"It's cozy enough in here"

The United States of America has the highest prison population in the world

Black Americans and Latin people make up the majority of this population (many of whom are non-violent offenders)

Federal Prisons in America require that their state keeps their prisons at a maximum occupancy at all times.

If county-A has a population of 50 voters but no prisons, and county-B has a population of 50 voters and 50 prisoners, the county with the prisoners gets more government funding and more political represention. This is sometimes called “prison gerrymandering” and it is used in redistrictring.

In the middle of a horrific battlefield, you find one corpse laid aside neatly, straightened and arranged, its arms crossed neatly across its chest

As you walk through the garden, you gradually realise that the oddness you’ve been noticing about the trees is that they are all perfectly symmetrical

As you move through the abandoned house, you realise that suddenly that there’s no dust in this room, no dirt or cobwebs

You hear hideous noises coming from behind a locked door, screams and pleas, and visceral sounds of violence. When you manage to break down the door, there is no one there, and the room is perfectly spotless

In the middle of a horrific battlefield, a hollow full of churned mud and blood, you find five corpses cleanly dismembered, each set of limbs or parts neatly laid out in their own little row

You witness a murder, a brutal, grisly killing that carpets the area in blood. When you return in a blind panic with the authorities, the scene is completely clean, and no amount of examination can find even a drop of blood

You run through the night and the woods with a comrade, pulling each other through leaves and twigs and mud as you scramble desperately towards freedom. When you finally emerge from the forest, in the grey light of dawn, you turn to your companion in relief, and notice that their clothes are somehow perfectly clean

You hand a glass of water to your suspect, talking casually the whole while, and watch with satisfaction as they take it in their bare hand and take a drink. There’ll be a decent set of prints to run from that later. Except there isn’t. There are no prints at all. As if nothing ever touched the glass

You browse idly through your host’s catalogue, and stop, and pay much more attention, when you realise that several items on a dry list of acquisitions are ones you’ve seen before, and it slowly dawns on you that each neat little object and number in this neat little book are things that belong (belonged?) to people you know

Neatness, particularly incongruous neatness, neatness where you expect violence or imperfection or abandonment, or neatness that you belatedly realise was hiding violence, or neatness that is imposed over violence, is incredibly scary. Because neatness is not a natural thing. Neatness requires some active force to have come through and made it so. Neatness implies that the world around you is being arranged, maybe to hide things, to disguise things, to make you doubt your senses, or else simply according to something else’s desires. Neatness is active and artificial. Neatness puts things, maybe even people, into neat little boxes according to something else’s ideals, and that’s terrifying as well. Being objectified. Being asked to fit categories that you’re not sure you can fit, and wondering what will happen to the bits of you that don’t.

Neatness, essentially, says that something else is here. Neatness where there should be chaos says that either something came and changed things, or that what you’re seeing now or what you saw then is not real. Neatness alongside violence says that something came through here for whom violence did not mean the same thing as it does to you.

Neatness, in the right context, in the right place, can be very, very scary

Please, he slipped out of one of our windows we think maybe an hour or two ago.

I live in Vancouver, BC, Canada. This would be near Nanimo Street, 28th or 29th Ave.

He has no tail and is very shy. Please if you spot him contact me! My number is +12369939924 .

Please please please reblog this so we have a better chance at finding him. We believe he’s microchipped.

PLEASE we love him so much he is probably so scared!

Commissions for a Coronavirus Personal Emergency

{link for the whole information post}

{mental health during covid19 pandemic post}

What you can commission:

Poems, Short Stories and Thasmin (Thirteenth Doctor x Yasmin Khan - Doctor Who) fanfics.

Selected gifsets (only from something I’ve watched & only if it goes with my moral code - i.e. no abusive ships)

You can check out here some of the poems I’ve written:

(1) (2) (3)

And my AO3 page where I have an lgbt short story:

(ao3) (short story)

I have a short story published in a book (I won a contest for best short stories here in Brazil) but I don’t receive money for it.

Send me a message or an ask here on tumblr to commission.

(Buy me a “coffee” to help)

(paypal email: [email protected])

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UPDATE:

This week we’re running out of groceries and I’ve created an Amazon Wishlist that contains food, drinks, snacks, cleaning supplies, hygiene products, some books and notebooks that I need for college, some college supplies and some other things. If you guys can help, that’d be much appreciated.

