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This is from 1966 and you can see over a hundred photos on the NYPL digital collections website. It is absolutely gorgeous. These are just a few of my favourites.
there is a particular kind of lesbian t4c pornographic art that is common among, like, "sapphic" "spicy" patreon artists on twitter/bluesky that i don't think is deliberately or malevolently chasery per se but kind of stumbles assbackwards into it. what happens in my assessment is that the artist (not a trans woman) projects onto the submissive cis bottom characters, which is fine, but then the artist tries to project all of her other kinks onto the other character all at the same time -- which is also not necessarily bad, except, well, when those kinks are "size difference" and "muscles" and "breeding" and "PIV" and "lots of cum" and "getting cummed inside of for real," and the lesbian artist wants to put them all together simultaneously, and especially if the artist may genuinely but naively want to be inclusive of trans women in lesbian art, you end up with very sleek but offputting trans woman top fetish pornography that i can really only describe as "pronouns futanari"
everybody saying they know what artist i'm vagueing here is almost definitely all thinking of different people, anybody wondering how to avoid falling into this pitfall ought to consider trans women who don't use their dick and trans women who don't even have dicks at all (but my theory is that in addition to tasteless and kneejerk aversion to neopussy, a lot of artists would very genuinely have no idea how to signpost that a character is trans otherwise because their imagination just straight up does not extend that far - but IMO, that's exactly what this is about! you're telling me that for one reason or another, this artist seems to have a lot less interest in "trans women" and everything that could possibly entail, and a lot more interest in an almost fantastically rendered category of "women who just so happen to have [working!] penises" that you can't help but feel is treated as something distinct from the former? nihil novi sub sole, even if there's maybe a little more lip service)
now i have not seen K-Pop Demon Hunters but what I have seen, as the perfect example of this, is score upon score of artists drawing the half-demon one fucking the other ones (but usually the smallest one) with the penis that the artist implies that she would simply and obviously and naturally have on account of being half-demon. i have tried and failed to look it up but there is another post floating around somewhere about how common it is for sapphic teratophiles to treat every even slightly monstrous woman as ultimately just a phallus and it's a very similar, overlapping concept
how many people on this website like actually absorb the fact that race is a social construct? that race is indeed assigned at birth and reinforced socially through an entire lifetime? that race is fluid and racial privilege is granted and taken away arbitrarily based on what white supremacist power structures benefit from the most? that racialization is relative and changes over time and space? that there is no genetic evidence that race is biological, that it’s a farce in the same way the idea of biological sex is?
If I die, remember that I begged you and asked you for a small donation or to share my post. I will not forgive anyone who sees this post and does not support me with a single word or a small donation and ignores me.
Im writing this post with tears in my eyes from the intense pain I'm experiencing. I've suffered from severe pain and multiple fainting spells this past week due to my severe anemia and my inability to afford all the medications I need because of their high cost. All I wish for is to never faint again, so I hope you will stand by me and help me buy my medications quickly. Please stand by us.
Worse still, I was injured when our house was bombed while we were inside (700 days ago). I was hit by shrapnel that is still embedded in my body, and I need urgent surgery to remove it. Throughout this time, I have been suffering from constant pain. My surgery is very expensive, and I don't have enough money for it. Now I can't sleep because of the intense pain, and I can't afford my medications and painkillers to stop the pain because of their high price, I don't know what to do!!!
I need your help to stop my pain and save myself as quickly as possible. Please, I don't want to die. Please help me raise the money for my medication and surgery as soon as possible. Please stand by me. And look what's happening to us
Please help my dear friend Fadel <3 He really needs funds for his medications and painkillers. No one should endure such an intense pain for so long. Please give him the gift of relief from pain. Help him to survive this genocide.
Hey everyone, please don't stop sharing this post and look at me with compassion. Please stand by me and see my situation. I desperately need your help and support. Please don't ignore me.
