âSup, Iâm London (she/her). This is my Fallout blog (mostly 4 but occasionally 3 and NV). Here I share fic updates and reblog cool things.
Asks are open! Feel free to say hiâor even send me a oneshot prompt.
Current WIP(s)
Rosemary Reaper. Set in 2290, this is a post-Minutemen-ending Fallout 4 fic that alternates between the third-person POVs of Detective Nick Valentine, Sole Survivor Nora Delaney, and Commonwealth newcomer Ros Markey. Following the destruction of the Institute, now lacking a common enemy, the three remaining factions stand at the brink of warâwith each other. Found Family and Angst a plenty, with a healthy dose of Hope thrown in the mix. Draft chapter status: 1/40.
âWill of the People.â A stand-alone sequel to âCase by Case,â featuring many of the same characters, this Nick POV fic follows the three days before McDonough passes the Anti-Ghoul Decree.
For details on my OCs (Sole Survivor, Lone Wanderer, Courier Six) see this post!
Completed Works
Piperâs Best Worst Day: (8k words). Following a successful boycott, Piper deals with a grumpy bartender and a funny-tasting beer.Â
Case by Case: (21k words). Eight years before the Sole Survivor, an overworked Nick finds unexpected opportunity in a pickpocket. Not the weirdest hiring interview heâs given, but itâs up there.
Dig Seven Graves: (7.5k words). A nonlinear snapshot of Recon Squad Gladius from Haylenâs POVâbefore and after disaster. The last two chapters intersect with the events of Rosemary Reaper.
Skin of Theseus: (4k words). Danse endures complicated feelings while stitching the Sole Survivor back together.
Writing on the Walls: (12k words). Falling in love is a less than ideal experience, especially when you're Piper.
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Thanks to @x688plsloveme for the tag! I think most folks have been included, but if I missed you, just say I tagged you and Iâll make sure to tag you in future games.
Ros
(Art commission by IPB.) Ros has two playlists: one with songs in order of plot, one just for vibes. I picked songs from both (YouTube link for all 10, for simplicity).
âAinât No Devilâ - Andrea Wasse: Blood in the river / Blood in the sky
âWhite Rider (Guitar Version)â - Ryan Ike
âTrigger Fingerâ - Coyote Kid: I know how to improvise / To stay alive / Itâs not my time to die
âAgain Againâ - Power-Haus, DITONE
âCarolina Reaperâ - AmĂŠlie Farren: Those fool enough to bother me / Strangely end up dead
âBarking Dogâ - Dizzy: And no amount of loving / can stop this dog from barking / cause sheâs in pain
âWolves (Acoustic Version)â - Aviators: I, the messenger of loss / Have traveled at a cost / To save their legacies
âA Matter of Timeâ - Marcus Warner
âAbove the Clouds of Pompeiiâ - Bearâs Den: Please, just donât cry / Hold your head up high / She would want you to
âFreeâ - Florence + The Machine: Is this how it is? Is this how itâs always been? / To exist in the face of suffering and death / And somehow still keep singing
Nora
I have a playlist for Nora, but I need to redo it. Hereâs a handful of songs that still fit though (YouTube link).
âFalloutâ - UNSECRET, Neoni: Blood red skies / Burn in the wake / Of a world left behind
âThe World Enderâ - Lord Huron: They took my life but this isnât the end
âWho Will Save You Nowâ - Les Friction: Go tell the world Iâm still alive
âSirensâ - Imagine Dragons: Get run over by heaven knows what / Weary solider
âDesolationâ - Tommee Profitt, Fleurie
âBegin Againâ - Avalon Zero, David Chappell
âThe Horrorâ - Ursine Vulpine, Annaca: Iâve been dragging crowns and castles on my back
âGuiltyâ - Karmina: Now you got my heart, donât break it
âNot Dead Yetâ - Lord Huron: I ainât dead yet / And I got something to say
âFeels Like Familyâ - Layup: I got a real good crew and I'm tellinâ you / I wouldnât change a single thing
Of course I gotta do my fave, Danai (SoleSu). I had to keep it to 10 songs, but it follows her military career, living in a cold war, her husband dying, accepting this, and being able to find love again with a like-minded person.
