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Sugar, Sex, and Very Little Sleep
@princeofsparkles
A real live adult. 30s. They pronouns. Gay IRL with Ritterssport . About me (kind of). Tell me I'm a handsome cat. I contribute valuable things to fandom.
hate when people say something along the lines of "we must get along so well because you are/i am [some astrological sign]" to me. what are you fucking talking about. we get along because im fucking nice. a decision which i regret when you say shit like that
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the thing about CC is that she did plagiarize. she was found guilty of plagiarism and banned from fanfiction dot net! she plagiarized pamela dean, among others, and lied about it repeatedly! it happened! and regardless of whatever else she writes, regardless of whether the publishing industry and her fans trust her not to do it again, regardless of how many times her wikipedia page gets scrubbed clean, that will always have happened! so it is not in fact cruel gossip, but a factually true statement, to say that she plagiarized and i'm not interested in supporting her or giving her the benefit of the doubt because she plagiarized and lied about it repeatedly! fuck!
what really incenses me about cassandra clare â and forgive me for bringing this up again, but i don't think i've articulated this point yet â is not that i believe she is currently plagiarizing. any accusations i've seen about recent work seem to me to be superficial. but even if one could prove that she never plagiarized again once she started publishing, it wouldn't matter to me, because she chose to capitalize on her fandom history. while trying to distance herself from what she did, she made a brand out of the fanfic pen name "cassandra clare" and continues to profit off the reputation and fanbase that she amassed while she was, provably, a plagiarist.
you don't get to do that and bury the things that made you famous. as an individual, as a human being, she is capable of change and any other good qualities you may want to ascribe. but she built her career on lies. professionally, i don't understand why she gets to move on.
the worst part for me--worse than building her career on plagiarism--is that her career was also built on a truly reprehensible level of harassment. she told her followers to help get her unbanned from FFN (as if that would ever happen) and they spent months harassing the site owner and several abuse team members. one of them, after enduring extensive abuse, ended up in the hospital.
this was just the beginning of the harassment, though. CC additionally used her friend heidi, a lawyer, to send cease & desist letters and other forms of legal harassment against ppl. none of it would hold up in court and these sort of things weren't even heidi's area of expertise as a lawyer, but it still happened.
CC was such a terrible serial harasser that people started to leave her alone about the plagiarism stuff after a while because it was just not worth her blowing up your entire spot. not just with her lawyer, but with her minions who harassed targets on her behalf. getting a deluge of harassment is a horrible experience that hurts people, so of course people tried to avoid it.
i hate CC because she hurt lots of people. she did it intentionally, repeatedly, and with singular focus on covering her own ass no matter who she hurt.
she has the career she has now because of her harassment of fandom as much as the plagiarism.
My scorching hot take on Christopher Nolan Presents Homer's The Odyssey is Tom Holland having his mind blown while filming this, then going back to Marvel to and being all "Why did no one tell me that you can, like, have a finished script before you start filming and a cinematographer who has all the shots planned before filming instead of figuring it out in post, has anyone else heard about this?" is pretty funny
just finished this month's book club book, went skimming goodreads reviews afterwards as you do, got my breath taken away by this absolutely brutal ending to one of the multi-paragraph 1 star reviews
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The hoax took place in Florence in about 1409... The victim was a carpenter named Manetto, known as Il Grasso, "the Fat Man." Manetto specialized in carving ebony and owned a shop in the Piazza San Giovanni, not far from Filippo [Brunelleschi]'s house. He was prosperous and good-natured, but one day had the misfortune of incurring Filippo's ire after missing a social gathering. Never one to resist retaliation, Filippo resolved to exact his revenge for this perceived slight by persuading a wide cast of characters to convince Manetto that he had metamorphosed into someone else....