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having a “and one more thing!” about pjm fans, but the way fans talk about yi sang and gregor as composites of their authors and the books they’re based on as well as the historical reality both authors lived in is frustrating. Most fans briefly acknowledge that canto 4 is an allegory for japanese colonialism and ignore it, and I’ve already talked about how fans balk at discussing antisemitism. It’s actually annoying since functionally they end up doing the same thing: ignoring the author’s background. Yi sang and the rest of the guinhoe barely get talked about out of disinterest and discussing european antisemitism in regards to franz kafka of all people is verboten because the holocaust is so Bad that even acknowledging the circumstances that led to it ruins the mood and pollutes anyone who hears it unlike japanese imperialism, which is minor and did not literally fracture the korean peninsula so it’s not worth dwelling on
I was talking with a friend the other day (in regards to this being very much a Korean game and how much of that element is ignored) how even when it's something like folklore (geseundae abnormality recently) people don't even bother looking it up? It has a very obvious Korean name, it's being associated with a historical Korean figure (the poet Kim Byeong-yeon), it shows up on the bit of story where you fight a famous Korean general (Im Gyeong-eop). Like. I'm not asking anyone to know these things beforehand (I wasn't familiar with most of it) but yknow. Have some curiosity? I've seen people commenting on the boss theme in specific with timestamps referencing specific historical moments too, but they were all Korean players.
With Gregor I see people lean a lot harder into the disability reading which is fine but the author was still Kafka, and it's lame to ignore that part of the source material when discussing Gregor. Was the whole thing with Obviously Not Italian Soldier Valencina talking gleefully about torturing "vermin" like him not enough? It's like they're taking the roach thing literally, like that one awful review of the Metamorphosis everyone laughed that. Certainly, they're not ignoring all the symbolism and metaphor as well, right? right?
(I have my complaints about how they're handling Gregor, like how he's Obviously Jewish but still gets christianity-associated things like Signs of Roses EGO or the Priest ID, and I'm looking nervously at what the fuck are they doing with the arm because that's one or two words away from being ultra nasty.)
The way english pjm fans treat Gregor reminds me of that one tumblr post where western fans will casually joke about a character being a war criminal, but become deathly seriously if said character is associated with sexual violence. It’s not that they actually care about sexual violence either, it all boils down to discomfort. Real life imperial war crimes are a blip on their radar while sexual violence is closer to home so it all gets dismissed. Gregor is jewish, ashkenazi to be specific, and the main concern of fellow Ashkenazim in 20th century Europe was antisemitism. For whatever reason, and i notice it comes from white/non jewish fans, they insist it’s possible to talk about Gregor being jewish without actually discussing antisemitism or the Holocaust. Which is downright insulting since as I’ve said both of those are key parts of Ashkenazim history; even Kafka’s family died in the holocaust. If Limbus didn’t want to make Gregor an ashkenazi jewish man why base him on an ashkenazi author who was involved in Jewish activism? Why make his most distinguishing feature a conspicuously placed tattoo on his forearm that says “Vermin” in German? It’s the same with valencina and kromer, and how fans revolt against seeing them as narrative agents to convey the allegorical antisemitism in the world because it makes go from being generic bad guys to actual commentary on bigotry, which is scary. It’s ridiculous. Sometimes it’s exhausting being educated and nonwhite in project moon when a majority of the fans are incurious white westerners who just want games they can shut their brains off and play.
(Also link to the Korean fans pointing out the historical leitmotifs in the music?)
The recent success of Love Bullet demonstrated the power of the global yuri fanbase when united. However, the short-lived serialisations of bold, unconventional titles like SHWD highlight that there's still progress to be made in finding the audience for WLW titles and continuing to support manga that don’t conform to more "commercially appealing" tropes.