Tom Lehrer - So Long, Mom
Noel Coward - Twentieth Century Blues
Sammy Salvo - A Mushroom Cloud
The Ink Spots - Itâs All Over But The Crying
Vera Lynn - Weâll Meet Again
Leon Bridges - Coming Home
Frank Sinatra - The World We Knew
The Platters - Great Pretender
Sam Cooke - (Somebody) Ease My Troublinâ Mind
Ben E King - Stand By Me
Iâll tag @ezekiel13 @mortimerfnv @rosemaryreaper all of my moots who havenât been tagged yet (ik a lot of you have but I canât remember exactly), and anyone else who wants to join in on the fun!
Danse goes to wake Diane one morning, wondering if heâd find her already awake or just getting to sleep after staying up all night. He had grown used to her random sleeping schedule, actually found some comfort in meeting someone who had similar issues with getting a full nights rest.
Diane will often get up and move to another room if heâs trying to get some sleep, or if theyâre both awake, will just head out for their current mission.
Turns out, she found that a few sticks from the fire had become some decent drawing charcoal so she stayed up all night sketching on the walls. When Danse eventually finds her in the other room, he spends a good long time looking at her work, letting her rest a little bit more đ
Bonus - close up
Wanted to practice drawing more horses and was up all night sketching so decided to make it a story lolol
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đ§ ⢠share some personal lore you never posted about before
đ ⢠share a head canon for one of your favourite ships or pairings
đ¸ ⢠do you have any pets? if you do, post some pictures of them (if not, what kind of pets would you want?)
𧊠⢠what will make you click away from a fanfiction immediately?
Thanks for the ask!
đ§â˘ share some personal lore you never posted about before
Iâm a casual birder. I currently have 220 bird species on my life list (started keeping track 5 years ago). Far less casually, Iâll periodically survey waterbirds and shorebirds in my biologist position. Usually this involves identifying and counting 5,000-15,000 birds over the course of 2-4 days with a team of people, though I have surveyed solo too. My most intense survey so far was earlier this year where, in the span of about 6 hours, I identified and counted over 50,000 waterbirds from a small airplane going 100 mphânot including whatever birds my survey partner saw outside the opposite window. It was extremely hard and my accuracy was bad, but itâs one of those things you can only learn by doing.
(As exciting as that is, Iâm stuck in the office most of the year. Right now Iâm only scheduled to be released from my dungeon in mid-July to count plants for a week.)
đ ⢠share a headcanon for one of your favourite ships or pairings
This is tricky because most of my headcanons that arenât already in fics Iâve posted would be spoilers for ones that are in progress. My big bang fic from last year (âWriting on the Wallsâ) is basically a library of my Sole Survivor/Piper headcanons. âSkin of Theseusâ hints at Danseâs messy, unrequited feelings for Nora. But those involve pairings with my Sole Survivor specifically.
If weâre talking canon characters, I do have Haylen/Rhys thoughts but canât elaborate on them right now beyond this: I ship them in the same way I ship the Prydwen with its hydrogen bags. Does it have the ability to set sail? Sure. But holy hell at what costâŚ
đ¸ ⢠do you have any pets? if you do, post some pictures of them (if not, what kind of pets would you want?)
I do not, sadly. My family had a cat when I was growing up, and I desperately want to get one. Iâm waiting till Iâm in a more permanent position though.
𧊠⢠what will make you click away from a fanfiction immediately?
I usually try to give the entire first chapter a shot before I click the back button on a fic. However, if there are no spaces between paragraphs (i.e thereâs an unbroken wall of text) or if there are multiple speakers in a single paragraph of dialogue (i.e. the author doesnât start a new paragraph for a new speaker), then I nope right out. It is immediately too frustrating to continue if my brain struggles to parse what Iâm reading.
Besides that, it is entirely conditional if I dislike certain things or not. And if I donât care for a certain tag, I justâŚdonât click the fic in the first place. But you will NEVER hear me say a specific fic is badânot publicly and definitely not to the author. If I click the back button, thatâs between me and the fanfiction gods.
đŞ â˘ what's the weirdest topic you researched for a writing project?
𦷠⢠share some personal wisdom or a life hack you swear on
-rosemaryreaper
đ -> I got into it because years ago, I was asked to do companions react to a blind sole survivor getting messed with because of their disability. Someone asked me to elaborate on Hancockâs reaction because they liked it so much so I made my first OC, Danai, and wrote a little drabble. Shortly after, I discovered Whumptober and have been doing it every year since. Even if I write nothing else for the entire year, Iâll always do something for that event
đŞ-> speaking of⌠I love writing angst and whump and gore since thatâs how I got into writing in the first place so weird topics of research include SO many different references for how the human body reacts to different horrific events. Melting flesh is probs the one that sticks out to me the most though.
