Music: Crazy Train by Ozzy Osbourne, from the album Blizzard of Oz
Download links, full source list, and subtitles available on AO3
Ok so this one takes some explaining. The themed premiere for @vidukon this year was 'Unfinished Business'. The con itself was held in Birmingham, which is the terminus (now) of the High Speed Rail 2 project. Well. It will be. There has been so much slippage the new station is a massive hole in the ground. Birmingham also happens to be my home town, and I can't remember a time when parts of it weren't been dug up, knocked down, built, and the knocked down again. The whole city is unfinished business, and HS2 is a big part of that.
I joked that I should make an HS2 vid for the premiere, and then got encouraged to actually do it. The song suggestion was from Janecdotes and was perfect, as of course, Ozzy was also from Birmingham.
I wasn't really sure how to go about vidding something that doesn't have the same narrative as a TV show. With a show, you sort of already have that structure of a story you're working in, even if you are breaking the story in some why. I wasn't even really sure what footage existed for me to use.
I ended up writing a storyboard with what I wanted to happen, the narrative I wanted to show, then went looking for footage. I watched a LOT of engineering and drone footage, technical explainers, and parliamentary questions. I also incorporated static images, such as headlines and search queries.
I think I was definitely inspired by the way @beatriceeagle uses static panels in They Give it Away, and the approach to vidding an infrastructure project was inspired by absternr's amazing can-opener bridge vid Hard Knock Life.
Crazy Train is a long song, so I chopped out about a minute or so of it- including some of Randy's legendary guitar work, which I'm sure is metal blasphemy.
One thing that I didn't expect to happen was developing very fond feelings, almost pride, about HS2 itself. It gets a lot of stick in the media, and it's decades behind schedule, and billions over budget. But we do still need it (ideally all the way up to Leeds) and seeing the engineering feats, the miles of tunnel, the viaducts. the stunning bridges, everyone is working so hard and it's going to be amazing. Gosh I love railways.
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in a way john watson is a fantasy (what if you had this brilliant enigmatic friend and what if he liked you in particular and what if he offered you the excitement of youth and adventures and a way out of boring society life and all without having to actually give up your status as a gentleman so you could have the best of both worlds) and in a way sherlock holmes is a fantasy (what if someone never got tired of you despite your various strange habits and mood swings and instead of simply tolerating you they genuinely liked you and what if you didn’t have to live alone forever and what if you never had to give up doing the things you love) and of course there’s the most fantastical part of it all (what if you could afford london housing prices)
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i love kleya marki, i love the dynamic with luthen , i might do luthen next and maybe deedra and krennic ( not as martyr but as roman oppressor maybe?? but not right now) i would love to draw official star war characters .
I'm forcing my sister to watch black sails and she hates flint (gates pushed her over the edge) so much lmfao. She says she doesn't give a fuck what his motivations are there's no way they could be good enough for her unless. and I quote. "he's doing it all for the gays or something"
I wanted to adapt one of my favorite scenes from the Iliad into a comic ✨ the dialogue borrows and takes direction/inspiration from various translations, although pacing, general flow of the words, and page space got the final say in what I ultimately ended up deciding to letter.
I just finished The Three Musketeers, and this might be the best book I've ever read in my life, mostly because every single character is batshit insane and drunk for 90% of their Big Plot Decisions.
Lights up on d'Artagnan: he's new in town and he's already making enemies. He meets his three best friends by scheduling back to back duels with them, under the assumption that he won't have to fight the last two if he dies in the first one. He is twenty years old and has never even heard of a frontal cortex. This is made evident by every word he says.
Athos, Porthos, and Aramis are supposedly in their 20s-30s, but barely any better. The moment they have any money at all, they siphon it directly into their alcohol budget. They make enemies everywhere they go and get into almost as many duels as d'Artagnan. Also worth mentioning: they see this crazed 20-year-old and choose to devote their lives to him simply because he has good vibes.
We've got the cardinal, who seems only tangentially related to any kind of clergyhood. We've got the king, whose main personality trait is that he HATES his wife. We've got the queen, whose main personality trait is cheating on her husband. We've got the Duke of Buckingham, who is (unfortunately) English. We've got the Love of d'Artagnan's Life, aka somebody else's wife but he sucks so he can get cuckolded. And finally, we've got the prototype female manipulator, a character written with such intense feminism AND misogyny that I scarcely know what to say about her except "go off, queen" as well as the occasional "I don't support all women, some of you are stupid."
Do yourself a favor and commit 5-12 weeks to reading this book, if for no other reason than the part where d'Artagnan tells a guy "I'll spring you from jail, don't worry, it's all part of the plan!" and then immediately forgets him in prison and flirts with his wife.
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