That brings me to the manga I’d like to recommend today — a series that evolved from Twitter posts into a full serialisation. Despite its brilliance, it struggled to maintain its serialisation and ultimately concluded after just three printed volumes. Fortunately, it lives on once again as a self-published work, sustained by the dedication of its creator and a passionate fanbase. Now that all three official volumes are available in English and accessible internationally, there’s no better time to talk about The Flower Princess of Sylph — a powerful meditation on love and grief.
Sylph no Hanahime (The Flower Princess of Sylph) by Kamejiro
The Kingdom of Wind has long been ruled by a dynasty blessed by the wind spirit, Sylph. Natalia, the newest monarch, has just ascended the throne following the death of her beloved brother. Overwhelmed by grief, she clings to Sylphide, the sacred sword passed down through generations of rulers. Torn between her duty to present a flawless image to her people and her personal need to mourn, Natalia encounters Sister Sara, an irrepressible nun who takes it upon herself to help the young queen heal. But are Sara’s intentions as selfless as they seem?
From the start, The Flower Princess of Sylph feels like an easy series to recommend — unlike some of the things I talk about on here. The mangaka, Kamejiro, possesses an exquisite artistic sensibility, and every single page of the manga is visually stunning. From the lines beneath Natalia’s weary eyes to the breeze that drifts gently through the kingdom, every detail feels intentional and thoughtfully rendered. Each panel feels like a step deeper into understanding this world and its characters. While the artwork alone is enough to hook most readers, there’s so much more to The Flower Princess of Sylph than just its beauty.
Both Sara and Natalia are extremely well-realised characters in their own right, independent of one another. Natalia has the weight of the world on her shoulders with a prideful determination to stand alone — longing for a connection to her ancestors, yet struggling to form bonds in the present. Sara, on the other hand, appears selfless and devoted to upholding the kingdom’s religious traditions, but beneath that exterior lies a streak of recklessness and quiet selfishness.
I would happily read a story focused on either of these women individually, as they’re equally compelling, but Kamejiro has blessed us with a story that contains them both and —like many stories with romantic undertones— it’s the evolving relationship between the pair that truly captivates, leaving you eager for more when the third volume comes to a close.
Natalia needs to learn how to invest in herself again—not just by rebuilding her confidence, but by caring for both her body and mind. Grief has eaten away at the person she once was, and loss lingers in every part of her daily life as she steps into the role once held by her father and brother. What she truly needs is someone to nourish her, not just with food, but with genuine connection and unguarded conversation.
Sara is everything Natalia doesn’t yet realise she needs. Despite her nun’s habit, she’s a bit of a rogue—rough around the edges, even with her refined upbringing—but her heart is always in the right place. She wants to comfort Natalia, to see past her carefully composed facade, and to help her heal. Initially this comes from a selfish place, but as the two spend time together, Sara finds herself increasingly enchanted by Natalia the woman rather than Natalia the king.
In order to protect each other—and to truly connect—both Natalia and Sara must learn more about each other as they unlearn certain habits. Though the Kingdom of Wind has enjoyed centuries of peace, a sudden direwolf attack hints that this tranquility may be unraveling. In the face of looming danger, the bond between these two women might be the kingdom’s only hope.
UGH UGH UGH!!!! IT'S SO GOOD!!! If you don't want to jump out and immediately purchase the whole thing idk what to tell you. (Speaking of which, there's a Bookwalker promotion running right now with discounted chapters and a free wallpaper. I'm not sponsored but this is a solid bargain, learn more here.)
One thing I feel like I need to highlight in this already glowing review is just how damn funny this series can be. Much like The Vampire & His Pleasant Companions, most reviews focus on the series’ stunning artwork and the evolving relationship between the leads. But they often overlook one of its strongest qualities: its sharp, well-timed humour. Balancing grief and physical comedy is no easy feat, yet Kamejiro pulls it off brilliantly, delivering true laugh-out-loud moments that underscore the emotional complexity of the story. It’s this blend of heartache and hilarity that I feel truly captures the fullness of the human experience and is a rare treat in stories that handle the darker aspects so well.