As Manetto closed his shop one evening, Filippo went to his house near the cathedral, picked the lock, slipped inside, and barred the door behind him. When Manetto arrived a few minutes later, he rattled the door and then, to his alarm, heard what sounded like his own voice (in fact, Filippo doing an impersonation) ordering him to go away. This impersonation was so convincing that eh retreated in bewilderment into the Piazza San Giovanni. There he met Donatello, who inexplicably addressed him as Matteo, and shortly afterward a bailiff, who likewise hailed him as Matteo and then promptly arrested him for debt. He was taken to the Stinche prison, where his name was entered in the jail book as Matteo. Even his fellow prisoners--all of them party to Filippo's prank--addressed him by this alien name.
The carpenter spent a sleepless night, fretting over events but solacing himself with the thought that he was merely a victim of mistaken identity. This comfort evaporated the next morning when two strangers--the brothers of the real Matteo--arrived at the prison and claimed him as their kin. They paid his debt and liberated him, though not before chastising him for his supposed gambling and profligate living. More bewildered now than ever, he was escorted to Matteo's home on the other side of Florence, near Santa FelĂŹcita, where his protests that he was not Matteo, but Manetto, appeared to fall on deaf ears.... He was then put to sleep with a potion supplied by Filippo and carried, unconscious, back across the river to his own home. He was laid on his bed in a reversed position, with his head at the foot and his feet at the head.
Awakening many hours later, the poor carpenter was confused not merely by his position on the bed but also by the disarray of his house, for his tools had been completely rearranged. His perplexity grew with the arrival of Matteo's brothers... greeting him as Manetto and relating the curious story of how the previous evening their brother Matteo conceived the fantastic notion that he was someone else. The story was soon confirmed by Matteo himself--the real one--who arrived at Manetto's house to describe his puzzling dream of having been a carpenter. The disarray of the house was explained by the fact that in his dream Matteo noticed how his tools were out of order and in need of rearrangement.
Source: Brunelleschi's Dome, Ross King
What the hell was going on in 15th-century Florence. You miss a party and get elaborately mindfucked by a pissed-off goldsmith and his buddy Donatello. Manetto ended up moving to Hungary over this and who can blame him
For now Meagan and Autumn Hill are at Johnson County Jail, as the state of Texas is trying to double-jeopardy them. If you want to send mail to them, use these mailing addresses:
for Meagan:
Bradford Morris 202502011
Johnson County Jail
PO Box 247
Phoenix, MD 21131
For Autumn Hill:
Cameron Arnold 202502023
Johnson County Jail
PO Box 247
Phoenix, MD 21131
Books have to be ordered through Barnes and Noble, they go to the same names and booking numbers, but to the physical address of the jail:
[Deadname / booking number]
Johnson County Jail
1800 Ridgemar Drive
Cleburne, TX 76031
You can also contact them via the GTL app, though it requires registration and costs 25 cents a message. To get to them in the facility lookup , you would select Texas > Johnson County > booking number (for Meagan 202502011 , for Autumn Hill 202502023). You will need to put funds in the "my messaging" account. The upside is that you can send immediate messages and pictures to them.
If you want to send them commissary, you have to go through the Connectnetwork website at https://web.connectnetwork.com/ . Like with GTL you have to look them up by Texas > Johnson County > booking number.
Anyway. I want to say thank you to everyone who's been supporting Meagan and Autumn through this awful time, and that they've really benefited from everyone's support: the letters, commissary, phone calls, everything that helps them keep a hold of their community outside. One day they will be free, but until then thank you all for supporting them <3
The internet may threaten to make perpetual shoppers of us, but it offers heaps of information about repair and mending too. Here's our pick
iFixit
iFixit is a wiki-based site that teaches people how to fix almost anything. It was started in 2003 by Luke and Kyle, in a dorm room at California Polytechnic University when they tried to fix an old iBook together. With no instructions, they tinkered, fiddled, broke some tabs and lost some screws. But they fixed it. When they decided to start selling spare parts themselves, iFixit was born. It now hinges around its step-by-step repair guides, which are free to download and use under Creative Commons licenses.
Now, anyone can create a repair manual for a device on iFixit and anyone can edit the existing set of manuals to improve them. The siteâs founders say that thousands of people make use of the guides every day.
âWeâve heard repair success stories from forensic detectives, field translators, and even kids,â say the pair. âFrom New York to Alaska, Tibet to the Faroe Islands, people have used our guides to fix their stuff.