đĽ¤-> I really love a lot of stuff Iâve been reading recently are from @tunnelsnke and @newvegascowboy. Tunnlesnke has a fic thatâs Butch/lw that I need to catch up with but Iâm obsessed with it so far. Newvegascowboy has an original project that is very interesting and the characters are always a blast to read.
đڎ-> Hereâs a recipe for the best brownies youâll ever have
Ingredients
1 cup chopped chocolate bar, 1/2 tsp baking powder, 1 cup all purpose flour, 2/3 cup melted semi sweet chocolate chips, pinch of salt, 1 cup of melted unsalted butter, 4 eggs, 1 cup granulated sugar, 1 cup brown sugar, 2/3 cup unsweetened cocoa powder, 1 TBS vanila extract
Instructions
Preheat the oven to 350°F. Take a 13x9-inch baking pan, grease the inside of it, and then set it aside. Melt the butter and bloom the cocoa powder by mixing it in. Melt the chocolate chips in a separate bowl. Cream together the eggs and sugar. Add vanilla to the eggs and sugar and mix. Combine wet ingredients while the chocolate is still warm. Then add all the dry ingredients. Careful not to overmix. Mix the chocolate chunks in the batter. Pour the batter in the pan and bake for 50 minutes or until a toothpick inserted has fudgy crumbs stuck to it.
đą ⢠post your AO3 total statsÂ
đ ⢠how did you get into writing fanfiction?Â
đľ ⢠share the link to a playlist you love
đŻď¸ ⢠on a scale from 1 to 10, how much do you enjoy editing? why is that?
đź ⢠describe your latest wip with five emojis
đĽ ⢠you accidentally killed somebody, which mutual(s) do you text for help?
𼤠⢠recommend an author or fanfic you love
đ ⢠how many unread emails do you have right now?Â
đť ⢠tag someone you appreciate but don't talk to on a regular basis
đ ⢠do you prefer writing original characters, reader inserts, or a mix of both?Â
đ§ ⢠share some personal lore you never posted about before
đ˛ ⢠what stops you from writing more in your free time?Â
đ ⢠share a head canon for one of your favourite ships or pairings
𧸠⢠what's the fastest way to become your mutual?
đŞ â˘ name three good things going on in your life right now
đ ⢠what's the last thing you wrote down in your notes app?Â
đŹ â˘ post an unpopular opinion about a popular fandom character
đŞ â˘ what's the weirdest topic you researched for a writing project?
𦷠⢠share some personal wisdom or a life hack you swear on
âď¸ â˘ what's your dream theme/plot for a fic, and who would write it best?
đż ⢠give some advice on writer's block and low creativity
đĽ ⢠name one internet reference that will always make you laughÂ
đď¸ â˘ what's your favourite type of comment to receive on your work?
đŚ â˘ name three good things about a character you hate
đĽ ⢠do you lie a lot? what's the most recent lie you told?
đŚ â˘ share something that has been on your heart and mind latelyÂ
𦴠⢠is there a piece of media that inspires your writing?Â
đ ⢠give yourself some constructive criticism on your own writing
đ ⢠do you like or dislike surprises?
𪲠⢠add 50 words to your current wip and share the paragraph here
âď¸ â˘ what made you choose your username?
đ ⢠tag your biggest supporter(s) and say one nice thing about them
đ¸ ⢠do you have any pets? if you do, post some pictures of them
đ¨ ⢠link your favourite piece of fanart and explain why you like it
𧊠⢠what will make you click away from a fanfiction immediately?
Okay, I never jump on the bandwagon, but every single one of these that has crossed my dash has looked so funâand oh my god it was. I canât draw to save my life, but I can passably Frankenstein old pulp covers in Procreate. Just donât ask me how many hours it took.
Nora: Queen of Spades, Survivor Queen
Ros: 10 of Spades, Surviving the Storm
Charlie: Ace of Spades, Point of No Return
Shrike: 6 of Spades, Earned Passage
More info on my Fallout OCs here.
Trend started by @meatgrinderminefield (if I recall correctly). This was a blast!
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Happy Pride to the funniest lesbian friendship in the entire fic
Have some Ros and Professor Scara snippets. No, I have no idea how this relationship happened either, and I wrote it.