As mentioned at the start of this review, The Flower Princess of Sylph concluded its official serialisation after three printed volumes. However, Kamejiro has continued the story independently, self-publishing a new volume recently under the same title (currently available in Japanese language only). The official English release recently wrapped up with Chapter 17, which marks the final chapter from the official serialisation. Fortunately, Kamejiro plans to continue releasing English translations of the ongoing self-published chapters in the near future.
In addition to buying the official English language chapter releases via BookWalker or on Kobo or Amazon, you can support the artist by purchasing the fourth volume in Japanese via Booth or by subscribing to their Pixiv Fanbox for ongoing posts and artwork about the series and characters.
We might not be at a point where social campaigns can pull a Love Bullet for every sapphic title out there, but there is joy to be found in the dedication fans have for series like The Flower Princess of Sylph. While this story has never managed to slot neatly into any commercial boxes, Kamejiro's determination to bring Natalia & Sara to the world is admirable and who knows what the future might have in store for self-published works that refuse to be held down by the whims of the market.
I can safely say that I will continue to read and support The Flower Princess of Sylph for as long as Kamejiro continues to work on it. The leads are refreshing, the setting is intriguing, and the story offers a powerful message about the importance of letting others in if we truly want to nurture and heal ourselves.
joining the war on kids reading any book they want on the side of kids reading any book they want. simply you will be fine. it's even good to be confronted with things you don't understand and even find upsetting, uncomfortable and difficult. it's a surprise tool that will help you later.
literally ok so not a funny story but kind of funny? when I was nine I encountered rape in a book and I was like hey mom what’s this mean and she explained it and I was like oh. gross. and then like two weeks later a girl on the bus abruptly disclosed her csa and we were all like ????? what ???? but I was like wait hang on there’s a word for that ☝️🤓 and explained what it meant and that it was illegal and that you could talk to a teacher or my mom if it had happened to you and everyone was like ohhhhh I see I see and very somberly comforted the girl (she was safe she was removed from her home and living with my neighbor at the time so it wasn’t Urgent)
with canto 10 around the corner i’ve been thinking. downplaying limbus as “just a gacha” feels like i’m dismissing my own feelings so as someone who grew up within the african muslim diaspora i think white/american (europeans do it too) limbus fans are painfully ignorant of how religion is used as a vector for racialization. Specifically with n corp and how people say they only represent religious persecution with no reference to racial/ethnic discrimination (and everyone knows germans having a stellar record of respecting all races /j) people know antisemitism is bad, but they don’t think deeply on the mechanics behind it: why it happens, how it’s enforced in service of white supremacy, etc. i was extremely aggravated 3 years back when ppl argued the crusades/inquisition had nothing to do with race and was purely religious. They are actively entrenching themselves in ignorance on how medieval antisemitism/islamophobia is connected to modern iterations of it and racism because they don’t want the germanic enemy faction associated with the most infamous germanic enemy faction in real life: nazis
Something that's always in the back of my head is that nazism and fascism won on a cultural level.
What I mean by that is that people's understanding of conflicts of this nature and art are still following that same nonsense logic of "people fight because they're different uwu". Like, no, the crusades were absolutely using racism as fuel, and it was in turn for material reasons.
Do we think maybe european colonizers at the americas had more reasons than "they're just different" for the genocide and brutal extraction of resources? My country is named after the metals they were taking out. They came up with new levels of race science to justify it too! hashtag religion.
I mention art because usually a "defense" of "it's not about that" in media is the notion that it doesn't "count as art" unlike some other notion of "real art", which is, yknow.
And like, N Corp is very intentionally alluding at these things, as you say. I find it fascinating how they're incorporating censorship into the setting (because of long standing usage of "stories" as meta), and the fact N Corp isn't exclusively German in design.