âOur philosophy is that if you canât open it, you donât own it. Once you disassemble, repair, and put back together your laptop or iPod, you have a much better understanding of what goes into it. Itâs astounding how just 20 minutes of work can make an iPod good as new â but most people have no idea that there are instructions available to make the work easy. And why should they? Apple tells everyone that the battery isnât user-serviceable.
âThatâs where we come in, filling the ecosystem hole that Apple created by manufacturing a device without an end-of-life maintenance and disposal strategy.â
Fixing the world, one gizmo at a time.
Restart Wiki
This is a place where members of the Restart community share tips for mending appliances and gadgets with people who are starting out, or whose knowledge lies elsewhere.
This wiki wonât show you how to fix a particular make and model of device: they leave this to the various fix-it websites and disassembly videos. (You can also get help with a device on social media using #SOSRestart). Rather, contributors to this page concentrate on basic and widely applicable principles, for example soldering and how to stay safe while fixing things.
The site is aimed at anyone with a curiosity about how things work and how to fix them. No prior knowledge is assumed. In the spirit of spreading knowledge as widely as possible, everyone is welcome to read it â and to share it. Anyone is welcome to reuse anything on the wiki, under the terms of the Creative Commons ShareAlike Licence 3.0.
Makers of electronic devices will have to make their products easier to repair under the EUâs right to repair legislation
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actually I think you should be normal about ordinary citizens of authoritarian countries and yes that applies even to that country you're thinking of right now
"but they support [dictator] and [violent action]!" okay is it possible that a combination of propaganda, election rigging, and authoritarian crackdowns on dissent could lead a population to look like it supports something most people would find distasteful under more reasonable circumstances
why are greek mythology adaptations always so gritty when thereâs so many weird ridiculous antics to pull from. helen of troy not knowing how to cheer up telemachus so she drugs him to not feel any emotions and calls it a night. athena divinely intervening to curl odysseusâ hair so he looks sexy enough to successfully beg for help. aphrodite trying to help her kid on the battlefield and having to run away immediately because she gets beat up by a random mortal. achillesâ horse prophesying death to him and then never speaking again
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Deb Perelman has kept Smitten Kitchen going through the rise and fall of blogging, the pivot to newsletters, and the looming specter of AI.
this article is "please give us your email to read" which is close enough to free that i feel no shame putting the rest of it under the cut. is it interesting? moderately. did it fill me with blogstalgia? yes
Deb Perelman has kept Smitten Kitchen going through the rise and fall of blogging, the pivot to newsletters, and the looming specter of AI. She has no intention of stopping.
There is an agreed-upon bit of cooking wisdom that one should not test out a new recipe for a crowd. You should always make it at least once first, to make sure the recipe goes to plan and you donât find yourself serving undercooked fish or burnt brownies. Itâs advice Deb Perelman tries to adhere to. In her second cookbook, Smitten Kitchen Every Day, she writes that making anything new will typically âsend you into a vibe-ruining tizzy.âÂ
But she then admits she breaks her own rule, because âcravings trump rationality pretty much always around here, and especially when I am six months pregnant.â She arrives at a party with a tomato and gigante bean bake, soon to be christened Pizza Beans. Of course, it was a hit; it was from Smitten Kitchen. Her recipes have, for the past 20 years, through a blog and three cookbooks, become things readers trust as the kind of recipes you can make any time, for anyone, without fear.Â
The two things that friends, family, and colleagues have said to me when I asked them how they feel about Smitten Kitchen are (nearly verbatim from all of them) some variation of âIâd trust Deb with anythingâ or âSmitten Kitchen taught me how to cook.â From the beginning, Perelmanâs familiar, candid writing lured readers into her teeny kitchen, disarming any anxiety one might have about attempting to make dough from scratch for a fruit galette. For many home cooks, Smitten Kitchen has always felt like cooking with a friend.Â
That casual-yet-knowing tone, as well as her dreamy photography, allowed her recipes to become the standards a generation pulls out for weeknight dinners and parties alike. My summers are made of zucchini quesadillas and blueberry boy bait, my winters of mushroom bourguignon. My mother and I can both make her blondies from memory, and I have still maybe never felt so accomplished as when I perfectly executed her chocolate peanut butter icebox cake for my wifeâs birthday, having spent an afternoon making individual black cocoa wafers. Other blogs may have taught you about the science behind the recipe, or meticulously walked you through a certain cuisine, but no other food blog was as instrumental in allowing its audience to explore cooking with confidence and ease.
