Maruike Pond, Japan by Sakutaro
Mike Driver
styofa doing anything
One Nice Bug Per Day
he wasn't even looking at me and he found me
let's talk about Bridgerton tea, my ask is open
Monterey Bay Aquarium

shark vs the universe
almost home

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izzy's playlists!
TVSTRANGERTHINGS
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@screambirdscreaming
Maruike Pond, Japan by Sakutaro

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Would you be willing to tell a little bit more about what blind spots authors of kids' books have in their work? (You mentioned it in your reply to the author asking how to get their book into their local library, which I found very kind and informative).
For me, I would say the most common blind spot I run into from would-be children's authors is if the book is written from a place of authority, correction/dogma towards children rather than joy, genuine help/compassion, or curiosity.
For me, the author whose works most exemplify this is Julia Cook. Not only are her book's illustrations ugly as hell, but they heavily focus on correcting bad behavior in kids, usually with an overarching theme of "You're having a hard time making friends because you're loud/annoying,/unable to take responsibility/any number of things that it's perfectly natural for a kid to be because they barely have a concept of self yet, let alone awareness of other peoples' experiences and needs." I feel these books ultimately operate from a place of shame towards their audience and it's baffling to me that so many parents are like "Yes! That's exactly the book my kid needs!" On top of all that I feel like Julia Cook's books are also overly-texty. I think the blind spot here is that a lot of would-be kid's authors think they've figured out an approach to correcting kids' behavior, but they actually haven't been able to separate their own frustrations from communicating more constructive ways for kids to build social and emotional skills, which is how you end up with a book from at first glance makes me (a librarian) ask, "Do you hate kids, or something?"
A better example of a book focusing on social skills and emotional regulation in kids would be the "Big Bright Feelings" series. These books actually center the kids' emotions and experiences and are really compassionate with regard to where these feelings come from. Also, in my opinion, the illustrations are cuter.
Like, Ravi's Roar is focused on anger and emotional regulation, but it takes time to build up all of Ravi's frustrations throughout the day and actually gives Ravi some credit with how much he's tamped down/swallowed up before his anger finally gets the better of him because guess what! Kids are dealing with a lot! So much is new to them! They don't have an emotional baseline for so many of their experiences! It takes time to tell kids that it's okay to be angry, to show the adults reading how to support kids and steer their anger in a constructive way, and the metaphor of Ravi turning into a tiger makes the story feel both more accessible and more broadly applicable.
Another blind spot which I think is tricky is adults like and agree with this book, therefore they think it is up to children's standards. You see this a lot with a lot of well-meaning independently published liberal books (about community gardens, voting, recycling, etc.), and to be fair, how much a kid relates to or values a book can vary wildly depending on the kid and their state of development, but like the above point about dogmatism in children's books, you can tell when an author is assuming a lot about their audience's priorities. And again, with a lot of independently published titles, you often get this combo of too much text and mediocre illustrations,
I love a community garden. I love indigenous ethnobotany. But if you're going to go this high-concept for a young audience, I mean this with all kindness, but you're going to want to get an illustrator with enough of a professional background to be able to tell when their illustration's background is a busy mess.
Sometimes the enthusiasm of the adult reading the book to a child can bridge the gap, but speaking as someone who's done her fair share of story times, kids can absolutely tell the difference between something they want to do, and something adults are trying to convince them they want to do. Again, this is definitely a more subjective blind spot, and some books can make up for text content that doesn't quite land with their intended audience by having illustrations that capture the imagination and bridge that gap--like, I loved the book Weslandia as a kid even though the concept of "This kid created his own staple crop-based civilization" kind of flew over my little head at the time because I was so enchanted by the illustrations and I think there was also the factor of Wesley, the main character, operating a lot on his own curiosity and drive. It's a book of solitude and curiosity and discovery and invention eventually blossoming into something you can share with others. As a kid so frequently distracted by my own imagination that I had trouble connecting with peers, that emotional honesty landed with me even though other parts of it were a little high-concept.
I think the takeaway there is, you don't always know how a kid might connect with a book, if they connect at all, but kids are way more emotionally perceptive than we give them credit for. They know the difference between when something is being shared and something is being taught, and if the ultimate goal of a book is connecting with a kid, you want to share more than you want to teach.
Okay just to add on to this because I feel like in terms of content, Weslandia doesn't quite hit the mark in terms of looking at the ways that "No Place for Plants" falls short (and also it's an older title) but anyway--if we're going to talk about a well-executed children's book that features a pretty context-dense concept like indigenous ethnobotany, we can look no further than the Caldecott Winner Berry Song.
Berry Song basically has the reader join a little girl and her grandmother on a foraging trip in the Pacific Northwest. The book expresses gratitude and responsibility towards the land through joy and wonder. It doesn't feel the need to whack kids over the head with "Pollution bad! Forest good!" Again, it's about sharing more than teaching, giving kids the space to make their own connections and judgments with the material. It makes you feel safe while simultaneously making you feel like you're a part of something much bigger-- I think that's also another mistake a lot of would-be children's authors make: trying to jam too much into their book's overall thesis. Kids are capable of grasping nuance, but if a book starts jamming in too many "Yes but's" and "yes, however's" and "Yes, but on the condition of--'s" it muddies up the impact and fucks up the book's overall execution fast. Walk your book's thesis back to its original "yes" and you'd be surprised at how much content you get out of that core concept alone.
Supplemental: While yes, I do consider Julia Cook's illustrations ugly as hell, that isn't to say that illustrations in kids books can't be ugly or gross. In fact kids can very much revel in the grotesque, but there's a big difference between when the grotesque is something that is eagerly being shared with the kids and when the grotesque is, as we see in "Baditude," basically being used to beat kids over the head with criticism. I think also her illustrator just... isn't very good on a technical level. The over-rendering, the lack of composition to exaggerated proportions... these do not speak to a developed style. Meanwhile "Here Come the Aliens/The Aliens are Coming!"shows that a developed visual style can make the disgusting delightful.
This image can practically trigger misophonia, it's so vivid, but I remember loving the disgust and chaos of it as a kid. There's a sense of movement as the aliens shove each other around the table and send bones flying. Like!!! This is a professional illustrator! This is what lifelong training in composition and medium can do!! And that isn't to say that self taught-illustrators can't be great but it's terribly presumptuous of adults to assume that kids can't tell the difference between good and mediocre illustrations on a technical level.
This year marks the 20th anniversary of Rice Boy! Hooray!!! 🥳
Sit back with a nice plate of orange popping plants and spend a while re-reading (or reading for the first ever time! wow!) the epic tale of Rice Boy over at rice-boy.com, by the incredible @evandahm!
Also, we have a few Rice Boy things on the site, including two prints of a lovingly drawn Rice Boy wandering the lands of Overside. 🚶♂️🌱
I try not to fall into the "I never liked their work anyway" ditch when an artist/creator reveals themself to be a terrible person
BUT
a feeling I do have and will stand by is "While I enjoyed their work overall I did have some gripes that I overlooked out of affection and whimsy, but now that my loyalty is gone and my affection tainted there is nothing holding me back from enumerating my many grievances, to which the revelations of the creator's shittiness may or may not provide a new and infuriating context."
#such a good summation of this actually#because yeah there’s usually things that were always present#but which were easy to overlook or give the benefit of the doubt#that suddenly become relevant after a revelation about the creator#and it’s really not the same thing as the self-defensive “’I never liked it anyway’
tags via chimaerakitten
been sort of obsessively combing through articles and websites and resources about top surgery and recovery more and more as I gear up to My Big Day and while I hate to report I may have gotten through most of the scientifically rigorous and reputable sites I am at least, now, stumbling over some of the funnier AI generated slop images i've ever seen in my quest for Patient Information
They missed. 😔

