings. After training in the United States and France, Pich returned to Cambodia and began using local materials such as rattan, bamboo and burlap that are primarily used in craft and agriculture. His refined, expressive works hover between abstraction and figuration, reflecting upon everyday Cambodian life, history, personal experience, and phenomena he observes in the natural environment. Compound, commissioned for SB2011, uses simple modular forms to create a large aggregate structure that will dominate the foyer of the National Museum. The work is inspired by rapid urban development and its environmental effects; as Pich says, âThrough history thereâs this endless cycle of building and destruction. Can we build without destroying?â
Shannon Bool (Canadian) - 8 Bit Blue Curtain (fired and glazed ceramic on wood, 2022)

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Alyson Vega (Puerto Rican-American) - City Blocks (layered fabric and machine sewn, 2019)