Twenty years is pushing the limit of how long a blog can exist, especially as the internet increasingly fragments and is captured by corporate interests. In that time, there have been multiple pivots to video, an ever-changing landscape of social media platforms, and now everyone and their mother is launching a newsletter. In food media specifically, recipes feel optimized toward clicks and virality, everything promising a new âhackâ or âtrickâ to convince those who loathe cooking that they should do it.
Other food blogs of the era, like Orangette and Nosh With Me, shuttered or morphed into different things, their creators stepping away, or stepping deeper into careers in food. But not only has Perelman stayed in the picture, but sheâs done it on her own terms. Her recipes are often easy, yes, but itâs not because they rely on hacks. Itâs because she tests them, updates them, iterates on them â and because theyâre good. Where other bloggers may have shuttered their site to parlay internet fame into a recipe writing gig at a major food magazine or newspaper, pursued TV show hosting, or chased any number of ways one can be famous in food these days, Perelman has ensured Smitten Kitchen remains the banner under which she is heralded. And she plans to do it for as long as the internet will let her.
âI had no business being in the food space because I had no authority and no experience,â she says. âSo what was I going to do? I was like, I'll do my own thing. That was the promise of the web!â
âDonât you need this?â Perelman asks as she pushes a plate of olive oil cake to me at Abraco in the East Village in Manhattan, admitting she was barely hungry after Pilates but couldnât not order it. Itâs immediately easy to see how she could earn her readersâ trust. She has the air of a cool older sister, a woman with taste who wants to share all her secrets with you, the kind of woman who seems to be doing exactly what she wants. Probably because she is.Â
In the early 2000s, Perelman was working as an art therapist in a nursing home and, while she enjoyed gossiping with senior citizens all day, she realized it wasnât her calling. âI had a friend, or an ex, who told me blogging was everything,â she said. With the launch of services like Blogger in 1999, and TypePad and WordPress in 2003, having a website suddenly didnât require a computer engineering degree. You could just post. Perelmanâs early blogging looked like everyoneâs attempt those days â a diary of everything and nothing, stories and stray thoughts about dating, New York, whatever. It didnât matter. She didnât expect anyone to read it.Â
However, the DNA of Smitten Kitchen was always in that blog. She included her early adventures in cooking, which some readers responded to. Food became more of a focus after she met her husband and stopped having roommates. âI realized I liked cooking a few nights a week,â she said. She had a variety of tastes to build from. Her mother, she says, learned to cook from Julia Childâs books, and the family picked up more inspiration from California cuisine after her German Jewish grandparents moved from Queens to San Diego.. Growing up in New Jersey, she learned to love even more varied cuisines from friends and neighbors. So when she started cooking more, she came with her own opinions. âI was like, Wow, this recipe is terrible. This recipe is excellent. Oh, you guys don't put all the salt in this one. So that's really how it started,â she says.Â
In the summer of 2006, 20 years ago, she officially rebranded her previous blog to Smitten Kitchen, and went all in on cooking. Food was the subject for numerous early blogs, as the rise of the Food Network and shows like Top Chef made everyone a foodie. She promised âfearless cooking from a tiny NYC kitchen,â about 80-square feet in a fourth-floor walk-up in Manhattan.Â
All the while, she applied for jobs in food media, but she kept running up against the insular nature of the media industry. Perelman feels her lack of expertise and connections kept her from getting a foot in the door. âI had no business being in the food space because I had no authority and no experience,â she says. âSo what was I going to do? I was like, I'll do my own thing. That was the promise of the web!â
âI think every day about how it feels to be coming home on the train, and you saw a recipe, and you went and bought the ingredients with energy you didn't have, time you didn't have, inclination you lacked to make a recipe,â she says. âHow can I make sure I did not lie to you? That I did not waste your time?â
Kelsey McKinney, a staff writer at Defector, began cooking Smitten Kitchen recipes in high school. McKinney was already an avid user of Google Reader, using it to follow blogs like Design Sponge and other accounts of individual womenâs lives. âMy sister and I had spent our whole childhood watching Rachael Ray after school, and I was like, this is what I need,â she says of finding Perelmanâs blog. She was attracted to the straightforwardness of Perelmanâs recipes, which often didnât require expensive ingredients or specialized equipment. Perelman regularly updates recipes when sheâs figured out how to streamline a process, or when sheâs made a version of something she believes is even better than it was before.Â
