We all got that one mutual that be going through the most treacherous situations a person could endure and then posting a few minutes later about why such and such should get fucked through a concrete wall.
Mutual: my situationship partner just got caught in a tornado at a broken glass factory where they were cheating on me with my landlord who just increased my rent by 6000% and my pet marmot has a disease so rare theyβre naming it after him and all my bones are becoming apricot jelly which Iβm allergic to.
Same mutual 16 minutes later: Do you think Ronald McDonald and the Burger King ever explored each otherβs bodies?
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It's hard to explain but I feel the same way for Orin that i do for Azula. Poor isolated little sister is losing her mind under the stress of living up to Father's expectations. It's not her fault. She'll never be enough. She'll kill and kill and lose herself to the blood and violence and she'll always betray herself for nothing.
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idk why people are still trying to do "hear me out"s on tumblr
you could talk about wanting to fuck the space needle on here and people would still call you a poser for insisting on fucking "conventionally attractive architecture" as if that's a coherent, easily-recognizable category
i have a personality flaw that always positions me on the side of characters who are hiding everything and refuse to accept help. like do NOT confide in people. confiding in people is the enemy. REAL winners lie and lie and continue lying until they ruin every single thing theyve got going for them & didnt fix a single goddamn thing. keep digging grandpa youre almost there
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For the DADWC, from the "Chant of Light" prompt list: We are alike in sorrow, sculptor and clay, / Comforting each other in our art, perhaps for Cassandra?
Thank you so much!! For @dadrunkwriting
Pairing: Cassandra x Solas
Rating: E
Words: 435
Tags: Cassandra is Divine, clandestine meetings during Trespasser, poetic sexual content, cheeky references to chintz
"You have to leave again."
She says it as fact, not as a question. Her strong hands clasp at the nape of his neck, but only to hold him. Never to trap him. As if he could run away from her, as if he could pull himself away now that she has touched him...
"I must."
"But not yet," Cassandra, now Victoria, says. She enforces this reality with the certainty of her words. "Not yet. Give me this moment."
And so Solas does, moulding like clay in her hands.
They have covered the office of the Divine in gold. So, as if it were her bedroll above the smithy in Skyhold, they sink to the floor. Her raiment falls, pushed and unlaced with hasty hands. Her cornette topples to the desk, and Solas sinks his fingers into her short hair.
There is grief in this lovemaking β their fingers and lips memorize flesh and hair and sweat, the taste of the other's mouth. Solas thinks he will never forget the scent of her skin, but he has already once before. For now, he grows drunk on the smell of her β iron, salt, musk, roses. He wishes he was a man of faith, for he would worship any god she led him to.
His armour clinks as it's cast aside β the push and pull of Cassandra's rediscovery of his skin is intoxicating. He bites back a moan when she wraps her lips around his length.
His fingers tighten in her hair β her hands clutch his thighs tight enough to leave marks. He pulls her away before he comes.
"Not like this," Solas begs, trembling. He crawls between her legs, a dog on all fours. "Let me serve you."
She opens her legs for him. Her face, flushed pink and dappled with sweat, reflects the need he knows is writ across his own. Her fingers slide between her thighs and show him how wet she is for him β he lowers his head to drink from her.
He is a starved animal. He is ravenous, devouring her whole. She shudders, clenches her thighs shut around his ears, and groans β he cannot stop. He refuses.
He takes another, another. She keens, clawing at his shoulders, and he allows her to reshape reality β he crawls up her body, bidden by those strong, possessive hands. He presses inside her and fucks her on the floor.
Alike in sorrow, sculptor and clay β the present is all they have, and they mould their love into something that will shatter and break. But for now, before a fatal firing in the kiln, they are beautiful.
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