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Opal and glass gold-mounted pendant by René Lalique, c. 1900.
Daily reminder to Americans on this website that American war on Iran is bad because Iranians are getting killed not because you can no longer afford going to the movies in the weekends or refill your car 😒
Y'know what, this reminder also includes non-Americans. Let's watch our words and keep the victims of American aggressions in our heart always
ohhhh shit. target is recalling their up & up baby wipes (fragrance free & fresh cucumber scented) because they're contaminated with Burkholderia cepacia complex and Burkholderia gladioli, multiple people are reporting discoloration & infections. i just got a call about it cuz i had purchased those but i've already gone through them 😅 so no refund for me. but im fine. if you have these they're saying you need to immediately stop using them and bring them back to target for a full refund. this bacteria can cause life threatening infections in children/infants and people with compromises immune systems (ESPECIALLY cystic fibrosis!!) and i know lots of other chronically ill people follow me!!!!
Hold on i should've been more specific.
First: THIS RECALL IS NOT STATE SPECIFIC. IT IS NATIONWIDE.
here are the specific products and dates:
FDA page on this:
Target is voluntarily recalling Up & Up Fragrance Free and Up & Up Fresh Cucumber Scented Baby Wipes following customer complaints of produc
not to be a joyless hag but I've started seeing genderbent "yuri" shipping Markiplier and Ryan Gosling and I can't help but think of someone I recently I unfollowed for posting that they have an easier time caring about genderbent versions of boy characters than regular fictional women
and I'm also building some connections to that post I made about reading books by Black women (you know the one) and the people who would respond by saying something akin to "joke's on you, I only read fanfic 😜" as if that were some kind of clever loophole and not a demonstration of the exact thing I was talking about
like yes fandom is about fun or whatever but idk man at what point has your desire for no thoughts head empty uncritical consumption left you splashing around in something that's been blended down to an indistinguishable goo for the sake of avoiding anything remotely challenging. with the thing that's "challenging" here being. you know. giving a shit about women and Black people and like frankly anyone but your shippable white men (and honorary Markiplier).
don't make me tap the five year old teen vogue article, etc
All experiences of escapism are not created equally.