Much of what Perelman still posts is tweaks and adaptations of other peopleâs recipes. âIt took me a while to realize that it wasnât disrespectful to change a recipe,â she says. Smitten Kitchen was about sharing what works for her, after all, and sheâs happy to give credit where credit is due. âI really always resented the idea that if you were linking to sources or talking about what influenced you, that you weren't going to get a cookbook deal or that you weren't a real cook,â she says. âI want you to tell me you learned about whipped cream from Nancy Silverton. I think it tells a better story.âÂ
Perelman was also a warm, welcoming presence when Shah was trying to learn how to cook recipes outside of the Indian food she grew up with. Perelman tends to stay in a culinary lane, making easy weeknight dinners and rich baked goods with a pan-Western-European palate, sprinkled with inspiration from her and her husbandâs German Jewish and Russian backgrounds, respectively. âShe had all this kind of stuff down that I was never going to be able to learn from my mom or anybody else in my life,â says Shah.Â
When Perelman does veer off that path, she loads on the caveats; She calls herself âsomeone who at best inauthentically dabbles in Indian cooking,â in a recipe for sheet pan chicken tikka, adapted from a Meera Sodha recipe. She notes when she was âcraving a flavor profileâ in a Thai-ish steak salad, but names the dishes, yum neua yangandneua naam tok,itâs riffing on. âShe does things from a place of respect, and doesn't ever act like she invented something,â says Shah.Â
She hasnât stayed totally unscathed but, like her acknowledgments, her apologies are obvious and freely given when sheâs had to give them. In 2016 she published â5 Times I Kinda Stepped In It at Smitten Kitchen,â including publishing a recipe for cupcakes with chocolate and whiskey with an offensive name. âIt was one of the first times I found that having a wide audience was making me a nicer or at least more mature person,â she wrote.
Perelmanâs appeal was that she was, and is, an honest-to-god blogger. Her writing is honest and charming, a little confessional, and a lot casual. She wants to divulge. From the beginning, she says that she focused on making sure the stories and instructions she wrote sounded the same as they sounded in her head, instead of editing them to be more poetic or academic. She writes as she speaks. âIt always sounded like she was your friend talking to you,â says Shah, who says she had that style in mind when writing her own headnotes for her cookbook. âI wanted it to be very approachable, that people feel like they can genuinely cook from it, and I think that's also Deb's magic. All of her stuff feels incredibly doable. Thereâs nothing on her website where I think I canât make that.â
In the middle of our chat, it dawned on Perelman that it had already been 20 years. After all this time, she still doesnât have a PR person to keep track of such milestones. And she is hesitant to consider herself an authority, even after two decades of making cooking and blogging her job. âI'm not saying if you have authority you shouldn't have it, but I do not care whether I'm correct. I am just going to tell you what worked for me,â she says. But for those of us raised on blogs, she holds as much weight as Ina or Martha (and just as much of a mononym).Â
At the beginning of the blog boom, blogging allowed a writer to get their name out there without having to pass the well-kept gates of food media. Many of these early food blogs had on-site ad capabilities â WordPress had a plugin that made running them automatic â but it was never a guarantee that youâd make any money off them. The promise, instead, was that like Julie Powell and her Julie & Julia blog, the right powerful person would find your writing and offer you a job, or a book deal, or possibly even a movie.Â
Many former bloggers have taken that path. Erway has gone on to write cookbooks and win a James Beard Award for her writing in TASTE. Pim Techamuanvivit, who started her blog Chez Pim in 2001, became a professional chef, and her restaurant Kin Khao received a Michelin Star in 2014. Molly Wizenberg of Orangette has published memoirs and a novel, and teaches workshops on personal writing. Their blogs are all dormant. âIf I could, I would keep doing the blog,â says Erway. But she increasingly wanted to keep her ideas for outlets that might pay and, even if she had been making money off blogging, the desire to go to a blog and see what the person behind it is musing about that day had fallen out of fashion. âI loved creating that content. I just donât think it was the worldâs thing anymore,â she says.
