method actor this method actor that. toshiro mifune played a guy getting shot at by arrows by getting shot at by arrows
and yeah i believe it. ^ this is the face of a guy getting shot at by arrows
i can't cope

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method actor this method actor that. toshiro mifune played a guy getting shot at by arrows by getting shot at by arrows
and yeah i believe it. ^ this is the face of a guy getting shot at by arrows
i can't cope

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Ngl 90% of the time I leave the commentary in the tags because sometimes I actually write it in the post and then people reblog it and I’m like. Don’t do that. Why would you do that?
Adding text to a reblog is like standing up in front of the room and speaking.
Text in the tags is like whispering to your friend who is sitting next to you.
Having your tags screenshotted and added as a picture is when someone near you laughed at what you said and repeated it loud enough that everyone else could hear it.
On the subject of knowledge systems, I'm also always wanting to pull apart "science" as it is talked about into several aspects that need seperate treatment.
There's Science as an ideal: a way of approaching the world and learning about it. The idealization of observation and questioning, of coming up with theories but being willing to change them as you observe more.
There is Science as a practice: a way of implementing the ideal. Methodologies for observation, theory-building, and testing. The discussion of these methodologies which also seeks to analyze which are effective, how they can be improved, what their limitations are.
There is Science as a body of work. The accumulation of science-as-practiced, where many generations of work have built on each other and continue to analyze and relate to earlier work.
And there is Science as an institution, as an arm of the Academy. Who decides which approaches and perspectives are legitimate? Who does the observation, who pays for it? The academic project has historical roots deeply tied in imperialism: a philosophy of Knowing the world as part of the project of Owning the world.
Science as a body of work is deeply tied up in science as an institution - not because this fundamentally follows from the accumulated practice of science as an ideal, but as a matter of historical fact. This is the body of work we have.
All of these aspects are in conversation with each other - and with realms of life and society outside of "science" specifically. How exactly the ideal of science should be defined, has varied over history. The iterative effects of changes in methodology and philosophy accumulate in the body of work. The changing body of work changes the goals and outlooks of the academy. These aspects of science are not separable. But neither are they synonymous.
Very often, I see critiques of science-as-practiced rebutted with appeals to the legacy and legitimacy of science-as-institution. Meanwhile, critiques of science-as-institution are brushed off with appeals to science-as-ideal.
To understand the body of knowledge we have constructed, where it comes from and how it operates, we have to be able to address these aspects as distinct, and to build language of analysis for them individually, and for how they interact.

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You are an adventurer in a generic fantasy world and you use this weapon!
Do you like it?
YES!!!!!
yes
Eh it's okay
No
NO!!!!!!!
I think it would do people a lot of good, both mentally and societally, if they started thinking of at least some of their actions not as good or bad, or moral or not, or fun or not, but as whether or not they’re the behavior of someone who lives in a society.
On Friday, I got a notification that I had a package. My apartment has package lockers that FedEx/UPS/USPS/DHL/etc. deliver int and when they register a package to me, I get a code emailed/texted to me that I can use to pop the locker open.
I didn’t remember getting a package, but that happens sometimes. I preorder a lot of things and Bookshop doesn’t always let you know when they’ve finally shipped something, or a friend surprises me, or whatever. So I put some clothes and shoes on and went over to the leasing office building to get the package.
It was not for me. FedEx is gonna FedEx.
So I picked it up out of the locker and went to the leasing office staff to hand it to them. They were kind of closed for lunch, so I was contemplating what to do if they weren’t in. It had the address. I could walk over there and deliver it maybe?
‘Cause see. A lot of people apparently just shut the locker and are done with it. But if I did that...how would this person know they had a package or where it was? How would anyone get the package back out of the locker, now that the system registered it as retrieved? They don’t have the code, and the code is expired anyway.
I could just leave it in the locker. Or take it out of the locker and dump it to the side where it could be pilfered; the exact function the package lockers exist to prevent. It’s not my package. Not my problem.