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the other big takeaway of the hagfish sex mystery (outside of all the information on hagfish) is always always always check the sources of a claim, even if you feel it's from a credible institution or individual. this all started because i saw a post ( x ) from the monterey bay aquarium claiming that hagfish are serial bidirectional sex-changers, looked up the mechanisms by which fish change sex, saw that people who wrote on that subject weren't counting hagfish as vertebrates known to change sex, and then started trying to track down what specific claims were being made by whom based on what evidence. you do not have to hit the 'doing background research on embryology as preparation to email a specific highly accomplished evodevo scientist about his lab observations' stage for every single thing (you can hit it sometimes. it's fun. let's be dilettante scientists together.) but you should be aware of the fact that anyone can say anything (and they might even believe it's true). you benefit from investigating things for yourself.
let's explore how this sort of thing can create issues. hagfish are an important part of benthic ecosystems and the carbon cycle due to being scavengers who are often among the first to arrive to corpses (sometimes before they're technically corpses. i'm warning you ahead of time so if you look into hagfish scavenging and predation you're aware) and whose feeding behaviors influence the behaviors of other benthic scavengers. they do this primarily through competition with other scavengers who eat soft tissues and through making different parts of the carcass more accessible by stripping those soft tissues. (sources: x, x) they also influence their environment by stirring up sediment when burrowing, which oxygenates the sediment (a big deal in the deep sea where oxygen is scarce) and loosens the substrate for use by other animals. (sources: x, x ) for this reason some scientists recognize hagfish as 'ecosystem engineers,' animals whose presence and actions have a significant effect on the ecology of the area they live in. (source: x)
this is not directly relevant to my questions about the reproductive biology of hagfish but it is very much connected, as not knowing how they reproduce impacts our ability to assess hagfish population stability. and it is very important that hagfish be able to maintain population stability. as of right now, policy decisions regarding deliberate fishing of hagfish and hagfish as bycatch are being made on limited, incomplete information about their life cycles that people may not be aware is limited and incomplete. after all, at this point i've found multiple sources that say 'hagfish reproduction works like this' and then when i dig deeper, the full statement is 'hagfish reproduction works like this (we think) (we're guessing) (no one actually knows for sure).' that's two different statements! those are VERY different levels of knowledge! it's irresponsible to present an unproven hypothesis as solid fact. but it's also socially rewarded to make confident-sounding statements and bury the uncertainties, and the majority of people just accept the surface and skim over the revealing details.
trust, but verify. double-check the reasons people give for saying what they're saying and make sure they're sound. if you're making the choice to deliberately share information with an audience, take the time to make sure that information is what it appears to be. if it's good, great. if it's not, you may have found a new research rabbithole to go down.
"AMAB" i mean so what. i was jaundiced at birth too but nobody seems to want to assign social significance to that. they should though. they should assert that i will always have a jaundiced soul no matter how much urine i process. and mock me for my weak faggot kidneys #myweakfaggotkidneys
A German regional court has ruled that Google is directly liable for the content of its AI search overviews. According to the court, previou
Let’s fucking go
This is HUGE.
1. The court holds Google responsible for statements made by its AI, considering them Google's statements (search engines have limited liability for results in their engine as they're the words of other sites/companies/people), meaning when their AI lies/hallucinates they're liable for the defamation/harm resulting from those statements.
2. Google's defense that customers are generally aware of the lack of reliability and are responsible for fact checking was dismissed. As the court pointed out, that would "significantly diminish" AI Search's stated purpose and it can't be distinguished from Google's business practices/statements as a search tool.
3. Studies have found about 91% of Google's everyday AI responses are accurate, leaving millions of searches per HOUR with potential liability for falsehoods. 56% of correct responses weren't supported by the sources the AI listed. Both of which mean Google is now liable for a LOT more AI "errors."
4. Google was held liable for 80% of court costs in this case and this precedent is expected to reverberate around the world. This is a massive shift from the 3rd-party search provider role Google has previously played and it comes right as they've tied ALL searches to their AI search.
TL;DR Google reeeeeally stepped in it this time.
i’m rereading the howl’s moving castle fic i started writing in a fugue state a couple months ago and it’s… good…
“I think old women might surprise you,” Howl said [to Calcifer], which was close enough to what Sophie had been thinking that, nettled, she decided to agree with Calcifer after all.
the fact that howl & sophie get married and that literally no one acknowledges that calcifer is a crucial and critical Third part of their relationship… You Fools. You Cowards.

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You are not progressive if you call Two Spirit a "native version of nonbinary/genderqueer/bigender/agender". Two Spirit is Two Spirit.
The binturong of unkemptness