Digital media is, yet again, at a crossroads. The ad model that was always tenuous is now fully collapsing. The infiltration of AI into the traffic that search engines used to generate means that far fewer people are clicking on links. Instead, they just read the AI-generated summary given to them by Google or ChatGPT and go on their way. This means pageviews are tanking, which makes advertisers that pay by the pageview are putting their dollars elsewhere, which has forced websites and blogs to pull back, lay people off, and shutter.
Perelman is one of the lucky few who can still pay the bills through running ads on her website, and she knows that could end tomorrow. âI canât even tell you if I'm going to have that in two years,â she says. She has tried to stay savvy about expanding her reach and trying new things while making sure she doesnât dilute the blog people have come to love. Sheâs on Substack, where her newsletter has nearly 300,000 subscribers, and finally started making video content for TikTok and YouTube. To maintain her ecosystem, she keeps her recipes only on the Smitten Kitchen site, directing everything back to the core product.Â
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Thatâs why the rise of AI has her âshaking with rage,â she says, as she sees services like ChatGPT generate recipes written and tested by no one, but clearly based on real peopleâs work. âYou should not be able to copy and paste my recipes that I developed, that is my living,â she fumes. After all, sheâs based so much of her authority on citing her sources. Stripping her name from her work and presenting it in a contextless ether is antithetical to everything sheâs built, and the way blogs from the era she emerged from work.
But Smitten Kitchen has never lived or died by people typing âbest birthday cake recipeâ into Google. What Perelman has created over the years is a dedicated audience, people who will still type the URL into a web browser every day to see what sheâs up to, and who cook whatever sheâs posted just because she posted it. Her homepage has barely changed since she launched. Why should it? What about it isnât serving the people it needs to serve?
Perelman is scrolling through her photo library with me. First, a block of sunlit photos of spaghetti aglio e olio, âthe perfect beach house meal,â she says, when you realize the owners have left jack shit in the pantry. Then, some videos of homemade ice cream sandwiches. Sheâs working on a peach cobbler loaf for when your peaches go too soft immediately after buying them, and a rib recipe that doesnât involve hauling out the grill. A pasta salad with corn. Sicilian potato salad with olives and capers. Grilled wings where the glaze doubles as a salad dressing. âI just have been having so much fun putting different glazes on wings,â she leans in to say, as if sharing a secret.
She sounds like she could talk about her kitchen experiments all day. She jokes that she hopes she gets tired of the job before it gets tired of her (or the internet ceases to exist), but hearing her talk about whipping up hangar steak and a plate of cantaloupe and prosciutto for friends, that sounds impossible. That sort of spontaneous dinner is what her fourth cookbook, which sheâs currently working on, will be about.Â
So far, her cookbooks have all been published about five years apart, and thatâs how she likes it. She wants to take her time, both because she works better on her own schedule, and because she never wants cookbook work to take away from her regular schedule on Smitten Kitchen. âI donât want the website to die while Iâm working on another project,â she says.
Because after 20 years, itâs still all about the blog. Smitten Kitchen forges on as others have fallen, and its future will look much like its past, with Perelman itching at the keyboard to share everything she knows. âI am totally open to trying new things,â she says, âbut the truth is that I really just love the internet and I really love having a blog."