With their execution of this, I feel it misses something. Admittedly I lack context that I assume C10 will provide, but the whole thing about prosthetics feels too... arbitrary? to make sense. A Certain Sinclair implies this upcoming war also includes Distortions as "not human anymore", so we'll see how they do that, and hopefully it's not "just because they're different uwu" because that's completely toothless and boring.
Even before limbus library of ruina was about Angela expressing her humanity in a citystate that strictly defined and enforced who is and isn’t human using lethal force. Robots and other fantastical species being used as stand-ins for a Minority™️ is its own trope, usually a trope that is poorly written and ends up legitimating the fear of the Other by giving the marginalized group some scary power that terrifies people. Despite the insistence of Camus and scholars his work is about race and colonialism; even if he isn’t talking about race, presenting white colonial occupied Algeria as a romanticized paradise free of the indigenous population pushes the French imperial fantasy. I feel like somewhere in PM’s writer room they are aware that the white supremacy that fueled the rise in German antisemitism is the same white supremacy behind French colonialism. Camus even lived in Nazi-occupied France for a while so I think having a new npc named Heinrich Kramer after a German inquisitor and even name dropping his antisemite treatise (Malus Maleficarium) is connecting the two. Do I think they’ll do anything substantial with all of this? I kind of doubt it so my main annoyance is fans vehemently denying the game is even trying to comment on 20th century sociopolitics.
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I will be honest if someone posted "I'm a tutor and everyday I watch zoomers try to double tap on books to open them" thousands of you would reblog it and tag "😱 it's so scary that this is what all kids today are really like they're so helpless and stupid omg!!! those damn kids need to get off their phones!!!!"
things a concerning amount of people aged 25-40 on this site believe about today's children:
they don't know how to read and this makes them mean and dumb. also even though their meanness and dumbness are the result of poor education, they are still personal character flaws that deserve to be mocked.
they are responsible for wide scale censorship in schools and on social media. because, as we all know, children are famously politically powerful, never want to see horny or edgy content, and love it when books are banned in their school libraries.
they love to spread misinformation around so they can all armchair diagnose each other and act like they have learning disabilities in order to excuse their laziness about doing school work. obviously they are all liars and just need to just get their acts together and grow up instead of shirking responsibility for their actions like this.
they are uniquely cruel in comparison to past generations, and this is because of Phone. and also TikTok. no one has ever been cruel like this before.
they would all be much better off with their parents monitoring their internet usage. if they're closeted and their parents are homophobic then, well, sucks for them. kids being abused out of sight is better than them being annoying where I can see them.
addendum to my previous ask. canto 9 adds a lot to the topic of sex and gender in pjm’s setting since it’s obvious shiomi, ryoshu, and araya are all being exploited for their bodies. araya’s situation is fridge horror in the mirror world with the implication of incest since she’s wearing dihui’s star bridal attire while raising a child with her father. the writing just kind of, sidesteps sex as biology and an act (implying rape) by substituting cloning. ironically enough that just made the theme more prominent since fans already think shiomi birthed ryoshu and the korean and japanese scripts have characters like valencina just say “that’s the child you bore”. playing morimens after this was night and day, hello thais and caro
Morimens is really funny in contrast because it commits to horror and has Birth all over the place. Thais and the chapter centered around her (7*) is all about that, but it's also a central thing with a couple of chapters before, where a priestess tries to revive a God through a ritual that involves a gestation and birth. They take a few steps to the side, like not saying -how- it got in there, and putting the "egg" next to the heart, but also the entire time you're fighting pregnant women and babies. And it's made very clear how the relationship between this young girl and the priestess is fucked (essentially mother-daughter, but her religion has her blinded to the girl's personhood and only sees a path for her faith)
Or like just the fact that Caro has a central mechanic of Eating Embryos. "Emergency Gnosis", the item that lets you retry, has an ghostly embryo floating inside. They just did a collab with Saya no Uta.