* * * *
1.
âLetâs see down hereâŚstrong legs, weak knees and anklesâyou must repair these quite frequently. Ooh, not as frequently as you replace the hooves. Look at that wear! Not made for the asphalt, Iâd say. They hold up well enough though.â Scara pulled herself to her feet. âWhatâs her purpose? Transportation?â
Ros shrugged. âTransportation. Agriculture. Whatever people are supposed to use a horse for.â
âI wouldnât know. Theyâve been locally extinct since the bombs.â Scara ran her hand along Winnieâs flank. âSomeone must have thought they were useful enough to bring back, in a manner of speaking. Which Vault did you say you found her in?â
âI didnât.â
âAh! Never mind, here it is. Leave it to Vault-Tec to brand their machines.â Ros winced. The numbers on Winnieâs flank were almost completely worn away. Most folks missed them. âVault 121. Never heard of it. Itâs not located anywhere near here. Let me guess, Capital Wasteland? Or further south?â
âThatâs a wide net.â But a correctly cast one. Ros needed to work on her accent if people were going to keep asking her that question.
Scara gave her a close-lipped smile. âProtective of your secrets, I see. Iâm the same way with my research. You make a good scientist.â
âIâm protective of her,â Ros clarified. âYou can look at my data all you want.â
The gleam in Scaraâs eyes returned. âData?â
Ros brought up her most recent records on her Pip-Boy. She tilted her wrist for Scara to see. âI have extra copies.â
âMoisture levels, pH, mineral compositionâŚare these soil samples?â She sounded incredulous.
Ros turned a dial. A map of southern New England appeared onscreen, crisscrossed by many thin lines.
âRadstag migrations? Oh, you and Duff would make a disgustingly good pair.â Scara turned on her heel with a sneer. âFollow me.â
âWhere are we going?â
âIâm going to introduce you to my wife.â
* * * *
2.
âThis is a terrible experiment!â Ros shrieked. âShit-shit-shit-shit! No, stop! Bad deathclaw! Bad!â
Scara was laughing her ass off. âI take it back. Duff, this is the best experiment youâve ever run.â
âI HATE YOU! I HATE YOU SO FUCKING MUCH!â
* * * *
3.
âIâm looking for Ros,â Nora said. âHas she been here today?â
âOh, sheâs out in the field with Piper,â Duff said cheerfully, âtaking photos for the next edition of the paper. Itâs on bloatflies! I do love bloatflies.â
âThe evolutionary origins of wasteland insects,â Scara corrected without looking up from her workbench.
Duff looked delighted. âWhy, dear Professor, I didnât think you were interested!â
âIâm not. Your infantilization of science simply irks me to no end.â
âShe wonât admit it, but Professor has taken quite a liking to the young Mx. Ros,â Duff said. âThey often engage in passionate discussions on programming and robotics.â
Scara whipped around, done pretending Nora wasnât in the room. âThey can hardly be called discussions when Iâm always right. Their coding style is clunky and inefficient. Itâs a miracle any of their programs run, but somehow my code is âmessy and convoluted.ââ She made air quotes. âShe uses rainbow parentheses. Rainbow. Parentheses. And light mode. Only a monster uses light mode.â
âScara,â Nora said slowly, making sure she was hearing this correctly, âare you two actually exchanging work?â
âSo what? Doesnât mean Iâm going to start handing out copies of my research to every random person who asks.â Scara scowled. âLike she is.â
âWhat research?â
âDonât you read the paper? Pick up a copy sometime. Though I hear the editorâs girlfriend is a real piece of work.â
âSheâs an ecologist,â Duff said, thankfully before Nora could retort. âRecording general environmental and wildlife data for posterity. Or maybe some sort of research repository? Itâs not clear.â
âWhat does that have to do with programming?â
âOh dear. Youâve never met an ecologist, have you? Numbers donât paint a picture on their own. They need coaxing, you see.â
âThey need to be wrangled and beaten into submission, more like,â Scara said.
âNo, I should have clarified,â Nora said. âRobotics. What does it have to do with robotics? Where did the horse come from?â
Scara sized her up, expression shrewd. âYouâre fishing.â
âI suppose I am.â
âHow much has she told you about the Vault sheâs from?â
âI wasnât aware she was from a Vault. Piper said she was a second generation settler.â
âPiper said that to you.â
âThatâs right.â
âNot her.â
Nora realized where this was going too late.
