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THE VAMPIRE LESTAT 03.05 | "New York"
INTERVIEW WITH THE VAMPIRE Season 1, Episode 4 | Season 3, Episode 5
THE VAMPIRE LESTAT 03.05 | "New York"
SHEILA ATIM as Akasha
THE VAMPIRE LESTAT 03.05 | "New York"

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"The wilderness that is our daughter"
THE VAMPIRE LESTAT 3.03 | 3.05
She, she, she, it is she… It is often she. And in the old songs and in the long nights, she holds him in the softness of her arms, in her arms that are open, in her arms that are wide, that are open, that are always, that must always be open. And in the old ways and in the old laws, this was arranged. All this was arranged. And who arranged it? Did Amel? And that is what it means to be loved. It is Amel. It is always Amel. It is often she… Into the land where the dead are kept, where the dead are worshipped. And why the days without number? And what am I for? What is this for? And what should Amel do with it if not to answer? And why are they throwing stones? And why is she curled on the ground? And why is it wound… And in my eyes is desire, and why is it desire? And why does he tell her what God has said? And why Amel in their mouths? And why must my voice be smooth? And why must I sing so low? And why is she kept? Why must she be kept? And why in this place must she be kept? And what does it mean if you are not asked? And what does it mean if you are not answered? And what is it to see and to know, but to be told… You have not seen. You have not known. And why is her tongue cut out? And why is her death prolonged? And when will it stop? And who will stop it? And why must they, must we, must I, must he, must they, as the millennia, unfold? Why the girl curled? Why her eyes lowered? Why on the side of the road? Why limp in the straw? I am the girl! I am the god! I am the voice! I am the song! I am the night! And I can answer! I can arrange it! I can say rise, and I can say speak! And I am her! And I am she! And I, I, I, I am the answer!
THE VAMPIRE LESTAT | 1x05 'New York' INTERVIEW WITH THE VAMPIRE | 1x07 'The Thing Lay Still'
❝We live in a perpetually burning building, and what we must save from it all the time is love.❞
Widow's Bay 1.10, "We Hope You Enjoyed Your Time!" I dir.Hiro Murai
Uh oh! Daddy's younger boss yelled at him today. GO BACK 3 SPACES.
Widow's Bay | Episode 2 - Lodging

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Widow's Bay 1.08 "Your Baggage"
Roofs under Snow (1878) by Gustave Caillebotte
MY QUEEN!!!
THE VAMPIRE LESTAT 03.05 | "New York"

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One thing I'm so interested in is Gabi vs Akasha parallels. His human and monster mothers, both of whom absolutely override his consent and agency and *person* in their quest for self fulfillment. They are covetous of him in similar ways. They both desire to use him in similar ways. In the previous episode, Gabi talks about "answering good with evil" which finds an echo in Akasha's rambling monologue- I will and I am the answer- to paraphrase. The answer to Lestat's "Do you need me now?" is "yes" from Gabi only because she sees him as the instrument to her greater plan ( The Great Conversion). Her bitter, bright rage built over centuries is, as we find out, only an echo of the same in Akasha, that's built over millennia. People are raging over Gabi's gender presentation in books vs the show, whereas I think her decision and apparently great desire to take an active interest in the course of human life and history ( as opposed to observing it from afar) feels like the most significant departure from the books to me. Anyways: Gabriella will have to make a choice between Lestat and Akasha soon. We know how it goes in the books, but I'm waiting to see how it goes in the show.
post: I noticed that in act 1 there's a loaded gun mounted on the wall there. I bet by the end of act 2 it will have been fired
all the replies: you're a fucking idiot
*after act 2*
all the replies: how the fuck did you know that
okay but we can't know for sure that the loud noise and bright flash offstage—which occurred after the character who was holding the gun exited the stage with it—was a gunshot, because we didn't get to directly see it