But it costs me a tiny bit of inconvenience and time to place it in the hands of and appropriate custodian and save a bunch of other people a lot of inconvenience and time. I live in a society. Society is designed to save everyone across the society as much time and effort as possible cumulatively.
Sure, it’s easier and faster to just shove your shopping cart out of the way and pull out. Not your problem. You don’t need the cart anymore. Except now the cart is blocking other people’s cars and other parking spots and can ram into cars and people and some poor worker is going to have to go track it down. You have saved yourself a tiny amount of time and inconvenience and in doing so wasted everyone around you’s time and convenience.
Sure, you could put your neighbor’s mail from a government agency with an URGENT stamp in your mailbox and mark it “NOT AT THIS ADDRESS.” Or you could. Just. Pop it in their mailbox or slip it under their door (I’ve been having mail problems recently okay. Give the USPS more money).
You don’t have to wait an extra 5 seconds to hold the door for someone just behind you. But. Like. Come on, man, really? (Unless you're entering a secured area with restricted access, because that causes a separate cache of problems)
Weighing how much time and effort something is going to cost you compared to how much time and effort it will save everyone else around you cumulatively is...well...pro-social way to think. There are obviously always going to be exceptions and a balance to things, especially if the cost to you is much, much higher proportionally.
We live in a society. We live in many societies.
You can leave your dishes all around your house. But whoever has to do the dishes later (even if it’s you!) is then going to have to remember or know this happened, figure out where they all are, pick them up, deal with any spills/etc. that incurred, and return them to the kitchen and then was them. Was that really worth just putting them in the kitchen earlier? Maybe. But probably not.
“But what do I get out of that?” Firstly, you’re a tarpit. Secondly, you get all of the time and energy everyone around you has saved you by also being a functioning member of a society.
Societies work because we’re all contributing so the burned is distributed, just the way people can walk over a bed of nails but not an individual nail. We all take up a small part of people’s burdens that aren’t necessarily ours so we all have better lives.
Consider: how pro-social is your behavior? Sometimes pro-social behavior is a huge undertaking for massive gains elsewhere. But so much of the time it takes an extra 30 seconds, an extra minute.
And what little pro-social tasks can you tally up lately to feel proud and accomplished of yourself? It’s good for you. Try it out.
Am I the mom friend? Absolutely not. But what I AM is the "prepared for any situation" friend, and THAT bears wisdom I can pass on
Step 1: Cargo pants, or purse, fanny pack, cool jacket, backpack, etc.
Step 2:
Folded-up plastic bag
Tweezers
Chapstick
Small knife
Lighter
Band-aids
Hand sanitizer
Hard candy
Travel-size Tylenol
Needle and thread
Safety pin
Bus fare
Charger
Pen/flashlight combo
Sticky notes
Granola bar
Tampon
Pad
Mini multi-head screwdriver
Zipock of tissue
Bottle opener
Hockey tape
This can be a lot to unload and re-load if you're a cargo pants person, but if you like me are not really a purse person I highly recommend either a cool jacket you can sew secret pockets into or a spare water bottle you can grab 'n' go whenever
I share this because being the guy who always has The Thing You Need is the best feeling in the world and I think more people should experience it
embarrassment is the cost of entry.
if you aren't willing to look like a foolish beginner, you'll never become a graceful master.
There's something here.

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Hello ive really enjoyed ypur Goblin Emperor posting do you have any other books you recommend?
Yes! A list!
The Swords and Fire Trilogy (starts with The Tethered Mage) by Melissa Caruso: These are a trilogy of dense political fantasy novels. Caruso is the master of presenting you with a story, telling that story in the first third of the book, and then revealing the much larger more complex story underneath the original premise. Swords and Fire has a very different tone to Goblin Emperor, its much more in line with conventional fantasy, and there's more magic and violence. But it has a lot of the same preoccupations as The Goblin Emperor, one of the main plotlines centres around a vote on a civil rights bill, and the main character's arc is around negotiating how she's going to cope with an inherited political position and what compromises she's got to, or is willing to make. They also feature Ciardha, who is the character you get if you weaponize Csevet.