Scara abruptly faced her workbench, her back to Nora once more. âWell, this has been a nice chat, but we are both so very busy, General. I suggest you leave us be now.â
Nora looked at Duff, who shrugged apologetically. âAnother time, perhaps,â the biologist said.
Ellie thoughts consumed me while I was at work today, so hereâs a Reaper snippet to show I havenât let this fic die.
Itâs business worse than usual at the Valentine Detective AgencyâŚand the bar was low to start with.
* * * *
The client curled in on himself, grief so heavy Nick could feel it clog his own throat. Ros remained frozen.
Now was the opportune moment for Nick to intervene. Ros was out of their depth. The case needed a far steadier and more experienced hand.
Nickâs hands werenât working. His wrists had tightened with a hot ache, as if someone had twisted a screwdriver until his joints jammed. Only in memoryânot in this existenceâhad he inhaled for a reason beyond speech or placebo. An erratic current sparked through his limbs as, for the first time in decades, he felt panic that he couldnât breathe.
The curtain fluttered. In stepped Ellie. Pale-faced and barefoot, with her hair held in a bun by a pencil, she looked far less put together than usual, but she was standing upright, her back straight, even if her jaw was clenched.
âEl,â Nick said. âYou shouldnâtââ
She flicked her wrist at him in a shooing motion. Instinct more than his better judgment prompted him to step out of the way. She leaned over the back of Rosâs chair (Ellieâs chair) and placed her hands on their shoulders.
Ros twisted her neck towards her, wide-eyed. âIâm sorry,â she said hoarsely. âIâm sorry, I donâtââ
âYou did just fine, honey,â Ellie murmured by her ear. âLet me take it from here, okay?â
Ros nodded. She vacated the chair with a speed just shy of desperation, fleeing the room.
Ellie dragged the chair around the desk. She lightly touched the clientâs shoulder. âMr. Campbell,â she said gently. âDo you mind if I sit with you for a bit?â
He stared at her blearily, uncomprehending.
She crouched to his level, not taking the chair without permission. âWe donât have to talk, if you donât want. But you donât have to be alone right now either.â
âI have nothing left. Itâs all gone. Sheâs gone.â
âIt sounds like you carry her very close. Do you want to tell me about her?â
His lips curled in a biteless, agonized sneer. He shook his head with a sniffle.
âThatâs okay, honey. May I?â When he gestured vaguely at the chair, she finally sat. âIâm Ellie,â she said, extending a hand, palm up.
Hesitant, he took it. âTom.â
She cradled his hand between both of hers. âShould we sit here together, Tom?â
He nodded, face crumpling. Ellie clasped his hand tight.
Nick eased over to his desk, as was routine in these kinds of moments. Ellie handled the consoling. He handled the hiding in the cornerâpardon, finishing the report.
It was a necessary task, in a dishonest sort of way. He added the notes needed to close out the case, both listening and not as Ellie spoke in hushed tones. When the client started sobbing against her shoulder, he pretended it was coincidence that he draped his coat over his arm and went upstairs.
Ros was on the roof, knees hugged to their chest. She turned her head so he couldnât see her face. The sheetmetal flexed as he dropped to a knee. She stiffened in surprise when he tossed his coat around her shoulders.
âSorry,â she said, congested.
âYou got thrown off the deep end. Donât beat yourself up about it.â He hadnât done much better himself.
âItâs justâŚitâs just sad.â
âThereâs more than one way to bring a person home,â he said. âDonât discount the closure.â
She wrapped the coat tighter around herself. For no explicable reason, he ruffled her hair. Before either of them could react to that bizarre gesture, he left her there alone on the roof.
* * * *
Mr. Campbell left sometime in the next hour. Nick escorted him to the inn. While he hadnât successfully refused the manâs caps, he did use those caps to rent him a room. Before he took off, Nick provided him with a map to Sanctuary, as well as recommendations for people to talk to. He couldnât give him his life back, but he could give him a direction to head. It was the best he could do.
Ellie was still seated when Nick returned. Her straight posture had curled into a slouch.
Stepping behind her chair, Nick laid a hand on her shoulder. She covered it with her own, rubbing her thumb over his metal knuckles, though he couldnât feel it. She closed her eyes and kept them closed, breathing in the deafening silence that came in the wake of cases like these.
