DC going hard on those SuperBat covers this year.
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@rogueartistjyn
DC going hard on those SuperBat covers this year.

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Justice.
I do love how they give Kara the "man tear". Like I know in movies men "aren't allowed" to cry, but when a catrastophic event happens like idk their whole race, family and home being destroyed they're allowed to shed one single tear.
And they gave that to Kara. She never cries, she sheds one tear. Each time, a single one.
More over, I think there's something to be said about our mysogynistic society that when Krem was looking at Kara with tears in her eyes he told her she was crying (she wasn't).
Clark: Could you come help the justice gang?
Kara: Woof I wish I could, but I don't want to.
E. Methedrine - Go Supergirl #millyalcocksupergirl #supergir #supergirl #az #arizona #woodyradio #djtimtim #RadioShow #LiveRadio #IndieRadio #OnlineRadio #RadioDJ #MusicDiscovery #NowPlaying #DeepCutsOnly #AltMusic #IndieMusicLovers #kiismyass #methandpuss #themighty690 #woody #rose #lovers

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I think it was not only fine but important for Kara to be de-supered for most of the movie.
1) She wasn’t superpowered on Argo. She was exactly the same as she was on any other red sun planet except sicker. Unlike Clark, she didn’t grow up super. This is what her body normally feels like to her. Being super on Earth is new and unnatural to her.
2) She’s in a state of mental anguish, disassociation, and grief and is self-medicating through that with her dog and alcohol and guess what? Alcohol doesn’t work on Earth or any other yellow sun system.
3) The point of the movie is that you have to choose to be good and kind, and that it’s hard, and that also being good and kind does not look the same for everyone. For Kara, making that choice also meant choosing to become sober in the face of her depression and alocholism, which is extremely difficult for any alcoholic. She needed something beyond Ruthye’s plea to force her into action, and that was putting her best friend and emotional support animal’s life in jeopardy. Nothing else was enough to motivate her.
4) Relapsing is extremely common and expected. The dual sun planet mimicked the way that you can start feeling better on your antidepressants and then get hit out of nowhere with another wave of it. It’s awful. But guess what? There’s still hope if you wait it out.
5) The fights in the movie progressed from seeking to self-harm (she enjoyed the physical novelty of being hurt on Ruthye’s planet when she fought the thief) to preventing hurt (to Ruthye’s childhood and psyche and the girls who would have been trafficked had she not ended the bandit ring), which is also a journey of acceptance of her new powers. She goes from resenting having them because they are inextricably related to the death of her family and people, to accepting that she has the power to do real good and prevent other people hurting the way she is.
It wasn’t anti-feminist or bad writing to have her “normal” for so much of the story. It was essential to her character growth.
THIS
i think part of what made supergirl so special is that the whole time watching i never felt like kara was sexualized or objectified at all, normally in women superhero movies theyre in skintight suits or have perfect makeup on or there's a fight scene that just so happens to lift up their skirt (and that did happen but she was wearing a skort because of course you would if you can FLY) but that just didnt happen. her hair is messed up basically the entire movie and even at the heroic full body shot at the end she's just floating over everyone, not saying some stupid "you just got beat up by a lady!" one liner or doing some unrealistic pose just to make a good screenshot. she was always just a person. and parts of the story definitely connect to her more because she is a woman but being a woman didnt get in the way of being a person (...kryptonian).
One of the things I found so interesting walking away from Supergirl 2026 is how the movie portrays Kara’s use of her powers. With Clark they always feel innate, part of him, like they are him. He is Superman because of his powers. Kara meanwhile treats them as this rad tool she now suddenly gets to use to make her invincible. And she can turn them on and off just by going to a different solar system! You can feel her struggle with home and identity in each and every aspect of her usage and that makes the fact that they are powers so visceral. Again, we’re all used to Kryptonite and red suns as comic fans but I feel like this movie helps showcase the powers as mere tools because they are. It’s the person who makes the powers. Yes she’s Supergirl but she’s actually Kara Zor-El of Krypton and Argo and when she’s around a yellow sun she has powers she can use to do some good.
There seem to be a lot of people who don’t understand why Lobo was in the movie, so I’m just gonna say it: Lobo is who Kara is at risk of becoming.
Kara is at a crossroads, and one road leads towards Clark and one leads to Lobo. Or rather, one path leads to embracing the responsibility of the life and powers her parents gave her, and the other is continuing to drink her life away, not caring about anything or anyone but her and hers.
Lobo is immensely powerful, and the last of his planet. Just like Kara. And when we meet him, he’s passed out drunk in a bar, oblivious and uncaring of violence and exploitation around him. Just like Kara was trying to be when she first met Ruthye.
Lobo is Kara’s future if she gives up on trying to be good. Drunkenly stumbling through the galaxy not helping anyone or anything and only caring about herself. Maybe not mindlessly cruel, but not kind or good or caring of the pain of the people around her.
It’s why they both get Ruthye’s spiel, it’s why Lobo’s whole introduction mirrors what Kara was just doing demanding to know about the Brigands, it’s why they’re both “the ditz from the bar”, it’s why they both have the gag with the space suit collar.
It’s why Lobo crops up each time Ruthye and Kara are faced with choices, sometimes acting as a devil on their shoulders, sometimes just a big lurking ominous warning of their bleak future if they make the wrong choices. It’s why Lobo says “let Ruthye have her revenge”, uncaring of how the violence might haunt Ruthye for the rest of her life. He’s a big constant reminder why Kara cannot let this thirteen year old girl be consumed by violence, and of who her parents didn’t want her to be.
Lobo is Kara’s foil and shadow.
I don’t think the movie always executed this well, it could have been done better, but I don’t think it was subtle either. The parallels between Kara and Lobo are right there in every scene and always highlight the choices Kara makes to be kind, and I do wish people would take the time to actually think about them before writing Lobo’s presence off.
THIS
I’m gonna need you all to get more obsessed with Supergirl 2026. It’s literally every single sarcastic, messy, depressed, grieving, male lead from recent media that accidentally adopts an angry, young girl (also grieving) which forces him to confront his self destructive behavior and realize the impact he can still make. But she’s a girl. This is the character you all love in every piece of media. I’m begging you all to adore her the same way.