If you actually just want big, complex fantasy worlds and are less concerned with the plot specifics I would recommend Jonathan Strange & Mr. Norrell by Susanna Clarke which involves the return of magic to an alternate version of Regency England. And also Rebecca Roanhorse's Between Earth and Sky Trilogy (starts with Black Sun). There is Gideon the Ninth by Tamsyn Muir which is sci-fi and quite different but is similarly demanding.
The Spellshop by Sarah Beth Durst is a smaller scale cozy/romantic fantasy about a librarian who returns to the tiny village she grew up in while fleeing a civil war. Its very sweet and has more romance than Goblin Emperor, but it does have some of the similar notes of fixing a problem inside a system when fixing the system is out of reach. It has sequels, I've read the second and it was charming but not as nuanced.
The book I've read which is closest in terms of vibes is actually a YA post-apocalyptic novel called An Inheritance of Ashes by Leah Bobet. The actual story is completely different, its about two sisters trying to maintain their farm which is periodically being invaded by monsters. But the dynamic of how Hallie interacts with people, and the thematic line about how communities and families react to and discuss (or fail to discuss) abuse is very Goblin Emperor like, and the preoccupation with the logistics of daily life under stress will feel familiar from Cemeteries of Amalo. There are a group of friendly neighbourhood mad scientists. Also its just very, very good and it drives me insane that no one I know has read it.
Also YA and a rather different in terms of specifics are Tamora Pierce's Circle of Magic and Protector of the Small quartets. Even though these are a lot different in terms of style they do have a similar focus on dealing with problems in a setting, and they do again, share some appealing overall vibes with both Goblin and Cemeteries. I love Pierce's other Tortall books as well but they're much more conventional fantasy.
If you just want gaslamp fantasy and fun clothes my recommendation would be Gail Carriger's Finishing School and Parasol Protectorate books. These don't engage with the politics of the setting basically at all and they don't reward engagement the way Goblin, they're much more romantic silly books. I like them as cupcake books and they have a lot of airships.
If you want more necromancy I have two recommendations: Sabriel by Garth Nix starts with the titular Sabriel having to scramble to get home because her father has been killed and she must inherit a position she doesn't totally understand and isn't prepared for. She is now the Abhorsen, the state anti-necromancer - unfortunately, the whole country is overrun by zombies. Vespertine by Margaret Rogerson is another book that I can't believe isn't more popular. I've recommended it before as Sabriel + Murderbot and it features a very traumatized ghost-hunting nun. The actual plot has very little in common with Cemeteries but it does spend a lot of time on the question of what different people do with power and the difference between being in the right and actually doing the right thing, which I was enraptured by.
If you actually want the crime-solving portion of Cemeteries of Amalo, I actually would not recommend the mainstream forensics based series (I know of two if you want them Kathy Reich's Temperance Brennan and Elly Griffiths' Ruth Galloway). I do like these series but the structure of mainstream crime thrillers gives the crime solving a slightly voyeuristic tone that Addison manages to avoid with Thara. The books which are actually the most similar that I've read, are memoirs by real life forensic professionals, who are much more concerned with the dignity of the people they identify than their fictional counterparts. I've read 4 in the past year or so I would recommend: All That Remains by Sue Black (Dr. Black is a professor of forensic anthropology and this is a memoir which describes the various roles she's played over a long career which has included forensic work for law enforcement, responding to disasters, identifying victims of genocide but also anthropolgical teaching and research), The Bone Woman by Clea Koff (this is a much more narrowly focused memoir of Koff's work for the International Criminal Tribunals for Rwanda and Yugoslavia), Working Stiff by Judy Melinek (details Dr. Melinek's training as a pathologist in the medical examiner's office which ended up encompassing identifying the victims of 9/11) and Personal Effects by Robert A Jensen (Jensen is a manager of forensic specialists who made a career of managing the recovery and identification of the victims of mass casualty events).