They don't shy away from sex in its depiction but it's also not saying anything that we haven't seen before in... most horror that touches these things. It feels like they understand the visceral discomfort of these things, but don't engage in any meaningful way.
I've been playing FFXIV on and off recently, and I'm kind of shocked at how many rape allusions it has? and they're not done with any tact. It's either to paint a generic bad guy as Disgusting and Evil with a cartoonish tone, or going "damn isn't that scary? anyway fight Faceless Bandits". It's just. Almost joking. The text is written understanding that this is shocking but doesn't engage at all as to why, nor does it care how it can affect to just throw that on an audience.
It's also, coincidentally, really racist.
*warning on how incredibly racist the whole thing is. Like. Disgustingly racist. There's this weird dissonance because there is a character in your team who is gross as fuck the whole time, calling them "uncivilized" and "savages", and it's put in contrast with his "charming" persona, but also the framing of the whole thing is not much better. It's this "brown people from the desert" caricature. Thais as the scary seductive belly dancer. "Inspired in lovecraft" is certainly true.
Yea, I just finished playing Chapter 7 and it really was the white pharaoh meet and fuck kingdom. The white church lady being worshipped by the backwards brown savages was another salt rock in the wound. Morimens has the same pacing issue as Project moon where they introduce interesting concepts and just zip through it to get to the next new development. Morimens kind of has a pass since the devs thought the game was going to shut down so they wanted to wrap everything up quickly. I’m also slightly more lenient on Morimens since in spite of how censorious China is they went places with the reproductive horror games in more liberal countries hardly do.
Agree on FF14. I’ve been a huge final fantasy fan since middle school and picked up 14 right around the middle of the post Heavensward patches. The game having a revolving door of writers means there’s a lot of hard hit and misses on subjects like racism, misogyny, imperialism (Sighs at Stormblood). For me the games that have a good track record on writing rape are usually visual novels and it’s mainly because they’re novels so they can purely focus on writing.
This is - legitimately - my favourite delivery of Shakespeare I have EVER seen (and I have seen some good-ass productions yo, in the Globe Theatre itself even). Like seriously, even though the words are unchanged, he’s stripped away ALL of the archaic pretense and assumed grandeur of ~presenting the bard~ that makes even the most wildly talented of actors and innovative of productions inherently inaccessible to a modern audience. Like, they’re still great, they can still communicate the message and (some) of the nuance, but they’re still always a step removed from being identifiable to any viewer’s lived experience. They’re still always reciting 15th century poetry. But this guy? This guy is like, screw iambic pentameter, to hell with being precious about the material, HOW WOULD AN ACTUAL PERSON SAY THIS SHIT?
Like this. And it’s beautiful. It’s beautiful to hear a soliloquy I loved so much already, and have it come to life in a way it never, ever, did before. I feel like I grasp his motivations, his twists and turns, no longer on an academic level but on a visceral, instinctive one. Because he’s presenting his mental and emotional journey in a way that speaks honestly, like a real person.
So yeah, this shit post? I love it. Deeply and sincerely.
for me a hurdle with discussing pjm games with other people is that they take “race and gender discrimination don’t exist in the setting” for granted so they treat analyzing the games through those lens as forcing discrimination into the story, and not actually verifying the strength of the story of not being bigoted. using canto 9 as an example it’s pretty obvious shiomi and ryoshu are being clonebred because their reproductive capabilities are profitable to the fingers (both their time sensing and fighting prowess) but fans are resistant to that read because that means the story is about misogyny even if the overall conclusion is misogyny bad. the read makes shiomi and ryoshu cis but tbh nothing in pjm have made me think the writers are dedicated to even broaching the topic of queerness
It's silly because even if they state that racism isn't a thing in the setting, the text is written by an author that exists in the real world, and the real world and its languages are thoroughly permeated by racism.