He didnât withdraw until she released his hand. It was then that he lightly tapped her chin with his forefinger. She lifted it with a gentle smile. Thereâs my girl.
âFeel like eating?â he asked.
Her smile slipped. âI could try. Has Ros eaten yet?â
âNo. She needs to.â
âPoor thing. Iâll see if we have any leftover soup.â
He stepped back to clear a path to the bedroom. As the curtain swished shut behind her, he glanced down at the photograph on her desk. He gave it one last long lookâblue lips, sunken cheeks, sightless eyesâbefore he tucked the Goodneighbor girl (Iris. He wrote her name underneath the photo: Iris Campbell.) in her file and shut her in the drawer labeled âCLOSED.â Not truly closed. Never truly closed. Simply the best he could do.
Ellie hummed tunelessly in the next room. Rosâs footsteps thudded across the ceiling, moving towards the stairs to join her. The kettle whistled as it rose to a boil, drowning their voices out.
One of the radstag photos was crooked. He straightened it, granting the lonely bachelor a clear view of their little office.
Things were always a mess. Some days he felt like a Mr. Handy attempting to polish a rusted car, but todayâŚ
âNick?â He turned. Ros held his coat out.
He accepted it. âSure you donât want to get it fitted? We might just make a gumshoe out of you yet.â
âFunny,â she said, albeit uncertainly, like she wasnât sure if he had told a joke. He realized with a mild bewilderment that he wasnât sure either. She inched towards the curtain. âUh, thanks anyway.â
A work in progress, he thought as she retreated from the office. Today was a work in progress.
I had a film production professor who, in many ways, was one of the worst teachers I ever had. So, it makes a strange sort of sense that he would give me one of the best pieces of advice that Iâve attempted to apply to every piece of creative work Iâve made since. Ready? Long post time.
Donât sandbag your work.
In other words, donât point out its flaws before your audience has a chance to judge it for themselves, because youâll only be dragging your workâand yourselfâdown from the start.
He immediately proved himself right too. When my class was sharing the short films we had made, he forced us all to hold our tongues. No one was allowed to say anything about their films until after the credits rolled. So we showed my film, and after an initial round of reactions and first impressions, I was permitted to share the self-critiques I had been agonizing over for weeks: the audio transitions were rough, some of the timing was off, etcetera, etcetera⌠And my classmates were so confused. No one, not even my professor, had noticed anything wrong with the audio on a first watchâuntil I pointed it out. Because, unlike me, they hadnât been working on this film until 1am for too many nights in a row. All the details were new to them, so many of the flaws went unnoticed, masked by more interesting things.
Now, this is primarily a fanfic blog, so hereâs the point Iâm leading up to: Sandbagging is one of the biggest mistakes I see new writers make. Experienced writers tooâI know I still do it on occasion, though Iâm getting better. Itâs so prevalent, it drives me up the wall. The number of fics Iâve clicked on only to immediately see an authorâs note that reads, âSorry this is bad,â or, âThere are a lot of grammar mistakes,â or, âI know these characters are OOC,â or, âI canât write dialogue to save my life,â is insane, and I want to slap the authorâs hand and scream, âStop it! Youâre sabotaging yourself!â every single time.
I understand the knee-jerk reaction to head off any criticism before you can receive it. Like I said, I do it too. But all youâre succeeding in doing is putting up road signs to flaws your audience mightâve never noticed on their ownâor, worse, deterring them from your work before they ever read it. Even if, in a worst case scenario, someone does notice those flaws and comment on them, anyone who offers unsolicited criticism on a fanfic is breaking decades of fandom etiquette, and you have every right to block them. Ignore them. Banish them to the pit. They are not worth space in your thoughts.
If your writingâs perceived flaws do truly bother you to the point that you need to comment on them, then perhaps try to reword your sand-filled authorâs notes to your benefit instead. If youâre open to feedback, then instead of saying, âSorry my dialogue is bad,â you should try, âIâm new at this, and I feel like my dialogue needs some work. Does anyone have any advice for how to improve it?â If there are more experienced writers in your audience, then theyâll be more than happy to help you out.
(Side note: If anyone responds to your request for constructive criticism with a statement that amounts to, âThis is bad,â without telling you how to fix it, theyâre not being constructive, theyâre just being an asshole, and you can banish them to the pit.)
Anyway, stop dragging your work down, pretend you have confidence, and ask for help to improve. Youâll get there.
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