The other non-fiction books I've referred to while reading Goblin are: Servants by Lucy Lethrbridge, which is a history of domestic servants and their relationship to the economy and labor movements, Jacquard's Web by James Essinger which is a history of the developments which lead from the Jacquard Loom to the computer, The Fabric of Civilization by Virginia Postrel and The Golden Thread by Kassia St. Clair which are both more general histories of textile production, Mother Nature by Sarah Blaffer Hrdy and A Good Time To Be Born by Perri Klass which are both examinations of infant mortality, maternal decision making and public health. I would say these are only recommendations if you're independently interested in these topics except for Perri Klass's book, which I recommend to everyone because I think it should be mandatory.
Then books that have nothing to do with Goblin Emperor but which I recommend because I just like them: The Shades of Magic Trilogy by V.E. Schwab and its Sequel The Fragile Threads of Power. These are about magicians chasing each other through four alternate versions of London and I adore them. The Chronicles of Chrestomanci by Diana Wynne Jones are sort of centered around a nine-lifed, dimension hopping enchanter known as Chrestomanci and are essentially magical school stories, except that the students all give the magical school the slip and run off to cause trouble at the earliest possible opportunity. More generally if you haven't read Diana Wynne Jones you are living a life of deprivation. The Dominion of the Fallen Series by Aliette de Bodard is a post-apocalyptic version of post-WWI Paris ruled over by fallen angels and features a character (my beloved Thuan) who wants you to think he is Maia but is actually Csevet as imagined by John Le Carré. These are quite dark and violent (they do have some Goblin Emperor style politicking towards the end but overall they're tonally more similar to Game of Thones) but I think Aliette de Bodard is criminally underappreciated so if this series isn't for you (they are A Lot) go and find her Xuya Universe space opera series.
Spin the wheel. That's who's trying to kill you.
Spin the wheel again. That’s who’s trying to protect you.
(If you have zero idea about a name you got, spin until you see someone you recognize.)
Are you safe?
Absolutely not. I'm dead. 100% dead.
I might stay alive, but it'll be a really close thing.
I'll take some hits, for certain, but I should be okay in the end.
A few attacks might get through, but nothing concerning.
The attacker might be able to get in one lucky hit. If that.
I am the opposite of worried. I'm 100% safe.
…Look. I've tried picturing this. But I honestly don't know how to answer.
(I've run this poll twice before, expanding it significantly for the second run. With about a year passed since that second run, I thought it was time to add another couple hundred names to the list and have another go.)
tbh im not entirely immune to a villain with a tragic backstory but i do think villain origins are a lot more interesting when the focus is less "here is the original sin, the first big bad thing that happened to them that made them who they are" and more "here is the first time a person who maybe otherwise felt powerless in their life realized that they could hurt someone and get away with it"
you can get a lot more mileage out of analyzing a truly abhorrent character through the lens of like. what sort of conditions would allow or even incentivize this kind of cruelty? what kind of person benefits from those conditions and how? over the more typical who hurt them type analysis. imo.
I just love how Supergirl isn't really about the revenge or the dog or anything that goes on at all. Its about two grieving girls trying to keep going in diffrent ways and teaching each other how to survive with the weight of it all while also inspiring each other to be better people. Its about not letting your past overtake your future. Its about prioritizing yourself instead of being fuled by your trauma. Its about being good no matter what.

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I'm sorry but if I see one more middle aged man complain about how Milly's supergirl is unlikable and obnoxious, I'm going to combust. Shes REAL. She is messy and kind of a bitch and she's hurting but she's also badass and she's TRYING. That's what being a woman is!! I loved her!! I am her!! Guys please.
to me she's one of the MOST likable female characters (in superhero movies) ever, because she is so real, I love everything about her. and speacially how messy she is!!
This movie is based off a comic that is an homage to True Grit. People need to understand that Kara is playing the role of Rooster Cogburn in this story. She's this guy.
She's the grizzled, rough killer contracted by a young girl who wants revenge on the scumbag who killed her family.
I think the comic is maybe a better homage to True Grit but I think they did a pretty good job with the movie! I enjoyed it.
If you see this you’re legally obligated to reblog and tag with the book you’re currently reading