Sure, no racism in the setting, but Heath is dark skinned in an adopted family of blondes and called various variants of "dog" like okay sure not racist? "it's because he's poor". That doesn't matter. We, the audience, live in a world where Dark Skinned Poor Boy in Family of Blondes is straight racism, and that colors the word "dog" as it is used in real life. The visual language we use to tell the story is language from real life!
I don't think KJH and his writers are oblivious of the texts they're borrowing from. They sure did keep the intimacy shared between Ishmael and Queequeg, but I don't think they'll ever say anything with their full chest. It's really hard to not see the racism kept in C6 from Wuthering Heights.
Demian touches gender and sexuality, and we have hints of that with Sinclair. Is Frau Eva ever showing up? is that going to be discussed? or is things like Sinclair wearing the feminine version of the Blade Lineage uniform just going to be left there for funsies?
C11 with Outis has the chance of have actual for real lesbians married, but I don't know if they'll take it. They should. Frame it as completely normal and unremarkable. You can't say "gender doesn't affect the story" anymore, sir.
Why does Sinclair call Kromer a bitch if misogyny isn't real?
Canto 6 is thought provoking (neutral, slightly negative) since the writers thought they could still truthfully comment on Wuthering Heights while negating race and gender as barriers to Heathcliff and Cathy’s relationship by just simplifying the conflict to “they should have just talked” but end up framing Heathcliff as in the wrong for running away from a racist, abusive household and hand waving Cathy stating that marrying him would degrade her. There’s also how in rewriting Cathy into a Female Love Interest by sanding her down she ends up becoming the docile white woman to Heathcliff’s angry brown man. I have a lot of complaints about the final 1/3 of C6. There’s just so much symbolism in limbus that it feels like a disservice to handwave all the bridal imagery in C9 as “they just added it because it looks good”
The recent flotilla of volunteers trying to bring aid supplies to the Gaza Strip consisted of 50 boats and hundreds of people from different countries. On Tuesday, Israelis arrested 430 people, and forced them onto ships converted into makeshift prisons. The protesters abducted onto these ships report surviving a number of violent tortures including:
Denied water, blankets, and most of their clothing.
Forced to kneel for hours and kicked if they moved or spoke.
Moved from room to room periodically to deprive them of sleep.
Locked in a darkened container.
Serious injured in their eyes, ears, and rib-cages with tasers.
Beaten by multiple soldiers, breaking ribs, fracturing vertebrae.
Stripped, sexually harassed, and groped.
Sexually violated, anally raped, and forcibly penetrated with a handgun.
This is what Israel did to people who were only under their control from Tuesday to Friday, less than a week. This is what Israel did to people from Germany, Italy, Spain, France, and others of the global north. This is what they did to protesters showing solidarity on a global stage who have lawyers and news attention.
Imagine what they do to Palestinians every day.
Please help my friend Mahmoud to support his family in Gaza. His family's campaign is vetted by @90-ghost, shared by fairuzfan, and hosted by my wife @cannilyuncanny. She transfers donations directly to Mahmoud's sister Mahrah (@mahrahpalestine), who lives in Gaza with her elderly parents.
Their survival depends on your support and donations for food, clean water, supplies, medicine, and all the essentials of life. Please support them.
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no one with any amount of power brave or enlightened enough to call what the western world is doing to children segregation. children are segregated from public life. children are a legitimate oppressed class
what else do you call it when third spaces place curfews for when children are allowed in, when public squares hire cops and guards to boot out any kids they find for "loitering"; when arcades and theatres and entertainment spaces mandate ID checks regardless of if their content is age-inappropriate or not; when parks for kids are constantly sold off for more property development, when public transport is gutted and tickets are converted to card-only systems, when micromobility devices are progressively outlawed under the moral panic pretense of "youth hooliganism", when cash is phased out of retail such that children have no legal means of purchasing anything independently? what else do you call it when children are completely barred from sharing space with adults on the internet? if we earnestly believe that children are an oppressed class who require liberation then we must analyse these things using the same language that we analyse all other class dynamics
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