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i really really loved how the supergirl 2026 movie subverted the 'if you kill them ur no better then them' trope, i loved that the conflict was not that he doesnt deserve to die but rather that ruthye deserves to not have to kill him, that she is just a child and should not have to carry that burden along with everything she had already been through. i really loved how kara killing him recontextulizes her actions leading up to that moment, how it becomes clear that it was never her intention to let him live, but to keep ruthye safely away from the fight.
ive always disliked the anti revenge narrative because sometime people do just do things that are unforgivable and wont be stopped by the current system, but here kara never said ruthye should forgive him, but rather that ruthye deserved to live on and it is made far more impactfull by the fact that it is in the same fight where kara accepts the suit and truly becomes supergirl. superman is the shield, supergirl is the sword, supergirl fights so girls like ruthye dont have to.
THIS
Supergirl (2026) is about girls and daughters and women. It's about messy girls, vulnerable girls, strong girls, scared girls. And, last but not least, it's about girls protecting girls. And it's all important.
“I, Kara Zor-El, of inebriated mind, hereby declare that 23 will be the best year yet...let's be honest, babe. It's not a very high bar to clear.”
Supergirl (2026)
i saw supergirl the other day! such a fun movie 😎
This has been my main argument against "AI" from the very beginning.
OpenAI scraped the entire web. All of which had been a labor of love from humans. Wikipedia is the backbone of a lot of LLMs, and that was volunteer human labor. They stole it and now they're selling it back to us.
And worse, they're trying to destroy the free sources that they stole from. It's destruction of human knowledge on an unprecedented scale. The burning of the library of Alexandria has nothing on this.

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MILLY ALCOCK as KARA ZOR-EL SUPERGIRL (2026) dir. Craig Gillespie
There's something so special to me about Supergirl's big message being "Everything and everyone, including you, will be fine. You will be okay."
It's so special to me the sort of loneliness Kara and Ruthye experience.
I love Ruthye's "You're not always nice, but you're kind. You're not always perfect, but you're good." because it's a reassurance that even if you're not 100% good and nice and perfect, you can still be kind and good. Kindness isn't something that you are or aren't, it's an every day choice. Which is a complete contrast to Superman's ideology.
It's such a comforting movie. It makes me cry everytime.
It may be ridiculous, but Supergirl is so special to me. And, hearing her movie preach being kind and good is possible even when you're not perfect is so comforting. It's so hopeful in its own way.