*********  YOU HAVE TO OPEN THIS POST WHERE I PUT THE 10 STEPS TO HELP YOU UNDERSTAND HOW TO USE THE AMAZON WISH LIST BECAUSE MINE IS IN PORTUGUESE  *********

or:

(Buy me a coffee to help)

(paypal email: [email protected])

{In this case “coffee” means food, household items, paying bills and most importantly, buying me and my father’s meds.}

idk if anyone will find this useful, but this is how i go about planning my stories. i mostly write fantasy, so that’s what this is most applicable to. but it could work with other genres too.

so there’s three major components to a story: the characters, the plot, and the world. creating them individually is the easy part, but they all connect and affect each other in different ways. (like you can’t have a character who loves peaches and eats them every day if they live a peasant in a region that doesn’t grow peaches, for example.)

so i created a cheat sheet to help connect all three components together.

1) the world creates the characters.

this is related to the peach example above. the characters should be a direct result of the environment they grew up in and the environment they currently live in.

2) the characters are limited by the world.

also related to the peaches. characters can’t do anything outside of what the rules of their surroundings and universe allow, such as eating peaches when they’re not available. this also applies for magic users. they can’t have unlimited magic, so keep in mind what you want out of both the characters and the world when creating magic systems.

3) the characters carry the plot.

we’ve all heard it before: “bad characters can’t carry a good plot. good characters can carry a bad plot.” but we all like a good plot anyway. try to make sure you’re not giving your characters too heavy or too light of a plot to carry.

4) the plot pushes the characters.

if nothing in the plot happens, your characters will remain static forever. if you struggle with plots, try starting with what character development you want to happen, then go from there.

5) the plot depends on the world.

you can’t overthrow the evil government if there isn’t one. think of what your world needs most and what your plot is centered around, and fit those two together.

6) the world is changed by the plot.

even if your plot is centered around something most of your world would call “insignificant”, the world will still experience some change from the plot. either the evil government will be gone, or maybe that one teacher is now way more careful about keeping an eye on the test key. either way, the world will be different from now on.

final note: usually people will be able to write one or two of the components with ease, but don’t know where to go from there. i personally can’t write plots, but thinking this way has really helped me actually make a story out of the world and characters because i looked at what i needed from what i had. i really hope this can help you too! happy writing!

tl;dr this is a cheat sheet to help anyone who struggles with writing one or two of what i consider the three major components to a story.

Kim Keever

Other fun facts about prison labor corporations:

-Federal and state-run prisons usually pay their slaves minimum wage; some states, however, like Colorado, pay $2/hour.

-Private prisons pay $.17-.50/hour. The highest paying private prison is in Tennessee, which pays $.50/hour for “highly-skilled labor.”

-You think that hasn’t affected wages in the US? You think that hasn’t removed manufacturing jobs from the economy?

-Companies that contract with private prisons for their slave labor include: IBM, Boeing, Motorola, Microsoft, AT&T, Wireless, Texas Instrument, Dell, Compaq, Honeywell, Hewlett-Packard, Nortel, Lucent Technologies, 3Com, Intel, Northern Telecom, TWA, Nordstrom’s, Revlon, Macy’s, Pierre Cardin, Target Stores. Many, many products that say “Made in USA” were made in prison.

-Private prisons often have quotas with the states, wherein the states contractually guarantee that they will provide a certain number of prisoners to fill the beds of a private prison, and if they don’t then they owe the private prison millions of dollars. I’m not making this up. It happened in Colorado after they legalized weed.

-States have a financial incentive to lock up their citizens.

-All of the above corporations have a financial incentive to see citizens get locked up.

-This is why Jeff Sessions is going after weed. The prison industrial complex needs slaves.

-To the shock of absolutely no one, private prisons have even more disparate racial demographics than federal/state prisons.

-Where do you think they send undocumented immigrants who have been rounded up? That’s right, private prisons. That’s why so many of them are in the South. So they take immigrants who are earning some kind of comparable wage and paying income tax to the government, and put them in prison where the wages are absurdly depressed and the prison pays virtually nothing in taxes.

-Oh yeah: private prisons pay virtually nothing in taxes. Because they technically manage real estate (prison as housing), they get all sorts of tax breaks and subsidies.

Tl;dr the prison industrial complex removes jobs from the economy, depresses wages, cheats the tax system, and ENSLAVES PEOPLE, usually people of color.

Sources:

http://www.globalresearch.ca/the-prison-industry-in-the-united-states-big-business-or-a-new-form-of-slavery/8289

http://www.motherjones.com/mojo/2013/09/private-prisons-occupancy-quota-cca-crime

http://mfgtalkradio.com/s7-e15-manufacturing-jobs-lost-prison-slave-labor/

http://www.huffingtonpost.com/2013/09/19/private-prison-quotas_n_3953483.html?1379606057

http://www.npr.org/sections/codeswitch/2014/03/13/289000532/why-for-profit-prisons-house-more-inmates-of-color

https://www.wsws.org/en/articles/2017/02/27/immi-f27.html